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Shooltankeshwar Temple — Attraction in Uttar Pradesh

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Shooltankeshwar Temple
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Shooltankeshwar Temple
IndiaUttar PradeshShooltankeshwar Temple

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Shooltankeshwar Temple

6X73+3RR, Madhopur, Uttar Pradesh 221011, India
4.6(829)
Open 24 hours
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Things to do nearby

Hidden Gems of Varanasi
Hidden Gems of Varanasi
Fri, Dec 26 • 3:30 PM
Varanasi, Uttar Pradesh, 221001, India
View details
Gastronomic Walk -Food Trails
Gastronomic Walk -Food Trails
Fri, Dec 26 • 5:00 PM
Varanasi, Uttar Pradesh, 210126, India
View details
Banaras Tour of age-old craft traditions
Banaras Tour of age-old craft traditions
Sat, Dec 27 • 8:00 AM
Durga Mata Temple ( Opposite Durgakund Police Chowki ) Varanasi, Uttar Pradesh, 221010, India
View details
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Reviews of Shooltankeshwar Temple

4.6
(829)
avatar
5.0
2y

🚩🚩🚩 Shooltankeshwar Mandir Madhopur, located in the heart of India, is a sacred place of worship that holds immense significance for devotees seeking solace, spiritual guidance, and blessings. With its rich history, architectural magnificence, and devotionally charged atmosphere, the temple offers a captivating religious experience that leaves a lasting impression on the hearts and minds of its visitors.

Divine Aura and Atmosphere: As one approaches the entrance of Shooltankeshwar Mandir Madhopur, a sense of divinity immediately engulfs the soul. The fragrance of incense fills the air, enhancing the ambiance with a mystical quality. The temple resonates with spiritual energy, providing a sanctuary for seekers to connect with the divine and experience inner peace.

Architectural Marvel: The architecture of Shooltankeshwar Mandir Madhopur is a testament to the rich cultural heritage of India. Intricately carved pillars, ornate ceilings, and beautifully sculpted deities adorn the temple, reflecting the skilled craftsmanship of the artisans of yesteryears. The temple's majestic spires reach towards the heavens, symbolizing the devotee's aspiration to transcend earthly limitations and unite with the divine. Every corner of the temple exudes a sense of grandeur, inspiring awe and reverence in the hearts of those who visit.

Spiritual Significance: Shooltankeshwar Mandir Madhopur is dedicated to Lord Shiva, the epitome of divine power and eternal consciousness in Hindu mythology. Devotees flock to this sacred abode to seek blessings, offer their prayers, and immerse themselves in the worship of the deity. The sacred rituals, including the mesmerizing Aarti ceremony, fill the hearts of the faithful with a sense of purity and devotion.

Devotee Experience: A visit to Shooltankeshwar Mandir Madhopur is an enriching experience for devotees. The melodious chants and rhythmic recitations of sacred texts create an environment conducive to meditation and reflection. The temple's serene surroundings and lush gardens provide a tranquil space for contemplation and self-discovery. Devotees often express a profound sense of spiritual upliftment and a deep connection with the divine after visiting this holy place.

Shooltankeshwar Mandir Madhopur is a remarkable testament to India's rich spiritual heritage. The temple's divine aura, architectural splendor, and spiritual significance make it a cherished destination for devotees seeking solace, spiritual growth, and connection with the divine. A visit to this sacred abode leaves one with a deep sense of peace, renewed faith, and a lasting memory of a truly divine...

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avatar
4.0
2y

The show's plot revolves around the story of Shiva, which follows his journey from being an ascetic to a family man.

During the creation of the world by Brahma, Adi Shakti leaves Shiva from his Ardhanarishvara form. In order to shape the universe, she takes various births to marry Shiva but fails 106 times due to which Shiva becomes an ascetic. Hence Lord Brahma suggests his mind-born son Prajapati Daksh to please Adi Shakti and request her to incarnate as his daughter.

Adi Shakti is born as Daksh's daughter Sati. Meanwhile, Shiva cuts off Brahma's fifth head making Daksh hate him. Sati falls for Shiva and finally marries him, much to Daksh's dismay. Hence, Daksh humiliates Shiva in front of Sati in his yagna. Unable to tolerate her husband's insult, Sati sacrifices her life once again. An infuriated Shiva orders Virabhadra to behead Daksh. Later, he revives him at Prasuti's request and goes into deep meditation for centuries.

Adi Shakti then incarnates as Parvati, daughter of Himavan and his wife Menavati. She is aware of her divinity as are her parents, and grows up in Dadichi's hermitage. Since her early age, she starts addressing Mahadev/Shiva as her husband which Menavati, as a concerned mother, dislikes strongly.

