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Prasat Sikhoraphum — Attraction in Surin Province

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Prasat Sikhoraphum
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Prasat Sikhoraphum is a Khmer temple located in Thailand, located between the cities of Surin and Sisaket. It was built in the 12th century by King Suryavarman II for Hindu worship. The temple is composed of five sandstone and brick towers, on a base made of laterite.
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Prasat Sikhoraphum
ThailandSurin ProvincePrasat Sikhoraphum

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Prasat Sikhoraphum

Ranang Subdistrict, Sikhoraphum District, Surin 32110, Thailand
4.5(600)
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Prasat Sikhoraphum is a Khmer temple located in Thailand, located between the cities of Surin and Sisaket. It was built in the 12th century by King Suryavarman II for Hindu worship. The temple is composed of five sandstone and brick towers, on a base made of laterite.

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Reviews of Prasat Sikhoraphum

4.5
(600)
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5.0
9y

Prasat Si Khoraphum.

Location: Ra Ngang, Si Khoraphum District, Surin Province

GPS Coordinates (WGS84): N 14.944553, E 103.798321

Thai Name: “āļ›āļĢāļēāļŠāļēāļ—āļĻāļĩāļ‚āļĢāļ āļđāļĄāļī” Literal English translation: “Castle Si Khoraphum”

Prasat Si Khoraphum is a Khmer temple located between the cities of Surin and Sisaket. It was built in the 12th century by King Suryavarman II for Hindu worship.

Si Khoraphum is uniquely "Cambodian" in plan and decoration, except of course for the shape of its towers. The temple plan is arranged in quincunx (A temple plan that has five towers arranged in an "X," as at Angkor Wat), which is common in Cambodia but not found in Thailand except for this temple. Since the quincunx plan in Cambodia usually applies to state temples, its effect in this small temple is odd, almost like a miniature. The unusual, layer-cake shape of the towers is due to rebuilding by Laotians in the 15th-16th centuries.

The temple is composed of five sandstone and brick towers, on a base made of laterite. There are sandstone bas-reliefs on the main tower depicting Shiva, Brahma, Ganesha, Vishnu and Uma. The door frames have sets of apsaras, devatas and dvarapalas. The temple was converted for use by Buddhists in the 16th century. Architectural contributions influenced by Laos are evident on the tower roofs. The name comes from the Sanskrit word of South India shikhara, meaning tower sanctuary.

“Dancing Shiva” on East Lintel, Central Tower, Si Khoraphum (Angkor Wat style, Suryavarman II, 1113-1150) The presence of secondary figures, to either side of the central figure, is characteristic of Angkor Wat style. In the center of this magnificent lintel, ten-armed Shiva dances on a hamsa platform. Below, the kala grasps two lions by their hind legs. At Shiva's feet, from photo left to right, are Uma, Vishnu, Brahma with three visible heads, and Shiva's elephant-headed son, Ganesh. Above them, a row of flying celestials. At the bottom is a row of celestials riding dragons.

“Apsarasas” on the door frames, Central Tower, Si Khoraphum (Angkor Wat style Suryavarman II, 1113-1150) The apsarasas (heavenly dancers) shown here are purely Cambodian in style; they would not seem out of place on Angkor Wat itself. Typical features in this style include the dancers' costume; a lotus stem and flower held in one hand, while the other hand grasps the waist of the dress; parrots perched on the maidens' shoulders; and small animals (squirrels?) running up and down the surround. Also characteristic is the sideways view of the apsarasas' feet, whose upturned toes, a dance posture, appear in different perspective than the rest of the foot. Continuing the dance theme, the body sways, if not in tribhanga, at least in a modulated curve which starts at the ankles, proceeds through the knees, hip, and torso, and is finished by a final tilt of the head in the opposite direction to the pointing feet. In spite of these commonalities, the treatment of each figure is individual in body proportions,...

