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Shilaidaha Rabindra Kuthibari — Attraction in Khulna Division

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Shilaidaha Rabindra Kuthibari
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Shilaidaha Rabindra Kuthibari, in short Shilaidah Kuthibari, is one of the major tourist places in Bangladesh. It is located seven kilometers north of Kushtia on the banks of Padma in Kumarkhali Upazila of Kushtia District.
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Shilaidaha Rabindra Kuthibari things to do, attractions, restaurants, events info and trip planning
Shilaidaha Rabindra Kuthibari
BangladeshKhulna DivisionShilaidaha Rabindra Kuthibari

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Shilaidaha Rabindra Kuthibari

Kuthibari Road, Kushtia, Bangladesh
4.5(2.2K)
Open 24 hours
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Shilaidaha Rabindra Kuthibari, in short Shilaidah Kuthibari, is one of the major tourist places in Bangladesh. It is located seven kilometers north of Kushtia on the banks of Padma in Kumarkhali Upazila of Kushtia District.

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Moshiur RahmanMoshiur Rahman
Peaceful Place Full of History and Beauty" Rabindra Kuthi Bari in Kushtia is very well maintained — neat, clean, and peaceful. This was once the rest house of Rabindranath Tagore, and most of the furniture inside is what he personally used during his stay. The house displays lots of photos of him at different ages, handwritten scripts, small doodles, and even a miniature model of his boathouse. But honestly, the surroundings are even more beautiful than the house itself. There are big ponds ("dighis") on the north side, filled with pink water lilies — absolutely peaceful and picturesque. The area is spacious and calm, perfect for slow walks. The walking paths are well-structured and go around the house and the ponds. Nearby, there’s also a newly built open theatre and a picnic house, both nicely designed and clean. A great place to spend a relaxing afternoon, especially if you're into history or just want a quiet escape.
Abir Mahmud EmanAbir Mahmud Eman
āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰ āϕ⧁āϟāĻŋāĻŦāĻžā§œā§€... āϏāĻŽā§āĻĒā§‚āĻ°ā§āĻŖ āĻ…āĻšā§‡āύāĻž āĻ…āϜāĻžāύāĻž āĻāĻ•āϟāĻž āϜāĻžā§ŸāĻ—āĻž āĻ­ā§āϰāĻŽāύ⧇āϰ āωāĻĻā§āĻĻ⧇āĻļā§āϝ⧇āχ āϕ⧁āĻˇā§āϟāĻŋ⧟āĻžā§Ÿ āĻĒāĻĻāĻžāĻ°ā§āĻĒāĻŖāĨ¤ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ⧇āϰ āϏāĻžāĻ‚āĻ¸ā§āĻ•ā§ƒāϤāĻŋāĻ• āϰāĻžāϜāϧāĻžāύ⧀ āĻāχ āϕ⧁āĻˇā§āϟāĻŋ⧟āĻžāĨ¤ āφāĻŽāĻŋ āĻŦāĻ¨ā§āĻĻāϰ āύāĻ—āϰ⧀ āϚāĻŸā§āϟāĻ—ā§āϰāĻžāĻŽā§‡āϰ āĻŽāĻžāύ⧁āώāĨ¤ āϕ⧁āĻˇā§āϟāĻŋ⧟āĻž āĻļāĻšāϰ āφāĻŽāĻžāϰ āϜāĻ¨ā§āϝ āĻ…āĻšā§‡āύāĻž āĻāĻ•āϟāĻž āĻļāĻšāϰāĨ¤ āĻ…āĻšā§‡āύāĻž āĻšāϞ⧇āĻ“ āχāĻ¨ā§āϟāĻžāϰāύ⧇āϟ āĻ˜ā§‡āĻŸā§‡ āφāϗ⧇āχ āϭ⧇āĻŦ⧇ āĻĢ⧇āϞ⧇āĻ›āĻŋāϞāĻžāĻŽ, āϕ⧁āĻˇā§āϟāĻŋ⧟āĻžā§Ÿ āĻ—āĻŋā§Ÿā§‡ āφāĻŽāĻžāϰ āĻĒāϰāĻŦāĻ°ā§āϤ⧀ āĻ•āĻžāϜ āĻ•āĻŋ āĻšāĻŦ⧇ āϏ⧇āϟāĻžāĨ¤ āϤ⧋ āϝ⧇āχ āĻ­āĻžāĻŦāĻž āϏ⧇āχ āĻ•āĻžāϜ! āϚāϞ⧇ āϗ⧇āϞāĻžāĻŽ āϏ⧇āχ āĻŦāĻŋāĻ–ā§āϝāĻžāϤ āϜāĻžā§ŸāĻ—āĻž āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ⧇āϰ āϕ⧁āϟāĻŋāĻŦāĻžā§œā§€āϤ⧇āĨ¤ āϭ⧇āϤāϰ⧇ āĻĸ⧁āĻ•āĻžāϰ āϜāĻ¨ā§āϝ āϟāĻŋāϕ⧇āϟ āĻ•āĻžāϟāϤ⧇ āĻšā§Ÿ, ⧍ā§Ļ āϟāĻžāĻ•āĻž āĻ•āϰ⧇ āϰāĻžāϖ⧇ āϜāύāĻĒā§āϰāϤāĻŋāĨ¤ āĻ­āĻŋāϤāϰ⧇ āĻĒā§āϰāĻŦ⧇āĻļ āĻ•āϰāĻžāϰ āĻĒāϰ āĻŽā§āĻ– āĻĻāĻŋā§Ÿā§‡ āĻĒā§āϰāĻĨāĻŽ āϝ⧇ āĻ•āĻĨāĻžāϟāĻž āĻŦ⧇āϰ āĻšā§Ÿā§‡āĻ›āĻŋāϞ⧋, āϜāĻžāĻ¸ā§āϟ āĻ“ā§ŸāĻžāĻ“ āĻ…āϏāĻžāϧāĻžāϰāĻŖ āĻ…āύāĻŦāĻĻā§āϝāĨ¤ āĻ•āĻŋāϛ⧁āĻ•ā§āώāĻŖ āĻāϰ āϜāĻ¨ā§āϝ āĻ…āĻ¨ā§āϝ āϜāĻ—āϤ⧇ āϚāϞ⧇ āϗ⧇āĻ›āĻŋāϞāĻžāĻŽ āφāĻŽāĻŋāĨ¤ āĻāϤ⧋ āϏ⧁āĻ¨ā§āĻĻāϰ, āĻĒāϰāĻŋāĻˇā§āĻ•āĻžāϰ āĻ•āĻŋ āĻ•āϰ⧇ āĻšā§Ÿ āĻāĻ•āϟāĻž āϜāĻžā§ŸāĻ—āĻžāĨ¤ āĻāχ āϜāĻ¨ā§āϝāχ āĻšā§ŸāϤ⧋ āϗ⧁āĻŖā§€āϜāύāϰāĻž āĻŦāϞ⧇ āĻĨāĻžāϕ⧇āύ- "āϏāĻžāĻšāĻŋāĻ¤ā§āϝāĻ•āĻĻ⧇āϰ āĻŽāύ āϏ⧁āĻ¨ā§āĻĻāϰ āĻšā§Ÿā§‡ āĻĨāĻžāϕ⧇āĨ¤" āĻāϤ⧋ āϏ⧁āĻ¨ā§āĻĻāϰ, āĻŽāύ⧋āϰāĻŽ āĻĒāϰāĻŋāĻŦ⧇āĻļ⧇ āĻĨāĻžāĻ•āϞ⧇ āĻ•āĻžāϰ⧋ āĻŽāύ āϏ⧁āĻ¨ā§āĻĻāϰ, āϕ⧋āĻŽāϞ āύāĻž āĻšā§Ÿā§‡ āĻĒāĻžāϰ⧇āύāĻžāĨ¤ āĻŽā§‚āϞ āϕ⧁āϟāĻŋāĻŦāĻžā§œā§€ āĻĒā§āϰāĻŦ⧇āĻļ āĻ•āϰāĻžāϰ āĻĒāϰ āĻĒā§āϰāĻĨāĻŽā§‡āχ āφāĻĒāύāĻžāϰ āύāϜāϰ⧇ āφāϏāĻŦ⧇ āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ⧇āϰ āĻšāĻžāϤ⧇ āφāρāĻ•āĻž āĻ•āϤāĻ•āϗ⧁āϞāĻž āĻ›āĻŦāĻŋāĨ¤ āĻļ⧇āώ āĻŦ⧟āϏ⧇ āĻāρāϕ⧇āĻ›āĻŋāϞ⧇āύ āĻāϏāĻŦ āĻ›āĻŦāĻŋāϗ⧁āϞāĻžāĨ¤ āĻ›āĻŦāĻŋāϗ⧁āϞāĻž āύāĻžāĻŽāĻ“ āϰ⧇āϖ⧇āĻ›āĻŋāϞ⧇āύ āĻ…āύ⧇āĻ•āϟāĻž āĻ›āĻŦāĻŋāϰ āĻŽāϤ⧋āχ āϏ⧁āĻ¨ā§āĻĻāϰ āĻ•āϰ⧇āĨ¤ āϤāĻžāϰ āĻ āĻŋāĻ• āĻĒā§‚āĻ°ā§āĻŦ āĻĻāĻŋāϕ⧇āϰ āĻ•āĻ•ā§āώ⧇āχ āĻĻ⧇āĻ–āϤ⧇ āĻĒāĻžāĻŦ⧇āύ āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ⧇āϰ āύāĻŋāϜ āĻšāĻžāϤ⧇ āϞ⧇āĻ–āĻž āĻŦāĻŋāĻļāĻžāϞ āĻāĻ• āχāĻ‚āϰ⧇āϜāĻŋ āĻĒāĻ¤ā§āϰāĨ¤ āĻāϰ āωāĻĒāϰ⧇ āϤāĻžāĻ•āĻžāϞ⧇āχ āĻšā§‹āϖ⧇ āĻĒ⧜āĻŦ⧇ āύāϜāϰ⧁āϞāϕ⧇ āĻ‰ā§ŽāϏāĻ°ā§āĻ— āĻ•āϰ⧇ āϞ⧇āĻ–āĻž āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ⧇āϰ āĻ†ā§Ÿ āϚāϞ⧇ āĻ†ā§Ÿ āϰ⧇ āϧ⧂āĻŽāϕ⧇āϤ⧁āĨ¤ āϰāĻŦā§€ āĻ āĻžāϕ⧁āϰ āĻāĻŦāĻ‚ āύāϜāϰ⧁āϞ āχāϏāϞāĻžāĻŽ āĻāϰāĻž āϝ⧇ āĻĒāϰāĻ¸ā§āĻĒāϰ āφāĻĒāύ, āĻāϟāĻžāχ āϤāĻžāϰ āĻĒā§āϰāĻŽāĻžāĻŖāĨ¤ āϏāĻŋāρ⧜āĻŋ āĻĻāĻŋā§Ÿā§‡ āωāĻĒāϰ⧇ āĻ“āĻ āĻžāϰ āφāϗ⧇ āϤāĻžāϰ āĻŦāĻžāĻŽā§‡āϰ āĻ•āĻ•ā§āώāϟāĻž āϘ⧁āϰ⧇ āĻ¨ā§‡ā§ŸāĻžā§Ÿ āĻ­āĻžāϞ⧋āĨ¤ āĻĻ⧇āĻ–āϤ⧇ āĻĒāĻžāĻŦ⧇āύ āωāύāĻžāϰ āĻŦā§āϝāĻŦāĻšā§ƒāϤ āĻŦ⧇āĻļ āĻ•āĻŋāϛ⧁ āϜāĻŋāύāĻŋāϏāĻĒāĻ¤ā§āϰāĨ¤ āφāĻŦāĻžāϰ āĻ•āĻŋāϛ⧁ āĻ•āĻŋāϛ⧁ āϰ⧂āĻĒāĻ• āĻ“ āφāϛ⧇ āĻāϤ⧇āĨ¤ āωāĻĒāϰ⧇ āωāϠ⧇āχ āĻĒā§āϰāĻĨāĻŽā§‡ āĻšā§‹āĻ– āϚāϞ⧇ āϝāĻžāĻŦ⧇ āϏāĻŋāρ⧜āĻŋāϰ āĻĒāĻžāĻļ⧇āϰ āĻ•āĻ•ā§āώ⧇āχ, āϝ⧇āĻ–āĻžāύ⧇ āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ⧇āϰ āĻŦā§āϝāĻŦāĻšā§ƒāϤ āĻļā§‹ā§ŸāĻžāϰ āĻ•āĻžāĻ  āĻāĻ–āύ⧋ āφāϛ⧇āĨ¤ āĻŦāϏāϤ⧇, āϛ⧁āρāϤ⧇ āχāĻšā§āϛ⧇ āĻ•āϰāĻŦ⧇ āφāĻĒāύāĻžāϰ, āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻŦāϏāĻž āύāĻŋāώ⧇āϧāĨ¤ āφāϰ⧇āĻ•āϟ⧁ āĻāĻ—āĻŋā§Ÿā§‡ āϗ⧇āϞ⧇ āĻĻ⧇āĻ–āĻŦ⧇āύ āωāύāĻžāϰ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āĻŦ⧟āϏ⧇āϰ āĻĻ⧁āĻ°ā§āϞāĻ­ āĻĒā§āϰāĻžā§Ÿ ā§¨ā§Ž āϟāĻžāϰ āĻŽāϤ⧋ āĻ›āĻŦāĻŋ āĻāĻ•āϟāĻž āĻĢā§āϰ⧇āĻŽā§‡āĨ¤ āϝ⧁āĻŦāĻ• āĻŦ⧟āϏ āĻĨ⧇āϕ⧇ āĻļ⧁āϰ⧁ āĻ•āϰ⧇ āĻŦāĻžāĻ°ā§āϧāĻ•ā§āϝ⧇ āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āϕ⧇āĻŽāύ āĻ›āĻŋāϞ⧇āύ āϤāĻž āĻāĻ• āĻĒāϞāϕ⧇ āĻĻ⧇āĻ–āĻž āĻšā§Ÿā§‡ āϝāĻžāĻŦ⧇ āφāĻĒāύāĻžāϰāĨ¤ āϝ⧁āĻŦāĻ• āĻŦ⧟āϏ⧇ āϕ⧇āĻŽāύ āĻ›āĻŋāϞ⧇āύ āφāĻŽāĻžāĻĻ⧇āϰ āĻ•āĻŦāĻŋ! āĻ›āĻŦāĻŋ āύāĻž āĻĻ⧇āĻ–āϞ⧇ āĻŦ⧁āĻāϤ⧇āχ āĻĒāĻžāϰāĻŦ⧇āύ āύāĻž āϝ⧁āĻŦāĻ• āĻŦ⧟āϏ⧇ āϰāĻŦā§€ āĻ āĻžāϕ⧁āϰ āĻāĻ•āϜāύ āϝ⧁āĻŦāϰāĻžāϜ āĻāϰ āĻŽāϤ⧋ āĻĻ⧇āĻ–āϤ⧇ āĻ›āĻŋāϞ⧇āύāĨ¤ āĻāχ āĻ›āĻŦāĻŋāϟāĻŋāϰ āĻ āĻŋāĻ• āĻĒāĻžāĻļ⧇āχ āĻĻ⧇āĻ–āϤ⧇ āĻĒāĻžāĻŦ⧇āύ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϰāĻžāϜāύ⧈āϤāĻŋāĻ• āĻŦā§āϝāĻ•ā§āϤāĻŋāϰ āϏāĻžāĻĨ⧇ āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ⧇āϰ āĻ›āĻŦāĻŋ āĻĻ⧇āĻ–āϤ⧇ āĻĒāĻžāĻŦ⧇āύ āĻāĻŦāĻ‚ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āĻĻ⧇āĻļ⧇āϰ āωāĻĒāϰ āĻŽāĻšāϞ⧇āϰ āύ⧇āϤ⧃āĻŦ⧃āĻ¨ā§āĻĻ āĻĻ⧇āϰ āϏāĻžāĻĨ⧇ āĻŦāĻŋāĻļā§āĻŦāĻ•āĻŦāĻŋāϰ āĻ…āĻ¨ā§āϤāϰāĻ™ā§āĻ— āĻŦ⧇āĻļ āĻ•āĻŋāϛ⧁ āĻ›āĻŦāĻŋāĨ¤ āφāϰ⧋ āĻ…āύ⧇āĻ• āĻ•āĻŋāϛ⧁āχ āĻĻ⧇āĻ–āĻžāϰ āĻŦāĻžāϕ⧀ āĻ›āĻŋāϞ⧋āĨ¤ āϏāĻŽā§Ÿ āĻ¸ā§āĻŦāĻ˛ā§āĻĒāϤāĻžāϰ āĻ•āĻžāϰāύ⧇ āϤ⧜āĻŋāϘ⧜āĻŋ āĻ•āϰ⧇ āĻŦ⧇āϰāĻŋā§Ÿā§‡ āφāϏāϞāĻžāĻŽāĨ¤ āĻŦ⧇āϰāĻŋā§Ÿā§‡ āϏ⧋āϜāĻž āϚāϞ⧇ āϗ⧇āϞāĻžāĻŽ āϕ⧁āϟāĻŋāĻŦāĻžā§œā§€ āĻĻā§‡ā§ŸāĻžāϞ⧇āϰ āĻŦāĻžāχāϰ⧇āϰ āĻĒ⧁āϕ⧁āϰāϟāĻžāϤ⧇āĨ¤ āϝ⧇āĻ–āĻžāύ⧇ āĻŦāϏ⧇ āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ•āĻŦāĻŋāϤāĻž āϞāĻŋāĻ–āϤ⧇āύāĨ¤ āĻĒ⧁āϕ⧁āϰ⧇āϰ āĻāĻ• āϕ⧋āϪ⧇ āĻ­āĻžāϏāϤ⧇ āĻĻ⧇āĻ–āĻž āϝāĻžāĻŦ⧇ āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ⧇āϰ āĻŦā§āϝāĻŦāĻšā§ƒāϤ āύ⧌āĻ•āĻžāϰ āĻŽāϤ⧋ āϰ⧂āĻĒāĻ• āĻāĻ•āϟāĻŋ āύ⧌āĻ•āĻžāĨ¤ āϚ⧜āϤ⧇, āĻ­āĻžāϏāϤ⧇ āχāĻšā§āϛ⧇ āĻ•āϰāĻŦ⧇ āφāĻĒāύāĻžāϰāĨ¤ āĻĒ⧁āϕ⧁āϰ⧇āϰ āĻĻ⧁āĻĒāĻžā§œā§‡ āĻĻ⧁āχāϟāĻž āĻĻ⧈āĻ¤ā§āϝāĻ•āĻžāϰ⧇āϰ āϏāĻŋāρ⧜āĻŋāĨ¤ āϏāĻžāĻŽāύ⧇ āĻĒ⧁āϕ⧁āϰ, āĻĒ⧇āĻ›āύ⧇ āϕ⧁āϟāĻŋāĻŦāĻžā§œā§€, āĻĻ⧁āĻĒāĻžāĻļ⧇ āϏāĻŦ⧁āϜ āĻŦāύāĻžāϰāĻŖā§āϝ āĻāĻŽāύ āĻāĻ• āĻŽāϧ⧁āϰ āĻĒāϰāĻŋāĻŦ⧇āĻļ āϝ⧇ āĻ•āĻžāωāϕ⧇āχ āĻ•āĻŦāĻŋ āĻ•āϰ⧇ āϤ⧁āϞāĻŦ⧇āχāĨ¤ āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āϕ⧇āύ āϤāĻžāϰ āĻļ⧇āώ āĻœā§€āĻŦāύāϟāĻž āĻāχ āϕ⧁āϟāĻŋāĻŦāĻžā§œā§€āϤ⧇āχ āĻ•āĻžāϟāĻŋā§Ÿā§‡āĻ›āĻŋāϞ⧇āύ āϤāĻž āϕ⧁āϟāĻŋāĻŦāĻžā§œā§€ āĻ¸ā§āĻŦāϚāĻ•ā§āώ⧇ āύāĻž āĻĻ⧇āĻ–āĻž āĻ…āĻŦāϧāĻŋ āϜāĻžāύāϤ⧇ āĻĒāĻžāϰāĻŦ⧇āύ āύāĻžāĨ¤ āĻ¸ā§āĻŦāϚāĻ•ā§āώ⧇ āĻĻ⧇āĻ–āĻžāϰ āĻĒāϰ āφāĻĒāύāĻžāϰ āχ āĻŽāύ⧇ āĻšāĻŦ⧇, āĻāĻ–āĻžāύ⧇ āĻāĻ• āĻœā§€āĻŦāύ āĻ•āĻžāϟāĻŋā§Ÿā§‡ āĻĻā§‡ā§ŸāĻž āϝāĻžā§Ÿ, āĻļ⧇āώ āĻœā§€āĻŦāύ āϤ⧋ āϏāĻžāĻŽāĻžāĻ¨ā§āϝāĨ¤ āϏāĻŦ āĻŽāĻŋāϞāĻŋā§Ÿā§‡ āϏ⧁āĻ¨ā§āĻĻāϰ āĻāĻ•āϟāĻŋ āϏāĻŽā§Ÿ āĻ•āĻžāϟāĻžāϤ⧇ āĻĒāĻžāϰāĻŦ⧇āύ āĻĒāϰāĻŋāĻŦāĻžāϰ āύāĻŋā§Ÿā§‡, āĻŦāĻ¨ā§āϧ⧁āĻŦāĻžāĻ¨ā§āϧāĻŦ āύāĻŋā§Ÿā§‡āĨ¤ āϘ⧁āϰ⧇ āĻĻ⧇āĻ–āĻžāϰ āĻŽāϤ⧋ āĻāĻ•āϟāĻž āϜāĻžā§ŸāĻ—āĻžāĨ¤ āĻŽāύ⧇ āϧāϰāĻŦ⧇ āϝ⧇ āĻ•āĻžāϰ⧋āϰ āχāĨ¤
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Find your stay

Pet-friendly Hotels in Khulna Division

Find a cozy hotel nearby and make it a full experience.

āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ⧇āϰ āϕ⧁āĻ āĻŋāĻŦāĻžā§œā§€ āϝ⧇ āύāĻ“āĻ—āĻžāρ āĻœā§‡āϞāĻžāϤ⧇āĻ“ āĻ°ā§Ÿā§‡āϛ⧇ āϤāĻž āĻāĻ• āϏāĻĒā§āϤāĻžāĻš āφāϗ⧇ āφāĻŽāĻžāϰ⧋ āϜāĻžāύāĻž āĻ›āĻŋāϞ⧋āύāĻžāĨ¤ āφāϰ āϤāĻžāχ āĻ…āϤāĻŋ āϏāĻ¤ā§āϤāϰ āϛ⧁āĻŸā§‡ āϚāϞāĻžāĨ¤ āĻ—ā§āϰāĻŽā§‡āϰ āϏāϰ⧁ āĻĒāĻžāĻ•āĻž āϰāĻžāĻ¸ā§āϤāĻž āĻĻāĻŋā§Ÿā§‡ āφāĻļ⧇ āĻĒāĻžāĻļ⧇āϰ āĻ—ā§āϰāĻžāĻŽ, āϧāĻžāύ⧀ āϜāĻŽāĻŋ āφāϰ āϰāĻžāĻ¸ā§āϤāĻžāϰ āĻĻ⧁āχ āĻĒāĻžāĻļ⧇ āĻ—āĻž āĻ˜ā§‡āώ⧇ āϞ⧇āϗ⧇ āĻĨāĻžāĻ•āĻž āĻ…āϏāĻ‚āĻ–ā§āϝ āφāĻŽ, āϤāĻžāϞ āφāϰ āϖ⧇āϜ⧁āϰ āĻ—āĻžāϛ⧇āϰ āĻ›āĻžā§ŸāĻžā§Ÿ āϚāϞāϤ⧇ āϚāϞāϤ⧇ āĻ­āĻžāϞ⧋āϞāĻžāĻ—āĻžāϰ āĻĻā§€āĻ°ā§āϘāĻļā§āĻŦāĻžāϏ āφāϏāĻžāϟāĻžāχ āĻ¸ā§āĻŦāĻžāĻ­āĻžāĻŦāĻŋāĻ•āĨ¤ āϕ⧁āĻ āĻŋāĻŦāĻžā§œā§€āϰ āĻ•āĻŋāϛ⧁ āφāϗ⧇āχ āĻŦāĻŋāĻļāĻžāϞ āĻāĻ• āϗ⧇āϟ āφāĻĒāύāĻžāϕ⧇ āĻļ⧁āϭ⧇āĻšā§āĻ›āĻž āϜāĻžāύāĻžāĻŦ⧇āĨ¤ āĻāχ āϗ⧇āϟ āĻĨ⧇āϕ⧇āχ āĻĒāϤāĻŋāϏāϰ⧇āϰ āϏ⧀āĻŽāĻžāύāĻž āĻļ⧁āϰ⧁āĨ¤ āϗ⧇āϟ āĻĒ⧇āϰāĻŋā§Ÿā§‡ āĻ•āĻŋāϛ⧁āĻĻā§‚āϰ āĻāϗ⧁āϞ⧇āχ āĻĒāϤāĻŋāϏāϰāĨ¤ āĻāχ āĻĒāϤāĻŋāϏāϰāχ āϰāĻŦā§€ āĻ āĻžāϕ⧁āϰ⧇āϰ āϕ⧁āĻ āĻŋ āĻŦāĻžā§œā§€āĨ¤ āĻāχ āϕ⧁āĻ āĻŋ āĻŦāĻžā§œā§€āϟāĻŋ āĻŽā§‚āϞāϤ āĻ•āĻžāĻ›āĻžāϰāĻŋ āĻŦāĻžā§œā§€ āĻšāĻŋāϏ⧇āĻŦ⧇ āĻŦā§āϝāĻžāĻŦāĻšāĻžāϰ āĻ•āϰāĻž āĻšāϤ⧋āĨ¤ āϜāĻŽāĻŋāĻĻāĻžāϰāĻŋāϰ āĻšāĻŋāϏ⧇āĻŦ āύāĻŋāϤ⧇ āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ āĻāĻ–āĻžāύ⧇ āφāϏāϤ⧇āύāĨ¤ āĻŦāĻžā§œā§€āϰ āϏ⧀āĻŽāĻžāύāĻžāϰ āĻļ⧁āϰ⧁āϤ⧇āχ āĻŦāϕ⧁āϞ āĻĢ⧁āϞ⧇āϰ āĻ˜ā§āϰāĻžāĻŖ āφāϗ⧁āĻ¨ā§āϤāĻ•āϕ⧇ āĻŽā§āĻ—ā§āϧ āĻ•āϰāĻŦ⧇āĨ¤ āϕ⧁āĻ āĻŋāĻŦāĻžā§œā§€āϰ āϏāĻžāĻĨ⧇āχ āϞāĻžāĻ—ā§‹ā§ŸāĻž āĻĻ⧇āĻŦ⧇āĻ¨ā§āĻĻā§āϰ āĻŽāĻžā§āϚāĨ¤ āĻŽāĻžā§āĻšā§‡āϰ āϏāĻžāĻŽāύ⧇āχ āĻŽāĻžāĻ āĨ¤ āĻĻ⧇āĻŦ⧇āĻ¨ā§āĻĻā§āϰ āĻŽāĻžā§āϚ āĻĨ⧇āϕ⧇ āĻŦ⧇āϰ āĻšā§Ÿā§‡ āĻāϏ⧇āχ āϕ⧁āĻ āĻŋ āĻŦāĻžā§œā§€āϰ āĻĒā§āϰāϧāĻžāύ āĻĢāϟāĻ•āĨ¤ āĻ•āĻžāϠ⧇āϰ āĻĻ⧁āχ āĻĒāĻžāĻ˛ā§āϞāĻžāϰ āĻŦāĻŋāĻļāĻžāϞ āĻĻāϰāϜāĻž āφāϰ āĻĢāϟāϕ⧇āϰ āωāĻĒāϰ⧇āϰ āĻĻ⧁āχ āϏāĻŋāĻ‚āĻš āϜāĻžāύāĻžāύ āĻĻā§‡ā§Ÿ āĻāϟāĻŋ āĻĒā§āϰāϤāĻžāĻŦāĻļāĻžāϞ⧀ āϜāĻŽāĻŋāĻĻāĻžāϰ⧇āϰ āĻŦāĻžā§œā§€āĨ¤ āĻāχ āĻĢāϟāĻ• āĻĻāĻŋā§Ÿā§‡āχ āĻšāĻžāϤāĻŋāϰ āĻĒāĻŋāϠ⧇ āĻšā§œā§‡ āĻ•āĻŦāĻŋ āϝāĻžāϤāĻžā§ŸāĻžāϤ āĻ•āϰāϤāĨ¤ āφāϰ āĻĻāϰāϜāĻž āϖ⧁āϞāϞ⧇āχ āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ⧇āϰ āĻ­āĻžāĻ¸ā§āĻ•āĻ°ā§āϝāĨ¤ āϝāĻž āϜāĻžāύāĻžāύ āĻĻā§‡ā§Ÿ, āϰāĻŦā§€ āĻ āĻžāϕ⧁āϰ⧇āϰ āϜāĻŽāĻŋāĻĻāĻžāϰ⧀āϤ⧇ āφāĻĒāύāĻžāϕ⧇ āĻ¸ā§āĻŦāĻžāĻ—āϤāĻŽāĨ¤ āĻĒā§āϰāĻžā§Ÿ ā§Ž āϟāĻŋ āϘāϰ āĻ°ā§Ÿā§‡āϛ⧇ āĻāχ āĻŦāĻžā§œā§€āϤ⧇ āĻāϰ āĻŽāĻ§ā§āϝ⧇ ⧍ āϟāĻŋ āϘāϰ āĻ…āύ⧇āĻ• āĻŦāĻŋāĻļāĻžāϞāĨ¤ āĻĒā§āϰāϤāĻŋāϟāĻŋ āϘ⧜āχ āĻŦāĻŋāĻļā§āĻŦ āĻ•āĻŦāĻŋāϰ āĻ¸ā§āĻŽā§āϰāĻŋāϤāĻŋ āϏāĻŽā§ƒāĻĻā§āϧāĨ¤ āϘāϰ⧇āϰ āĻĻ⧇āĻ“ā§ŸāĻžāϞ āϗ⧁āϞāĻŋ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϏāĻŽā§Ÿā§‡āϰ āĻ›āĻŦāĻŋ āφāϰ āĻ•āĻŦāĻŋāϤāĻžāϤ⧇ āĻ āĻžāϏāĻž, āĻŽā§‡āĻā§‡āĻœā§ā§œā§‡ āĻ°ā§Ÿā§‡āϛ⧇ āĻŦāĻŋāĻļā§āĻŦ āĻ•āĻŦāĻŋāϰ āĻŦā§āϝāĻžāĻŦāĻšāĻžāĻ°ā§āϝ āϜāĻŋāύāĻŋāĻļāĻĒāĻ¤ā§āϰāĨ¤ āϝ⧇āĻŽāύ: āĻŦāĻžāĻĨāϟāĻžāĻŦ, āĻŦā§‹āĻŸā§‡āϰ āύ⧋āĻ™āϰ, āχāϜāĻŋāĻšā§‡ā§ŸāĻžāϰ, āϞāĻ•āĻžāϰ, āϘ⧜āĻŋ, āϕ⧇āϟāϞ⧀, āĻ†ā§ŸāύāĻž, āĻŦāĻŋāĻ›āĻžāύāĻž, āĻ“ā§ŸāĻžāϰāĻĄā§āϰ⧋āĻŦ āχāĻ¤ā§āϝāĻžāĻĻāĻŋāĨ¤ āĻ›āĻŦāĻŋ āϗ⧁āϞāĻŋ āĻ•āĻŦāĻŋāϰ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϏāĻŽā§Ÿā§‡āϰ āĻ•āĻžāϞ⧇āϰ āϏāĻžāĻ•ā§āώāĻŋ, āĻ°ā§Ÿā§‡āϛ⧇ āĻĒāĻžāϰāĻŋāĻŦāĻžāϰāĻŋāĻ• āĻ›āĻŦāĻŋ, āĻ•āĻŦāĻŋāϰ āĻšāĻžāϤ⧇ āϞāĻŋāĻ–āĻž āϚāĻŋāĻ āĻŋāĨ¤ āφāĻŽāĻžāĻĻ⧇āϰ āϛ⧋āϟāĻŦ⧇āϞāĻžāϰ āϖ⧁āĻŦ āĻĒā§āϰāĻŋ⧟ āĻ•āĻŦāĻŋāϤāĻž, "āφāĻŽāĻĻ⧇āϰ āϛ⧋āϟ āύāĻĻā§€ āϚāϞ⧇ āĻŦāĻžāρāϕ⧇ āĻŦāĻžāρāϕ⧇" āĻāχ āĻĒāϤāĻŋāϏāϰ⧇āχ āĻŦāϏ⧇ āϞāĻŋāĻ–āĻžāĨ¤ āϕ⧁āĻ āĻŋ āĻŦāĻžā§œā§€ āϘ⧁āϰāϤ⧇ āϘ⧁āϰāϤ⧇ āĻŦāĻŋāĻļā§āĻŦ āĻ•āĻŦāĻŋāϰ āĻ—āĻžāύ āĻļ⧁āύāĻžāϰ āϏāĻŽā§Ÿ āφāĻĒāύāĻŋāĻ“ āĻšāĻžāϰāĻŋā§Ÿā§‡ āϝ⧇āϤ⧇ āĻĒāĻžā§œā§‡āύ āĻ¸ā§āĻŽā§āϰāĻŋāϤāĻŋāϰ āĻ–ā§‡ā§ŸāĻžāϞ⧇āĨ¤ āϕ⧁āĻ āĻŋ āĻŦāĻžā§œā§€āϰ āĻāĻ• āĻĒāĻžāĻļ⧇āχ āĻĒ⧁āĻ•ā§ā§œ āĻ…āĻĒāϰ āĻĒāĻžāĻļ⧇ āĻĻā§€āϘāĻŋāĨ¤ āφāϰ āϤāĻžāϰ āĻāĻ•āϟ⧁ āϏāĻžāĻŽāύ⧇āχ āύāĻžāĻ—āϰ āύāĻĻā§€āĨ¤ āĻāχ āύāĻĻā§€ āĻĒāĻĨ⧇āχ āĻ•āĻŦāĻŋ āϕ⧁āĻ āĻŋ āĻŦāĻžā§œā§€ āϤ⧇ āφāϏāϤ⧋āĨ¤ āϏāĻŦāĻšā§‡ā§Ÿā§‡ āĻŽāϜāĻžāϰ āĻŦā§āϝāĻĒāĻžāϰ, āĻ•āĻŦāĻŋ āϤāĻžāϰ āĻŦāϜāϰāĻžāϤ⧇āχ āϰāĻžāϤ āĻ•āĻžāϟāĻžāϤ⧇āύāĨ¤ āĻĻāĻŋāύ⧇āϰ āĻ–āĻžāύāĻŋāĻ•āϟāĻž āϏāĻŽā§Ÿ āĻ•āĻžāϟāϤ⧋ āϕ⧁āĻ āĻŋ āĻŦāĻžā§œā§€āϤ⧇āĨ¤ āϘāĻžāϟāϟāĻŋ āύāĻžāĻ—āϰ āϘāĻžāϟ āύāĻžāĻŽā§‡ āĻĒāϰāĻŋāϚāĻŋāϤāĨ¤ āĻ•āĻŦāĻŋ āĻāĻ–āĻžāύ⧇ āĻ•ā§ƒāώāĻŋ āĻŦā§āϝāĻžāĻ‚āĻ• āĻ¸ā§āĻĨāĻžāĻĒāύ āĻ•āϰ⧇āĻ›āĻŋāϞ⧇āύāĨ¤ āύ⧋āĻŦ⧇āϞ āĻĒ⧁āϰāĻˇā§āĻ•āĻžāϰ āĻāϰ āĻāĻ• āϞāĻ•ā§āώ āϟāĻžāĻ•āĻž 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Foysal Imran

