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Prasat Beng Mealea — Attraction in Siem Reap

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Prasat Beng Mealea
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Beng Mealea, or Boeng Mealea, is a temple from the Angkor Wat period located 40 km east of the main group of temples at Angkor, Cambodia, on the ancient royal highway to Preah Khan Kompong Svay.
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Prasat Beng Mealea
CambodiaSiem ReapPrasat Beng Mealea

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Prasat Beng Mealea

F6GH+3G2, Phumi Boeng Mealea, Cambodia
4.7(1.2K)
Open 24 hours
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Beng Mealea, or Boeng Mealea, is a temple from the Angkor Wat period located 40 km east of the main group of temples at Angkor, Cambodia, on the ancient royal highway to Preah Khan Kompong Svay.

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Reviews of Prasat Beng Mealea

4.7
(1,151)
avatar
5.0
7y

Prasat Beng Mealea was built by king Suryavarman II, early 12th century by primary deity to Vishnu with architecture of Angkor Wat. This temple is located 40 km east of the main group of temples at Angkor, and 77 km from Siem Reap by road.

Beng Mealea (its name means "lotus pond") is a temple in the Angkor Wat style located 40 km east of the main group of temples at Angkor, Cambodia. It was built as hinduist temple, but there are some carvings depicting buddhist motifs. Its primary material is sandstone and it is largely unrestored, with trees and thick brush thriving amidst its towers and courtyards and many of its stones lying in great heaps.

The history of the temple is unknown and it can be dated only by its architectural style, identical to Angkor Wat, so scholars assumed it was built during the reign of king Suryavarman II in the early 12th century. Smaller in size than Angkor Wat, the king's main monument, Beng Mealea nonetheless ranks among the Khmer empire's larger temples: the gallery which forms the outer enclosure of the temple is 181 m by 152 m. It was the center of a town, surrounded by a moat 1025 m by 875 m large and 45 m wide.

Beng Mealea is oriented toward the east, but has entranceways from the other three cardinal directions. The basic layout is three enclosing galleries around a central sanctuary, collapsed at present. The enclosures are tied with "cruciform cloisters", like Angkor Wat. Structures known as libraries lie to the right and left of the avenue that leads in from the east. There is extensive carving of scenes from Hindu mythology, including the Churning of the Sea of Milk and Vishnu being borne by the bird god Garuda. Causeways have long balustrades formed by bodies of the seven-headed Naga serpent.

It was built mostly of sandstone: Beng Mealea is only 7 km far from the angkorian sandstone quarries of Phnom Kulen, as the crow flies. Presumably sandstone blocks used for Angkor were transported along artificial water canals and passed from here. Despite of lack of information, the quality of architecture and decorations has drown the attention of French scholars just from...

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4.0
42w

Amazing Temple in the jungle surrounded by trees. This temple is 72km out of town and so does not have many visitors. Having said that, I would highly recommend going. It’s a bit of a walk up a lane and out again, but the temple area itself has wooden staircases, balconies and steps that are well laid out. The first thing you see when entering the site is that the area is ‘under construction’. There is a huge crane uncovering lots of large rectangular slabs, each one if which is given a ‘placement number’ for re-positioning. One of the amazing wonders are the long bridge like stone structures that swan-neck up with a large cobra head on the tip. These snake-heads are intricately carved and detailed as are a number of stone structures in the area.

As you wonder through this vast area, the most notable things are:- The extraordinary amount are large rectangular slabs (each about 3’x1.5’x1.5’), each one with 2x2” holes (some more) for the insertion of sticks and twine for moving - although these slabs aren’t going anywhere as they are too difficult to move / reconstruct and too overwhelming cumbersome and abundant. Many of the structures have trees growing around them or through them / and many of these very large trees are covered and smothered by smaller, thinner fig trees that surround, suffocate and kill the larger trees. A truly amazing and unique experience to witness.

Remember to take water, sunscreen, a hat & maybe sunglasses. It’s hot in this part of the world. Also, I highly recommend getting a guide and driver with an air conditioned car. Going to any temple on a tuk-tuk or scooter on dirt or bumpy roads in traffic on a hot day does not look...

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5.0
2y

This temple is very far from the main temples of Angkor, and as such, you'll need at least a motorbike or tuk tuk to get here. By motorbike/tuk tuk it's going to take you at least 1.5 hours to get here, and although the "highway" is quite new and in good condition compared to most Cambodian roads, it isn't by any means a smooth drive. Make sure to buy your Angkor Pass before coming to Beng Mealea, they don't sell them here.

This is an enormous temple. It had to be one of the finest in Angkor when it was built. Although not as big as Angkor Wat, I can't think of another temple I went to that felt as large as this one (except maybe Preah Vihear). So you're getting to see the pinnacle of the Angkor Empire here. But the last 800 years haven't been kind to Beng Mealea, and now the temple is in an advanced state of ruin (think Ta Phrom after a couple of earthquakes). So more than any temple in Angkor, this one had the eerie feeling of stepping into a lost world that had long ago been reclaimed by nature.

Although it isn't the easiest temple to get to, it is absolutely worth seeing. If you have 3 or more days in Siem Reap, see this temple (along with Bakong and Preah Ko on the way back to Siem Reap). The combination of sheer size and advanced state of ruin makes it one of the coolest...