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āļ›āļĢāļēāļŠāļēāļ—āļĻāļĩāļ‚āļĢāļ āļđāļĄāļī āļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļ—āļĩāđˆāļšāđ‰āļēāļ™āļĢāļ°āđāļ‡āļ‡ āļ­āļģāđ€āļ āļ­āļĻāļĩāļ‚āļĢāļ āļđāļĄāļī āļˆāļąāļ‡āļŦāļ§āļąāļ”āļŠāļļāļĢāļīāļ™āļ—āļĢāđŒ āđ€āļ›āđ‡āļ™āđ€āļ—āļ§āļŠāļ–āļēāļ™āđƒāļ™āļĻāļēāļŠāļ™āļēāļŪāļīāļ™āļ”āļđ āļĻāļīāļĨāļ›āļ°āļ‚āļ­āļĄ āļŠāļĄāļąāļĒāļ™āļ„āļĢāļ§āļąāļ” āļ­āļēāļĒāļļāļĢāļēāļ§āļžāļļāļ—āļ˜āļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ āđ‘āđ— āļ›āļĢāļēāļŠāļēāļ—āļĻāļĩāļ‚āļĢāļ āļđāļĄāļīāļ›āļĢāļ°āļāļ­āļšāđ„āļ›āļ”āđ‰āļ§āļĒāļ›āļĢāļēāļŠāļēāļ—āļ­āļīāļāļˆāļģāļ™āļ§āļ™ āđ• āļŦāļĨāļąāļ‡ āļāđˆāļ­āļŠāļĢāđ‰āļēāļ‡āļ”āđ‰āļ§āļĒāļŦāļīāļ™āļ—āļĢāļēāļĒ āđāļĨāļ°āļĻāļīāļĨāļēāđāļĨāļ‡ āļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļšāļ™āļāļēāļ™āļĻāļīāļĨāļēāđāļĨāļ‡ āļ­āļ‡āļ„āđŒāļāļĨāļēāļ‡āđ€āļ›āđ‡āļ™āļ›āļĢāļēāļŠāļēāļ—āļ›āļĢāļ°āļ˜āļēāļ™ āļŦāļąāļ™āļŦāļ™āđ‰āļēāđ„āļ›āļ—āļēāļ‡āļ—āļīāļĻāļ•āļ°āļ§āļąāļ™āļ­āļ­āļ āļĨāđ‰āļ­āļĄāļĢāļ­āļšāļ”āđ‰āļ§āļĒāļ›āļĢāļēāļŠāļēāļ—āļšāļĢāļīāļ§āļēāļĢāļ—āļĩāđˆāļĄāļļāļĄāļ—āļąāđ‰āļ‡āļŠāļĩāđˆ āļ›āļĢāļēāļŠāļēāļ—āļ—āļąāđ‰āļ‡āļŦāļĄāļ”āļĨāđ‰āļ­āļĄāļĢāļ­āļšāļ”āđ‰āļ§āļĒāļ„āļđāļ™āđ‰āļģ āļ•āđˆāļ­āļĄāļēāđƒāļ™āļĢāļēāļ§āļžāļļāļ—āļ˜āļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ āđ’āđ’ āđ„āļ”āđ‰āļ–āļđāļāļ›āļĢāļąāļšāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđ€āļ›āđ‡āļ™āļžāļļāļ—āļ˜āļŠāļ–āļēāļ™āļ‚āļ­āļ‡āļŠāļļāļĄāļŠāļ™āđƒāļ™āđāļ–āļšāļ™āļĩāđ‰ āļ”āļąāļ‡āļ›āļĢāļēāļāļāļĻāļīāļĨāļēāļˆāļēāļĢāļķāļāļ­āļąāļāļĐāļĢāļ˜āļĢāļĢāļĄāļ­āļĩāļŠāļēāļ™ āļ āļēāļĐāļēāđ„āļ—āļĒ āđāļĨāļ°āļĄāļĩāļāļēāļĢāļšāļđāļĢāļ“āļ°āđ€āļŠāļĢāļīāļĄāļ—āļĩāđˆāļŠāđˆāļ§āļ™āļĒāļ­āļ”āļ›āļĢāļēāļŠāļēāļ— āļ•āļēāļĄāđāļšāļšāļĻāļīāļĨāļ›āļ°āļĨāļēāļ§

āļ›āļĢāļēāļŠāļēāļ—āļĻāļĩāļ‚āļĢāļ āļđāļĄāļī āļšāđ‰āļēāļ™āļĢāļ°āđāļ‡āļ‡ āļ­āļģāđ€āļ āļ­āļĻāļĩāļ‚āļĢāļ āļđāļĄāļī āļˆāļąāļ‡āļŦāļ§āļąāļ”āļŠāļļāļĢāļīāļ™āļ—āļĢāđŒ āļ›āļĢāļ°āļāļ­āļšāļ”āđ‰āļ§āļĒāļ›āļĢāļēāļŠāļēāļ—āļāđˆāļ­āļ­āļīāļāđ„āļĄāđˆāļŠāļ­āļ›āļđāļ™ āļˆāļģāļ™āļ§āļ™ āđ• āļŦāļĨāļąāļ‡ āļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļšāļ™āļāļēāļ™āļĻāļīāļĨāļēāđāļĨāļ‡āđ€āļ”āļĩāļĒāļ§āļāļąāļ™ āļ‚āļ™āļēāļ”āļāļ§āđ‰āļēāļ‡ āđ’āđ• āđ€āļĄāļ•āļĢ āļĒāļēāļ§ āđ’āđ– āđ€āļĄāļ•āļĢ āđāļĨāļ°āļŠāļđāļ‡ āđ‘.āđ• āđ€āļĄāļ•āļĢ āļĄāļĩāļ„āļđāļ™āđ‰āļģāļ‚āļ™āļēāļ” āđ‘āđ‘āđ‘xāđ‘āđ’āđ• āđ€āļĄāļ•āļĢ āļĨāđ‰āļ­āļĄāļĢāļ­āļšāļ—āļąāđ‰āļ‡ āđ” āļ”āđ‰āļēāļ™ āđāļĨāļ°āđ€āļ§āđ‰āļ™āđ€āļ›āđ‡āļ™āļ—āļēāļ‡āđ€āļ‚āđ‰āļēāļ­āļĒāļđāđˆāļ—āļēāļ‡āļ—āļīāļĻāļ•āļ°āļ§āļąāļ™āļ­āļ­āļ