Foysal Imran

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Peaceful Place Full of History and Beauty" Rabindra Kuthi Bari in Kushtia is very well maintained — neat, clean, and peaceful. This was once the rest house of Rabindranath Tagore, and most of the furniture inside is what he personally used during his stay. The house displays lots of photos of him at different ages, handwritten scripts, small doodles, and even a miniature model of his boathouse. But honestly, the surroundings are even more beautiful than the house itself. There are big ponds ("dighis") on the north side, filled with pink water lilies — absolutely peaceful and picturesque. The area is spacious and calm, perfect for slow walks. The walking paths are well-structured and go around the house and the ponds. Nearby, there’s also a newly built open theatre and a picnic house, both nicely designed and clean. A great place to spend a relaxing afternoon, especially if you're into history or just want a quiet escape.
Moshiur Rahman

Moshiur Rahman

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Trending Stays Worth the Hype in Khulna Division

Find a cozy hotel nearby and make it a full experience.

āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰ āϕ⧁āϟāĻŋāĻŦāĻžā§œā§€... āϏāĻŽā§āĻĒā§‚āĻ°ā§āĻŖ āĻ…āĻšā§‡āύāĻž āĻ…āϜāĻžāύāĻž āĻāĻ•āϟāĻž āϜāĻžā§ŸāĻ—āĻž āĻ­ā§āϰāĻŽāύ⧇āϰ āωāĻĻā§āĻĻ⧇āĻļā§āϝ⧇āχ āϕ⧁āĻˇā§āϟāĻŋ⧟āĻžā§Ÿ āĻĒāĻĻāĻžāĻ°ā§āĻĒāĻŖāĨ¤ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ⧇āϰ āϏāĻžāĻ‚āĻ¸ā§āĻ•ā§ƒāϤāĻŋāĻ• āϰāĻžāϜāϧāĻžāύ⧀ āĻāχ āϕ⧁āĻˇā§āϟāĻŋ⧟āĻžāĨ¤ āφāĻŽāĻŋ āĻŦāĻ¨ā§āĻĻāϰ āύāĻ—āϰ⧀ āϚāĻŸā§āϟāĻ—ā§āϰāĻžāĻŽā§‡āϰ āĻŽāĻžāύ⧁āώāĨ¤ āϕ⧁āĻˇā§āϟāĻŋ⧟āĻž āĻļāĻšāϰ āφāĻŽāĻžāϰ āϜāĻ¨ā§āϝ āĻ…āĻšā§‡āύāĻž āĻāĻ•āϟāĻž āĻļāĻšāϰāĨ¤ āĻ…āĻšā§‡āύāĻž āĻšāϞ⧇āĻ“ āχāĻ¨ā§āϟāĻžāϰāύ⧇āϟ āĻ˜ā§‡āĻŸā§‡ āφāϗ⧇āχ āϭ⧇āĻŦ⧇ āĻĢ⧇āϞ⧇āĻ›āĻŋāϞāĻžāĻŽ, āϕ⧁āĻˇā§āϟāĻŋ⧟āĻžā§Ÿ āĻ—āĻŋā§Ÿā§‡ āφāĻŽāĻžāϰ āĻĒāϰāĻŦāĻ°ā§āϤ⧀ āĻ•āĻžāϜ āĻ•āĻŋ āĻšāĻŦ⧇ āϏ⧇āϟāĻžāĨ¤ āϤ⧋ āϝ⧇āχ āĻ­āĻžāĻŦāĻž āϏ⧇āχ āĻ•āĻžāϜ! āϚāϞ⧇ āϗ⧇āϞāĻžāĻŽ āϏ⧇āχ āĻŦāĻŋāĻ–ā§āϝāĻžāϤ āϜāĻžā§ŸāĻ—āĻž āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ⧇āϰ āϕ⧁āϟāĻŋāĻŦāĻžā§œā§€āϤ⧇āĨ¤ āϭ⧇āϤāϰ⧇ āĻĸ⧁āĻ•āĻžāϰ āϜāĻ¨ā§āϝ āϟāĻŋāϕ⧇āϟ āĻ•āĻžāϟāϤ⧇ āĻšā§Ÿ, ⧍ā§Ļ āϟāĻžāĻ•āĻž āĻ•āϰ⧇ āϰāĻžāϖ⧇ āϜāύāĻĒā§āϰāϤāĻŋāĨ¤ āĻ­āĻŋāϤāϰ⧇ āĻĒā§āϰāĻŦ⧇āĻļ āĻ•āϰāĻžāϰ āĻĒāϰ āĻŽā§āĻ– āĻĻāĻŋā§Ÿā§‡ āĻĒā§āϰāĻĨāĻŽ āϝ⧇ āĻ•āĻĨāĻžāϟāĻž āĻŦ⧇āϰ āĻšā§Ÿā§‡āĻ›āĻŋāϞ⧋, āϜāĻžāĻ¸ā§āϟ āĻ“ā§ŸāĻžāĻ“ āĻ…āϏāĻžāϧāĻžāϰāĻŖ āĻ…āύāĻŦāĻĻā§āϝāĨ¤ āĻ•āĻŋāϛ⧁āĻ•ā§āώāĻŖ āĻāϰ āϜāĻ¨ā§āϝ āĻ…āĻ¨ā§āϝ āϜāĻ—āϤ⧇ āϚāϞ⧇ āϗ⧇āĻ›āĻŋāϞāĻžāĻŽ āφāĻŽāĻŋāĨ¤ āĻāϤ⧋ āϏ⧁āĻ¨ā§āĻĻāϰ, āĻĒāϰāĻŋāĻˇā§āĻ•āĻžāϰ āĻ•āĻŋ āĻ•āϰ⧇ āĻšā§Ÿ āĻāĻ•āϟāĻž āϜāĻžā§ŸāĻ—āĻžāĨ¤ āĻāχ āϜāĻ¨ā§āϝāχ āĻšā§ŸāϤ⧋ āϗ⧁āĻŖā§€āϜāύāϰāĻž āĻŦāϞ⧇ āĻĨāĻžāϕ⧇āύ- "āϏāĻžāĻšāĻŋāĻ¤ā§āϝāĻ•āĻĻ⧇āϰ āĻŽāύ āϏ⧁āĻ¨ā§āĻĻāϰ āĻšā§Ÿā§‡ āĻĨāĻžāϕ⧇āĨ¤" āĻāϤ⧋ āϏ⧁āĻ¨ā§āĻĻāϰ, āĻŽāύ⧋āϰāĻŽ āĻĒāϰāĻŋāĻŦ⧇āĻļ⧇ āĻĨāĻžāĻ•āϞ⧇ āĻ•āĻžāϰ⧋ āĻŽāύ āϏ⧁āĻ¨ā§āĻĻāϰ, āϕ⧋āĻŽāϞ āύāĻž āĻšā§Ÿā§‡ āĻĒāĻžāϰ⧇āύāĻžāĨ¤ āĻŽā§‚āϞ āϕ⧁āϟāĻŋāĻŦāĻžā§œā§€ āĻĒā§āϰāĻŦ⧇āĻļ āĻ•āϰāĻžāϰ āĻĒāϰ āĻĒā§āϰāĻĨāĻŽā§‡āχ āφāĻĒāύāĻžāϰ āύāϜāϰ⧇ āφāϏāĻŦ⧇ āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ⧇āϰ āĻšāĻžāϤ⧇ āφāρāĻ•āĻž āĻ•āϤāĻ•āϗ⧁āϞāĻž āĻ›āĻŦāĻŋāĨ¤ āĻļ⧇āώ āĻŦ⧟āϏ⧇ āĻāρāϕ⧇āĻ›āĻŋāϞ⧇āύ āĻāϏāĻŦ āĻ›āĻŦāĻŋāϗ⧁āϞāĻžāĨ¤ āĻ›āĻŦāĻŋāϗ⧁āϞāĻž āύāĻžāĻŽāĻ“ āϰ⧇āϖ⧇āĻ›āĻŋāϞ⧇āύ āĻ…āύ⧇āĻ•āϟāĻž āĻ›āĻŦāĻŋāϰ āĻŽāϤ⧋āχ āϏ⧁āĻ¨ā§āĻĻāϰ āĻ•āϰ⧇āĨ¤ āϤāĻžāϰ āĻ āĻŋāĻ• āĻĒā§‚āĻ°ā§āĻŦ āĻĻāĻŋāϕ⧇āϰ āĻ•āĻ•ā§āώ⧇āχ āĻĻ⧇āĻ–āϤ⧇ āĻĒāĻžāĻŦ⧇āύ āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ⧇āϰ āύāĻŋāϜ āĻšāĻžāϤ⧇ āϞ⧇āĻ–āĻž āĻŦāĻŋāĻļāĻžāϞ āĻāĻ• āχāĻ‚āϰ⧇āϜāĻŋ āĻĒāĻ¤ā§āϰāĨ¤ āĻāϰ āωāĻĒāϰ⧇ āϤāĻžāĻ•āĻžāϞ⧇āχ āĻšā§‹āϖ⧇ āĻĒ⧜āĻŦ⧇ āύāϜāϰ⧁āϞāϕ⧇ āĻ‰ā§ŽāϏāĻ°ā§āĻ— āĻ•āϰ⧇ āϞ⧇āĻ–āĻž āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ⧇āϰ āĻ†ā§Ÿ āϚāϞ⧇ āĻ†ā§Ÿ āϰ⧇ āϧ⧂āĻŽāϕ⧇āϤ⧁āĨ¤ āϰāĻŦā§€ āĻ āĻžāϕ⧁āϰ āĻāĻŦāĻ‚ āύāϜāϰ⧁āϞ āχāϏāϞāĻžāĻŽ āĻāϰāĻž āϝ⧇ āĻĒāϰāĻ¸ā§āĻĒāϰ āφāĻĒāύ, āĻāϟāĻžāχ āϤāĻžāϰ āĻĒā§āϰāĻŽāĻžāĻŖāĨ¤ āϏāĻŋāρ⧜āĻŋ āĻĻāĻŋā§Ÿā§‡ āωāĻĒāϰ⧇ āĻ“āĻ āĻžāϰ āφāϗ⧇ āϤāĻžāϰ āĻŦāĻžāĻŽā§‡āϰ āĻ•āĻ•ā§āώāϟāĻž āϘ⧁āϰ⧇ āĻ¨ā§‡ā§ŸāĻžā§Ÿ āĻ­āĻžāϞ⧋āĨ¤ āĻĻ⧇āĻ–āϤ⧇ āĻĒāĻžāĻŦ⧇āύ āωāύāĻžāϰ āĻŦā§āϝāĻŦāĻšā§ƒāϤ āĻŦ⧇āĻļ āĻ•āĻŋāϛ⧁ āϜāĻŋāύāĻŋāϏāĻĒāĻ¤ā§āϰāĨ¤ āφāĻŦāĻžāϰ āĻ•āĻŋāϛ⧁ āĻ•āĻŋāϛ⧁ āϰ⧂āĻĒāĻ• āĻ“ āφāϛ⧇ āĻāϤ⧇āĨ¤ āωāĻĒāϰ⧇ āωāϠ⧇āχ āĻĒā§āϰāĻĨāĻŽā§‡ āĻšā§‹āĻ– āϚāϞ⧇ āϝāĻžāĻŦ⧇ āϏāĻŋāρ⧜āĻŋāϰ āĻĒāĻžāĻļ⧇āϰ āĻ•āĻ•ā§āώ⧇āχ, āϝ⧇āĻ–āĻžāύ⧇ āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ⧇āϰ āĻŦā§āϝāĻŦāĻšā§ƒāϤ āĻļā§‹ā§ŸāĻžāϰ āĻ•āĻžāĻ  āĻāĻ–āύ⧋ āφāϛ⧇āĨ¤ āĻŦāϏāϤ⧇, āϛ⧁āρāϤ⧇ āχāĻšā§āϛ⧇ āĻ•āϰāĻŦ⧇ āφāĻĒāύāĻžāϰ, āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻŦāϏāĻž āύāĻŋāώ⧇āϧāĨ¤ āφāϰ⧇āĻ•āϟ⧁ āĻāĻ—āĻŋā§Ÿā§‡ āϗ⧇āϞ⧇ āĻĻ⧇āĻ–āĻŦ⧇āύ āωāύāĻžāϰ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āĻŦ⧟āϏ⧇āϰ āĻĻ⧁āĻ°ā§āϞāĻ­ āĻĒā§āϰāĻžā§Ÿ ā§¨ā§Ž āϟāĻžāϰ āĻŽāϤ⧋ āĻ›āĻŦāĻŋ āĻāĻ•āϟāĻž āĻĢā§āϰ⧇āĻŽā§‡āĨ¤ āϝ⧁āĻŦāĻ• āĻŦ⧟āϏ āĻĨ⧇āϕ⧇ āĻļ⧁āϰ⧁ āĻ•āϰ⧇ āĻŦāĻžāĻ°ā§āϧāĻ•ā§āϝ⧇ āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āϕ⧇āĻŽāύ āĻ›āĻŋāϞ⧇āύ āϤāĻž āĻāĻ• āĻĒāϞāϕ⧇ āĻĻ⧇āĻ–āĻž āĻšā§Ÿā§‡ āϝāĻžāĻŦ⧇ āφāĻĒāύāĻžāϰāĨ¤ āϝ⧁āĻŦāĻ• āĻŦ⧟āϏ⧇ āϕ⧇āĻŽāύ āĻ›āĻŋāϞ⧇āύ āφāĻŽāĻžāĻĻ⧇āϰ āĻ•āĻŦāĻŋ! 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Abir Mahmud Eman