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Shankar RajasekharanShankar Rajasekharan
Prasat Beng Mealea was built by king Suryavarman II, early 12th century by primary deity to Vishnu with architecture of Angkor Wat. This temple is located 40 km east of the main group of temples at Angkor, and 77 km from Siem Reap by road. Beng Mealea (its name means "lotus pond") is a temple in the Angkor Wat style located 40 km east of the main group of temples at Angkor, Cambodia. It was built as hinduist temple, but there are some carvings depicting buddhist motifs. Its primary material is sandstone and it is largely unrestored, with trees and thick brush thriving amidst its towers and courtyards and many of its stones lying in great heaps. The history of the temple is unknown and it can be dated only by its architectural style, identical to Angkor Wat, so scholars assumed it was built during the reign of king Suryavarman II in the early 12th century. Smaller in size than Angkor Wat, the king's main monument, Beng Mealea nonetheless ranks among the Khmer empire's larger temples: the gallery which forms the outer enclosure of the temple is 181 m by 152 m. It was the center of a town, surrounded by a moat 1025 m by 875 m large and 45 m wide. Beng Mealea is oriented toward the east, but has entranceways from the other three cardinal directions. The basic layout is three enclosing galleries around a central sanctuary, collapsed at present. The enclosures are tied with "cruciform cloisters", like Angkor Wat. Structures known as libraries lie to the right and left of the avenue that leads in from the east. There is extensive carving of scenes from Hindu mythology, including the Churning of the Sea of Milk and Vishnu being borne by the bird god Garuda. Causeways have long balustrades formed by bodies of the seven-headed Naga serpent. It was built mostly of sandstone: Beng Mealea is only 7 km far from the angkorian sandstone quarries of Phnom Kulen, as the crow flies. Presumably sandstone blocks used for Angkor were transported along artificial water canals and passed from here. Despite of lack of information, the quality of architecture and decorations has drown the attention of French scholars just from its discovery.
Gunnar CayaGunnar Caya
This temple is very far from the main temples of Angkor, and as such, you'll need at least a motorbike or tuk tuk to get here. By motorbike/tuk tuk it's going to take you at least 1.5 hours to get here, and although the "highway" is quite new and in good condition compared to most Cambodian roads, it isn't by any means a smooth drive. Make sure to buy your Angkor Pass before coming to Beng Mealea, they don't sell them here. This is an enormous temple. It had to be one of the finest in Angkor when it was built. Although not as big as Angkor Wat, I can't think of another temple I went to that felt as large as this one (except maybe Preah Vihear). So you're getting to see the pinnacle of the Angkor Empire here. But the last 800 years haven't been kind to Beng Mealea, and now the temple is in an advanced state of ruin (think Ta Phrom after a couple of earthquakes). So more than any temple in Angkor, this one had the eerie feeling of stepping into a lost world that had long ago been reclaimed by nature. Although it isn't the easiest temple to get to, it is absolutely worth seeing. If you have 3 or more days in Siem Reap, see this temple (along with Bakong and Preah Ko on the way back to Siem Reap). The combination of sheer size and advanced state of ruin makes it one of the coolest temples in Cambodia