āđāļœāđˆāļ™āļĻāļīāļĨāļēāļ—āļąāļšāļŦāļĨāļąāļ‡āđ€āļŦāļ™āļ·āļ­āļāļĢāļ­āļšāļ›āļĢāļ°āļ•āļđāļ›āļĢāļēāļŠāļēāļ—āļŦāļĨāļąāļ‡āļ›āļĢāļ°āļ˜āļēāļ™ āļŠāļĨāļąāļāđ€āļ›āđ‡āļ™āļ āļēāļžāļžāļĢāļ°āļĻāļīāļ§āļ™āļēāļāļĢāļēāļŠāļŠāļīāļšāļāļĢ āļ—āļĢāļ‡āļŸāđ‰āļ­āļ™āļĢāļģāļ­āļĒāļđāđˆāđ€āļŦāļ™āļ·āļ­āđ€āļāļĩāļĒāļĢāļ•āļīāļĄāļļāļ‚ āļ āļēāļĒāđƒāļ•āđ‰āļ§āļ‡āđ‚āļ„āđ‰āļ‡āļ‚āļ­āļ‡āļĨāļēāļĒāļ—āđˆāļ­āļ™āļžāļ§āļ‡āļĄāļēāļĨāļąāļĒāļŠāļĨāļąāļāđ€āļ›āđ‡āļ™āļ āļēāļžāļžāļĢāļ°āļ„āđ€āļ“āļĻ āļžāļĢāļ°āļžāļĢāļŦāļĄāļŠāļĩāđˆāļžāļąāļāļ•āļĢāđŒ āļžāļĢāļ°āļ™āļēāļĢāļēāļĒāļ“āđŒāļŠāļĩāđˆāļāļĢ āđāļĨāļ°āļžāļĢāļ°āļ™āļēāļ‡āļ­āļļāļĄāļē āļšāļĢāļīāđ€āļ§āļ“āđ€āļŠāļīāļ‡āđ€āļŠāļēāļ›āļĢāļ°āļ”āļąāļšāļœāļ™āļąāļ‡āļ—āļĩāđˆāļāļĢāļ­āļšāļ›āļĢāļ°āļ•āļđāļ”āđ‰āļēāļ™āļŦāļ™āđ‰āļē āļŠāļĨāļąāļāđ€āļ›āđ‡āļ™āļĢāļđāļ›āļ™āļēāļ‡āļ­āļąāļ›āļŠāļĢāļĒāļ·āļ™āļ–āļ·āļ­āļ”āļ­āļāļšāļąāļ§ āđāļĨāļ°āļĢāļđāļ›āļ—āļ§āļēāļĢāļšāļēāļĨāļĒāļ·āļ™āļāļļāļĄāļāļĢāļ°āļšāļ­āļ‡

āļˆāļēāļāļĨāļąāļāļĐāļ“āļ°āļĨāļ§āļ”āļĨāļēāļĒāļŠāļĨāļąāļ āļ›āļĢāļēāļāļāļ­āļĒāļđāđˆāļšāļ™āđāļœāđˆāļ™āļĻāļīāļĨāļēāļ—āļąāļšāļŦāļĨāļąāļ‡ āđāļĨāļ°āđ€āļŠāļēāļ›āļĢāļ°āļ”āļąāļšāļœāļ™āļąāļ‡ āļ›āļĢāļēāļŠāļēāļ—āļĻāļĩāļ‚āļĢāļ āļđāļĄāļī āļ„āļ‡āļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āđƒāļ™āļĢāļēāļ§āļāļĨāļēāļ‡āļžāļļāļ—āļ˜āļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ āđ‘āđ— āđ€āļ™āļ·āđˆāļ­āļ‡āđƒāļ™āļĻāļēāļŠāļ™āļēāļžāļĢāļēāļŦāļĄāļ“āđŒāļĨāļąāļ—āļ˜āļīāđ„āļĻāļ§āļ™āļīāļāļēāļĒ (āļšāļđāļŠāļēāļžāļĢāļ°āļĻāļīāļ§āļ°āđ€āļ›āđ‡āļ™āđƒāļŦāļāđˆ) āļ•āđˆāļ­āļĄāļēāļĄāļĩāļāļēāļĢāļšāļđāļĢāļ“āļ°āļŠāđˆāļ§āļ™āļĒāļ­āļ”āļ‚āļ­āļ‡āļ›āļĢāļēāļŠāļēāļ—āļŦāļĨāļąāļ‡āļ—āļīāļĻāļ•āļ°āļ§āļąāļ™āļ•āļāđ€āļ‰āļĩāļĒāļ‡āđƒāļ•āđ‰ āđƒāļ™āļĢāļēāļ§āļžāļļāļ—āļ˜āļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ āđ’āđ’ āļŠāļĄāļąāļĒāļĻāļīāļĨāļ›āļ°āļĨāđ‰āļēāļ™āļŠāđ‰āļēāļ‡ āļ”āļąāļ‡āļĄāļĩāļˆāļēāļĢāļķāļāļ­āļąāļāļĐāļĢāļ˜āļĢāļĢāļĄāļ›āļĢāļēāļāļāļ­āļĒāļđāđˆ āļ“ āļ›āļĢāļēāļŠāļēāļ—āđāļŦāđˆāļ‡āļ™āļĩāđ‰

Prasat Si Khoraphum Location : Tambol Baan Ra-Ngang, Si Khoraphum District, Surin Province The compound of the temple is surrounded by A U-Shape pond measured about 111x125 meters leaving an entrance on the east. The five brick prang structures were built on the same laterite base that had a dimension of about 25x26x1.5 meters. The principle structure is situated in the middle and its four satellites are at each corners of the base. Decorated sandstone line at the entrance of the principle structure was carved with the scenes of Shiva Nataraja and miniature scenes of Brahma, Ganesa, Vishnu and U MA. The plasters that flanked the door frame were also carved with the scenes of Apasara and Davarapal (Guardian; The styles of decorative motifs resemble the Angkorian Baphuan and Angkor vat style (11th-12th century). The temple was dedicated to Hinduism and world have been build in the 12th century in the 16th century it was renovated and converted into a Buddhist temple evidenced by the roof structure of the prangs.

Prasat Sikhoraphum is located at Tambon Baan Rangang, Amphoe Sikhoraphum, Changwat Surin. It was built as a Hindu temple during the Angkor Wat Period (1100-1175 AD). The temple, built on a square plan, comprises one principal tower surrounded by four smaller towers and a moat. It faces east. In the 15th – 16th Centuries AD, the tops of some of the towers and altered and became Buddhist temples. There is an inscription in Pali which tells of these...

