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Mymensingh Museum — Attraction in Mymensingh Division

Name
Mymensingh Museum
Description
Mymensingh Museum is located at the Baganbari of zamindar Madan Babu at 17 Amrita Babu Road, Mymensingh, Bangladesh. The museum, which began as an important regional institution for preservation of locally collected historical evidence, lacks proper preservation.
Nearby attractions
Bepin Park
QC66+736, Jubilee Rd, Mymensingh, Bangladesh
Alexander Castle
QC82+7RR, Mymensingh, Bangladesh
Nearby restaurants
Avanti Restaurant
25 TN Roy Road, Mymensingh 2200, Bangladesh
Avanti Aroma
G. Paul Plaza, 38 Ram Babu Rd, Mymensingh 2200, Bangladesh
Sarinda Restaurant
2nd floor 11s, 88 CK Ghosh Rd, Mymensingh 2200, Bangladesh
Food King | best restaurants in Mymensingh
Shop 314, Plot 60, 2nd Floor Mofizuddin Index Plaza Near Mymensingh Mohabiddaloy, Ram Babu Rd, Mymensingh 2200, Bangladesh
Star Cuisine Restaurant
11 CK Ghosh Rd, Mymensingh 2200, Bangladesh
Nearby hotels
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Keywords
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Mymensingh Museum things to do, attractions, restaurants, events info and trip planning
Mymensingh Museum
BangladeshMymensingh DivisionMymensingh Museum

Basic Info

Mymensingh Museum

QC64+863, Mymensingh, Bangladesh
4.1(158)
Closed
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Ratings & Description

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Mymensingh Museum is located at the Baganbari of zamindar Madan Babu at 17 Amrita Babu Road, Mymensingh, Bangladesh. The museum, which began as an important regional institution for preservation of locally collected historical evidence, lacks proper preservation.

Cultural
Family friendly
Accessibility
attractions: Bepin Park, Alexander Castle, restaurants: Avanti Restaurant, Avanti Aroma, Sarinda Restaurant, Food King | best restaurants in Mymensingh, Star Cuisine Restaurant
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Phone
+880 1320-484105
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Reviews

Nearby attractions of Mymensingh Museum

Bepin Park

Alexander Castle

Bepin Park

Bepin Park

4.1

(1.9K)

Open 24 hours
Click for details
Alexander Castle

Alexander Castle

4.3

(309)

Open until 8:00 PM
Click for details

Nearby restaurants of Mymensingh Museum

Avanti Restaurant

Avanti Aroma

Sarinda Restaurant

Food King | best restaurants in Mymensingh

Star Cuisine Restaurant

Avanti Restaurant

Avanti Restaurant

4.1

(955)

$$

Open until 10:30 PM
Click for details
Avanti Aroma

Avanti Aroma

4.1

(584)

Click for details
Sarinda Restaurant

Sarinda Restaurant

4.1

(2K)

Click for details
Food King | best restaurants in Mymensingh

Food King | best restaurants in Mymensingh

4.0

(90)

