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Sushi Mumi | A Wong Kar-wai-esque Dining Experience 🌟

The dim yellow light falls on the wooden bar, reminiscent of the lingering ambiguity in "Chungking Express." πŸŒ† πŸ—½The chef speaks Cantonese. Standing right in front of you, he presents dishes that are memories of the sea and the city: The warm crab soup softens the chawanmushi, while the slightly salty salmon roe brings a hint of bitterness like time itself; the chewiness of the conch and the crisp sound of the grilled scales of the hairtail are the old sounds that have walked through the streets and movies. Golden eye snapper, white croaker, white squid, sweet shrimp... Each piece of nigiri is like a fixed gaze in Wong Kar-wai's lens, brief yet profound. πŸŒ…πŸŒΈ Hokkaido's sea urchin is a love note in midsummer, and Nagasaki's eel hole is a hug on a winter night. πŸ—½The most unintentional part is actually the last piece of tamago β€” a gentle bite, and it's as if the film suddenly returns to everyday life, yet retains the lingering warmth. Two hours of omakase is like a dialogue-free movie. Between you and the dishes lies the vastness of the sea, the ambiguity of light and shadow, and time β€” slow yet sharp. πŸŒ…πŸŒΈ The final spoonful of yuzu and Sichuan pepper ice cream, sour with a hint of numbness, is like the unsaid white space. Only when you step out the door do you realize: This meal is not an end, but the beginning of another movie. πŸ—½ #NYCLife #NYCDining πŸ—½πŸŒŸ

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Tessa Thompson
Tessa Thompson
2 months ago
Tessa Thompson
Tessa Thompson
2 months ago
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Sushi Mumi | A Wong Kar-wai-esque Dining Experience 🌟

The dim yellow light falls on the wooden bar, reminiscent of the lingering ambiguity in "Chungking Express." πŸŒ† πŸ—½The chef speaks Cantonese. Standing right in front of you, he presents dishes that are memories of the sea and the city: The warm crab soup softens the chawanmushi, while the slightly salty salmon roe brings a hint of bitterness like time itself; the chewiness of the conch and the crisp sound of the grilled scales of the hairtail are the old sounds that have walked through the streets and movies. Golden eye snapper, white croaker, white squid, sweet shrimp... Each piece of nigiri is like a fixed gaze in Wong Kar-wai's lens, brief yet profound. πŸŒ…πŸŒΈ Hokkaido's sea urchin is a love note in midsummer, and Nagasaki's eel hole is a hug on a winter night. πŸ—½The most unintentional part is actually the last piece of tamago β€” a gentle bite, and it's as if the film suddenly returns to everyday life, yet retains the lingering warmth. Two hours of omakase is like a dialogue-free movie. Between you and the dishes lies the vastness of the sea, the ambiguity of light and shadow, and time β€” slow yet sharp. πŸŒ…πŸŒΈ The final spoonful of yuzu and Sichuan pepper ice cream, sour with a hint of numbness, is like the unsaid white space. Only when you step out the door do you realize: This meal is not an end, but the beginning of another movie. πŸ—½ #NYCLife #NYCDining πŸ—½πŸŒŸ

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Sushi Mumi
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