Abir Mahmud Eman

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Reviews of Shilaidaha Rabindra Kuthibari

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The Kutibari of Rabindranath Tagore in Shilaidaha, Kushtia is truly a historical and spectacular place. Can raise; World poet Rabindranath Tagore's house in Shilaidaha village of Kumarkhali upazila of Kushtia. This house is one of the places of pilgrimage of the zamindari of Jorasako Tagore family in the subcontinent and one of the places of literature and history of the poet. In 1890, Rabindranath Tagore came to Kuthibari with the responsibility of zamindar.

In the green forest along the banks of the river Padma and in the twilight of the blue and white clouds, the beautiful scenery of nature at the same time, the image of ferry crossing in the golden sun and the various arrangements of fishermen fishing will attract anyone. Here is the natural love of nature with the traditional rural way of life. Where the poet has written all the famous books like Sonar Tari, Chitra, Chaitali, Gitanjali.

īŋŧīŋŧYou will see

The three-storied pyramid house surrounded by a wave-shaped wall of the Padma River will greet you from afar before entering. Seen from a distance, it looks like a wonderful portrait made of paper. The house is surrounded by a carpet of green grass, adorned with colorful flowers. And there is no doubt that the beauty of the Zhou tree, as well as the chirping of birds, the beauty of the surrounding nature will fascinate any tourist.

This is like a house of peace. When you enter through the gate, you will be greeted by the soft melody of Rabindra Sangeet. From the top of the house to the sixteen rooms on the ground floor, there are various paintings of the life of the poet's house, copies of letters, hand-painted pictures of the poet himself. Which are still being written from page to page of the poet's memory, various images of Rabindranath's life have come up since childhood.

There are also sofas, cupboards, iron chests, armchairs, couches and couches used by Rabindranath. Just looking at them will take you back to the old 18th century zamindari tradition. And eight Bihar palanquins have been taken care of there. It is said that traveling by palanquin by land was his favorite. There are two speedboats named Chapla and Chanchal and Padmaboat anchor. It is noteworthy that although the exhibits are many years old, they are preserved under close supervision and their brilliance still captivates the minds of the visitors.

On the west side of the house are the poet's favorite dighi and bakultala. The place has been witnessed with innumerable songs and poems of the poet. On the east side of the house there is a picture of Rabindranath engraved in marble and some sayings written by Rabindranath, which will give you greetings. There is an open stage in front of the house, where a cultural program is organized every year on the occasion of Rabindra Janmajayanti by the joint initiative of Bangladesh and India. In front of it there is an empty field, where the fair is organized. There are many shops next to it. Where there are statues of Rabindranath inlaid with artwork, Ektara, various wooden showpieces. Rabindranath is everywhere in the house. āϕ⧁āĻˇā§āϟāĻŋ⧟āĻžāϰ āĻļāĻŋāϞāĻžāχāĻĻāĻšā§‡āϰ āϰāĻŦāĻŋāĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ⧇āϰ āϕ⧁āϟāĻŋāĻŦāĻžā§œā§€āϟāĻŋ āϏāĻ¤ā§āϝāĻŋāĻ•āĻžāϰ āĻ…āĻ°ā§āĻĨ⧇āχ āĻāĻ•āϟāĻŋ āϐāϤāĻŋāĻšāĻžāϏāĻŋāĻ• āĻāĻŦāĻ‚ āĻĻāĻ°ā§āĻļāĻ¨ā§€ā§Ÿ āϜāĻžā§ŸāĻ—āĻžāĨ¤āφāĻŽāĻŋ ā§­āχ āĻŽāĻžāĻ°ā§āϚ ⧍ā§Ļ⧍ā§ĻāĻ āϰāĻžāϜāĻļāĻžāĻšā§€ āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāĻ˛ā§Ÿā§‡āϰ āĻĢāϞāĻŋāϤ āĻ—āĻŖāĻŋāϤ āĻŦāĻŋāĻ­āĻžāϗ⧇āϰ āĻāĻ•āϜāύ āĻ›āĻžāĻ¤ā§āϰ āĻšāĻŋāϏāĻŦ⧇ āφāĻŽāĻžāĻĻ⧇āϰ āĻŦāĻžāĻ°ā§āώāĻŋāĻ• āĻļāĻŋāĻ•ā§āώāĻž āϏāĻĢāϰ⧇ āĻāχ āϐāϤāĻŋāĻšāĻžāϏāĻŋāĻ• āĻ¸ā§āĻĨāĻžāύāϟāĻŋ āĻ­ā§āϰāĻŽāĻŖ āĻ•āϰāĻŋāĨ¤āĻāĻ–āύ āϰāĻŦāĻŋāĻ¨ā§āĻĻā§āϰ āϕ⧁āϟāĻŋāĻŦāĻžā§œā§€ āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇ āĻ•āĻŋāϛ⧁ āϤāĻĨā§āϝ āϤ⧁āϞ⧇ āϧāϰāĻ›āĻŋ āϝāĻž āφāĻĒāύāĻžāϕ⧇ āĻāχ āĻ¸ā§āĻĨāĻžāύāϟāĻŋ āĻ­ā§āϰāĻŽāϪ⧇ āφāĻ—ā§āϰāĻšā§€ āĻ•āϰ⧇ āϤ⧁āϞāϤ⧇ āĻĒāĻžāϰ⧇; āϕ⧁āĻˇā§āϟāĻŋ⧟āĻžāϰ āϕ⧁āĻŽāĻžāϰāĻ–āĻžāϞ⧀ āωāĻĒāĻœā§‡āϞāĻžāϰ āĻļāĻŋāϞāĻžāχāĻĻāĻš āĻ—ā§āϰāĻžāĻŽā§‡ āĻŦāĻŋāĻļā§āĻŦ āĻ•āĻŦāĻŋ āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ⧇āϰ āϕ⧁āĻ āĻŋāĻŦāĻžā§œāĻŋāĨ¤ āωāĻĒāĻŽāĻšāĻžāĻĻ⧇āĻļ⧇ āĻœā§‹ā§œāĻžāϏāĻžāϕ⧋āϰ āĻ āĻžāϕ⧁āϰ āĻĒāϰāĻŋāĻŦāĻžāϰ⧇āϰ āϜāĻŽāĻŋāĻĻāĻžāϰāĻŋāϰ āϤ⧀āĻ°ā§āĻĨāĻ¸ā§āĻĨāĻžāύ āĻ“ āĻ•āĻŦāĻŋāϗ⧁āϰ⧁āϰ āϏāĻžāĻšāĻŋāĻ¤ā§āϝ āφāϰ āχāϤāĻŋāĻšāĻžāϏ⧇āϰ āĻ…āĻ¨ā§āϝāϤāĻŽ āĻ¸ā§āĻĨāĻžāύ āĻāχ āϕ⧁āĻ āĻŋāĻŦāĻžā§œāĻŋāĨ¤ ā§§ā§Žā§¯ā§Ļ āϏāĻžāϞ⧇ āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ āϜāĻŽāĻŋāĻĻāĻžāϰ⧇āϰ āĻĻāĻžā§ŸāĻŋāĻ¤ā§āĻŦ āύāĻŋā§Ÿā§‡ āϕ⧁āĻ āĻŋāĻŦāĻžā§œāĻŋāϤ⧇ āφāϏ⧇āύāĨ¤