$

Open until 9:00 PM
Click for details
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Asif AlviAsif Alvi
Mymensingh Museum is located in Zamidar Madan Babu’s garden house at Amrita Babu Road in Mymensingh town. The museum is contributing as a major artifacts collection in the Mymensingh region. There are many old items including local architecture, statues, iron accessories, handicrafts, inscriptions and commercial goods of Mymensingh district exhibited in the museum. Most of the things have been collected from different house of Zamidars of Mymensingh area. A total of 214 objects have been preserved in three rooms of the museum. The museum was established in 1969 by the then Deputy Commissioner of Mymensingh. Initially Mymensingh municipality used to supervise it, but in 1989, the museum was brought under the Department of Bangladesh Archeology.
Asaduzzaman AntaAsaduzzaman Anta
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Dr J C PanditDr J C Pandit
āĻŽā§ŸāĻŽāύāĻŽāϏāĻŋāĻ‚ āϜāĻžāĻĻ⧁āϘāϰāϟāĻŋ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻŋāϤ āĻšā§Ÿ ⧧⧝ā§Ŧ⧝ āϏāĻžāϞ⧇ āϜāĻŽāĻŋāĻĻāĻžāϰ āĻŽāĻĻāύ āĻŦāĻžāĻŦ⧁āϰ āĻŦāĻžāĻ—āĻžāύ āĻŦāĻžāĻĄāĻŧāĻŋāϤ⧇āĨ¤ āϜāĻžāĻĻ⧁āϘāϰāϟāĻŋ āĻŽāϝāĻŽāύāϏāĻŋāĻ‚āĻš āϏāĻŋāϟāĻŋ āĻ•āĻ°ā§āĻĒā§‹āϰ⧇āĻļāύ⧇āϰ āĻ…āĻĻā§‚āϰ⧇ ā§§ā§­ āύāĻ‚ āĻ…āĻŽā§ƒāϤāĻŦāĻžāĻŦ⧁ āϰ⧋āĻĄā§‡ āĻ…āĻŦāĻ¸ā§āĻĨāĻŋāϤāĨ¤ āĻĒā§āϰāĻĨāĻŽāĻĻāĻŋāϕ⧇ āĻŽāϝāĻŧāĻŽāύāϏāĻŋāĻ‚āĻš āĻĒ⧌āϰāϏāĻ­āĻž āĻāϟāĻŋāϰ āϤāĻĻāĻžāϰāĻ•āĻŋ āĻ•āϰ⧇āĨ¤ āĻĒāϰāĻŦāĻ°ā§āϤ⧀āϤ⧇ ā§§ā§¯ā§Žā§¯ āϏāĻžāϞ⧇ āϜāĻžāĻĻ⧁āϘāϰāϟāĻŋ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻĒā§āϰāĻ¤ā§āύāϤāĻ¤ā§āĻ¤ā§āĻŦ āĻ…āϧāĻŋāĻĻāĻĒā§āϤāϰ⧇āϰ āĻ…āϧ⧀āύ āύāĻŋāϝāĻŧ⧇ āφāϏāĻž āĻšāϝāĻŧ āĻāĻŦāĻ‚ ⧧⧝⧝ā§Ģ āϏāĻžāϞ⧇āϰ āĻ—ā§āϝāĻžāĻœā§‡āĻŸā§‡ āϜāĻžāĻĻ⧁āϘāϰāϟāĻŋ āϏāϰāĻ•āĻžāϰāĻŋāĻ­āĻžāĻŦ⧇ āĻ…āĻ¨ā§āϤāĻ°ā§āϭ⧁āĻ•ā§āϤ āĻ•āϰāĻž āĻšāϝāĻŧāĨ¤ āϜāĻžāĻĻ⧁āϘāϰāϟāĻŋ āĻŽāϝāĻŧāĻŽāύāϏāĻŋāĻ‚āĻš āĻ…āĻžā§āϚāϞ⧇āϰ āĻāĻ•āϟāĻŋ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āϏāĻ‚āĻ—ā§āϰāĻšāĻļāĻžāϞāĻž āĻšāĻŋāϏ⧇āĻŦ⧇ āĻ•āĻžāϜ āĻ•āϰāϛ⧇āĨ¤ āĻāĻ–āĻžāύ⧇ āĻŽāϝāĻŧāĻŽāύāϏāĻŋāĻ‚āĻš āĻœā§‡āϞāĻžāϰ āĻ¸ā§āĻĨāĻžāύ⧀āϝāĻŧ āĻĒā§āϰāĻžāĻšā§€āύ āĻ­āĻžāĻ¸ā§āĻ•āĻ°ā§āϝ, āĻŽā§‚āĻ°ā§āϤāĻŋ, āĻĒāĻžāĻŖā§āĻĄā§āϞāĻŋāĻĒāĻŋ, āĻŽā§āĻĻā§āϰāĻž, āĻ…āϞāĻ‚āĻ•āĻžāϰ, āĻŽā§ƒā§ŽāĻļāĻŋāĻ˛ā§āĻĒ, āĻšāĻ¸ā§āϤāĻļāĻŋāĻ˛ā§āĻĒ, āĻļāĻŋāϞāĻžāϞāĻŋāĻĒāĻŋ, āĻœā§€āĻŦāϜāĻ¨ā§āϤ⧁āϰ āĻĻ⧇āĻšāĻžāĻŦāĻļ⧇āώ āĻāĻŦāĻ‚ āϜāĻŽāĻŋāĻĻāĻžāϰāĻĻ⧇āϰ āĻŦā§āϝāĻŦāĻšā§ƒāϤ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āĻĻā§āϰāĻŦā§āϝāĻžāĻĻāĻŋ āĻ°ā§Ÿā§‡āϛ⧇āĨ¤ āĻ āϜāĻžāĻĻ⧁āϘāϰ⧇āϰ āĻ…āϧāĻŋāĻ•āĻžāĻ‚āĻļ āϜāĻŋāύāĻŋāϏ āϏāĻ‚āĻ—ā§āϰāĻš āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇ āĻŽāϝāĻŧāĻŽāύāϏāĻŋāĻ‚āĻš āĻ…āĻžā§āϚāϞ⧇āϰ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϜāĻŽāĻŋāĻĻāĻžāϰ āĻŦāĻžāĻĄāĻŧāĻŋ āĻĨ⧇āϕ⧇āĨ¤ āϜāĻžāĻĻ⧁āϘāϰ⧇āϰ āϤāĻŋāύāϟāĻŋ āĻ•āĻ•ā§āώ⧇ āϏāĻ‚āĻ—ā§ƒāĻšā§€āϤ āĻĻā§āϰāĻŦā§āϝāĻžāĻĻāĻŋ āĻĒā§āϰāĻĻāĻ°ā§āĻļāĻŋāϤ āĻšāĻšā§āϛ⧇āĨ¤
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Mymensingh Museum is located in Zamidar Madan Babu’s garden house at Amrita Babu Road in Mymensingh town. The museum is contributing as a major artifacts collection in the Mymensingh region. There are many old items including local architecture, statues, iron accessories, handicrafts, inscriptions and commercial goods of Mymensingh district exhibited in the museum. Most of the things have been collected from different house of Zamidars of Mymensingh area. A total of 214 objects have been preserved in three rooms of the museum. The museum was established in 1969 by the then Deputy Commissioner of Mymensingh. Initially Mymensingh municipality used to supervise it, but in 1989, the museum was brought under the Department of Bangladesh Archeology.
Asif Alvi

Asif Alvi

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āĻŽāϝāĻŧāĻŽāύāϏāĻŋāĻ‚āĻš āϜāĻžāĻĻ⧁āϘāĻ°Â āĻŽāϝāĻŧāĻŽāύāϏāĻŋāĻ‚āĻš āĻļāĻšāϰ⧇āϰ ā§§ā§­ āĻ…āĻŽā§ƒāϤ āĻŦāĻžāĻŦ⧁ āϰ⧋āĻĄā§‡āϰ āϜāĻŽāĻŋāĻĻāĻžāϰ āĻŽāĻĻāύ āĻŦāĻžāĻŦ⧁āϰ āĻŦāĻžāĻ—āĻžāύ āĻŦāĻžāĻĄāĻŧāĻŋāϤ⧇ āĻ…āĻŦāĻ¸ā§āĻĨāĻŋāϤāĨ¤ āϜāĻžāĻĻ⧁āϘāϰāϟāĻŋ āĻŽāϝāĻŧāĻŽāύāϏāĻŋāĻ‚āĻš āĻ…āĻžā§āϚāϞ⧇āϰ āϜāĻ¨ā§āϝ āĻāĻ•āϟāĻŋ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āϏāĻ‚āĻ—ā§āϰāĻšāĻļāĻžāϞāĻž āĻšāĻŋāϏ⧇āĻŦ⧇ āĻ•āĻžāϜ āĻ•āϰāϛ⧇āĨ¤ āĻāĻ–āĻžāύ⧇ āĻŽāϝāĻŧāĻŽāύāϏāĻŋāĻ‚āĻš āĻœā§‡āϞāĻžāϰ āĻ¸ā§āĻĨāĻžāύ⧀āϝāĻŧ āĻ¸ā§āĻĨāĻžāĻĒāĻ¤ā§āϝ, āĻŽā§‚āĻ°ā§āϤāĻŋ, āϞ⧌āĻš āϜāĻŋāύāĻŋāϏāĻĒāĻ¤ā§āϰ, āĻšāĻ¸ā§āϤāĻļāĻŋāĻ˛ā§āĻĒ, āĻļāĻŋāϞāĻžāϞāĻŋāĻĒāĻŋ āĻ“ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āĻŦāĻžāĻŖāĻŋāĻœā§āϝāĻŋāĻ• āĻĻā§āϰāĻŦā§āϝāĻžāĻĻāĻŋāϏāĻš āĻ…āύ⧇āĻ• āĻĒ⧁āϰāĻžāϤāύ āϜāĻŋāύāĻŋāϏ-āĻĒāĻ¤ā§āϰ āϰāϝāĻŧ⧇āϛ⧇āĨ¤ āĻ āϜāĻžāĻĻ⧁āϘāϰ⧇āϰ āĻ…āϧāĻŋāĻ•āĻžāĻ‚āĻļ āϜāĻŋāύāĻŋāϏ āϏāĻ‚āĻ—ā§āϰāĻš āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇ āĻŽāϝāĻŧāĻŽāύāϏāĻŋāĻ‚āĻš āĻ…āĻžā§āϚāϞ⧇āϰ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϜāĻŽāĻŋāĻĻāĻžāϰ āĻŦāĻžāĻĄāĻŧāĻŋ āĻĨ⧇āϕ⧇āĨ¤ āϏāĻ°ā§āĻŦāĻŽā§‹āϟ ⧍⧧ā§ĒāϟāĻŋ āĻŦāĻ¸ā§āϤ⧁ āϜāĻžāĻĻ⧁āϘāϰ⧇āϰ āϤāĻŋāύāϟāĻŋ āĻ•āĻ•ā§āώ⧇ āϏāĻ‚āϰāĻ•ā§āώāĻŋāϤ āϰāϝāĻŧ⧇āϛ⧇āĨ¤ āϟāĻŋ ⧧⧝ā§Ŧ⧝ āϏāĻžāϞ⧇ āĻŽāϝāĻŧāĻŽāύāϏāĻŋāĻ‚āĻšā§‡āϰ āĻ¤ā§ŽāĻ•āĻžāϞ⧀āύ āĻĄā§‡āĻĒ⧁āϟāĻŋ-āĻ•āĻŽāĻŋāĻļāύāĻžāϰ āĻ•āĻ°ā§āϤ⧃āĻ• āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻŋāϤ āĻšāϝāĻŧ⧇āĻ›āĻŋāϞāĨ¤Â āĻĒā§āϰāĻĨāĻŽāĻĻāĻŋāϕ⧇ āĻŽāϝāĻŧāĻŽāύāϏāĻŋāĻ‚āĻš āĻĒ⧌āϰāϏāĻ­āĻž āĻāϟāĻŋāϰ āϤāĻĻāĻžāϰāĻ•āĻŋ āĻ•āϰāϞ⧇āĻ“ ā§§ā§¯ā§Žā§¯ āϏāĻžāϞ⧇ āϜāĻžāĻĻ⧁āϘāϰāϟāĻŋ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻĒā§āϰāĻ¤ā§āύāϤāĻ¤ā§āĻ¤ā§āĻŦ āĻ…āϧāĻŋāĻĻāĻĒā§āϤāϰ⧇āϰ āĻ…āϧ⧀āύ āύāĻŋāϝāĻŧ⧇ āφāϏāĻž āĻšāϝāĻŧāĨ¤ ⧧⧝⧝ā§Ģ āϏāĻžāϞ⧇āϰ āĻ—ā§āϝāĻžāĻœā§‡āĻŸā§‡ āϜāĻžāĻĻ⧁āϘāϰāϟāĻŋ āϏāϰāĻ•āĻžāϰāĻŋāĻ­āĻžāĻŦ⧇ āĻ…āĻ¨ā§āϤāĻ°ā§āϭ⧁āĻ•ā§āϤ āĻ•āϰāĻž āĻšāϝāĻŧāĨ¤ āϏāĻ‚āĻ—ā§āϰāĻš āϏāĻ‚āϰāĻ•ā§āώāĻŋāϤ āĻŦāĻ¸ā§āϤ⧁āϰ āĻŽāĻ§ā§āϝ⧇ āϰāϝāĻŧ⧇āϛ⧇ āĻĒāĻžāĻŖā§āĻĄā§āϞāĻŋāĻĒāĻŋ āĻ“ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϧāϰāύ⧇āϰ āĻŽā§āĻĻā§āϰāĻž āϝāĻĻāĻŋāĻ“ āĻ…āϧāĻŋāĻ•āĻžāĻ‚āĻļ āĻŦāĻ¸ā§āϤ⧁āχ āĻĒā§āϰāĻĻāĻ°ā§āĻļāύ⧀ āĻŦāĻžāĻ•ā§āϏ⧇āϰ āĻ…āĻ­āĻžāĻŦ⧇ āĻĒā§āϰāĻ°ā§āĻĻāĻļāύ āĻ•āϰāĻž āĻšāϝāĻŧāύāĻŋāĨ¤ āĻāĻ›āĻžāĻĄāĻŧāĻžāĻ“ āϰāϝāĻŧ⧇āϛ⧇ āĻŽāϝāĻŧā§‚āϰ⧇āϰ āĻŽāĻŽāĻŋ āϝāĻž āĻŽāϝāĻŧāĻŽāύāϏāĻŋāĻ‚āĻš āĻŽā§‡āĻĄāĻŋāϕ⧇āϞ āĻ•āϞ⧇āϜ āĻ•āĻ°ā§āϤ⧃āĻ• āĻĻāĻžāύ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āĻ›āĻŋāϞāĨ¤ ⧧⧝⧝⧝-⧍ā§Ļā§Ļā§§ āϏāĻžāϞ⧇āϰ āϏāĻ‚āĻ¸ā§āĻ•āĻžāϰ⧇āϰ āϏāĻŽāϝāĻŧ āϏāĻ‚āϰāĻ•ā§āώāĻŋāϤ āĻŦāĻžāρāĻļ āĻ“ āĻŦ⧇āϤ⧇āϰ āϜāĻŋāύāĻŋāϏāĻĒāĻ¤ā§āϰ, āĻĒāĻžāĻ–āĻŋāϰ āĻŽāĻŽāĻŋ, āφāϞ⧋āĻ•āϚāĻŋāĻ¤ā§āϰ āĻ“ āĻ¸ā§āĻĨāĻžāύ⧀āϝāĻŧ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϞ⧋āĻ•āĻ—ā§€āϤāĻŋāϰ āĻ•ā§āώāϤāĻŋ āϏāĻžāϧāĻŋāϤ āĻšāϝāĻŧ⧇āĻ›āĻŋāϞāĨ¤ āĻ•āĻŋāϛ⧁ āĻŦāĻ¸ā§āϤ⧁ āϜāĻžāĻŽāĻŋāĻĻāĻžāϰ āĻŦāĻžāĻĄāĻŧāĻŋ āĻĨ⧇āϕ⧇ āϏāϰāĻžāϏāϰāĻŋ āϏāĻ‚āĻ—ā§āϰāĻš āĻ•āϰāĻž āĻšāϝāĻŧ⧇āĻ›āĻŋāϞāĨ¤ āĻŽā§āĻ•ā§āϤāĻžāĻ—āĻžāĻ›āĻž āϜāĻŽāĻŋāĻĻāĻžāϰ āĻŦāĻžāĻĄāĻŧāĻŋ āĻĨ⧇āϕ⧇ āϏāĻ‚āĻ—ā§ƒāĻšā§€āϤ āĻŦāĻ¸ā§āϤ⧁āϰ āĻŽāĻ§ā§āϝ⧇ āϰāϝāĻŧ⧇āϛ⧇ āĻĒāĻžāĻĨāϰ āĻĢ⧁āϞāĻĻāĻžāύāĻŋ, āĻ•āĻŽā§āĻĒāĻžāϏ, āĻĒā§āϰāĻžāĻšā§€āύ āϘāĻĄāĻŧāĻŋ, āĻ…āϞāĻ™ā§āĻ•āĻžāϰ, āĻŽā§ƒāĻ¤ā§āĻļāĻŋāĻ˛ā§āĻĒ, āĻŽā§‡āĻļāĻŋāύ āĻŦāϝāĻŧāύ, āĻĢ⧁āϞāĻĻāĻžāύāĻŋ, āĻŽā§‹āĻŽā§‡āϰ āĻ˜ā§‹āĻĄāĻŧāĻž, āϞ⧋āĻšāĻžāϰ āϤāĻžāĻ• āĻāĻŦāĻ‚ āĻ•ā§āϰ⧀āĻĄāĻŧāĻž āϏāĻžāĻŽāĻ—ā§āϰ⧀; āĻ–ā§‹āĻĻāĻžāχ-āĻ•āϰāĻž āĻ­āĻžāĻ¸ā§āĻ•āĻ°ā§āϝ āϏāϰāĻ¸ā§āĻŦāϤ⧀, āĻŦāĻŋāĻˇā§āϪ⧁; āĻĒā§āϰāĻžāĻ•ā§ƒāϤāĻŋāĻ• āχāϤāĻŋāĻšāĻžāϏ āφāχāĻŸā§‡āĻŽā§‡āϰ āĻŽāĻ§ā§āϝ⧇ āĻŦāĻžāĻ˜ā§‡āϰ āĻŽāĻžāĻĨāĻž, āĻĻ⧁āχ āĻšāϰāĻŋāϪ⧇āϰ āĻŽāĻžāĻĨāĻž, āĻāĻŦāĻ‚ āĻāĻ•āϟāĻŋ āĻŦāĻ¨ā§āϝ āώāĻžāρāĻĄāĻŧ⧇āϰ āĻŽāĻžāĻĨāĻž āĻ…āĻ¨ā§āϤāĻ°ā§āϭ⧁āĻ•ā§āϤāĨ¤ āĻ—ā§Œāϰ⧀āĻĒ⧁āϰ āϜāĻŽāĻŋāĻĻāĻžāϰ āĻĒā§āϰāĻžāϏāĻžāĻĻ āĻĨ⧇āϕ⧇ āϏāĻ‚āĻ—ā§āϰāĻš āĻ•āϰāĻž āĻŦāĻ¸ā§āϤ⧁āϰ āĻŽāĻ§ā§āϝ⧇ āϰāϝāĻŧ⧇āϛ⧇ āĻšāĻžāϤāĻŋāϰ āĻŽāĻžāĻĨāĻž, āϏ⧋āĻĢāĻž āϏ⧇āϟ, āχāϤāĻžāϞ⧀āϝāĻŧ āĻŽā§‚āĻ°ā§āϤāĻŋ āĻ“ āĻļāĻŋāĻ•āĻžāϰ⧇ āĻŦā§āϝāĻŦāĻšā§ƒāϤ āϝāĻ¨ā§āĻ¤ā§āϰāĻžāĻĻāĻŋāĨ¤ āĻāĻ›āĻžāĻĄāĻŧāĻžāĻ“ āϜāĻžāĻĻ⧁āϘāϰāϟāĻŋāϤ⧇ āĻ—ā§āϰāĻžāĻŽā§āϝ āĻ…āύ⧇āĻ• āϚāĻŋāĻ¤ā§āϰāĻ•āĻ°ā§āĻŽ āϰāϝāĻŧ⧇āϛ⧇āĨ¤
Asaduzzaman Anta

Asaduzzaman Anta

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āĻŽā§ŸāĻŽāύāĻŽāϏāĻŋāĻ‚ āϜāĻžāĻĻ⧁āϘāϰāϟāĻŋ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻŋāϤ āĻšā§Ÿ ⧧⧝ā§Ŧ⧝ āϏāĻžāϞ⧇ āϜāĻŽāĻŋāĻĻāĻžāϰ āĻŽāĻĻāύ āĻŦāĻžāĻŦ⧁āϰ āĻŦāĻžāĻ—āĻžāύ āĻŦāĻžāĻĄāĻŧāĻŋāϤ⧇āĨ¤ āϜāĻžāĻĻ⧁āϘāϰāϟāĻŋ āĻŽāϝāĻŽāύāϏāĻŋāĻ‚āĻš āϏāĻŋāϟāĻŋ āĻ•āĻ°ā§āĻĒā§‹āϰ⧇āĻļāύ⧇āϰ āĻ…āĻĻā§‚āϰ⧇ ā§§ā§­ āύāĻ‚ āĻ…āĻŽā§ƒāϤāĻŦāĻžāĻŦ⧁ āϰ⧋āĻĄā§‡ āĻ…āĻŦāĻ¸ā§āĻĨāĻŋāϤāĨ¤ āĻĒā§āϰāĻĨāĻŽāĻĻāĻŋāϕ⧇ āĻŽāϝāĻŧāĻŽāύāϏāĻŋāĻ‚āĻš āĻĒ⧌āϰāϏāĻ­āĻž āĻāϟāĻŋāϰ āϤāĻĻāĻžāϰāĻ•āĻŋ āĻ•āϰ⧇āĨ¤ āĻĒāϰāĻŦāĻ°ā§āϤ⧀āϤ⧇ ā§§ā§¯ā§Žā§¯ āϏāĻžāϞ⧇ āϜāĻžāĻĻ⧁āϘāϰāϟāĻŋ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻĒā§āϰāĻ¤ā§āύāϤāĻ¤ā§āĻ¤ā§āĻŦ āĻ…āϧāĻŋāĻĻāĻĒā§āϤāϰ⧇āϰ āĻ…āϧ⧀āύ āύāĻŋāϝāĻŧ⧇ āφāϏāĻž āĻšāϝāĻŧ āĻāĻŦāĻ‚ ⧧⧝⧝ā§Ģ āϏāĻžāϞ⧇āϰ āĻ—ā§āϝāĻžāĻœā§‡āĻŸā§‡ āϜāĻžāĻĻ⧁āϘāϰāϟāĻŋ āϏāϰāĻ•āĻžāϰāĻŋāĻ­āĻžāĻŦ⧇ āĻ…āĻ¨ā§āϤāĻ°ā§āϭ⧁āĻ•ā§āϤ āĻ•āϰāĻž āĻšāϝāĻŧāĨ¤ āϜāĻžāĻĻ⧁āϘāϰāϟāĻŋ āĻŽāϝāĻŧāĻŽāύāϏāĻŋāĻ‚āĻš āĻ…āĻžā§āϚāϞ⧇āϰ āĻāĻ•āϟāĻŋ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āϏāĻ‚āĻ—ā§āϰāĻšāĻļāĻžāϞāĻž āĻšāĻŋāϏ⧇āĻŦ⧇ āĻ•āĻžāϜ āĻ•āϰāϛ⧇āĨ¤ āĻāĻ–āĻžāύ⧇ āĻŽāϝāĻŧāĻŽāύāϏāĻŋāĻ‚āĻš āĻœā§‡āϞāĻžāϰ āĻ¸ā§āĻĨāĻžāύ⧀āϝāĻŧ āĻĒā§āϰāĻžāĻšā§€āύ āĻ­āĻžāĻ¸ā§āĻ•āĻ°ā§āϝ, āĻŽā§‚āĻ°ā§āϤāĻŋ, āĻĒāĻžāĻŖā§āĻĄā§āϞāĻŋāĻĒāĻŋ, āĻŽā§āĻĻā§āϰāĻž, āĻ…āϞāĻ‚āĻ•āĻžāϰ, āĻŽā§ƒā§ŽāĻļāĻŋāĻ˛ā§āĻĒ, āĻšāĻ¸ā§āϤāĻļāĻŋāĻ˛ā§āĻĒ, āĻļāĻŋāϞāĻžāϞāĻŋāĻĒāĻŋ, āĻœā§€āĻŦāϜāĻ¨ā§āϤ⧁āϰ āĻĻ⧇āĻšāĻžāĻŦāĻļ⧇āώ āĻāĻŦāĻ‚ āϜāĻŽāĻŋāĻĻāĻžāϰāĻĻ⧇āϰ āĻŦā§āϝāĻŦāĻšā§ƒāϤ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āĻĻā§āϰāĻŦā§āϝāĻžāĻĻāĻŋ āĻ°ā§Ÿā§‡āϛ⧇āĨ¤ āĻ āϜāĻžāĻĻ⧁āϘāϰ⧇āϰ āĻ…āϧāĻŋāĻ•āĻžāĻ‚āĻļ āϜāĻŋāύāĻŋāϏ āϏāĻ‚āĻ—ā§āϰāĻš āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇ āĻŽāϝāĻŧāĻŽāύāϏāĻŋāĻ‚āĻš āĻ…āĻžā§āϚāϞ⧇āϰ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϜāĻŽāĻŋāĻĻāĻžāϰ āĻŦāĻžāĻĄāĻŧāĻŋ āĻĨ⧇āϕ⧇āĨ¤ āϜāĻžāĻĻ⧁āϘāϰ⧇āϰ āϤāĻŋāύāϟāĻŋ āĻ•āĻ•ā§āώ⧇ āϏāĻ‚āĻ—ā§ƒāĻšā§€āϤ āĻĻā§āϰāĻŦā§āϝāĻžāĻĻāĻŋ āĻĒā§āϰāĻĻāĻ°ā§āĻļāĻŋāϤ āĻšāĻšā§āϛ⧇āĨ¤
Dr J C Pandit

Dr J C Pandit

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Reviews of Mymensingh Museum

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After reading so many articles and watching so many videos online on this museum ,being enthusiastic when I finally made a visit to this place ,a locked gate with a padlock hanging on it and a wall mounted signboard displaying 'Proposed Land for the Department of Archeology ' prevented me from exploring this magnificent structure of feudal era.Hence seeing this yellow-painted,one-storey historic building with an amazing front yard as much as I could through the grill gate ,I had to return with great disappointment.

The bagan bari of Zamindar Madan Babu at 17 Amrita Babu Road, Mymensingh, which has been used as Mymensingh Museum since 1969 is no longer used as the museum as the museum has been shifted to a new place .

After being established at the initiative of the-then Deputy Commissioner of Mymensingh District with a view to preserving the rare and unique relics of local architecture,sculpture, metal works, coins of different ages,handwritten manuscripts on papers and leaves, utensils,furniture, photographs and paintings of the feudal era and before being placed under the charge of Department of Archeology, Cultural Affairs Ministry in 1989, this museum- formerly known as Momenshahi Museum was run by the Mymensingh Municipality and finally, in 1995,it was enlisted in the gazette .