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Far away from central of Surint along the route 226 heading to Srisakes about 50 kms you will arrive a Prasat interim of Si Khoraphum district. The age is around 800 years (not confirmed) under the influence of Khom civilization which spilled over the highland of Isarn nowaday. The Prasat is believed that it is to pay respect to gods of such the time. You can some 30 min tolook around it. It is easy to accesss to the palace. Please take your chance to be there. The Prasat is waiting...

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āļ›āļĢāļēāļŠāļēāļ—āļĻāļĩāļ‚āļĢāļ āļđāļĄāļī āļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļ—āļĩāđˆāļšāđ‰āļēāļ™āļĢāļ°āđāļ‡āļ‡ āļ­āļģāđ€āļ āļ­āļĻāļĩāļ‚āļĢāļ āļđāļĄāļī āļˆāļąāļ‡āļŦāļ§āļąāļ”āļŠāļļāļĢāļīāļ™āļ—āļĢāđŒ āđ€āļ›āđ‡āļ™āđ€āļ—āļ§āļŠāļ–āļēāļ™āđƒāļ™āļĻāļēāļŠāļ™āļēāļŪāļīāļ™āļ”āļđ āļĻāļīāļĨāļ›āļ°āļ‚āļ­āļĄ āļŠāļĄāļąāļĒāļ™āļ„āļĢāļ§āļąāļ” āļ­āļēāļĒāļļāļĢāļēāļ§āļžāļļāļ—āļ˜āļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ āđ‘āđ— āļ›āļĢāļēāļŠāļēāļ—āļĻāļĩāļ‚āļĢāļ āļđāļĄāļīāļ›āļĢāļ°āļāļ­āļšāđ„āļ›āļ”āđ‰āļ§āļĒāļ›āļĢāļēāļŠāļēāļ—āļ­āļīāļāļˆāļģāļ™āļ§āļ™ āđ• āļŦāļĨāļąāļ‡ āļāđˆāļ­āļŠāļĢāđ‰āļēāļ‡āļ”āđ‰āļ§āļĒāļŦāļīāļ™āļ—āļĢāļēāļĒ āđāļĨāļ°āļĻāļīāļĨāļēāđāļĨāļ‡ āļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļšāļ™āļāļēāļ™āļĻāļīāļĨāļēāđāļĨāļ‡ āļ­āļ‡āļ„āđŒāļāļĨāļēāļ‡āđ€āļ›āđ‡āļ™āļ›āļĢāļēāļŠāļēāļ—āļ›āļĢāļ°āļ˜āļēāļ™ āļŦāļąāļ™āļŦāļ™āđ‰āļēāđ„āļ›āļ—āļēāļ‡āļ—āļīāļĻāļ•āļ°āļ§āļąāļ™āļ­āļ­āļ āļĨāđ‰āļ­āļĄāļĢāļ­āļšāļ”āđ‰āļ§āļĒāļ›āļĢāļēāļŠāļēāļ—āļšāļĢāļīāļ§āļēāļĢāļ—āļĩāđˆāļĄāļļāļĄāļ—āļąāđ‰āļ‡āļŠāļĩāđˆ āļ›āļĢāļēāļŠāļēāļ—āļ—āļąāđ‰āļ‡āļŦāļĄāļ”āļĨāđ‰āļ­āļĄāļĢāļ­āļšāļ”āđ‰āļ§āļĒāļ„āļđāļ™āđ‰āļģ āļ•āđˆāļ­āļĄāļēāđƒāļ™āļĢāļēāļ§āļžāļļāļ—āļ˜āļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ āđ’āđ’ āđ„āļ”āđ‰āļ–āļđāļāļ›āļĢāļąāļšāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđ€āļ›āđ‡āļ™āļžāļļāļ—āļ˜āļŠāļ–āļēāļ™āļ‚āļ­āļ‡āļŠāļļāļĄāļŠāļ™āđƒāļ™āđāļ–āļšāļ™āļĩāđ‰ āļ”āļąāļ‡āļ›āļĢāļēāļāļāļĻāļīāļĨāļēāļˆāļēāļĢāļķāļāļ­āļąāļāļĐāļĢāļ˜āļĢāļĢāļĄāļ­āļĩāļŠāļēāļ™ āļ āļēāļĐāļēāđ„āļ—āļĒ āđāļĨāļ°āļĄāļĩāļāļēāļĢāļšāļđāļĢāļ“āļ°āđ€āļŠāļĢāļīāļĄāļ—āļĩāđˆāļŠāđˆāļ§āļ™āļĒāļ­āļ”āļ›āļĢāļēāļŠāļēāļ— āļ•āļēāļĄāđāļšāļšāļĻāļīāļĨāļ›āļ°āļĨāļēāļ§ āļ›āļĢāļēāļŠāļēāļ—āļĻāļĩāļ‚āļĢāļ āļđāļĄāļī āļšāđ‰āļēāļ™āļĢāļ°āđāļ‡āļ‡ āļ­āļģāđ€āļ āļ­āļĻāļĩāļ‚āļĢāļ āļđāļĄāļī āļˆāļąāļ‡āļŦāļ§āļąāļ”āļŠāļļāļĢāļīāļ™āļ—āļĢāđŒ āļ›āļĢāļ°āļāļ­āļšāļ”āđ‰āļ§āļĒāļ›āļĢāļēāļŠāļēāļ—āļāđˆāļ­āļ­āļīāļāđ„āļĄāđˆāļŠāļ­āļ›āļđāļ™ āļˆāļģāļ™āļ§āļ™ āđ• āļŦāļĨāļąāļ‡ āļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļšāļ™āļāļēāļ™āļĻāļīāļĨāļēāđāļĨāļ‡āđ€āļ”āļĩāļĒāļ§āļāļąāļ™ āļ‚āļ™āļēāļ”āļāļ§āđ‰āļēāļ‡ āđ’āđ• āđ€āļĄāļ•āļĢ āļĒāļēāļ§ āđ’āđ– āđ€āļĄāļ•āļĢ āđāļĨāļ°āļŠāļđāļ‡ āđ‘.