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The historical place referring to with "Kuthi Bari" is likely Kushtia, located in present-day Bangladesh. Specifically, Shilaidaha Kuthi Bari is a significant location tied to Rabindranath Tagore's life and works.

Shilaidaha Kuthi Bari: A Place of Legacy

Historical Significance: Shilaidaha Kuthi Bari is a country estate where Rabindranath Tagore stayed during the late 19th and early 20th centuries. It was owned by the Tagore family, and Rabindranath managed the family’s zamindari (estate) from here.

Tagore's Creative Period: This is where Tagore wrote many of his renowned works, including poems, songs, and parts of Gitanjali, for which he later received the Nobel Prize in Literature in 1913. The tranquil surroundings and the Padma River inspired much of his creativity.

Architectural Beauty: The Kuthi Bari is a colonial-style, three-storied mansion built in brick. It showcases 19th-century architectural elements and reflects the lifestyle of the Tagore family during that era.

Museum and Memorial: Today, Shilaidaha Kuthi Bari is a museum housing Tagore’s memorabilia, including letters, books, and photographs. Visitors can learn about his life and the time he spent in Kushtia.

Cultural and Tourism Significance:

Literary Pilgrimage: Admirers of Tagore visit to connect with the environment that inspired his works.

Tagore Festivals: Cultural programs and events, such as Rabindra Jayanti, are held here annually to honor his legacy. The historical place you're referring to with "Kuthi Bari" is likely Kushtia, located in present-day Bangladesh. Specifically, Shilaidaha Kuthi Bari is a significant location tied to Rabindranath Tagore's life and works.

Shilaidaha Kuthi Bari: A Place of Legacy

Historical Significance: Shilaidaha Kuthi Bari is a country estate where Rabindranath Tagore stayed during the late 19th and early 20th centuries. It was owned by the Tagore family, and Rabindranath managed the family’s zamindari (estate) from here.

Tagore's Creative Period: This is where Tagore wrote many of his renowned works, including poems, songs, and parts of Gitanjali, for which he later received the Nobel Prize in Literature in 1913. The tranquil surroundings and the Padma River inspired much of his creativity.

Architectural Beauty: The Kuthi Bari is a colonial-style, three-storied mansion built in brick. It showcases 19th-century architectural elements and reflects the lifestyle of the Tagore family during that era.

Museum and Memorial: Today, Shilaidaha Kuthi Bari is a museum housing Tagore’s memorabilia, including letters, books, and photographs. Visitors can learn about his life and the time he spent in Kushtia.

Cultural and Tourism Significance:

Literary Pilgrimage: Admirers of Tagore visit to connect with the environment that inspired his works.

Tagore Festivals: Cultural programs and events, such as Rabindra Jayanti, are held here annually to honor his legacy.

Natural Beauty: The estate is situated near the Padma River, providing a serene and picturesque setting for visitors.

Shilaidaha Kuthi Bari remains a symbol of Rabindranath Tagore’s enduring impact on Bengali literature and culture, making it a must-visit for history and literature enthusiasts.

Natural Beauty: The estate is situated near the Padma River, providing a serene and picturesque setting for visitors.

Shilaidaha Kuthi Bari remains a symbol of Rabindranath Tagore’s enduring impact on Bengali literature and culture, making it a must-visit for history and literature...

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7y

The Kuthibari is a picturesque three-storied, pyramid-shaped, terraced bungalow, constructed with bricks, timber, corrugated tin sheets and Raniganj tiles. The bungalow nestles amidst 11 acres of orchards of mango, jackfruit and other trees, a flower garden and two ponds

The peace and tranquility the Kuthibari inspired Tagore to pen some of his most unforgettable verses thus contributing to the enrichment of Bengali Literature. Many prominent personalities -- scientist Sir Jagadish Chandra Bose, dramatist and music composer DL Roy and litterateur Promoth Chowdhury, visited Tagore at this location.

Tagore stayed intermittently between 1891 and 1901 at Shilaidaha Kuthibari. Sitting at Kuthibari or on a boat on Padma, Tagore wrote a number of masterpieces such as “Sonar Tori”, “Chitra”, “Chaitali”, “Katha O Kahini”, “Kshanika”, most of the poems from “Naibedya” and “Kheya”, and songs from “Gitanjali” and “Gitimalya”. It was here, in 1912, that the poet started translating his “Gitanjali” into English, which earned him the Nobel Prize in 1913.

Shilaidaha is a relatively modern name; its old name was Khorshedpur. Before the Thakurs of Jorasanko acquired the village in the middle of the 19th century, there stood an indigo-Kuthi reportedly built by a planter named Shelly. A deep whirlpool used to form there at the confluence of the Gadai and the Padma, and hence the village was known as “Shelly-daha”, which ultimately came to be known as ‘Shilaidaha’.

Prince Dwarkanath Tagore, grandfather of Rabindranath Tagore, became the owner of this Zamindari in 1807 by means of a will executed in his favour by Ramlochan Tagore. Rabindranath assumed the responsibility of looking after the Zamindari and came to Shilaidaha for the first time in November 1889.

Shilaidaha Kuthibari is now a protected national monument. The renovation of Kuthibari has been completed by the Department of Archaeology, Ministry of Cultural Affairs. It is known as Tagore Memorial Museum where Tagore memorabilia like his bed, wardrobe, iron chest, lawn mower, framed pictures and a replica of a houseboat are displayed here. Tagore aficionados and art lovers will certainly be pleased to see some rare photos of Tagore and family, courtesy by Pranab Mukherjee, President of the Republic of India, and some exquisite paintings including a few self-portraits by Tagore.

In Tagore’s lifetime, the river Padma used to flow beside the Kuthibari. But over a course of time, it has changed its direction and now is far away from Tagore’s haven. However, the surrounding landscapes, large pond with bojra (boat), are still...

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