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Wat Phra That Khao Noi — Attraction in Nan Province

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Wat Phra That Khao Noi
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Casa Foresta Nan-āļ„āļēāļ‹āđˆāļē āļŸāļ­āđ€āļĢāļŠāļ•āđ‰āļē āļ™āđˆāļēāļ™
142 āļŦāļĄāļđāđˆ 11 āļšāđ‰āļēāļ™āđ€āļ‚āļēāļ™āđ‰āļ­āļĒ Du Tai, Mueang Nan District, Nan 55000, Thailand
Pim pool villa nan
398 Du Tai, Mueang Nan District, Nan 55000, Thailand
Sasidara Resort
629 Moo 4 Chaisatan, Du Tai, Mueang Nan District, Nan 55000, Thailand
āļšāđ‰āļēāļ™āđ€āļĢāļĩāļĒāļ§āļŠāļīāļ™ ã‚Šã‚‡ã†ã—ã‚“
227 Du Tai, Mueang Nan District, Nan 55000, Thailand
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Wat Phra That Khao Noi
ThailandNan ProvinceWat Phra That Khao Noi

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Wat Phra That Khao Noi

128 Du Tai, Mueang Nan District, Nan 55000, Thailand
4.6(1.8K)
Open 24 hours
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Reviews of Wat Phra That Khao Noi

4.6
(1,781)
avatar
4.0
1y

Wat Phra That Khao Noi is a captivating Buddhist temple nestled atop a hill in Nan, Thailand. The temple's picturesque location provides breathtaking panoramic views of the surrounding landscapes, making it a must-visit destination for travelers seeking tranquility and cultural immersion.

The architecture of Wat Phra That Khao Noi is truly remarkable, showcasing intricate details and traditional Thai design elements. Visitors will be awe-struck by the beauty and serenity of the temple grounds, which offer ample opportunities for exploration and reflection.

While the temple lacks some amenities typically found in tourist destinations, such as guided tours or extensive facilities, its natural charm and historical significance more than make up for it. Whether you're a devout Buddhist seeking spiritual enlightenment or simply a traveler looking to experience the cultural richness of Thailand, Wat Phra That Khao Noi is sure to leave a lasting impression. Overall, I would highly recommend a visit to this enchanting temple, earning it a solid...

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3.0
9y

Wat Phrathat Khao Noi is located at a particularly significant historic site, west of the town of Nan up on the Kao Noi hill. The area is believed to have been the site of the ancient Pua town (also known as Woranakhon), founded by Phraya Phukha and governed by his adopted son, Chao Khunfong. The temple, which sits atop a hill, boasts beautiful vistas of verdant rice fields during the rainy season.

The construction of the Phrathat (or stupa) and Wihan (assembly hall) were completed in 1283. Inside the pagoda, it is believed that relics of the Lord Buddha are enshrined, the heart of the community’s faith. The architecture also showcases the great skill of Nan craftsmen, constructed in the Tai Lue style. The assembly hall is covered with two tiers of shingles, in a low, sloped Tia Chae shape. The entrance gate is of the Lan Xang style. The main Buddha image is in the local art style and there are mirrors are attached at the back of the image in accordance with Tai...

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5.0
1y

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āļ•āļēāļĄāļ›āļĢāļ°āļ§āļąāļ•āļī āļžāļĢāļ°āļ˜āļēāļ•āļļāļ­āļ‡āļ„āđŒāļ™āļĩāđ‰āļŠāļĢāđ‰āļēāļ‡āđ‚āļ”āļĒāļĄāđ€āļŦāļŠāļĩāļĢāļ­āļ‡āļ‚āļ­āļ‡āļžāļāļēāļ āļđāđ€āļ‚āđ‡āļ‡ āđ€āļˆāđ‰āļēāļœāļđāđ‰āļ„āļĢāļ­āļ‡āļ™āļ„āļĢāļ™āđˆāļēāļ™ āđ€āļĄāļ·āđˆāļ­āļĢāļēāļ§āļžāļļāļ—āļ˜āļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ 20 āļˆāļ™āļāļĢāļ°āļ—āļąāđˆāļ‡āļĄāļĩāļāļēāļĢāļšāļđāļĢāļ“āļ°āļ„āļĢāļąāđ‰āļ‡āđƒāļŦāļāđˆ āđƒāļ™āļŠāļĄāļąāļĒāļžāļĢāļ°āđ€āļˆāđ‰āļēāļŠāļļāļĢāļīāļĒāļžāļ‡āļĐāđŒāļœāļĢāļīāļ•āđ€āļ”āļŠāļŊ āđƒāļ™āļ›āļĩ āļž.āļĻ. 2449-2454 āđ‚āļ”āļĒāļŠāđˆāļēāļ‡āļŠāļēāļ§āļžāļĄāđˆāļē āļŠāļ·āđˆāļ­āļŦāļĄāđˆāļ­āļ‡āļĒāļīāļ‡

āļ•āļąāļ§āļ§āļąāļ” āļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļ—āļĩāđˆāļ•āļģāļšāļĨāļ”āļđāđˆāđƒāļ•āđ‰ āļ­āļģāđ€āļ āļ­āđ€āļĄāļ·āļ­āļ‡āļ™āđˆāļēāļ™ āļˆāļąāļ‡āļŦāļ§āļąāļ”āļ™āđˆāļēāļ™ āđ€āļ›āđ‡āļ™āļ§āļąāļ”āļĢāļēāļĐāļŽāļĢāđŒ āļ­āļ‡āļ„āđŒāļžāļĢāļ°āļ˜āļēāļ•āļļāļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļšāļ™āļĒāļ­āļ”āļ”āļ­āļĒāđ€āļ‚āļēāļ™āđ‰āļ­āļĒ āļŠāļđāļ‡āļˆāļēāļāļĢāļ°āļ”āļąāļšāļ™āđ‰āļģāļ—āļ°āđ€āļĨ āļ›āļĢāļ°āļĄāļēāļ“ 240 āļĄ. āļ‹āļķāđˆāļ‡āļ­āļĒāļđāđˆāļ”āđ‰āļēāļ™āļ•āļ°āļ§āļąāļ™āļ•āļāļ‚āļ­āļ‡āļ•āļąāļ§āđ€āļĄāļ·āļ­āļ‡āļ™āđˆāļēāļ™ āļāļēāļĢāđ„āļ›āļ—āđˆāļ­āļ‡āđ€āļ—āļĩāđˆāļĒāļ§āļ—āļĩāđˆ āļ§āļąāļ”āļžāļĢāļ°āļ˜āļēāļ•āļļāđ€āļ‚āļēāļ™āđ‰āļ­āļĒ āļˆāļēāļāļ•āļąāļ§āđ€āļĄāļ·āļ­āļ‡āļ™āđˆāļēāļ™āđƒāļŠāđ‰āđ€āļŠāđ‰āļ™āļ—āļēāļ‡āđ€āļ”āļĩāļĒāļ§āļāļąāļšāļ§āļąāļ”āļžāļāļēāļ§āļąāļ” āđāļ•āđˆāđ€āļĨāļĒāđ„āļ›āļ­āļĩāļāļĢāļēāļ§ 2 āļāļĄ. āļ‚āļķāđ‰āļ™āđ€āļ‚āļēāđ„āļ› āļāđ‡āļˆāļ°āļ–āļķāļ‡āļĒāļ­āļ”āđ€āļ‚āļēāļ™āđ‰āļ­āļĒāļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļ•āļąāđ‰āļ‡āļ‚āļ­āļ‡āļ§āļąāļ” āļ‹āļķāđˆāļ‡āđ€āļĢāļēāļŠāļēāļĄāļēāļĢāļ–āđ€āļĨāļ·āļ­āļāđ„āļ”āđ‰ āļ§āđˆāļē āļˆāļ°āļ‚āļķāđ‰āļ™āđ„āļ›āļˆāļ­āļ”āļĢāļ–āļ”āđ‰āļēāļ™āļšāļ™ āđ€āļ”āļīāļ™āļ™āļīāļ”āđ€āļ”āļĩāļĒāļ§āļ–āļķāļ‡āļžāļĢāļ°āļ˜āļēāļ•āļļāđ€āļĨāļĒ āļŦāļĢāļ·āļ­ āļˆāļ­āļ”āļŦāļ™āđ‰āļēāļ§āļąāļ” āļĄāļĩāļ—āļēāļ‡āļ‚āļķāđ‰āļ™āđ€āļ›āđ‡āļ™āļšāļąāļ™āđ„āļ”āļ™āļēāļ„ 303 āļ‚āļąāđ‰āļ™ āđƒāļŦāđ‰āļ—āļ”āļŠāļ­āļšāļžāļĨāļ°āļāļģāļĨāļĨāļąāļ‡āļāļąāļ™āļŠāļąāļāļŦāļ™āđˆāļ­āļĒ