Though the initial collection of this museum-collected mostly from the palaces of Mymensingh District Zamindars included 214 articles, only few of the wooden carved furniture items including a sofa set, a partition wall, few showcases and chests ; natural history items including skulls of elephants; heads of wild bull and deers ; a stone sculpture and card- built model of Gouripur Zamindar palace had been put on display. Rest of the articles- collected mostly from Muktagacha Zamindar palace, Atharabari Zamindar palace and Gouripur Zamindar palace included sculptures of Saraswati, Vishnu and a dragon, antique collections of clocks, weaving machines, candle stands, ornamental flower tub stands, sports items, a stone flower vase,a compass, Bakharee(an ornament) ,a tiger head,a rhinoceros hide , a table with a marble stone top ,collection of coins of different ages and paintings , which unfortunately as a result of insufficient showcase and space constraint problems could not be put into display in this museum.Because of the same issue, handwritten manuscripts on papers and leaves were kept in iron shelves, in the open corridor of the museum gathering dust with no preservation system.Moreover ,bamboo and cane items,preserved birds,photographs, pottery were damaged during a renovation in 1999-2001.According to the visitors, peacock mummy presented by Mymensingh Medical College,a huge shade used during hunting coming from Gouripur Zamindar palace,collection of coins of different ages,calligraphy on palm leaves and paper found there earlier had gone missing.Absence of the list of all relics displayed at the museum had created dissatisfaction among the enthusiastic visitors going there with huge expectation.

Sheer negligence of the authority in protecting the unique and rare relics from the risk of ruination and enriching the collection of relics of the museum and the display of the rare relics in three damp rooms having very poor lighting,insufficient space and showcase and no proper preservation system had affected the museum in such a way that once a popular draw for the public was managing to get only 10-20 visitors a day.

Because of all these problems, Mymensingh Museum was shifted to Shashi Lodge- another jaw dropping architecture of feudal era having enough space to display the entire museum within just few of the 22 rooms of the lodge, in 2019.Besides increasing the number of visitors from 10-20 to 300 per day,shifting of the museum to this lodge has also been generating revenue around TK 1,00,000 per month which was beyond imagination before the shifting .

Anyone who is interested in making a visit to Mymensingh Museum should go to Shashi Lodge instead of going to the bagan bari as it is no longer open...

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4.0
1y

Mymensingh Museum is a cultural treasure trove that offers a fascinating glimpse into the rich history and heritage of the Mymensingh region. Located in a historic building, the museum itself is a testament to the architectural beauty of the past, adding to the overall charm of the visit.

The museum’s collection is diverse and well-curated, featuring a wide array of artifacts that span several centuries. From ancient coins, pottery, and sculptures to traditional garments, weapons, and historical documents, each exhibit provides valuable insights into the region’s cultural evolution. The displays are informative and well-organized, making it easy for visitors to follow and understand the historical context of each item.

One of the highlights of Mymensingh Museum is its impressive collection of traditional Bangladeshi art and handicrafts. The intricate designs and craftsmanship on display showcase the incredible talent and creativity of local artisans. The museum also has a section dedicated to notable personalities from the region, highlighting their contributions to various fields such as literature, art, and politics.

The staff at Mymensingh Museum are knowledgeable and passionate about the exhibits. They are always ready to provide additional information and answer any questions, enhancing the educational experience. Guided tours are available and highly recommended for those who want a deeper understanding of the exhibits.

While the museum offers a rich and engaging experience, it could benefit from modernizing some of its displays and facilities. Improved lighting and interactive elements would enhance the visitor experience, making the exhibits even more accessible and engaging, especially for younger visitors.

Overall, Mymensingh Museum is a must-visit for anyone interested in the history and culture of the region. Its extensive and well-preserved collection, coupled with the historical significance of the building itself, makes it a valuable cultural destination in Mymensingh. Whether you’re a history enthusiast or simply looking to learn more about the local heritage, the museum offers a rewarding and...

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2y

Mymensingh Museum is located in Zamidar Madan Babu’s garden house at Amrita Babu Road in Mymensingh town. The museum is contributing as a major artifacts collection in the Mymensingh region. There are many old items including local architecture, statues, iron accessories, handicrafts, inscriptions and commercial goods of Mymensingh district exhibited in the museum. Most of the things have been collected from different house of Zamidars of Mymensingh area. A total of 214 objects have been preserved in three rooms of the museum. The museum was established in 1969 by the then Deputy Commissioner of Mymensingh. Initially Mymensingh municipality used to supervise it, but in 1989, the museum was brought under the Department of...

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