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āļ—āļģāđƒāļŦāđ‰āđ€āļāļīāļ”āļ āļēāļžāļ—āļĩāđˆāļŠāļ§āļĒāļ‡āļēāļĄāđāļĨāļ°āļĨāļķāļāļĨāļąāļšāļĢāļēāļ§āļāļąāļšāļ‰āļēāļāđƒāļ™āļ āļēāļžāļĒāļ™āļ•āļĢāđŒ āļ›āļĢāļ°āļ§āļąāļ•āļīāđ‚āļ”āļĒāļĒāđˆāļ­ * āļĒāļļāļ„āļŠāļĄāļąāļĒāđāļĨāļ°āļāļēāļĢāļŠāļĢāđ‰āļēāļ‡: āđ€āļŠāļ·āđˆāļ­āļāļąāļ™āļ§āđˆāļēāļ›āļĢāļēāļŠāļēāļ—āđ€āļšāđ‡āļ‡āđ€āļĄāđ€āļĨāļĩāļĒāļ–āļđāļāļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āđƒāļ™āļĢāļēāļ§ āļāļĨāļēāļ‡āļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ 12 āđƒāļ™āļĢāļąāļŠāļŠāļĄāļąāļĒāļ‚āļ­āļ‡ āļžāļĢāļ°āđ€āļˆāđ‰āļēāļŠāļļāļĢāļīāļĒāļ§āļĢāļĄāļąāļ™āļ—āļĩāđˆ 2 (āļ„.āļĻ. 1113-1150) āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļŠāđˆāļ§āļ‡āđ€āļ”āļĩāļĒāļ§āļāļąāļšāļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļ›āļĢāļēāļŠāļēāļ—āļ™āļ„āļĢāļ§āļąāļ” āđāļĄāđ‰āļˆāļ°āđ„āļĄāđˆāļĄāļĩāļˆāļēāļĢāļķāļāļ—āļĩāđˆāļĢāļ°āļšāļļāļ–āļķāļ‡āļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļ›āļĢāļēāļŠāļēāļ—āļ™āļĩāđ‰āđ‚āļ”āļĒāļ•āļĢāļ‡ āđāļ•āđˆāļˆāļēāļāļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄ āđāļœāļ™āļœāļąāļ‡ āđāļĨāļ°āļĨāļ§āļ”āļĨāļēāļĒāđāļāļ°āļŠāļĨāļąāļāļ—āļĩāđˆāļ„āļĨāđ‰āļēāļĒāļ„āļĨāļķāļ‡āļāļąāļšāļ™āļ„āļĢāļ§āļąāļ”āļ­āļĒāđˆāļēāļ‡āļĄāļēāļ āļ—āļģāđƒāļŦāđ‰āļœāļđāđ‰āđ€āļŠāļĩāđˆāļĒāļ§āļŠāļēāļāļŦāļĨāļēāļĒāļ„āļ™āđ€āļŠāļ·āđˆāļ­āļ§āđˆāļēāļ›āļĢāļēāļŠāļēāļ—āđāļŦāđˆāļ‡āļ™āļĩāđ‰āļ­āļēāļˆāđ€āļ›āđ‡āļ™ āļ•āđ‰āļ™āđāļšāļšāļŦāļĢāļ·āļ­āđāļšāļšāļˆāļģāļĨāļ­āļ‡ āļ‚āļ­āļ‡āļ™āļ„āļĢāļ§āļąāļ” āļŦāļĢāļ·āļ­āļ­āļĒāđˆāļēāļ‡āļ™āđ‰āļ­āļĒāļāđ‡āđ€āļ›āđ‡āļ™āļœāļĨāļ‡āļēāļ™āļˆāļēāļāļŠāđˆāļēāļ‡āļāļĩāļĄāļ·āļ­āļŠāļļāļ”āđ€āļ”āļĩāļĒāļ§āļāļąāļ™ * āļ§āļąāļ•āļ–āļļāļ›āļĢāļ°āļŠāļ‡āļ„āđŒ: āļ›āļĢāļēāļŠāļēāļ—āđāļŦāđˆāļ‡āļ™āļĩāđ‰āļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āđ€āļžāļ·āđˆāļ­āļ­āļļāļ—āļīāļĻāđƒāļŦāđ‰āļāļąāļšāļĻāļēāļŠāļ™āļēāļŪāļīāļ™āļ”āļđ āđ‚āļ”āļĒāđ€āļ‰āļžāļēāļ°āđ€āļ—āļžāđ€āļˆāđ‰āļē āļžāļĢāļ°āļ§āļīāļĐāļ“āļļ āļ‹āļķāđˆāļ‡āļŠāļ°āļ—āđ‰āļ­āļ™āļœāđˆāļēāļ™āļĨāļ§āļ”āļĨāļēāļĒāđāļāļ°āļŠāļĨāļąāļāđ€āļ—āļžāļ›āļāļĢāļ“āļąāļĄāļ•āđˆāļēāļ‡āđ† āļ­āļĒāđˆāļēāļ‡āđ„āļĢāļāđ‡āļ•āļēāļĄ āļāđ‡āļĄāļĩāļāļēāļĢāļžāļšāļŦāļĨāļąāļāļāļēāļ™āļ‚āļ­āļ‡āļžāļļāļ—āļ˜āļĻāļēāļŠāļ™āļēāđƒāļ™āļšāļēāļ‡āļŠāđˆāļ§āļ™āļ”āđ‰āļ§āļĒāđ€āļŠāđˆāļ™āļāļąāļ™ * āļ„āļ§āļēāļĄāļŠāļģāļ„āļąāļāļ—āļēāļ‡āļĒāļļāļ—āļ˜āļĻāļēāļŠāļ•āļĢāđŒ: āđ€āļšāđ‡āļ‡āđ€āļĄāđ€āļĨāļĩāļĒāļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļšāļ™āđ€āļŠāđ‰āļ™āļ—āļēāļ‡āļŦāļĨāļ§āļ‡āđ‚āļšāļĢāļēāļ“āļ—āļĩāđˆāđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āđ€āļĄāļ·āļ­āļ‡āļžāļĢāļ°āļ™āļ„āļĢ (āļ­āļąāļ‡āļāļ­āļĢāđŒ) āļāļąāļšāļ›āļĢāļēāļŠāļēāļ—āļžāļĢāļ°āļ‚āļĢāļĢāļ„āđŒāļāļģāļ›āļ‡āļŠāļ§āļēāļĒ āļ—āļģāđƒāļŦāđ‰āđ€āļ›āđ‡āļ™āļˆāļļāļ”āļŠāļģāļ„āļąāļāļ—āļēāļ‡āļĻāļēāļŠāļ™āļēāđāļĨāļ°āļāļēāļĢāļ„āđ‰āļēāđƒāļ™āļĒāļļāļ„āļ™āļąāđ‰āļ™ āļ„āļđāļ™āđ‰āļģāļ‚āļ™āļēāļ”āđƒāļŦāļāđˆāļ—āļĩāđˆāļĨāđ‰āļ­āļĄāļĢāļ­āļšāļ›āļĢāļēāļŠāļēāļ— (āļ›āļąāļˆāļˆāļļāļšāļąāļ™āđāļŦāđ‰āļ‡āļ‚āļ­āļ”) āļĒāļąāļ‡āđ€āļ›āđ‡āļ™āļŠāļąāļāļĨāļąāļāļĐāļ“āđŒāļ‚āļ­āļ‡āļĄāļŦāļēāļŠāļĄāļļāļ—āļĢāļ—āļĩāđˆāļĨāđ‰āļ­āļĄāļĢāļ­āļšāđ€āļ‚āļēāļžāļĢāļ°āļŠāļļāđ€āļĄāļĢāļļāđƒāļ™āļ„āļ•āļīāļˆāļąāļāļĢāļ§āļēāļĨāļ§āļīāļ—āļĒāļēāļ‚āļ­āļ‡āļŪāļīāļ™āļ”āļđ * āļāļēāļĢāļ–āļđāļāļ—āļīāđ‰āļ‡āļĢāđ‰āļēāļ‡āđāļĨāļ°āļāļēāļĢāļ„āđ‰āļ™āļžāļš: āļ›āļĢāļēāļŠāļēāļ—āđ€āļšāđ‡āļ‡āđ€āļĄāđ€āļĨāļĩāļĒāļ–āļđāļāļ—āļ­āļ”āļ—āļīāđ‰āļ‡āđƒāļ™āļŠāđˆāļ§āļ‡āļ„āļĢāļīāļŠāļ•āđŒāļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ 16 āđ€āļĄāļ·āđˆāļ­āļ­āļēāļ“āļēāļˆāļąāļāļĢāļ‚āļ­āļĄāđ€āļŠāļ·āđˆāļ­āļĄāļ­āļģāļ™āļēāļˆ āđāļĨāļ°āļ–āļđāļāļ„āđ‰āļ™āļžāļšāļ­āļĩāļāļ„āļĢāļąāđ‰āļ‡āđ‚āļ”āļĒāļ™āļąāļāļŠāļģāļĢāļ§āļˆāļŠāļēāļ§āļāļĢāļąāđˆāļ‡āđ€āļĻāļŠāđƒāļ™āļ›āļĨāļēāļĒāļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ 19 āļ„āļ·āļ­ Louis Delaporte āđƒāļ™āļ›āļĩ āļ„.āļĻ. 1880 āđāļ•āđˆāđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļāđ„āļĄāđˆāļĄāļĩāļĢāļđāļ›āļŠāļĨāļąāļāļ—āļĩāđˆāļĄāļĩāļ„āđˆāļē āļŦāļĢāļ·āļ­āļāļēāļĢāļšāļđāļĢāļ“āļ°āļ—āļĩāđˆāļŠāļģāļ„āļąāļāđ€āļŦāļĄāļ·āļ­āļ™āļ›āļĢāļēāļŠāļēāļ—āļ­āļ·āđˆāļ™āđ† āļ—āļģāđƒāļŦāđ‰āđ€āļšāđ‡āļ‡āđ€āļĄāđ€āļĨāļĩāļĒāļ–āļđāļāļ›āļĨāđˆāļ­āļĒāļ—āļīāđ‰āļ‡āđƒāļŦāđ‰āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāđ€āļ‚āđ‰āļēāļ„āļĢāļ­āļšāļ‡āļģ * āļŠāđˆāļ§āļ‡āļŠāļ‡āļ„āļĢāļēāļĄ: āđƒāļ™āļŠāđˆāļ§āļ‡āļŠāļ‡āļ„āļĢāļēāļĄāļāļĨāļēāļ‡āđ€āļĄāļ·āļ­āļ‡āļ‚āļ­āļ‡āļāļąāļĄāļžāļđāļŠāļē āđ‚āļ”āļĒāđ€āļ‰āļžāļēāļ°āļĒāļļāļ„āđ€āļ‚āļĄāļĢāđāļ”āļ‡ āđ€āļšāđ‡āļ‡āđ€āļĄāđ€āļĨāļĩāļĒāđ€āļ„āļĒāđ€āļ›āđ‡āļ™āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļ—āļĩāđˆāļĄāļąāđˆāļ™āļŠāļģāļ„āļąāļ āđāļĨāļ°āļĄāļĩāļāļēāļĢāļ§āļēāļ‡āļ—āļļāđˆāļ™āļĢāļ°āđ€āļšāļīāļ”āļˆāļģāļ™āļ§āļ™āļĄāļēāļ āļ—āļģāđƒāļŦāđ‰āđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āđ€āļ‚āđ‰āļēāļ–āļķāļ‡āđ„āļ”āđ‰āđ€āļ›āđ‡āļ™āđ€āļ§āļĨāļēāļ™āļēāļ™āļŦāļĨāļēāļĒāļ—āļĻāļ§āļĢāļĢāļĐ āļˆāļ™āļāļĢāļ°āļ—āļąāđˆāļ‡āļĄāļĩāļāļēāļĢāđ€āļāđ‡āļšāļāļđāđ‰āļ—āļļāđˆāļ™āļĢāļ°āđ€āļšāļīāļ”āļ­āļĒāđˆāļēāļ‡āđ€āļ›āđ‡āļ™āļĢāļ°āļšāļšāđƒāļ™āļŠāđˆāļ§āļ‡āļ—āļĻāļ§āļĢāļĢāļĐāļ—āļĩāđˆāļœāđˆāļēāļ™āļĄāļē āļ›āļĢāļēāļŠāļēāļ—āļˆāļķāļ‡āđ€āļ›āļīāļ”āđƒāļŦāđ‰āļ™āļąāļāļ—āđˆāļ­āļ‡āđ€āļ—āļĩāđˆāļĒāļ§āđ€āļ‚āđ‰āļēāļŠāļĄāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļ›āļĨāļ­āļ”āļ āļąāļĒ āļ„āļ§āļēāļĄāļ™āđˆāļēāļŠāļ™āđƒāļˆāļ‚āļ­āļ‡āļ›āļĢāļēāļŠāļēāļ—āđ€āļšāđ‡āļ‡āđ€āļĄāđ€āļĨāļĩāļĒ * āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄāđāļšāļš "āļ™āļ„āļĢāļ§āļąāļ”" āļ—āļĩāđˆāļ–āļđāļāļāļĨāļ·āļ™āļāļīāļ™āđ‚āļ”āļĒāļ˜āļĢāļĢāļĄāļŠāļēāļ•āļī: āļ™āļĩāđˆāļ„āļ·āļ­āđ€āļŠāļ™āđˆāļŦāđŒāļ—āļĩāđˆāđ‚āļ”āļ”āđ€āļ”āđˆāļ™āļ—āļĩāđˆāļŠāļļāļ”āļ‚āļ­āļ‡āđ€āļšāđ‡āļ‡āđ€āļĄāđ€āļĨāļĩāļĒ āļ”āđ‰āļ§āļĒāđ‚āļ„āļĢāļ‡āļŠāļĢāđ‰āļēāļ‡āļ—āļĩāđˆāļ„āļĨāđ‰āļēāļĒāļ„āļĨāļķāļ‡āļāļąāļšāļ™āļ„āļĢāļ§āļąāļ” āļĄāļĩāļĢāļ°āđ€āļšāļĩāļĒāļ‡āļ„āļ” 3 āļŠāļąāđ‰āļ™āļĨāđ‰āļ­āļĄāļĢāļ­āļšāļ›āļĢāļēāļŠāļēāļ—āļ›āļĢāļ°āļ˜āļēāļ™ āđāļ•āđˆāļŠāļīāđˆāļ‡āļ—āļĩāđˆāđāļ•āļāļ•āđˆāļēāļ‡āļ„āļ·āļ­āļāļēāļĢāļ—āļĩāđˆāļ›āļĢāļēāļŠāļēāļ—āđāļŦāđˆāļ‡āļ™āļĩāđ‰āļ–āļđāļāļ›āļĨāđˆāļ­āļĒāđƒāļŦāđ‰āđ€āļ›āđ‡āļ™āđ„āļ›āļ•āļēāļĄāļŠāļ āļēāļžāļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāļ­āļĒāđˆāļēāļ‡āđāļ—āđ‰āļˆāļĢāļīāļ‡ āļĢāļēāļāđ„āļĄāđ‰āļ‚āļ™āļēāļ”āļĄāļŦāļķāļĄāļē āđ€āļĨāļ·āđ‰āļ­āļĒāļžāļąāļ™āđ„āļ›āļ•āļēāļĄāļāļģāđāļžāļ‡āļŦāļīāļ™ āļĄāļ­āļŠāđāļĨāļ°āļžāļ·āļŠāļžāļĢāļĢāļ“ āļ›āļāļ„āļĨāļļāļĄāļ‹āļēāļāļ›āļĢāļąāļāļŦāļąāļāļžāļąāļ‡āļ­āļĒāđˆāļēāļ‡āļŦāļ™āļēāđāļ™āđˆāļ™ āļ—āļģāđƒāļŦāđ‰āđ€āļāļīāļ”āļ āļēāļžāļ—āļĩāđˆāļŠāļ§āļĒāļ‡āļēāļĄ āļĨāļķāļāļĨāļąāļš āđāļĨāļ°āļŠāļ§āļ™āđƒāļŦāđ‰āļˆāļīāļ™āļ•āļ™āļēāļāļēāļĢāļ–āļķāļ‡āļ­āļ”āļĩāļ•āļ—āļĩāđˆāļĢāļļāđˆāļ‡āđ€āļĢāļ·āļ­āļ‡ * āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāļ‚āļ­āļ‡āļāļēāļĢāļœāļˆāļāļ āļąāļĒ: āļāļēāļĢāđ€āļ”āļīāļ™āļŠāļģāļĢāļ§āļˆāļ›āļĢāļēāļŠāļēāļ—āđ€āļšāđ‡āļ‡āđ€āļĄāđ€āļĨāļĩāļĒāđƒāļŦāđ‰āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāđ€āļŦāļĄāļ·āļ­āļ™āļāļģāļĨāļąāļ‡āđ€āļ›āđ‡āļ™āļ™āļąāļāļŠāļģāļĢāļ§āļˆāđƒāļ™āļ āļēāļžāļĒāļ™āļ•āļĢāđŒāđāļ™āļ§āļœāļˆāļāļ āļąāļĒ āļœāļđāđ‰āđ€āļĒāļĩāđˆāļĒāļĄāļŠāļĄāļˆāļ°āđ„āļ”āđ‰āļ›āļĩāļ™āļ›āđˆāļēāļĒāđ„āļ›āļšāļ™āļāđ‰āļ­āļ™āļŦāļīāļ™āļ—āļĩāđˆāļ–āļĨāđˆāļĄāļĨāļ‡āļĄāļē āđ€āļ”āļīāļ™āļœāđˆāļēāļ™āđ‚āļ–āļ‡āļ—āļēāļ‡āđ€āļ”āļīāļ™āļ—āļĩāđˆāļĄāļ·āļ”āļĄāļīāļ” āđāļĨāļ°āļŠāļģāļĢāļ§āļˆāļ‹āļ­āļāļĄāļļāļĄāļ•āđˆāļēāļ‡āđ† āļ—āļĩāđˆāļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāđ„āļ”āđ‰āļŠāļĢāđ‰āļēāļ‡āļŠāļĢāļĢāļ„āđŒāļ‚āļķāđ‰āļ™āļĄāļēāđƒāļŦāļĄāđˆ āļ›āļąāļˆāļˆāļļāļšāļąāļ™āļĄāļĩāļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļ—āļēāļ‡āđ€āļ”āļīāļ™āđ„āļĄāđ‰āđ€āļžāļ·āđˆāļ­āļ­āļģāļ™āļ§āļĒāļ„āļ§āļēāļĄāļŠāļ°āļ”āļ§āļāđāļĨāļ°āļĢāļąāļāļĐāļēāđ‚āļ„āļĢāļ‡āļŠāļĢāđ‰āļēāļ‡āļšāļēāļ‡āļŠāđˆāļ§āļ™ āđāļ•āđˆāļāđ‡āļĒāļąāļ‡āļ„āļ‡āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāļ‚āļ­āļ‡āļāļēāļĢāļœāļˆāļāļ āļąāļĒāđ„āļ§āđ‰āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļ”āļĩ * āļĨāļ§āļ”āļĨāļēāļĒāđāļāļ°āļŠāļĨāļąāļāļ­āļąāļ™āļ§āļīāļˆāļīāļ•āļĢ: āđāļĄāđ‰āļˆāļ°āļ­āļĒāļđāđˆāđƒāļ™āļŠāļ āļēāļžāļ›āļĢāļąāļāļŦāļąāļāļžāļąāļ‡ āđāļ•āđˆāļĒāļąāļ‡āļ„āļ‡āļŠāļēāļĄāļēāļĢāļ–āļĄāļ­āļ‡āđ€āļŦāđ‡āļ™āļĨāļ§āļ”āļĨāļēāļĒāđāļāļ°āļŠāļĨāļąāļāļ­āļąāļ™āļ›āļĢāļ°āļ“āļĩāļ•āļ‡āļ”āļ‡āļēāļĄāļšāļ™āļœāļ™āļąāļ‡ āđ€āļŠāļē āđāļĨāļ°āļ—āļąāļšāļŦāļĨāļąāļ‡ āļ‹āļķāđˆāļ‡āļšāļ­āļāđ€āļĨāđˆāļēāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļˆāļēāļāļĄāļŦāļēāļāļēāļžāļĒāđŒāļŪāļīāļ™āļ”āļđāļ—āļĩāđˆāļŠāļģāļ„āļąāļ āđ€āļŠāđˆāļ™ āļāļēāļĢāļāļ§āļ™āđ€āļāļĐāļĩāļĒāļĢāļŠāļĄāļļāļ—āļĢ āļĄāļŦāļēāļ āļēāļĢāļ•āļ° āđāļĨāļ°āļĢāļēāļĄāļēāļĒāļ“āļ° āļĢāļ§āļĄāļ–āļķāļ‡āļ āļēāļžāđ€āļ—āļžāđ€āļˆāđ‰āļēāļ•āđˆāļēāļ‡āđ† āđāļĨāļ°āļ­āļąāļ›āļŠāļĢāļē āļ—āļĩāđˆāđāļŠāļ”āļ‡āļ–āļķāļ‡āļāļĩāļĄāļ·āļ­āļ­āļąāļ™āļ™āđˆāļēāļ—āļķāđˆāļ‡āļ‚āļ­āļ‡āļŠāđˆāļēāļ‡āļĻāļīāļĨāļ›āđŒāļ‚āļ­āļĄāđ‚āļšāļĢāļēāļ“ * āļšāļĢāļĢāļĒāļēāļāļēāļĻāļ­āļąāļ™āđ€āļ‡āļĩāļĒāļšāļŠāļ‡āļšāđāļĨāļ°āļĨāļķāļāļĨāļąāļš: āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļāļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļŦāđˆāļēāļ‡āđ„āļāļĨāļˆāļēāļāļāļĨāļļāđˆāļĄāļ›āļĢāļēāļŠāļēāļ—āļŦāļĨāļąāļāđƒāļ™āđ€āļĄāļ·āļ­āļ‡āđ€āļŠāļĩāļĒāļĄāļĢāļēāļ āļ—āļģāđƒāļŦāđ‰āđ€āļšāđ‡āļ‡āđ€āļĄāđ€āļĨāļĩāļĒāļĄāļĩāļ„āļ§āļēāļĄāđ€āļ‡āļĩāļĒāļšāļŠāļ‡āļšāđāļĨāļ°āļœāļđāđ‰āļ„āļ™āđ„āļĄāđˆāļžāļĨāļļāļāļžāļĨāđˆāļēāļ™āđ€āļ—āđˆāļē āļ—āļģāđƒāļŦāđ‰āļŠāļēāļĄāļēāļĢāļ–āļ”āļ·āđˆāļĄāļ”āđˆāļģāļāļąāļšāļšāļĢāļĢāļĒāļēāļāļēāļĻāļ­āļąāļ™āļ‚āļĨāļąāļ‡āđāļĨāļ°āļĨāļķāļāļĨāļąāļšāļ‚āļ­āļ‡āļ›āļĢāļēāļŠāļēāļ—āļ—āļĩāđˆāļ–āļđāļāļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāđ‚āļ­āļšāļ­āļļāđ‰āļĄāđ„āļ§āđ‰āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđ€āļ•āđ‡āļĄāļ—āļĩāđˆ * āļ‰āļēāļāļ–āđˆāļēāļĒāļ—āļģāļ āļēāļžāļĒāļ™āļ•āļĢāđŒ "Tomb Raider": āļ›āļĢāļēāļŠāļēāļ—āđāļŦāđˆāļ‡āļ™āļĩāđ‰āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļĢāļđāđ‰āļˆāļąāļāđƒāļ™āļĢāļ°āļ”āļąāļšāļŠāļēāļāļĨāļĄāļēāļāļ‚āļķāđ‰āļ™āļˆāļēāļāļāļēāļĢāđ€āļ›āđ‡āļ™āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļŠāļ–āļēāļ™āļ—āļĩāđˆāļ–āđˆāļēāļĒāļ—āļģāļ āļēāļžāļĒāļ™āļ•āļĢāđŒāđ€āļĢāļ·āđˆāļ­āļ‡ "Tomb Raider" āļ‹āļķāđˆāļ‡āļŠāđˆāļ§āļĒāđ€āļ™āđ‰āļ™āļĒāđ‰āļģāļ–āļķāļ‡āļ„āļ§āļēāļĄāļĨāļķāļāļĨāļąāļšāđāļĨāļ°āđ€āļŠāļ™āđˆāļŦāđŒāļ‚āļ­āļ‡āđ€āļšāđ‡āļ‡āđ€āļĄāđ€āļĨāļĩāļĒ āļ›āļĢāļēāļŠāļēāļ—āđ€āļšāđ‡āļ‡āđ€āļĄāđ€āļĨāļĩāļĒāļˆāļķāļ‡āđ€āļ›āđ‡āļ™āļˆāļļāļ”āļŦāļĄāļēāļĒāļ—āļĩāđˆāļŦāđ‰āļēāļĄāļžāļĨāļēāļ”āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļŠāļąāļĄāļœāļąāļŠāļāļąāļšāļ„āļ§āļēāļĄāļ‡āļēāļĄāļ—āļĩāđˆāđāļ•āļāļ•āđˆāļēāļ‡āļ‚āļ­āļ‡āļ­āļēāļĢāļĒāļ˜āļĢāļĢāļĄāļ‚āļ­āļĄāđ‚āļšāļĢāļēāļ“ āļ—āļĩāđˆāđ„āļĄāđˆāđ€āļžāļĩāļĒāļ‡āđāļ•āđˆāđāļŠāļ”āļ‡āļ–āļķāļ‡āļ„āļ§āļēāļĄāļĒāļīāđˆāļ‡āđƒāļŦāļāđˆāļ—āļēāļ‡āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄ āđāļ•āđˆāļĒāļąāļ‡āļŠāļ°āļ—āđ‰āļ­āļ™āļ–āļķāļ‡āļžāļĨāļąāļ‡āļ­āļąāļ™āļ™āđˆāļēāđ€āļāļĢāļ‡āļ‚āļēāļĄāļ‚āļ­āļ‡āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāļ—āļĩāđˆāļŠāļēāļĄāļēāļĢāļ–āđ‚āļ­āļšāļ­āļļāđ‰āļĄāđāļĨāļ°āļāļĨāļ·āļ™āļāļīāļ™āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļĄāļ™āļļāļĐāļĒāđŒāļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļ‡āļ”āļ‡āļēāļĄāļ™āđˆāļēāļ—āļķāđˆāļ‡
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Prasat Beng Mealea was built by king Suryavarman II, early 12th century by primary deity to Vishnu with architecture of Angkor Wat. This temple is located 40 km east of the main group of temples at Angkor, and 77 km from Siem Reap by road. Beng Mealea (its name means "lotus pond") is a temple in the Angkor Wat style located 40 km east of the main group of temples at Angkor, Cambodia. It was built as hinduist temple, but there are some carvings depicting buddhist motifs. Its primary material is sandstone and it is largely unrestored, with trees and thick brush thriving amidst its towers and courtyards and many of its stones lying in great heaps. The history of the temple is unknown and it can be dated only by its architectural style, identical to Angkor Wat, so scholars assumed it was built during the reign of king Suryavarman II in the early 12th century. Smaller in size than Angkor Wat, the king's main monument, Beng Mealea nonetheless ranks among the Khmer empire's larger temples: the gallery which forms the outer enclosure of the temple is 181 m by 152 m. It was the center of a town, surrounded by a moat 1025 m by 875 m large and 45 m wide. Beng Mealea is oriented toward the east, but has entranceways from the other three cardinal directions. The basic layout is three enclosing galleries around a central sanctuary, collapsed at present. The enclosures are tied with "cruciform cloisters", like Angkor Wat. Structures known as libraries lie to the right and left of the avenue that leads in from the east. There is extensive carving of scenes from Hindu mythology, including the Churning of the Sea of Milk and Vishnu being borne by the bird god Garuda. Causeways have long balustrades formed by bodies of the seven-headed Naga serpent. It was built mostly of sandstone: Beng Mealea is only 7 km far from the angkorian sandstone quarries of Phnom Kulen, as the crow flies. Presumably sandstone blocks used for Angkor were transported along artificial water canals and passed from here. Despite of lack of information, the quality of architecture and decorations has drown the attention of French scholars just from its discovery.
Shankar Rajasekharan