āļāļĢāļĄāļĻāļīāļĨāļ›āļēāļāļĢāđ„āļ”āđ‰āļ—āļģāļāļēāļĢāļŠāļģāļĢāļ§āļˆāđāļĨāļ°āļ‚āļķāđ‰āļ™āļ—āļ°āđ€āļšāļĩāļĒāļ™āđ€āļ›āđ‡āļ™āđ‚āļšāļĢāļēāļ“āļŠāļ–āļēāļ™āđ€āļĄāļ·āđˆāļ­āļ›āļĩ āļž.āļĻ.2523 āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļ§āļąāļ”āļ—āļĩāđˆāļ­āļĒāļđāđˆāļšāļ™āđ€āļ‚āļēāļŠāļđāļ‡ āļˆāļķāļ‡āđ€āļ›āđ‡āļ™āļˆāļļāļ”āļŠāļĄāļ—āļīāļ§āļ—āļąāļĻāļ™āđŒāļ—āļĩāđˆāļŠāļ§āļĒāļ‡āļēāļĄ āļŠāļēāļĄāļēāļĢāļ–āļŠāļĄāļ§āļīāļ§āđ€āļĄāļ·āļ­āļ‡āļ™āđˆāļēāļ™āđ„āļ”āđ‰ 360 āļ­āļ‡āļĻāļē

āđāļĨāļ°āđ„āļŪāđ„āļĨāļ—āđŒāļ‚āļ­āļ‡āļ§āļąāļ”āļ­āļĒāļđāđˆāļ•āļĢāļ‡āļˆāļļāļ”āļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļˆāļļāļ”āļŠāļĄāļ§āļīāļ§āļĨāļēāļ™āļ›āļđāļ™ āļ‹āļķāđˆāļ‡āļˆāļ°āļĄāļĩāļžāļĢāļ°āļžāļļāļ—āļ˜āļĢāļđāļ›āļ­āļ‡āļ„āđŒāđƒāļŦāļāđˆ āļ„āļ·āļ­ āļžāļĢāļ°āļžāļļāļ—āļ˜āļĄāļŦāļēāļ­āļļāļ•āļĄāļĄāļ‡āļ„āļĄāļ™āļąāļ™āļ—āļšāļļāļĢāļĩāļĻāļĢāļĩāđ€āļĄāļ·āļ­āļ‡āļ™āđˆāļēāļ™ āļ›āļĢāļ°āļ”āļīāļĐāļāļēāļ™āļ­āļĒāļđāđˆ āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļžāļĢāļ°āļžāļļāļ—āļ˜āļĢāļđāļ›āļ›āļēāļ‡āļ›āļĢāļ°āļ—āļēāļ™āļžāļĢ āļšāļ™āļāļēāļ™āļ”āļ­āļāļšāļąāļ§āļŠāļđāļ‡ 9 āđ€āļĄāļ•āļĢ āļšāļ™āļĒāļ­āļ”āļžāļĢāļ°āđ€āļāļĻāļēāļ—āļģāļˆāļēāļāļ—āļ­āļ‡āļ„āļģāļŦāļ™āļąāļ 27 āļšāļēāļ— āļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āđ€āļ™āļ·āđˆāļ­āļ‡āđƒāļ™āļĄāļŦāļēāļĄāļ‡āļ„āļĨāļ—āļĩāđˆāđƒāļ™āļŦāļĨāļ§āļ‡ āļĢāļąāļŠāļāļēāļĨāļ—āļĩāđˆ 9 āļ—āļĢāļ‡āđ€āļˆāļĢāļīāļ āļžāļĢāļ°āļŠāļ™āļĄāļžāļĢāļĢāļĐāļē 6 āļĢāļ­āļš āđ€āļĄāļ·āđˆāļ­āļ§āļąāļ™āļ—āļĩāđˆ 5 āļ˜āļąāļ™āļ§āļēāļ„āļĄ āļž.āļĻ. 2542 āļ–āļĩāļ­āđ€āļ›āđ‡āļ™āļˆāļļāļ”āđ€āļ”āļĩāļĒāļ§āļ—āļĩāđˆāđ€āļŦāđ‡āļ™āđ€āļĄāļ·āļ­āļ‡āļ™āđˆāļēāļ™āļˆāļēāļāļĄāļļāļĄāļŠāļđāļ‡ āđ€āļĢāļēāļˆāļ°āđ€āļŦāđ‡āļ™āļ‚āļļāļ™āđ€āļ‚āļē āļ™āđ‰āļ­āļĒāđƒāļŦāļāđˆ āļ•āļąāđ‰āļ‡āļ—āļ°āļĄāļķāļ™āđ‚āļ­āļšāļĨāđ‰āļ­āļĄāđ€āļĄāļ·āļ­āļ‡āļ™āđˆāļēāļ™ āđ€āļ›āđ‡āļ™āļ‰āļēāļāļŦāļĨāļąāļ‡ āļˆāļļāļ”āļ™āļĩāđ‰āļĒāļąāļ‡āđāļŠāļ”āļ‡āđƒāļŦāđ‰āđ€āļĢāļēāđ€āļŦāđ‡āļ™āļŠāļąāļ” āļ–āļķāļ‡āļĨāļąāļāļĐāļ“āļ°āļāļēāļĢāļ•āļąāđ‰āļ‡āđ€āļĄāļ·āļ­āļ‡ āļ‚āļ­āļ‡āļ—āļēāļ‡āļ āļēāļ„āđ€āļŦāļ™āļ·āļ­ āļ—āļĩāđˆāļĄāļąāļāđ€āļĨāļ·āļ­āļāļ—āļģāđ€āļĨāļ—āļĩāđˆāļ•āļąāđ‰āļ‡ āļšāļ™āļ—āļĩāđˆāļĢāļēāļšāļĨāļļāđˆāļĄ...