āđ• āđ€āļĄāļ•āļĢ āļĄāļĩāļ„āļđāļ™āđ‰āļģāļ‚āļ™āļēāļ” āđ‘āđ‘āđ‘xāđ‘āđ’āđ• āđ€āļĄāļ•āļĢ āļĨāđ‰āļ­āļĄāļĢāļ­āļšāļ—āļąāđ‰āļ‡ āđ” āļ”āđ‰āļēāļ™ āđāļĨāļ°āđ€āļ§āđ‰āļ™āđ€āļ›āđ‡āļ™āļ—āļēāļ‡āđ€āļ‚āđ‰āļēāļ­āļĒāļđāđˆāļ—āļēāļ‡āļ—āļīāļĻāļ•āļ°āļ§āļąāļ™āļ­āļ­āļ āđāļœāđˆāļ™āļĻāļīāļĨāļēāļ—āļąāļšāļŦāļĨāļąāļ‡āđ€āļŦāļ™āļ·āļ­āļāļĢāļ­āļšāļ›āļĢāļ°āļ•āļđāļ›āļĢāļēāļŠāļēāļ—āļŦāļĨāļąāļ‡āļ›āļĢāļ°āļ˜āļēāļ™ āļŠāļĨāļąāļāđ€āļ›āđ‡āļ™āļ āļēāļžāļžāļĢāļ°āļĻāļīāļ§āļ™āļēāļāļĢāļēāļŠāļŠāļīāļšāļāļĢ āļ—āļĢāļ‡āļŸāđ‰āļ­āļ™āļĢāļģāļ­āļĒāļđāđˆāđ€āļŦāļ™āļ·āļ­āđ€āļāļĩāļĒāļĢāļ•āļīāļĄāļļāļ‚ āļ āļēāļĒāđƒāļ•āđ‰āļ§āļ‡āđ‚āļ„āđ‰āļ‡āļ‚āļ­āļ‡āļĨāļēāļĒāļ—āđˆāļ­āļ™āļžāļ§āļ‡āļĄāļēāļĨāļąāļĒāļŠāļĨāļąāļāđ€āļ›āđ‡āļ™āļ āļēāļžāļžāļĢāļ°āļ„āđ€āļ“āļĻ āļžāļĢāļ°āļžāļĢāļŦāļĄāļŠāļĩāđˆāļžāļąāļāļ•āļĢāđŒ āļžāļĢāļ°āļ™āļēāļĢāļēāļĒāļ“āđŒāļŠāļĩāđˆāļāļĢ āđāļĨāļ°āļžāļĢāļ°āļ™āļēāļ‡āļ­āļļāļĄāļē āļšāļĢāļīāđ€āļ§āļ“āđ€āļŠāļīāļ‡āđ€āļŠāļēāļ›āļĢāļ°āļ”āļąāļšāļœāļ™āļąāļ‡āļ—āļĩāđˆāļāļĢāļ­āļšāļ›āļĢāļ°āļ•āļđāļ”āđ‰āļēāļ™āļŦāļ™āđ‰āļē āļŠāļĨāļąāļāđ€āļ›āđ‡āļ™āļĢāļđāļ›āļ™āļēāļ‡āļ­āļąāļ›āļŠāļĢāļĒāļ·āļ™āļ–āļ·āļ­āļ”āļ­āļāļšāļąāļ§ āđāļĨāļ°āļĢāļđāļ›āļ—āļ§āļēāļĢāļšāļēāļĨāļĒāļ·āļ™āļāļļāļĄāļāļĢāļ°āļšāļ­āļ‡ āļˆāļēāļāļĨāļąāļāļĐāļ“āļ°āļĨāļ§āļ”āļĨāļēāļĒāļŠāļĨāļąāļ āļ›āļĢāļēāļāļāļ­āļĒāļđāđˆāļšāļ™āđāļœāđˆāļ™āļĻāļīāļĨāļēāļ—āļąāļšāļŦāļĨāļąāļ‡ āđāļĨāļ°āđ€āļŠāļēāļ›āļĢāļ°āļ”āļąāļšāļœāļ™āļąāļ‡ āļ›āļĢāļēāļŠāļēāļ—āļĻāļĩāļ‚āļĢāļ āļđāļĄāļī āļ„āļ‡āļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āđƒāļ™āļĢāļēāļ§āļāļĨāļēāļ‡āļžāļļāļ—āļ˜āļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ āđ‘āđ— āđ€āļ™āļ·āđˆāļ­āļ‡āđƒāļ™āļĻāļēāļŠāļ™āļēāļžāļĢāļēāļŦāļĄāļ“āđŒāļĨāļąāļ—āļ˜āļīāđ„āļĻāļ§āļ™āļīāļāļēāļĒ (āļšāļđāļŠāļēāļžāļĢāļ°āļĻāļīāļ§āļ°āđ€āļ›āđ‡āļ™āđƒāļŦāļāđˆ) āļ•āđˆāļ­āļĄāļēāļĄāļĩāļāļēāļĢāļšāļđāļĢāļ“āļ°āļŠāđˆāļ§āļ™āļĒāļ­āļ”āļ‚āļ­āļ‡āļ›āļĢāļēāļŠāļēāļ—āļŦāļĨāļąāļ‡āļ—āļīāļĻāļ•āļ°āļ§āļąāļ™āļ•āļāđ€āļ‰āļĩāļĒāļ‡āđƒāļ•āđ‰ āđƒāļ™āļĢāļēāļ§āļžāļļāļ—āļ˜āļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ āđ’āđ’ āļŠāļĄāļąāļĒāļĻāļīāļĨāļ›āļ°āļĨāđ‰āļēāļ™āļŠāđ‰āļēāļ‡ āļ”āļąāļ‡āļĄāļĩāļˆāļēāļĢāļķāļāļ­āļąāļāļĐāļĢāļ˜āļĢāļĢāļĄāļ›āļĢāļēāļāļāļ­āļĒāļđāđˆ āļ“ āļ›āļĢāļēāļŠāļēāļ—āđāļŦāđˆāļ‡āļ™āļĩāđ‰ Prasat Si Khoraphum Location : Tambol Baan Ra-Ngang, Si Khoraphum District, Surin Province The compound of the temple is surrounded by A U-Shape pond measured about 111x125 meters leaving an entrance on the east. The five brick prang structures were built on the same laterite base that had a dimension of about 25x26x1.5 meters. The principle structure is situated in the middle and its four satellites are at each corners of the base. Decorated sandstone line at the entrance of the principle structure was carved with the scenes of Shiva Nataraja and miniature scenes of Brahma, Ganesa, Vishnu and U MA. The plasters that flanked the door frame were also carved with the scenes of Apasara and Davarapal (Guardian; The styles of decorative motifs resemble the