Shankar Rajasekharan

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This temple is very far from the main temples of Angkor, and as such, you'll need at least a motorbike or tuk tuk to get here. By motorbike/tuk tuk it's going to take you at least 1.5 hours to get here, and although the "highway" is quite new and in good condition compared to most Cambodian roads, it isn't by any means a smooth drive. Make sure to buy your Angkor Pass before coming to Beng Mealea, they don't sell them here. This is an enormous temple. It had to be one of the finest in Angkor when it was built. Although not as big as Angkor Wat, I can't think of another temple I went to that felt as large as this one (except maybe Preah Vihear). So you're getting to see the pinnacle of the Angkor Empire here. But the last 800 years haven't been kind to Beng Mealea, and now the temple is in an advanced state of ruin (think Ta Phrom after a couple of earthquakes). So more than any temple in Angkor, this one had the eerie feeling of stepping into a lost world that had long ago been reclaimed by nature. Although it isn't the easiest temple to get to, it is absolutely worth seeing. If you have 3 or more days in Siem Reap, see this temple (along with Bakong and Preah Ko on the way back to Siem Reap). The combination of sheer size and advanced state of ruin makes it one of the coolest temples in Cambodia
Gunnar Caya

Gunnar Caya

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āļ›āļĢāļēāļŠāļēāļ—āļšāļķāļ‡āļĄāļēāļĨāļē āļŦāļĢāļ·āļ­ āļ›āļĢāļēāļŠāļēāļ—āđ€āļšāđ‡āļ‡āđ€āļĄāđ€āļĨāļĩāļĒ āļ›āļĢāļēāļŠāļēāļ—āđ€āļšāđ‡āļ‡āđ€āļĄāđ€āļĨāļĩāļĒ: āļĄāļŦāļēāļ›āļĢāļēāļŠāļēāļ—āļ—āļĩāđˆāļ–āļđāļāļāļĨāļ·āļ™āļāļīāļ™āđ‚āļ”āļĒāļ˜āļĢāļĢāļĄāļŠāļēāļ•āļī āļ›āļĢāļēāļŠāļēāļ—āđ€āļšāđ‡āļ‡āđ€āļĄāđ€āļĨāļĩāļĒ (Beng Mealea) āđ€āļ›āđ‡āļ™āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļ›āļĢāļēāļŠāļēāļ—āļ—āļĩāđˆāļĒāļīāđˆāļ‡āđƒāļŦāļāđˆāđāļĨāļ°āļ™āđˆāļēāļŦāļĨāļ‡āđƒāļŦāļĨāļ—āļĩāđˆāļŠāļļāļ”āđƒāļ™āļāļąāļĄāļžāļđāļŠāļē āļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļŦāđˆāļēāļ‡āļˆāļēāļāđ€āļĄāļ·āļ­āļ‡āđ€āļŠāļĩāļĒāļĄāļĢāļēāļāđ„āļ›āļ—āļēāļ‡āļ•āļ°āļ§āļąāļ™āļ­āļ­āļāļ›āļĢāļ°āļĄāļēāļ“ 40-77 āļāļīāđ‚āļĨāđ€āļĄāļ•āļĢ āđ„āļ”āđ‰āļĢāļąāļšāļŠāļĄāļāļēāļ™āļēāļĄāļ§āđˆāļē "āļ™āļ„āļĢāļ§āļąāļ”āđāļŦāđˆāļ‡āļ•āļ°āļ§āļąāļ™āļ­āļ­āļ" āļŦāļĢāļ·āļ­ "āļ§āļīāļŦāļēāļĢāļ›āđˆāļē" āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļāļŠāļ āļēāļžāļ—āļĩāđˆāļ–āļđāļāļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāđ€āļ‚āđ‰āļēāļ„āļĢāļ­āļšāļ‡āļģāļ­āļĒāđˆāļēāļ‡āļŠāļĄāļšāļđāļĢāļ“āđŒ āļ—āļģāđƒāļŦāđ‰āđ€āļāļīāļ”āļ āļēāļžāļ—āļĩāđˆāļŠāļ§āļĒāļ‡āļēāļĄāđāļĨāļ°āļĨāļķāļāļĨāļąāļšāļĢāļēāļ§āļāļąāļšāļ‰āļēāļāđƒāļ™āļ āļēāļžāļĒāļ™āļ•āļĢāđŒ āļ›āļĢāļ°āļ§āļąāļ•āļīāđ‚āļ”āļĒāļĒāđˆāļ­ * āļĒāļļāļ„āļŠāļĄāļąāļĒāđāļĨāļ°āļāļēāļĢāļŠāļĢāđ‰āļēāļ‡: āđ€āļŠāļ·āđˆāļ­āļāļąāļ™āļ§āđˆāļēāļ›āļĢāļēāļŠāļēāļ—āđ€āļšāđ‡āļ‡āđ€āļĄāđ€āļĨāļĩāļĒāļ–āļđāļāļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āđƒāļ™āļĢāļēāļ§ āļāļĨāļēāļ‡āļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ 12 āđƒāļ™āļĢāļąāļŠāļŠāļĄāļąāļĒāļ‚āļ­āļ‡ āļžāļĢāļ°āđ€āļˆāđ‰āļēāļŠāļļāļĢāļīāļĒāļ§āļĢāļĄāļąāļ™āļ—āļĩāđˆ 2 (āļ„.āļĻ. 1113-1150) āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļŠāđˆāļ§āļ‡āđ€āļ”āļĩāļĒāļ§āļāļąāļšāļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļ›āļĢāļēāļŠāļēāļ—āļ™āļ„āļĢāļ§āļąāļ” āđāļĄāđ‰āļˆāļ°āđ„āļĄāđˆāļĄāļĩāļˆāļēāļĢāļķāļāļ—āļĩāđˆāļĢāļ°āļšāļļāļ–āļķāļ‡āļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļ›āļĢāļēāļŠāļēāļ—āļ™āļĩāđ‰āđ‚āļ”āļĒāļ•āļĢāļ‡ āđāļ•āđˆāļˆāļēāļāļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄ āđāļœāļ™āļœāļąāļ‡ āđāļĨāļ°āļĨāļ§āļ”āļĨāļēāļĒāđāļāļ°āļŠāļĨāļąāļāļ—āļĩāđˆāļ„āļĨāđ‰āļēāļĒāļ„āļĨāļķāļ‡āļāļąāļšāļ™āļ„āļĢāļ§āļąāļ”āļ­āļĒāđˆāļēāļ‡āļĄāļēāļ āļ—āļģāđƒāļŦāđ‰āļœāļđāđ‰āđ€āļŠāļĩāđˆāļĒāļ§āļŠāļēāļāļŦāļĨāļēāļĒāļ„āļ™āđ€āļŠāļ·āđˆāļ­āļ§āđˆāļēāļ›āļĢāļēāļŠāļēāļ—āđāļŦāđˆāļ‡āļ™āļĩāđ‰āļ­āļēāļˆāđ€āļ›āđ‡āļ™ āļ•āđ‰āļ™āđāļšāļšāļŦāļĢāļ·āļ­āđāļšāļšāļˆāļģāļĨāļ­āļ‡ āļ‚āļ­āļ‡āļ™āļ„āļĢāļ§āļąāļ” āļŦāļĢāļ·āļ­āļ­āļĒāđˆāļēāļ‡āļ™āđ‰āļ­āļĒāļāđ‡āđ€āļ›āđ‡āļ™āļœāļĨāļ‡āļēāļ™āļˆāļēāļāļŠāđˆāļēāļ‡āļāļĩāļĄāļ·āļ­āļŠāļļāļ”āđ€āļ”āļĩāļĒāļ§āļāļąāļ™ * āļ§āļąāļ•āļ–āļļāļ›āļĢāļ°āļŠāļ‡āļ„āđŒ: āļ›āļĢāļēāļŠāļēāļ—āđāļŦāđˆāļ‡āļ™āļĩāđ‰āļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āđ€āļžāļ·āđˆāļ­āļ­āļļāļ—āļīāļĻāđƒāļŦāđ‰āļāļąāļšāļĻāļēāļŠāļ™āļēāļŪāļīāļ™āļ”āļđ āđ‚āļ”āļĒāđ€āļ‰āļžāļēāļ°āđ€āļ—āļžāđ€āļˆāđ‰āļē āļžāļĢāļ°āļ§āļīāļĐāļ“āļļ āļ‹āļķāđˆāļ‡āļŠāļ°āļ—āđ‰āļ­āļ™āļœāđˆāļēāļ™āļĨāļ§āļ”āļĨāļēāļĒāđāļāļ°āļŠāļĨāļąāļāđ€āļ—āļžāļ›āļāļĢāļ“āļąāļĄāļ•āđˆāļēāļ‡āđ† āļ­āļĒāđˆāļēāļ‡āđ„āļĢāļāđ‡āļ•āļēāļĄ āļāđ‡āļĄāļĩāļāļēāļĢāļžāļšāļŦāļĨāļąāļāļāļēāļ™āļ‚āļ­āļ‡āļžāļļāļ—āļ˜āļĻāļēāļŠāļ™āļēāđƒāļ™āļšāļēāļ‡āļŠāđˆāļ§āļ™āļ”āđ‰āļ§āļĒāđ€āļŠāđˆāļ™āļāļąāļ™ * āļ„āļ§āļēāļĄāļŠāļģāļ„āļąāļāļ—āļēāļ‡āļĒāļļāļ—āļ˜āļĻāļēāļŠāļ•āļĢāđŒ: āđ€āļšāđ‡āļ‡āđ€āļĄāđ€āļĨāļĩāļĒāļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļšāļ™āđ€āļŠāđ‰āļ™āļ—āļēāļ‡āļŦāļĨāļ§āļ‡āđ‚āļšāļĢāļēāļ“āļ—āļĩāđˆāđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āđ€āļĄāļ·āļ­āļ‡āļžāļĢāļ°āļ™āļ„āļĢ (āļ­āļąāļ‡āļāļ­āļĢāđŒ) āļāļąāļšāļ›āļĢāļēāļŠāļēāļ—āļžāļĢāļ°āļ‚āļĢāļĢāļ„āđŒāļāļģāļ›āļ‡āļŠāļ§āļēāļĒ āļ—āļģāđƒāļŦāđ‰āđ€āļ›āđ‡āļ™āļˆāļļāļ”āļŠāļģāļ„āļąāļāļ—āļēāļ‡āļĻāļēāļŠāļ™āļēāđāļĨāļ°āļāļēāļĢāļ„āđ‰āļēāđƒāļ™āļĒāļļāļ„āļ™āļąāđ‰āļ™ āļ„āļđāļ™āđ‰āļģāļ‚āļ™āļēāļ”āđƒāļŦāļāđˆāļ—āļĩāđˆāļĨāđ‰āļ­āļĄāļĢāļ­āļšāļ›āļĢāļēāļŠāļēāļ— (āļ›āļąāļˆāļˆāļļāļšāļąāļ™āđāļŦāđ‰āļ‡āļ‚āļ­āļ”) āļĒāļąāļ‡āđ€āļ›āđ‡āļ™āļŠāļąāļāļĨāļąāļāļĐāļ“āđŒāļ‚āļ­āļ‡āļĄāļŦāļēāļŠāļĄāļļāļ—āļĢāļ—āļĩāđˆāļĨāđ‰āļ­āļĄāļĢāļ­āļšāđ€āļ‚āļēāļžāļĢāļ°āļŠāļļāđ€āļĄāļĢāļļāđƒāļ™āļ„āļ•āļīāļˆāļąāļāļĢāļ§āļēāļĨāļ§āļīāļ—āļĒāļēāļ‚āļ­āļ‡āļŪāļīāļ™āļ”āļđ * āļāļēāļĢāļ–āļđāļāļ—āļīāđ‰āļ‡āļĢāđ‰āļēāļ‡āđāļĨāļ°āļāļēāļĢāļ„āđ‰āļ™āļžāļš: āļ›āļĢāļēāļŠāļēāļ—āđ€āļšāđ‡āļ‡āđ€āļĄāđ€āļĨāļĩāļĒāļ–āļđāļāļ—āļ­āļ”āļ—āļīāđ‰āļ‡āđƒāļ™āļŠāđˆāļ§āļ‡āļ„āļĢāļīāļŠāļ•āđŒāļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ 16 āđ€āļĄāļ·āđˆāļ­āļ­āļēāļ“āļēāļˆāļąāļāļĢāļ‚āļ­āļĄāđ€āļŠāļ·āđˆāļ­āļĄāļ­āļģāļ™āļēāļˆ āđāļĨāļ°āļ–āļđāļāļ„āđ‰āļ™āļžāļšāļ­āļĩāļāļ„āļĢāļąāđ‰āļ‡āđ‚āļ”āļĒāļ™āļąāļāļŠāļģāļĢāļ§āļˆāļŠāļēāļ§āļāļĢāļąāđˆāļ‡āđ€āļĻāļŠāđƒāļ™āļ›āļĨāļēāļĒāļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ 19 āļ„āļ·āļ­ Louis Delaporte āđƒāļ™āļ›āļĩ āļ„.āļĻ. 1880 āđāļ•āđˆāđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļāđ„āļĄāđˆāļĄāļĩāļĢāļđāļ›āļŠāļĨāļąāļāļ—āļĩāđˆāļĄāļĩāļ„āđˆāļē āļŦāļĢāļ·āļ­āļāļēāļĢāļšāļđāļĢāļ“āļ°āļ—āļĩāđˆāļŠāļģāļ„āļąāļāđ€āļŦāļĄāļ·āļ­āļ™āļ›āļĢāļēāļŠāļēāļ—āļ­āļ·āđˆāļ™āđ† āļ—āļģāđƒāļŦāđ‰āđ€āļšāđ‡āļ‡āđ€āļĄāđ€āļĨāļĩāļĒāļ–āļđāļāļ›āļĨāđˆāļ­āļĒāļ—āļīāđ‰āļ‡āđƒāļŦāđ‰āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāđ€āļ‚āđ‰āļēāļ„āļĢāļ­āļšāļ‡āļģ * āļŠāđˆāļ§āļ‡āļŠāļ‡āļ„āļĢāļēāļĄ: āđƒāļ™āļŠāđˆāļ§āļ‡āļŠāļ‡āļ„āļĢāļēāļĄāļāļĨāļēāļ‡āđ€āļĄāļ·āļ­āļ‡āļ‚āļ­āļ‡āļāļąāļĄāļžāļđāļŠāļē āđ‚āļ”āļĒāđ€āļ‰āļžāļēāļ°āļĒāļļāļ„āđ€āļ‚āļĄāļĢāđāļ”āļ‡ āđ€āļšāđ‡āļ‡āđ€āļĄāđ€āļĨāļĩāļĒāđ€āļ„āļĒāđ€āļ›āđ‡āļ™āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļ—āļĩāđˆāļĄāļąāđˆāļ™āļŠāļģāļ„āļąāļ āđāļĨāļ°āļĄāļĩāļāļēāļĢāļ§āļēāļ‡āļ—āļļāđˆāļ™āļĢāļ°āđ€āļšāļīāļ”āļˆāļģāļ™āļ§āļ™āļĄāļēāļ āļ—āļģāđƒāļŦāđ‰āđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āđ€āļ‚āđ‰āļēāļ–āļķāļ‡āđ„āļ”āđ‰āđ€āļ›āđ‡āļ™āđ€āļ§āļĨāļēāļ™āļēāļ™āļŦāļĨāļēāļĒāļ—āļĻāļ§āļĢāļĢāļĐ āļˆāļ™āļāļĢāļ°āļ—āļąāđˆāļ‡āļĄāļĩāļāļēāļĢāđ€āļāđ‡āļšāļāļđāđ‰āļ—āļļāđˆāļ™āļĢāļ°āđ€āļšāļīāļ”āļ­āļĒāđˆāļēāļ‡āđ€āļ›āđ‡āļ™āļĢāļ°āļšāļšāđƒāļ™āļŠāđˆāļ§āļ‡āļ—āļĻāļ§āļĢāļĢāļĐāļ—āļĩāđˆāļœāđˆāļēāļ™āļĄāļē āļ›āļĢāļēāļŠāļēāļ—āļˆāļķāļ‡āđ€āļ›āļīāļ”āđƒāļŦāđ‰āļ™āļąāļāļ—āđˆāļ­āļ‡āđ€āļ—āļĩāđˆāļĒāļ§āđ€āļ‚āđ‰āļēāļŠāļĄāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļ›āļĨāļ­āļ”āļ āļąāļĒ āļ„āļ§āļēāļĄāļ™āđˆāļēāļŠāļ™āđƒāļˆāļ‚āļ­āļ‡āļ›āļĢāļēāļŠāļēāļ—āđ€āļšāđ‡āļ‡āđ€āļĄāđ€āļĨāļĩāļĒ * āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄāđāļšāļš "āļ™āļ„āļĢāļ§āļąāļ”" āļ—āļĩāđˆāļ–āļđāļāļāļĨāļ·āļ™āļāļīāļ™āđ‚āļ”āļĒāļ˜āļĢāļĢāļĄāļŠāļēāļ•āļī: āļ™āļĩāđˆāļ„āļ·āļ­āđ€āļŠāļ™āđˆāļŦāđŒāļ—āļĩāđˆāđ‚āļ”āļ”āđ€āļ”āđˆāļ™āļ—āļĩāđˆāļŠāļļāļ”āļ‚āļ­āļ‡āđ€āļšāđ‡āļ‡āđ€āļĄāđ€āļĨāļĩāļĒ āļ”āđ‰āļ§āļĒāđ‚āļ„āļĢāļ‡āļŠāļĢāđ‰āļēāļ‡āļ—āļĩāđˆāļ„āļĨāđ‰āļēāļĒāļ„āļĨāļķāļ‡āļāļąāļšāļ™āļ„āļĢāļ§āļąāļ” āļĄāļĩāļĢāļ°āđ€āļšāļĩāļĒāļ‡āļ„āļ” 3 āļŠāļąāđ‰āļ™āļĨāđ‰āļ­āļĄāļĢāļ­āļšāļ›āļĢāļēāļŠāļēāļ—āļ›āļĢāļ°āļ˜āļēāļ™ āđāļ•āđˆāļŠāļīāđˆāļ‡āļ—āļĩāđˆāđāļ•āļāļ•āđˆāļēāļ‡āļ„āļ·āļ­āļāļēāļĢāļ—āļĩāđˆāļ›āļĢāļēāļŠāļēāļ—āđāļŦāđˆāļ‡āļ™āļĩāđ‰āļ–āļđāļāļ›āļĨāđˆāļ­āļĒāđƒāļŦāđ‰āđ€āļ›āđ‡āļ™āđ„āļ›āļ•āļēāļĄāļŠāļ āļēāļžāļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāļ­āļĒāđˆāļēāļ‡āđāļ—āđ‰āļˆāļĢāļīāļ‡ āļĢāļēāļāđ„āļĄāđ‰āļ‚āļ™āļēāļ”āļĄāļŦāļķāļĄāļē āđ€āļĨāļ·āđ‰āļ­āļĒāļžāļąāļ™āđ„āļ›āļ•āļēāļĄāļāļģāđāļžāļ‡āļŦāļīāļ™ āļĄāļ­āļŠāđāļĨāļ°āļžāļ·āļŠāļžāļĢāļĢāļ“ āļ›āļāļ„āļĨāļļāļĄāļ‹āļēāļāļ›āļĢāļąāļāļŦāļąāļāļžāļąāļ‡āļ­āļĒāđˆāļēāļ‡āļŦāļ™āļēāđāļ™āđˆāļ™ āļ—āļģāđƒāļŦāđ‰āđ€āļāļīāļ”āļ āļēāļžāļ—āļĩāđˆāļŠāļ§āļĒāļ‡āļēāļĄ āļĨāļķāļāļĨāļąāļš āđāļĨāļ°āļŠāļ§āļ™āđƒāļŦāđ‰āļˆāļīāļ™āļ•āļ™āļēāļāļēāļĢāļ–āļķāļ‡āļ­āļ”āļĩāļ•āļ—āļĩāđˆāļĢāļļāđˆāļ‡āđ€āļĢāļ·āļ­āļ‡ * āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāļ‚āļ­āļ‡āļāļēāļĢāļœāļˆāļāļ āļąāļĒ: āļāļēāļĢāđ€āļ”āļīāļ™āļŠāļģāļĢāļ§āļˆāļ›āļĢāļēāļŠāļēāļ—āđ€āļšāđ‡āļ‡āđ€āļĄāđ€āļĨāļĩāļĒāđƒāļŦāđ‰āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāđ€āļŦāļĄāļ·āļ­āļ™āļāļģāļĨāļąāļ‡āđ€āļ›āđ‡āļ™āļ™āļąāļāļŠāļģāļĢāļ§āļˆāđƒāļ™āļ āļēāļžāļĒāļ™āļ•āļĢāđŒāđāļ™āļ§āļœāļˆāļāļ āļąāļĒ āļœāļđāđ‰āđ€āļĒāļĩāđˆāļĒāļĄāļŠāļĄāļˆāļ°āđ„āļ”āđ‰āļ›āļĩāļ™āļ›āđˆāļēāļĒāđ„āļ›āļšāļ™āļāđ‰āļ­āļ™āļŦāļīāļ™āļ—āļĩāđˆāļ–āļĨāđˆāļĄāļĨāļ‡āļĄāļē āđ€āļ”āļīāļ™āļœāđˆāļēāļ™āđ‚āļ–āļ‡āļ—āļēāļ‡āđ€āļ”āļīāļ™āļ—āļĩāđˆāļĄāļ·āļ”āļĄāļīāļ” āđāļĨāļ°āļŠāļģāļĢāļ§āļˆāļ‹āļ­āļāļĄāļļāļĄāļ•āđˆāļēāļ‡āđ† āļ—āļĩāđˆāļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāđ„āļ”āđ‰āļŠāļĢāđ‰āļēāļ‡āļŠāļĢāļĢāļ„āđŒāļ‚āļķāđ‰āļ™āļĄāļēāđƒāļŦāļĄāđˆ āļ›āļąāļˆāļˆāļļāļšāļąāļ™āļĄāļĩāļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļ—āļēāļ‡āđ€āļ”āļīāļ™āđ„āļĄāđ‰āđ€āļžāļ·āđˆāļ­āļ­āļģāļ™āļ§āļĒāļ„āļ§āļēāļĄāļŠāļ°āļ”āļ§āļāđāļĨāļ°āļĢāļąāļāļĐāļēāđ‚āļ„āļĢāļ‡āļŠāļĢāđ‰āļēāļ‡āļšāļēāļ‡āļŠāđˆāļ§āļ™ āđāļ•āđˆāļāđ‡āļĒāļąāļ‡āļ„āļ‡āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāļ‚āļ­āļ‡āļāļēāļĢāļœāļˆāļāļ āļąāļĒāđ„āļ§āđ‰āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļ”āļĩ * āļĨāļ§āļ”āļĨāļēāļĒāđāļāļ°āļŠāļĨāļąāļāļ­āļąāļ™āļ§āļīāļˆāļīāļ•āļĢ: āđāļĄāđ‰āļˆāļ°āļ­āļĒāļđāđˆāđƒāļ™āļŠāļ āļēāļžāļ›āļĢāļąāļāļŦāļąāļāļžāļąāļ‡ āđāļ•āđˆāļĒāļąāļ‡āļ„āļ‡āļŠāļēāļĄāļēāļĢāļ–āļĄāļ­āļ‡āđ€āļŦāđ‡āļ™āļĨāļ§āļ”āļĨāļēāļĒāđāļāļ°āļŠāļĨāļąāļāļ­āļąāļ™āļ›āļĢāļ°āļ“āļĩāļ•āļ‡āļ”āļ‡āļēāļĄāļšāļ™āļœāļ™āļąāļ‡ āđ€āļŠāļē āđāļĨāļ°āļ—āļąāļšāļŦāļĨāļąāļ‡ āļ‹āļķāđˆāļ‡āļšāļ­āļāđ€āļĨāđˆāļēāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļˆāļēāļāļĄāļŦāļēāļāļēāļžāļĒāđŒāļŪāļīāļ™āļ”āļđāļ—āļĩāđˆāļŠāļģāļ„āļąāļ āđ€āļŠāđˆāļ™ āļāļēāļĢāļāļ§āļ™āđ€āļāļĐāļĩāļĒāļĢāļŠāļĄāļļāļ—āļĢ āļĄāļŦāļēāļ āļēāļĢāļ•āļ° āđāļĨāļ°āļĢāļēāļĄāļēāļĒāļ“āļ° āļĢāļ§āļĄāļ–āļķāļ‡āļ āļēāļžāđ€āļ—āļžāđ€āļˆāđ‰āļēāļ•āđˆāļēāļ‡āđ† āđāļĨāļ°āļ­āļąāļ›āļŠāļĢāļē āļ—āļĩāđˆāđāļŠāļ”āļ‡āļ–āļķāļ‡āļāļĩāļĄāļ·āļ­āļ­āļąāļ™āļ™āđˆāļēāļ—āļķāđˆāļ‡āļ‚āļ­āļ‡āļŠāđˆāļēāļ‡āļĻāļīāļĨāļ›āđŒāļ‚āļ­āļĄāđ‚āļšāļĢāļēāļ“ * āļšāļĢāļĢāļĒāļēāļāļēāļĻāļ­āļąāļ™āđ€āļ‡āļĩāļĒāļšāļŠāļ‡āļšāđāļĨāļ°āļĨāļķāļāļĨāļąāļš: āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļāļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļŦāđˆāļēāļ‡āđ„āļāļĨāļˆāļēāļāļāļĨāļļāđˆāļĄāļ›āļĢāļēāļŠāļēāļ—āļŦāļĨāļąāļāđƒāļ™āđ€āļĄāļ·āļ­āļ‡āđ€āļŠāļĩāļĒāļĄāļĢāļēāļ āļ—āļģāđƒāļŦāđ‰āđ€āļšāđ‡āļ‡āđ€āļĄāđ€āļĨāļĩāļĒāļĄāļĩāļ„āļ§āļēāļĄāđ€āļ‡āļĩāļĒāļšāļŠāļ‡āļšāđāļĨāļ°āļœāļđāđ‰āļ„āļ™āđ„āļĄāđˆāļžāļĨāļļāļāļžāļĨāđˆāļēāļ™āđ€āļ—āđˆāļē āļ—āļģāđƒāļŦāđ‰āļŠāļēāļĄāļēāļĢāļ–āļ”āļ·āđˆāļĄāļ”āđˆāļģāļāļąāļšāļšāļĢāļĢāļĒāļēāļāļēāļĻāļ­āļąāļ™āļ‚āļĨāļąāļ‡āđāļĨāļ°āļĨāļķāļāļĨāļąāļšāļ‚āļ­āļ‡āļ›āļĢāļēāļŠāļēāļ—āļ—āļĩāđˆāļ–āļđāļāļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāđ‚āļ­āļšāļ­āļļāđ‰āļĄāđ„āļ§āđ‰āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđ€āļ•āđ‡āļĄāļ—āļĩāđˆ * āļ‰āļēāļāļ–āđˆāļēāļĒāļ—āļģāļ āļēāļžāļĒāļ™āļ•āļĢāđŒ "Tomb Raider": āļ›āļĢāļēāļŠāļēāļ—āđāļŦāđˆāļ‡āļ™āļĩāđ‰āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļĢāļđāđ‰āļˆāļąāļāđƒāļ™āļĢāļ°āļ”āļąāļšāļŠāļēāļāļĨāļĄāļēāļāļ‚āļķāđ‰āļ™āļˆāļēāļāļāļēāļĢāđ€āļ›āđ‡āļ™āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļŠāļ–āļēāļ™āļ—āļĩāđˆāļ–āđˆāļēāļĒāļ—āļģāļ āļēāļžāļĒāļ™āļ•āļĢāđŒāđ€āļĢāļ·āđˆāļ­āļ‡ "Tomb Raider" āļ‹āļķāđˆāļ‡āļŠāđˆāļ§āļĒāđ€āļ™āđ‰āļ™āļĒāđ‰āļģāļ–āļķāļ‡āļ„āļ§āļēāļĄāļĨāļķāļāļĨāļąāļšāđāļĨāļ°āđ€āļŠāļ™āđˆāļŦāđŒāļ‚āļ­āļ‡āđ€āļšāđ‡āļ‡āđ€āļĄāđ€āļĨāļĩāļĒ āļ›āļĢāļēāļŠāļēāļ—āđ€āļšāđ‡āļ‡āđ€āļĄāđ€āļĨāļĩāļĒāļˆāļķāļ‡āđ€āļ›āđ‡āļ™āļˆāļļāļ”āļŦāļĄāļēāļĒāļ—āļĩāđˆāļŦāđ‰āļēāļĄāļžāļĨāļēāļ”āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļŠāļąāļĄāļœāļąāļŠāļāļąāļšāļ„āļ§āļēāļĄāļ‡āļēāļĄāļ—āļĩāđˆāđāļ•āļāļ•āđˆāļēāļ‡āļ‚āļ­āļ‡āļ­āļēāļĢāļĒāļ˜āļĢāļĢāļĄāļ‚āļ­āļĄāđ‚āļšāļĢāļēāļ“ āļ—āļĩāđˆāđ„āļĄāđˆāđ€āļžāļĩāļĒāļ‡āđāļ•āđˆāđāļŠāļ”āļ‡āļ–āļķāļ‡āļ„āļ§āļēāļĄāļĒāļīāđˆāļ‡āđƒāļŦāļāđˆāļ—āļēāļ‡āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄ āđāļ•āđˆāļĒāļąāļ‡āļŠāļ°āļ—āđ‰āļ­āļ™āļ–āļķāļ‡āļžāļĨāļąāļ‡āļ­āļąāļ™āļ™āđˆāļēāđ€āļāļĢāļ‡āļ‚āļēāļĄāļ‚āļ­āļ‡āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāļ—āļĩāđˆāļŠāļēāļĄāļēāļĢāļ–āđ‚āļ­āļšāļ­āļļāđ‰āļĄāđāļĨāļ°āļāļĨāļ·āļ™āļāļīāļ™āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļĄāļ™āļļāļĐāļĒāđŒāļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļ‡āļ”āļ‡āļēāļĄāļ™āđˆāļēāļ—āļķāđˆāļ‡
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