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Jonathan GanJonathan Gan
Wat Phra That Khao Noi is a captivating Buddhist temple nestled atop a hill in Nan, Thailand. The temple's picturesque location provides breathtaking panoramic views of the surrounding landscapes, making it a must-visit destination for travelers seeking tranquility and cultural immersion. The architecture of Wat Phra That Khao Noi is truly remarkable, showcasing intricate details and traditional Thai design elements. Visitors will be awe-struck by the beauty and serenity of the temple grounds, which offer ample opportunities for exploration and reflection. While the temple lacks some amenities typically found in tourist destinations, such as guided tours or extensive facilities, its natural charm and historical significance more than make up for it. Whether you're a devout Buddhist seeking spiritual enlightenment or simply a traveler looking to experience the cultural richness of Thailand, Wat Phra That Khao Noi is sure to leave a lasting impression. Overall, I would highly recommend a visit to this enchanting temple, earning it a solid four-star rating.
Kan SinghasinthuKan Singhasinthu
Wat Phrathat Khao Noi is located at a particularly significant historic site, west of the town of Nan up on the Kao Noi hill. The area is believed to have been the site of the ancient Pua town (also known as Woranakhon), founded by Phraya Phukha and governed by his adopted son, Chao Khunfong. The temple, which sits atop a hill, boasts beautiful vistas of verdant rice fields during the rainy season. The construction of the Phrathat (or stupa) and Wihan (assembly hall) were completed in 1283. Inside the pagoda, it is believed that relics of the Lord Buddha are enshrined, the heart of the community’s faith. The architecture also showcases the great skill of Nan craftsmen, constructed in the Tai Lue style. The assembly hall is covered with two tiers of shingles, in a low, sloped Tia Chae shape. The entrance gate is of the Lan Xang style. The main Buddha image is in the local art style and there are mirrors are attached at the back of the image in accordance with Tai Lue beliefs.
Sara PreechaSara Preecha
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Wat Phra That Khao Noi is a captivating Buddhist temple nestled atop a hill in Nan, Thailand. The temple's picturesque location provides breathtaking panoramic views of the surrounding landscapes, making it a must-visit destination for travelers seeking tranquility and cultural immersion. The architecture of Wat Phra That Khao Noi is truly remarkable, showcasing intricate details and traditional Thai design elements. Visitors will be awe-struck by the beauty and serenity of the temple grounds, which offer ample opportunities for exploration and reflection. While the temple lacks some amenities typically found in tourist destinations, such as guided tours or extensive facilities, its natural charm and historical significance more than make up for it. Whether you're a devout Buddhist seeking spiritual enlightenment or simply a traveler looking to experience the cultural richness of Thailand, Wat Phra That Khao Noi is sure to leave a lasting impression. Overall, I would highly recommend a visit to this enchanting temple, earning it a solid four-star rating.
Jonathan Gan