When she grows up, Parvati tries to make Mahadev realize that she is none other than his wife Sati reincarnated. But he rejects her and in the process, turns Kamadev into ashes. As a result, Kama's distraught wife, Rati curses Parvati.

Parvati then agrees to marry as per her mother, Menavati's wish. However eventually Parvati and Himavan make Menavati realise who Parvati is, after which she gives in. Parvati goes on to meditate for 3000 years to please Mahadev to marry her. And finally, Mahadev and Parvati are married. Later, Mahadev imparts some tantric knowledge to Parvati that helps her to take various forms like Nav Durga; Mahavidyas (Kali, Tara, Tripura Sundari, Bhuvaneshvari, Tripura Bhairavi, Chhinnamasta, Dhumavati, Bagalamukhi, Matangi and Kamala) and Matrikas to destroy Raktabeej, Shumbha Nishumbha, Chanda Munda, Durgmasura, Arunasura, Banasura, etc. Later, Shiva and Parvati extend their family to Karthikeya, Ganesha and...

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avatar
5.0
2y

It's start with Krithi Vaseshwar form of lord Shiva , was sitting alongwith Goddess Uma Devi when Nandi offered his prayers and stated that there were 68 places of worship dedicated to Lord Shiva in this holy place. Various idols/Shiv Lings have been brought from several other places by Nandi and installed in Kashi. This holy site incorporates a ghat, math and temple. Shool Tankeshwar, in the upstream of Benares is set in a quiet rural environment. It changes overnight to accommodate a deluge of pilgrims in their quest for a holy dip on particular auspicious days. A devotee who takes bath religiously in Prayag Teerth and worships Shool Tankeshwar, will attain the benefits equivalent to hundred times the benefits which would have accrued to him, had he taken bath in Prayag..

All of the data is collected from internet Myths have deep roots in our society. Thus, their study is a promising line, capable of revealing the roots of our civilization. The study of the history of Varanasi without mythology, therefore, remains incomplete. The theme of this book, which is a fresh addition to the series, New Discoveries in the History of Varanasi, extends beyond the recording of archaeological findings at Shooltankeshwar and Avimukta-kshetra (Kashi-Vishwanath area). Having a special place in the Shaiva mythology of Varanasi, the material findings of these sites add much to the socio-religious history of the place when scrutinized along with...

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Manglam sraiManglam srai
It's start with Krithi Vaseshwar form of lord Shiva , was sitting alongwith Goddess Uma Devi when Nandi offered his prayers and stated that there were 68 places of worship dedicated to Lord Shiva in this holy place. Various idols/Shiv Lings have been brought from several other places by Nandi and installed in Kashi. This holy site incorporates a ghat, math and temple. Shool Tankeshwar, in the upstream of Benares is set in a quiet rural environment. It changes overnight to accommodate a deluge of pilgrims in their quest for a holy dip on particular auspicious days. A devotee who takes bath religiously in Prayag Teerth and worships Shool Tankeshwar, will attain the benefits equivalent to hundred times the benefits which would have accrued to him, had he taken bath in Prayag.. All of the data is collected from internet Myths have deep roots in our society. Thus, their study is a promising line, capable of revealing the roots of our civilization. The study of the history of Varanasi without mythology, therefore, remains incomplete. The theme of this book, which is a fresh addition to the series, New Discoveries in the History of Varanasi, extends beyond the recording of archaeological findings at Shooltankeshwar and Avimukta-kshetra (Kashi-Vishwanath area). Having a special place in the Shaiva mythology of Varanasi, the material findings of these sites add much to the socio-religious history of the place when scrutinized along with folk-religious traditions.
Anurag SinghAnurag Singh
This temple is located near the Bacchaon Bazar Area which is 3-4 kms from the main road. Road is not that good but it's still okay. One has to ask 2-3 times with nearby people for its direction. Temple premise is big. Nearby area is calm and free from chaos. There's a Ghat near this temple which is good to see. People often visit this ghat, take a dip in the holy Ganga River and then come to visit this temple to seek blessings from Mahadev. There's a story behind this temple. When Maa Ganga reaches here, she's on its highest pace because she's angry with Shiva that he tied her in his long hairs. So, Ganga was in the mood to destroy the Banaras with its full pace. When Shiva got to know about this, he threw his Trishul here and stopped the flow of Maa Ganga. By this, Ganga experiences certain pain. So she requested Shiva to took hi Trishul back. So, on certain conditions, Shiva agreed to do that. From that time Ganga didn't left the shore of this area as well as Kashi area and turned left from here to enter Kashi. Overall a recommended place to visit with your family. 👍👍 Har Har Mahadev 🙏
SunitiSuniti
बहुत ही शांत और मनोरम प्रांगड़ जटाटवीगलज्जल प्रवाहपावितस्थले गलेऽवलम्ब्य लम्बितां भुजंगतुंगमालिकाम्‌। डमड्डमड्डमड्डमनिनादवड्डमर्वयं चकार चंडतांडवं तनोतु नः शिवः शिवम ॥1॥ जटा कटा हसंभ्रम भ्रमन्निलिंपनिर्झरी । विलोलवी चिवल्लरी विराजमानमूर्धनि । धगद्धगद्ध गज्ज्वलल्ललाट पट्टपावके किशोरचंद्रशेखरे रतिः प्रतिक्षणं ममं ॥2॥ धरा धरेंद्र नंदिनी विलास बंधुवंधुर- स्फुरदृगंत संतति प्रमोद मानमानसे । कृपाकटा क्षधारणी निरुद्धदुर्धरापदि कवचिद्विगम्बरे मनो विनोदमेतु वस्तुनि ॥3॥ जटा भुजं गपिंगल स्फुरत्फणामणिप्रभा- कदंबकुंकुम द्रवप्रलिप्त दिग्वधूमुखे । मदांध सिंधु रस्फुरत्वगुत्तरीयमेदुरे मनो विनोदद्भुतं बिंभर्तु भूतभर्तरि ॥4॥ सहस्र लोचन प्रभृत्य शेषलेखशेखर- प्रसून धूलिधोरणी विधूसरांघ्रिपीठभूः । भुजंगराज मालया निबद्धजाटजूटकः श्रिये चिराय जायतां चकोर बंधुशेखरः ॥