Angkorian Baphuan and Angkor vat style (11th-12th century). The temple was dedicated to Hinduism and world have been build in the 12th century in the 16th century it was renovated and converted into a Buddhist temple evidenced by the roof structure of the prangs. Prasat Sikhoraphum is located at Tambon Baan Rangang, Amphoe Sikhoraphum, Changwat Surin. It was built as a Hindu temple during the Angkor Wat Period (1100-1175 AD). The temple, built on a square plan, comprises one principal tower surrounded by four smaller towers and a moat. It faces east. In the 15th – 16th Centuries AD, the tops of some of the towers and altered and became Buddhist temples. There is an inscription in Pali which tells of these alterations.
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Jirat MarasreeJirat Marasree
āļŠāļ§āļĒāļĄāļēāļāļ„āļĢāļąāļš āļ„āļļāđ‰āļĄāļ„āđˆāļēāļāļąāļšāļāļēāļĢāļĄāļēāļŠāļĄāļĄāļēāļ āđ†
Komson SavettamarnKomson Savettamarn
Far away from central of Surint along the route 226 heading to Srisakes about 50 kms you will arrive a Prasat interim of Si Khoraphum district. The age is around 800 years (not confirmed) under the influence of Khom civilization which spilled over the highland of Isarn nowaday. The Prasat is believed that it is to pay respect to gods of such the time. You can some 30 min tolook around it. It is easy to accesss to the palace. Please take your chance to be there. The Prasat is waiting for your visit.
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āļ›āļĢāļēāļŠāļēāļ—āļĻāļĩāļ‚āļĢāļ āļđāļĄāļī āļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļ—āļĩāđˆāļšāđ‰āļēāļ™āļĢāļ°āđāļ‡āļ‡ āļ­āļģāđ€āļ āļ­āļĻāļĩāļ‚āļĢāļ āļđāļĄāļī āļˆāļąāļ‡āļŦāļ§āļąāļ”āļŠāļļāļĢāļīāļ™āļ—āļĢāđŒ āđ€āļ›āđ‡āļ™āđ€āļ—āļ§āļŠāļ–āļēāļ™āđƒāļ™āļĻāļēāļŠāļ™āļēāļŪāļīāļ™āļ”āļđ āļĻāļīāļĨāļ›āļ°āļ‚āļ­āļĄ āļŠāļĄāļąāļĒāļ™āļ„āļĢāļ§āļąāļ” āļ­āļēāļĒāļļāļĢāļēāļ§āļžāļļāļ—āļ˜āļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ āđ‘āđ— āļ›āļĢāļēāļŠāļēāļ—āļĻāļĩāļ‚āļĢāļ āļđāļĄāļīāļ›āļĢāļ°āļāļ­āļšāđ„āļ›āļ”āđ‰āļ§āļĒāļ›āļĢāļēāļŠāļēāļ—āļ­āļīāļāļˆāļģāļ™āļ§āļ™ āđ• āļŦāļĨāļąāļ‡ āļāđˆāļ­āļŠāļĢāđ‰āļēāļ‡āļ”āđ‰āļ§āļĒāļŦāļīāļ™āļ—āļĢāļēāļĒ āđāļĨāļ°āļĻāļīāļĨāļēāđāļĨāļ‡ āļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļšāļ™āļāļēāļ™āļĻāļīāļĨāļēāđāļĨāļ‡ āļ­āļ‡āļ„āđŒāļāļĨāļēāļ‡āđ€āļ›āđ‡āļ™āļ›āļĢāļēāļŠāļēāļ—āļ›āļĢāļ°āļ˜āļēāļ™ āļŦāļąāļ™āļŦāļ™āđ‰āļēāđ„āļ›āļ—āļēāļ‡āļ—āļīāļĻāļ•āļ°āļ§āļąāļ™āļ­āļ­āļ āļĨāđ‰āļ­āļĄāļĢāļ­āļšāļ”āđ‰āļ§āļĒāļ›āļĢāļēāļŠāļēāļ—āļšāļĢāļīāļ§āļēāļĢāļ—āļĩāđˆāļĄāļļāļĄāļ—āļąāđ‰āļ‡āļŠāļĩāđˆ āļ›āļĢāļēāļŠāļēāļ—āļ—āļąāđ‰āļ‡āļŦāļĄāļ”āļĨāđ‰āļ­āļĄāļĢāļ­āļšāļ”āđ‰āļ§āļĒāļ„āļđāļ™āđ‰āļģ āļ•āđˆāļ­āļĄāļēāđƒāļ™āļĢāļēāļ§āļžāļļāļ—āļ˜āļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ āđ’āđ’ āđ„āļ”āđ‰āļ–āļđāļāļ›āļĢāļąāļšāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđ€āļ›āđ‡āļ™āļžāļļāļ—āļ˜āļŠāļ–āļēāļ™āļ‚āļ­āļ‡āļŠāļļāļĄāļŠāļ™āđƒāļ™āđāļ–āļšāļ™āļĩāđ‰ āļ”āļąāļ‡āļ›āļĢāļēāļāļāļĻāļīāļĨāļēāļˆāļēāļĢāļķāļāļ­āļąāļāļĐāļĢāļ˜āļĢāļĢāļĄāļ­āļĩāļŠāļēāļ™ āļ āļēāļĐāļēāđ„āļ—āļĒ āđāļĨāļ°āļĄāļĩāļāļēāļĢāļšāļđāļĢāļ“āļ°āđ€āļŠāļĢāļīāļĄāļ—āļĩāđˆāļŠāđˆāļ§āļ™āļĒāļ­āļ”āļ›āļĢāļēāļŠāļēāļ— āļ•āļēāļĄāđāļšāļšāļĻāļīāļĨāļ›āļ°āļĨāļēāļ§ āļ›āļĢāļēāļŠāļēāļ—āļĻāļĩāļ‚āļĢāļ āļđāļĄāļī āļšāđ‰āļēāļ™āļĢāļ°āđāļ‡āļ‡ āļ­āļģāđ€āļ āļ­āļĻāļĩāļ‚āļĢāļ āļđāļĄāļī āļˆāļąāļ‡āļŦāļ§āļąāļ”āļŠāļļāļĢāļīāļ™āļ—āļĢāđŒ āļ›āļĢāļ°āļāļ­āļšāļ”āđ‰āļ§āļĒāļ›āļĢāļēāļŠāļēāļ—āļāđˆāļ­āļ­āļīāļāđ„āļĄāđˆāļŠāļ­āļ›āļđāļ™ āļˆāļģāļ™āļ§āļ™ āđ• āļŦāļĨāļąāļ‡ āļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļšāļ™āļāļēāļ™āļĻāļīāļĨāļēāđāļĨāļ‡āđ€āļ”āļĩāļĒāļ§āļāļąāļ™ āļ‚āļ™āļēāļ”āļāļ§āđ‰āļēāļ‡ āđ’āđ• āđ€āļĄāļ•āļĢ āļĒāļēāļ§ āđ’āđ– āđ€āļĄāļ•āļĢ āđāļĨāļ°āļŠāļđāļ‡ āđ‘.āđ• āđ€āļĄāļ•āļĢ āļĄāļĩāļ„āļđāļ™āđ‰āļģāļ‚āļ™āļēāļ” āđ‘āđ‘āđ‘xāđ‘āđ’āđ• āđ€āļĄāļ•āļĢ āļĨāđ‰āļ­āļĄāļĢāļ­āļšāļ—āļąāđ‰āļ‡ āđ” āļ”āđ‰āļēāļ™ āđāļĨāļ°āđ€āļ§āđ‰āļ™āđ€āļ›āđ‡āļ™āļ—āļēāļ‡āđ€āļ‚āđ‰āļēāļ­āļĒāļđāđˆāļ—āļēāļ‡āļ—āļīāļĻāļ•āļ°āļ§āļąāļ™āļ­āļ­āļ āđāļœāđˆāļ™āļĻāļīāļĨāļēāļ—āļąāļšāļŦāļĨāļąāļ‡āđ€āļŦāļ™āļ·āļ­āļāļĢāļ­āļšāļ›āļĢāļ°āļ•āļđāļ›āļĢāļēāļŠāļēāļ—āļŦāļĨāļąāļ‡āļ›āļĢāļ°āļ˜āļēāļ™ āļŠāļĨāļąāļāđ€āļ›āđ‡āļ™āļ āļēāļžāļžāļĢāļ°āļĻāļīāļ§āļ™āļēāļāļĢāļēāļŠāļŠāļīāļšāļāļĢ āļ—āļĢāļ‡āļŸāđ‰āļ­āļ™āļĢāļģāļ­āļĒāļđāđˆāđ€āļŦāļ™āļ·āļ­āđ€āļāļĩāļĒāļĢāļ•āļīāļĄāļļāļ‚ āļ āļēāļĒāđƒāļ•āđ‰āļ§āļ‡āđ‚āļ„āđ‰āļ‡āļ‚āļ­āļ‡āļĨāļēāļĒāļ—āđˆāļ­āļ™āļžāļ§āļ‡āļĄāļēāļĨāļąāļĒāļŠāļĨāļąāļāđ€āļ›āđ‡āļ™āļ āļēāļžāļžāļĢāļ°āļ„āđ€āļ“āļĻ āļžāļĢāļ°āļžāļĢāļŦāļĄāļŠāļĩāđˆāļžāļąāļāļ•āļĢāđŒ āļžāļĢāļ°āļ™āļēāļĢāļēāļĒāļ“āđŒāļŠāļĩāđˆāļāļĢ āđāļĨāļ°āļžāļĢāļ°āļ™āļēāļ‡āļ­āļļāļĄāļē āļšāļĢāļīāđ€āļ§āļ“āđ€āļŠāļīāļ‡āđ€āļŠāļēāļ›āļĢāļ°āļ”āļąāļšāļœāļ™āļąāļ‡āļ—āļĩāđˆāļāļĢāļ­āļšāļ›āļĢāļ°āļ•āļđāļ”āđ‰āļēāļ™āļŦāļ™āđ‰āļē āļŠāļĨāļąāļāđ€āļ›āđ‡āļ™āļĢāļđāļ›āļ™āļēāļ‡āļ­āļąāļ›āļŠāļĢāļĒāļ·āļ™āļ–āļ·āļ­āļ”āļ­āļāļšāļąāļ§ āđāļĨāļ°āļĢāļđāļ›āļ—āļ§āļēāļĢāļšāļēāļĨāļĒāļ·āļ™āļāļļāļĄāļāļĢāļ°āļšāļ­āļ‡ āļˆāļēāļāļĨāļąāļāļĐāļ“āļ°āļĨāļ§āļ”āļĨāļēāļĒāļŠāļĨāļąāļ āļ›āļĢāļēāļāļāļ­āļĒāļđāđˆāļšāļ™āđāļœāđˆāļ™āļĻāļīāļĨāļēāļ—āļąāļšāļŦāļĨāļąāļ‡ āđāļĨāļ°āđ€āļŠāļēāļ›āļĢāļ°āļ”āļąāļšāļœāļ™āļąāļ‡ āļ›āļĢāļēāļŠāļēāļ—āļĻāļĩāļ‚āļĢāļ āļđāļĄāļī āļ„āļ‡āļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āđƒāļ™āļĢāļēāļ§āļāļĨāļēāļ‡āļžāļļāļ—āļ˜āļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ āđ‘āđ— āđ€āļ™āļ·āđˆāļ­āļ‡āđƒāļ™āļĻāļēāļŠāļ™āļēāļžāļĢāļēāļŦāļĄāļ“āđŒāļĨāļąāļ—āļ˜āļīāđ„āļĻāļ§āļ™āļīāļāļēāļĒ (āļšāļđāļŠāļēāļžāļĢāļ°āļĻāļīāļ§āļ°āđ€āļ›āđ‡āļ™āđƒāļŦāļāđˆ) āļ•āđˆāļ­āļĄāļēāļĄāļĩāļāļēāļĢāļšāļđāļĢāļ“āļ°āļŠāđˆāļ§āļ™āļĒāļ­āļ”āļ‚āļ­āļ‡āļ›āļĢāļēāļŠāļēāļ—āļŦāļĨāļąāļ‡āļ—āļīāļĻāļ•āļ°āļ§āļąāļ™āļ•āļāđ€āļ‰āļĩāļĒāļ‡āđƒāļ•āđ‰ āđƒāļ™āļĢāļēāļ§āļžāļļāļ—āļ˜āļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ āđ’āđ’ āļŠāļĄāļąāļĒāļĻāļīāļĨāļ›āļ°āļĨāđ‰āļēāļ™āļŠāđ‰āļēāļ‡ āļ”āļąāļ‡āļĄāļĩāļˆāļēāļĢāļķāļāļ­āļąāļāļĐāļĢāļ˜āļĢāļĢāļĄāļ›āļĢāļēāļāļāļ­āļĒāļđāđˆ āļ“ āļ›āļĢāļēāļŠāļēāļ—āđāļŦāđˆāļ‡āļ™āļĩāđ‰ Prasat Si Khoraphum Location : Tambol Baan Ra-Ngang, Si Khoraphum District, Surin Province The compound of the temple is surrounded by A U-Shape pond measured about 111x125 meters leaving an entrance on the east. The five brick prang structures were built on the same laterite base that had a dimension of about 25x26x1.5 meters. The principle structure is situated in the middle and its four satellites are at each corners of the base. Decorated sandstone line at the entrance of the principle structure was carved with the scenes of Shiva Nataraja and miniature scenes of Brahma, Ganesa, Vishnu and U MA. The plasters that flanked the door frame were also carved with the scenes of Apasara and Davarapal (Guardian; The styles of decorative motifs resemble the Angkorian Baphuan and Angkor vat style (11th-12th century). The temple was dedicated to Hinduism and world have been build in the 12th century in the 16th century it was renovated and converted into a Buddhist temple evidenced by the roof structure of the prangs. Prasat Sikhoraphum is located at Tambon Baan Rangang, Amphoe Sikhoraphum, Changwat Surin. It was built as a Hindu temple during the Angkor Wat Period (1100-1175 AD). The temple, built on a square plan, comprises one principal tower surrounded by four smaller towers and a moat. It faces east. In the 15th – 16th Centuries AD, the tops of some of the towers and altered and became Buddhist temples. There is an inscription in Pali which tells of these alterations.
Flipper Undersea

Flipper Undersea

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Affordable Hotels in Surin Province

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āļŠāļ§āļĒāļĄāļēāļāļ„āļĢāļąāļš āļ„āļļāđ‰āļĄāļ„āđˆāļēāļāļąāļšāļāļēāļĢāļĄāļēāļŠāļĄāļĄāļēāļ āđ†
Jirat Marasree

Jirat Marasree

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The Coolest Hotels You Haven't Heard Of (Yet)

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Trending Stays Worth the Hype in Surin Province

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Far away from central of Surint along the route 226 heading to Srisakes about 50 kms you will arrive a Prasat interim of Si Khoraphum district. The age is around 800 years (not confirmed) under the influence of Khom civilization which spilled over the highland of Isarn nowaday. The Prasat is believed that it is to pay respect to gods of such the time. You can some 30 min tolook around it. It is easy to accesss to the palace. Please take your chance to be there. The Prasat is waiting for your visit.
Komson Savettamarn

Komson Savettamarn

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