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Wat Phrathat Khao Noi is located at a particularly significant historic site, west of the town of Nan up on the Kao Noi hill. The area is believed to have been the site of the ancient Pua town (also known as Woranakhon), founded by Phraya Phukha and governed by his adopted son, Chao Khunfong. The temple, which sits atop a hill, boasts beautiful vistas of verdant rice fields during the rainy season. The construction of the Phrathat (or stupa) and Wihan (assembly hall) were completed in 1283. Inside the pagoda, it is believed that relics of the Lord Buddha are enshrined, the heart of the community’s faith. The architecture also showcases the great skill of Nan craftsmen, constructed in the Tai Lue style. The assembly hall is covered with two tiers of shingles, in a low, sloped Tia Chae shape. The entrance gate is of the Lan Xang style. The main Buddha image is in the local art style and there are mirrors are attached at the back of the image in accordance with Tai Lue beliefs.
Kan Singhasinthu

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Trending Stays Worth the Hype in Nan Province

Find a cozy hotel nearby and make it a full experience.

āļ§āļąāļ”āļžāļĢāļ°āļ˜āļēāļ•āļļāđ€āļ‚āļēāļ™āđ‰āļ­āļĒ āđ€āļ›āđ‡āļ™āļ›āļđāļŠāļ™āļĩāļĒāļŠāļ–āļēāļ™āļ—āļĩāđˆāļŠāļģāļ„āļąāļāđāļĨāļ°āđ€āļāđˆāļēāđāļāđˆāļ­āļĩāļāđāļŦāđˆāļ‡āļŦāļ™āļķāđˆāļ‡āļ‚āļ­āļ‡ āļˆ.āļ™āđˆāļēāļ™ āļŠāļąāļ™āļ™āļīāļĐāļāļēāļ™āļ§āđˆāļēāļĄāļĩāļ­āļēāļĒāļļāļĢāļļāđˆāļ™āļĢāļēāļ§āļ„āļĢāļēāļ§āđ€āļ”āļĩāļĒāļ§āļāļąāļšāļžāļĢāļ°āļ˜āļēāļ•āļļāđāļŠāđˆāđāļŦāđ‰āļ‡ āļŠāļĢāđ‰āļēāļ‡āđƒāļ™āļŠāļĄāļąāļĒāđ€āļˆāđ‰āļēāļ›āļđāđˆāđāļ‚āđ‡āļ‡ āđ€āļĄāļ·āđˆāļ­āļ›āļĩ āļž.