5॥ ललाट चत्वरज्वलद्धनंजयस्फुरिगभा- निपीतपंचसायकं निमन्निलिंपनायम्‌ । सुधा मयुख लेखया विराजमानशेखरं महा कपालि संपदे शिरोजयालमस्तू नः ॥6॥ कराल भाल पट्टिकाधगद्धगद्धगज्ज्वल- द्धनंजया धरीकृतप्रचंडपंचसायके । धराधरेंद्र नंदिनी कुचाग्रचित्रपत्रक- प्रकल्पनैकशिल्पिनि त्रिलोचने मतिर्मम ॥7॥ नवीन मेघ मंडली निरुद्धदुर्धरस्फुर- त्कुहु निशीथिनीतमः प्रबंधबंधुकंधरः । निलिम्पनिर्झरि धरस्तनोतु कृत्ति सिंधुरः कलानिधानबंधुरः श्रियं जगंद्धुरंधरः ॥8॥ प्रफुल्ल नील पंकज प्रपंचकालिमच्छटा- विडंबि कंठकंध रारुचि प्रबंधकंधरम्‌ स्मरच्छिदं पुरच्छिंद भवच्छिदं मखच्छिदं गजच्छिदांधकच्छिदं तमंतकच्छिदं भजे ॥9॥ अगर्वसर्वमंगला कलाकदम्बमंजरी- रसप्रवाह माधुरी विजृंभणा मधुव्रतम्‌ । स्मरांतकं पुरातकं भावंतकं मखांतकं गजांतकांधकांतकं तमंतकांतकं भजे ॥10॥ जयत्वदभ्रविभ्रम भ्रमद्भुजंगमस्फुर- द्धगद्धगद्वि निर्गमत्कराल भाल हव्यवाट्- धिमिद्धिमिद्धिमि नन्मृदंगतुंगमंगल- ध्वनिक्रमप्रवर्तित प्रचण्ड ताण्डवः शिवः ॥11॥ दृषद्विचित्रतल्पयोर्भुजंग मौक्तिकमस्रजो- र्गरिष्ठरत्नलोष्टयोः सुहृद्विपक्षपक्षयोः । तृणारविंदचक्षुषोः प्रजामहीमहेन्द्रयोः समं प्रवर्तयन्मनः कदा सदाशिवं भजे ॥12॥ कदा निलिंपनिर्झरी निकुजकोटरे वसन्‌ विमुक्तदुर्मतिः सदा शिरःस्थमंजलिं वहन्‌। विमुक्तलोललोचनो ललामभाललग्नकः शिवेति मंत्रमुच्चरन्‌कदा सुखी भवाम्यहम्‌॥13॥ निलिम्प नाथनागरी कदम्ब मौलमल्लिका- निगुम्फनिर्भक्षरन्म धूष्णिकामनोहरः । तनोतु नो मनोमुदं विनोदिनींमहनिशं परिश्रय परं पदं तदंगजत्विषां चयः ॥14॥ प्रचण्ड वाडवानल प्रभाशुभप्रचारणी महाष्टसिद्धिकामिनी जनावहूत जल्पना । विमुक्त वाम लोचनो विवाहकालिकध्वनिः शिवेति मन्त्रभूषगो जगज्जयाय जायताम्‌ ॥15॥ इमं हि नित्यमेव मुक्तमुक्तमोत्तम स्तवं पठन्स्मरन्‌ ब्रुवन्नरो विशुद्धमेति संततम्‌। हरे गुरौ सुभक्तिमाशु याति नांयथा गतिं विमोहनं हि देहना तु शंकरस्य चिंतनम ॥16॥ पूजाऽवसानसमये दशवक्रत्रगीतं यः शम्भूपूजनमिदं पठति प्रदोषे । तस्य स्थिरां रथगजेंद्रतुरंगयुक्तां लक्ष्मी सदैव सुमुखीं प्रददाति शम्भुः ॥17॥ ॥ इति शिव तांडव स्तोत्रं संपूर्णम्‌॥
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It's start with Krithi Vaseshwar form of lord Shiva , was sitting alongwith Goddess Uma Devi when Nandi offered his prayers and stated that there were 68 places of worship dedicated to Lord Shiva in this holy place. Various idols/Shiv Lings have been brought from several other places by Nandi and installed in Kashi. This holy site incorporates a ghat, math and temple. Shool Tankeshwar, in the upstream of Benares is set in a quiet rural environment. It changes overnight to accommodate a deluge of pilgrims in their quest for a holy dip on particular auspicious days. A devotee who takes bath religiously in Prayag Teerth and worships Shool Tankeshwar, will attain the benefits equivalent to hundred times the benefits which would have accrued to him, had he taken bath in Prayag.. All of the data is collected from internet Myths have deep roots in our society. Thus, their study is a promising line, capable of revealing the roots of our civilization. The study of the history of Varanasi without mythology, therefore, remains incomplete. The theme of this book, which is a fresh addition to the series, New Discoveries in the History of Varanasi, extends beyond the recording of archaeological findings at Shooltankeshwar and Avimukta-kshetra (Kashi-Vishwanath area). Having a special place in the Shaiva mythology of Varanasi, the material findings of these sites add much to the socio-religious history of the place when scrutinized along with folk-religious traditions.
Manglam srai

Manglam srai

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This temple is located near the Bacchaon Bazar Area which is 3-4 kms from the main road. Road is not that good but it's still okay. One has to ask 2-3 times with nearby people for its direction. Temple premise is big. Nearby area is calm and free from chaos. There's a Ghat near this temple which is good to see. People often visit this ghat, take a dip in the holy Ganga River and then come to visit this temple to seek blessings from Mahadev. There's a story behind this temple. When Maa Ganga reaches here, she's on its highest pace because she's angry with Shiva that he tied her in his long hairs. So, Ganga was in the mood to destroy the Banaras with its full pace. When Shiva got to know about this, he threw his Trishul here and stopped the flow of Maa Ganga. By this, Ganga experiences certain pain. So she requested Shiva to took hi Trishul back. So, on certain conditions, Shiva agreed to do that. From that time Ganga didn't left the shore of this area as well as Kashi area and turned left from here to enter Kashi. Overall a recommended place to visit with your family. 👍👍 Har Har Mahadev 🙏
Anurag Singh

Anurag Singh

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Trending Stays Worth the Hype in Uttar Pradesh

Find a cozy hotel nearby and make it a full experience.

बहुत ही शांत और मनोरम प्रांगड़ जटाटवीगलज्जल प्रवाहपावितस्थले गलेऽवलम्ब्य लम्बितां भुजंगतुंगमालिकाम्‌। डमड्डमड्डमड्डमनिनादवड्डमर्वयं चकार चंडतांडवं तनोतु नः शिवः शिवम ॥1॥ जटा कटा हसंभ्रम भ्रमन्निलिंपनिर्झरी । विलोलवी चिवल्लरी विराजमानमूर्धनि । धगद्धगद्ध गज्ज्वलल्ललाट पट्टपावके किशोरचंद्रशेखरे रतिः प्रतिक्षणं ममं ॥2॥ धरा धरेंद्र नंदिनी विलास बंधुवंधुर- स्फुरदृगंत संतति प्रमोद मानमानसे । कृपाकटा क्षधारणी निरुद्धदुर्धरापदि कवचिद्विगम्बरे मनो विनोदमेतु वस्तुनि ॥3॥ जटा भुजं गपिंगल स्फुरत्फणामणिप्रभा- कदंबकुंकुम द्रवप्रलिप्त दिग्वधूमुखे । मदांध सिंधु रस्फुरत्वगुत्तरीयमेदुरे मनो विनोदद्भुतं बिंभर्तु भूतभर्तरि ॥4॥ सहस्र लोचन प्रभृत्य शेषलेखशेखर- प्रसून धूलिधोरणी विधूसरांघ्रिपीठभूः । भुजंगराज मालया निबद्धजाटजूटकः श्रिये चिराय जायतां चकोर बंधुशेखरः ॥5॥ ललाट चत्वरज्वलद्धनंजयस्फुरिगभा- निपीतपंचसायकं निमन्निलिंपनायम्‌ । सुधा मयुख लेखया विराजमानशेखरं महा कपालि संपदे शिरोजयालमस्तू नः ॥6॥ कराल भाल पट्टिकाधगद्धगद्धगज्ज्वल- द्धनंजया धरीकृतप्रचंडपंचसायके । धराधरेंद्र नंदिनी कुचाग्रचित्रपत्रक- प्रकल्पनैकशिल्पिनि त्रिलोचने मतिर्मम ॥7॥ नवीन मेघ मंडली निरुद्धदुर्धरस्फुर- त्कुहु निशीथिनीतमः प्रबंधबंधुकंधरः । निलिम्पनिर्झरि धरस्तनोतु कृत्ति सिंधुरः कलानिधानबंधुरः श्रियं जगंद्धुरंधरः ॥8॥ प्रफुल्ल नील पंकज प्रपंचकालिमच्छटा- विडंबि कंठकंध रारुचि प्रबंधकंधरम्‌ स्मरच्छिदं पुरच्छिंद भवच्छिदं मखच्छिदं गजच्छिदांधकच्छिदं तमंतकच्छिदं भजे ॥9॥ अगर्वसर्वमंगला कलाकदम्बमंजरी- रसप्रवाह माधुरी विजृंभणा मधुव्रतम्‌ । स्मरांतकं पुरातकं भावंतकं मखांतकं गजांतकांधकांतकं तमंतकांतकं भजे ॥10॥ जयत्वदभ्रविभ्रम भ्रमद्भुजंगमस्फुर- द्धगद्धगद्वि निर्गमत्कराल भाल हव्यवाट्- धिमिद्धिमिद्धिमि नन्मृदंगतुंगमंगल- ध्वनिक्रमप्रवर्तित प्रचण्ड ताण्डवः शिवः ॥11॥ दृषद्विचित्रतल्पयोर्भुजंग मौक्तिकमस्रजो- र्गरिष्ठरत्नलोष्टयोः सुहृद्विपक्षपक्षयोः । तृणारविंदचक्षुषोः प्रजामहीमहेन्द्रयोः समं प्रवर्तयन्मनः कदा सदाशिवं भजे ॥12॥ कदा निलिंपनिर्झरी निकुजकोटरे वसन्‌ विमुक्तदुर्मतिः सदा शिरःस्थमंजलिं वहन्‌। विमुक्तलोललोचनो ललामभाललग्नकः शिवेति मंत्रमुच्चरन्‌कदा सुखी भवाम्यहम्‌॥13॥ निलिम्प नाथनागरी कदम्ब मौलमल्लिका- निगुम्फनिर्भक्षरन्म धूष्णिकामनोहरः । तनोतु नो मनोमुदं विनोदिनींमहनिशं परिश्रय परं पदं तदंगजत्विषां चयः ॥14॥ प्रचण्ड वाडवानल प्रभाशुभप्रचारणी महाष्टसिद्धिकामिनी जनावहूत जल्पना । विमुक्त वाम लोचनो विवाहकालिकध्वनिः शिवेति मन्त्रभूषगो जगज्जयाय जायताम्‌ ॥15॥ इमं हि नित्यमेव मुक्तमुक्तमोत्तम स्तवं पठन्स्मरन्‌ ब्रुवन्नरो विशुद्धमेति संततम्‌। हरे गुरौ सुभक्तिमाशु याति नांयथा गतिं विमोहनं हि देहना तु शंकरस्य चिंतनम ॥16॥ पूजाऽवसानसमये दशवक्रत्रगीतं यः शम्भूपूजनमिदं पठति प्रदोषे । तस्य स्थिरां रथगजेंद्रतुरंगयुक्तां लक्ष्मी सदैव सुमुखीं प्रददाति शम्भुः ॥17॥ ॥ इति शिव तांडव स्तोत्रं संपूर्णम्‌॥
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