āļĻ. 2030 āļ­āļ‡āļ„āđŒāļžāļĢāļ°āļ˜āļēāļ•āļļāđ€āļ›āđ‡āļ™āđ€āļˆāļ”āļĩāļĒāđŒāļāđˆāļ­āļ­āļīāļāļ–āļ·āļ­āļ›āļđāļ™āļ—āļąāđ‰āļ‡āļ­āļ‡āļ„āđŒ āđ€āļ›āđ‡āļ™āļĻāļīāļĨāļ›āļ°āļžāļĄāđˆāļēāļœāļŠāļĄāļĨāđ‰āļēāļ™āļ™āļē āļ āļēāļĒāđƒāļ™āļšāļĢāļĢāļˆāļļāļžāļĢāļ°āđ€āļāļĻāļēāļ˜āļēāļ•āļļāļ‚āļ­āļ‡āļ­āļ‡āļ„āđŒāļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āļŠāļąāļĄāļĄāļēāļŠāļąāļĄāļžāļļāļ—āļ˜āđ€āļˆāđ‰āļē āļˆāļķāļ‡āļ—āļģāđƒāļŦāđ‰āļ—āļĩāđˆāļ™āļĩāđˆāđ€āļ›āđ‡āļ™āļŠāļ–āļēāļ™āļ—āļĩāđˆāļĻāļąāļāļ”āļīāđŒāļŠāļīāļ—āļ˜āļīāđŒāļ—āļĩāđˆāļĄāļĩāļ—āļąāđ‰āļ‡āļŠāļēāļ§āļ™āđˆāļēāļ™ āđāļĨāļ°āļ™āļąāļāļ—āđˆāļ­āļ‡āđ€āļ—āļĩāđˆāļĒāļ§āļĄāļēāļŠāļąāļāļāļēāļĢāļ° āļšāļđāļŠāļē āļ­āļĒāļđāđˆāđ€āļ›āđ‡āļ™āļ›āļĢāļ°āļˆāļģ āļ•āļēāļĄāļ›āļĢāļ°āļ§āļąāļ•āļī āļžāļĢāļ°āļ˜āļēāļ•āļļāļ­āļ‡āļ„āđŒāļ™āļĩāđ‰āļŠāļĢāđ‰āļēāļ‡āđ‚āļ”āļĒāļĄāđ€āļŦāļŠāļĩāļĢāļ­āļ‡āļ‚āļ­āļ‡āļžāļāļēāļ āļđāđ€āļ‚āđ‡āļ‡ āđ€āļˆāđ‰āļēāļœāļđāđ‰āļ„āļĢāļ­āļ‡āļ™āļ„āļĢāļ™āđˆāļēāļ™ āđ€āļĄāļ·āđˆāļ­āļĢāļēāļ§āļžāļļāļ—āļ˜āļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ 20 āļˆāļ™āļāļĢāļ°āļ—āļąāđˆāļ‡āļĄāļĩāļāļēāļĢāļšāļđāļĢāļ“āļ°āļ„āļĢāļąāđ‰āļ‡āđƒāļŦāļāđˆ āđƒāļ™āļŠāļĄāļąāļĒāļžāļĢāļ°āđ€āļˆāđ‰āļēāļŠāļļāļĢāļīāļĒāļžāļ‡āļĐāđŒāļœāļĢāļīāļ•āđ€āļ”āļŠāļŊ āđƒāļ™āļ›āļĩ āļž.āļĻ. 2449-2454 āđ‚āļ”āļĒāļŠāđˆāļēāļ‡āļŠāļēāļ§āļžāļĄāđˆāļē āļŠāļ·āđˆāļ­āļŦāļĄāđˆāļ­āļ‡āļĒāļīāļ‡ āļ•āļąāļ§āļ§āļąāļ” āļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļ—āļĩāđˆāļ•āļģāļšāļĨāļ”āļđāđˆāđƒāļ•āđ‰ āļ­āļģāđ€āļ āļ­āđ€āļĄāļ·āļ­āļ‡āļ™āđˆāļēāļ™ āļˆāļąāļ‡āļŦāļ§āļąāļ”āļ™āđˆāļēāļ™ āđ€āļ›āđ‡āļ™āļ§āļąāļ”āļĢāļēāļĐāļŽāļĢāđŒ āļ­āļ‡āļ„āđŒāļžāļĢāļ°āļ˜āļēāļ•āļļāļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļšāļ™āļĒāļ­āļ”āļ”āļ­āļĒāđ€āļ‚āļēāļ™āđ‰āļ­āļĒ āļŠāļđāļ‡āļˆāļēāļāļĢāļ°āļ”āļąāļšāļ™āđ‰āļģāļ—āļ°āđ€āļĨ āļ›āļĢāļ°āļĄāļēāļ“ 240 āļĄ. āļ‹āļķāđˆāļ‡āļ­āļĒāļđāđˆāļ”āđ‰āļēāļ™āļ•āļ°āļ§āļąāļ™āļ•āļāļ‚āļ­āļ‡āļ•āļąāļ§āđ€āļĄāļ·āļ­āļ‡āļ™āđˆāļēāļ™ āļāļēāļĢāđ„āļ›āļ—āđˆāļ­āļ‡āđ€āļ—āļĩāđˆāļĒāļ§āļ—āļĩāđˆ āļ§āļąāļ”āļžāļĢāļ°āļ˜āļēāļ•āļļāđ€āļ‚āļēāļ™āđ‰āļ­āļĒ āļˆāļēāļāļ•āļąāļ§āđ€āļĄāļ·āļ­āļ‡āļ™āđˆāļēāļ™āđƒāļŠāđ‰āđ€āļŠāđ‰āļ™āļ—āļēāļ‡āđ€āļ”āļĩāļĒāļ§āļāļąāļšāļ§āļąāļ”āļžāļāļēāļ§āļąāļ” āđāļ•āđˆāđ€āļĨāļĒāđ„āļ›āļ­āļĩāļāļĢāļēāļ§ 2 āļāļĄ. āļ‚āļķāđ‰āļ™āđ€āļ‚āļēāđ„āļ› āļāđ‡āļˆāļ°āļ–āļķāļ‡āļĒāļ­āļ”āđ€āļ‚āļēāļ™āđ‰āļ­āļĒāļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļ•āļąāđ‰āļ‡āļ‚āļ­āļ‡āļ§āļąāļ” āļ‹āļķāđˆāļ‡āđ€āļĢāļēāļŠāļēāļĄāļēāļĢāļ–āđ€āļĨāļ·āļ­āļāđ„āļ”āđ‰ āļ§āđˆāļē āļˆāļ°āļ‚āļķāđ‰āļ™āđ„āļ›āļˆāļ­āļ”āļĢāļ–āļ”āđ‰āļēāļ™āļšāļ™ āđ€āļ”āļīāļ™āļ™āļīāļ”āđ€āļ”āļĩāļĒāļ§āļ–āļķāļ‡āļžāļĢāļ°āļ˜āļēāļ•āļļāđ€āļĨāļĒ āļŦāļĢāļ·āļ­ āļˆāļ­āļ”āļŦāļ™āđ‰āļēāļ§āļąāļ” āļĄāļĩāļ—āļēāļ‡āļ‚āļķāđ‰āļ™āđ€āļ›āđ‡āļ™āļšāļąāļ™āđ„āļ”āļ™āļēāļ„ 303 āļ‚āļąāđ‰āļ™ āđƒāļŦāđ‰āļ—āļ”āļŠāļ­āļšāļžāļĨāļ°āļāļģāļĨāļĨāļąāļ‡āļāļąāļ™āļŠāļąāļāļŦāļ™āđˆāļ­āļĒ āļāļĢāļĄāļĻāļīāļĨāļ›āļēāļāļĢāđ„āļ”āđ‰āļ—āļģāļāļēāļĢāļŠāļģāļĢāļ§āļˆāđāļĨāļ°āļ‚āļķāđ‰āļ™āļ—āļ°āđ€āļšāļĩāļĒāļ™āđ€āļ›āđ‡āļ™āđ‚āļšāļĢāļēāļ“āļŠāļ–āļēāļ™āđ€āļĄāļ·āđˆāļ­āļ›āļĩ āļž.āļĻ.2523 āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļ§āļąāļ”āļ—āļĩāđˆāļ­āļĒāļđāđˆāļšāļ™āđ€āļ‚āļēāļŠāļđāļ‡ āļˆāļķāļ‡āđ€āļ›āđ‡āļ™āļˆāļļāļ”āļŠāļĄāļ—āļīāļ§āļ—āļąāļĻāļ™āđŒāļ—āļĩāđˆāļŠāļ§āļĒāļ‡āļēāļĄ āļŠāļēāļĄāļēāļĢāļ–āļŠāļĄāļ§āļīāļ§āđ€āļĄāļ·āļ­āļ‡āļ™āđˆāļēāļ™āđ„āļ”āđ‰ 360 āļ­āļ‡āļĻāļē āđāļĨāļ°āđ„āļŪāđ„āļĨāļ—āđŒāļ‚āļ­āļ‡āļ§āļąāļ”āļ­āļĒāļđāđˆāļ•āļĢāļ‡āļˆāļļāļ”āļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļˆāļļāļ”āļŠāļĄāļ§āļīāļ§āļĨāļēāļ™āļ›āļđāļ™ āļ‹āļķāđˆāļ‡āļˆāļ°āļĄāļĩāļžāļĢāļ°āļžāļļāļ—āļ˜āļĢāļđāļ›āļ­āļ‡āļ„āđŒāđƒāļŦāļāđˆ āļ„āļ·āļ­ āļžāļĢāļ°āļžāļļāļ—āļ˜āļĄāļŦāļēāļ­āļļāļ•āļĄāļĄāļ‡āļ„āļĄāļ™āļąāļ™āļ—āļšāļļāļĢāļĩāļĻāļĢāļĩāđ€āļĄāļ·āļ­āļ‡āļ™āđˆāļēāļ™ āļ›āļĢāļ°āļ”āļīāļĐāļāļēāļ™āļ­āļĒāļđāđˆ āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļžāļĢāļ°āļžāļļāļ—āļ˜āļĢāļđāļ›āļ›āļēāļ‡āļ›āļĢāļ°āļ—āļēāļ™āļžāļĢ āļšāļ™āļāļēāļ™āļ”āļ­āļāļšāļąāļ§āļŠāļđāļ‡ 9 āđ€āļĄāļ•āļĢ āļšāļ™āļĒāļ­āļ”āļžāļĢāļ°āđ€āļāļĻāļēāļ—āļģāļˆāļēāļāļ—āļ­āļ‡āļ„āļģāļŦāļ™āļąāļ 27 āļšāļēāļ— āļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āđ€āļ™āļ·āđˆāļ­āļ‡āđƒāļ™āļĄāļŦāļēāļĄāļ‡āļ„āļĨāļ—āļĩāđˆāđƒāļ™āļŦāļĨāļ§āļ‡ āļĢāļąāļŠāļāļēāļĨāļ—āļĩāđˆ 9 āļ—āļĢāļ‡āđ€āļˆāļĢāļīāļ āļžāļĢāļ°āļŠāļ™āļĄāļžāļĢāļĢāļĐāļē 6 āļĢāļ­āļš āđ€āļĄāļ·āđˆāļ­āļ§āļąāļ™āļ—āļĩāđˆ 5 āļ˜āļąāļ™āļ§āļēāļ„āļĄ āļž.āļĻ. 2542 āļ–āļĩāļ­āđ€āļ›āđ‡āļ™āļˆāļļāļ”āđ€āļ”āļĩāļĒāļ§āļ—āļĩāđˆāđ€āļŦāđ‡āļ™āđ€āļĄāļ·āļ­āļ‡āļ™āđˆāļēāļ™āļˆāļēāļāļĄāļļāļĄāļŠāļđāļ‡ āđ€āļĢāļēāļˆāļ°āđ€āļŦāđ‡āļ™āļ‚āļļāļ™āđ€āļ‚āļē āļ™āđ‰āļ­āļĒāđƒāļŦāļāđˆ āļ•āļąāđ‰āļ‡āļ—āļ°āļĄāļķāļ™āđ‚āļ­āļšāļĨāđ‰āļ­āļĄāđ€āļĄāļ·āļ­āļ‡āļ™āđˆāļēāļ™ āđ€āļ›āđ‡āļ™āļ‰āļēāļāļŦāļĨāļąāļ‡ āļˆāļļāļ”āļ™āļĩāđ‰āļĒāļąāļ‡āđāļŠāļ”āļ‡āđƒāļŦāđ‰āđ€āļĢāļēāđ€āļŦāđ‡āļ™āļŠāļąāļ” āļ–āļķāļ‡āļĨāļąāļāļĐāļ“āļ°āļāļēāļĢāļ•āļąāđ‰āļ‡āđ€āļĄāļ·āļ­āļ‡ āļ‚āļ­āļ‡āļ—āļēāļ‡āļ āļēāļ„āđ€āļŦāļ™āļ·āļ­ āļ—āļĩāđˆāļĄāļąāļāđ€āļĨāļ·āļ­āļāļ—āļģāđ€āļĨāļ—āļĩāđˆāļ•āļąāđ‰āļ‡ āļšāļ™āļ—āļĩāđˆāļĢāļēāļšāļĨāļļāđˆāļĄ āđāļĨāļ°āļŦāļļāļšāđ€āļ‚āļēāļ”āđ‰āļ§āļĒ
Sara Preecha

Sara Preecha

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