In the far reaches of California’s Imperial County, where civilization recedes into desert silence and the rules of conventional society begin to blur, East Jesus rises not so much like a monument, but like a question handmade, burning with paradox, and impossible to ignore. It is part sculpture garden, part social experiment, and wholly a manifestation of what creativity can become when it is divorced from profit and allowed to go feral.
East Jesus is often described as a free-spirited artist colony nestled in the anarchic embrace of Slab City, but even that feels insufficient. To walk through East Jesus is to step into a living hallucination of cast-off dreams, where abandoned pianos bloom from sand and rusted satellite dishes bloom with commentary more biting than any gallery wall dare permit. It is a world where art is not a passive viewing experience, but a confrontation or a call to feel, to question, to laugh, and sometimes, to recoil.
Here, the materials are what society discards: scrap metal, doll heads, shattered glass, appliances long since stripped of utility. These are not just sculptures they are critiques, reliquaries, jokes, warnings. There is a sense that the artists are not merely making things, but responding, urgently, to a world spinning out of control. Each piece invites a kind of moral excavation: what do we throw away, and why? What becomes of things… of people when they no longer serve?
Unlike traditional museums or curated spaces, East Jesus doesn’t guide you gently it lurches at you with honesty. There are no plaques, no air-conditioned sanctity, just the desert wind and the crunch of sand underfoot. And yet, there is profound order in this chaos. Installations aren’t placed at random, but speak to each other like voices in a communal dream. Politics, religion, consumerism, death, and rebirth all emerge as recurring themes, not in neat paragraphs but in fragments and found objects.
There is also playfulness here. Amid the dystopian overtones is a current of childlike glee the joy of breaking rules, of making something ridiculous and beautiful out of literal trash. It is that tension between decay and delight, between the grotesque and the sublime, that gives East Jesus its haunting resonance.
To visit East Jesus is to step outside the logic of the marketplace and into the wild, beating heart of expression itself. It is not easy. It is not clean. But it is deeply, sometimes disturbingly, human.
And perhaps that is its greatest achievement, in a world overwhelmed by simulation, East Jesus feels...
Read moreThey recently closed down the coolest interactive piece at the garden: The Unsafe Observation Tower (that's the name I was told but am unsure if it's actually the name). The pieces are intriguing, and it's dog friendly (dogs must be leashed when at East Jesus, other parts of Slabs have different rules). Flip Cassidy's TV wall is by far the most iconic and grows every year.
However, the signage as you approach the parking lot isn't very clear, so tourists often get stuck in sugar sand from meandering near the outside of the parking lot. The parking lot, or Sidewinder Rd itself, is not accommodating to huge RVs. East Jesus exists in a neighborhood, and the nearby property is often destroyed by visitors trying to force their vehicles in.
As a place to stay, they have power, wifi, food, bathrooms, showers, etc. The bathrooms are not public access unless you absolutely need them due to a disability or something.
Some of the volunteers may hit on female visitors without consequence. One of the tenets of the place is "get more laid," so if you're an artist staying there who feels uncomfortable with someone propositioning you, they are not likely to do anything about it, even if you bring it up to leadership. It's a male-dominated space.
The artists who stay in exchange for work create new pieces for the garden, so it does change over time despite not having exhibits. There is also a gallery there where you can buy their work. They are willing to negotiate ways to use their platform to help artists promote their work.
Do not be surprised if volunteers are drunk or if you experience a lot of drugs and drama during your stay. It's just part of the culture of the community. They don't live or operate on city time or in city ways.
The culture with the museum and the surrounding community is tense. The people who live nearby frankly hate the place for the most part. This is often because East Jesus tries to serve every community but the one it's in, so Slab City residents are often perceived as not artists but needy people. This is not true across the board and something the leadership seems to be working on. As an outsider, this is the only museum I have seen that seems to wish it was elsewhere instead of celebrating where it is and the community to...
Read moreLoved it. Crazy excentric, met Carlos had a quick talk about the city itself. Been wanting to visit. Finally glad I did. Thank you Slab city /east Jesus. Such photo opportunities. Art at its best. Craziness, creative art. Upcycled, recycled, passed on & over. Vintage and forgotten momentos. Vintage Televisions for display. Yup that's where your old on went. Black & whites. Donations accepted! Please do. I was told to go to the library for a Great view of the garden which friends created as a memior to Leonard knight. There is also a brochure about Salvation mountain. Grab one! Read a bit of history. My views of fast paced city living was totally taken for granted. The choice to dwell in this city is back to not much civilization and technology. Tho seems as though they have a great community. Police frequent the area. Bit abandoned area which I feel would be creepy scary at night but hey that's just me an out of towner. I'm sure the millennials will work there magic here. Feel free to stop by the bar..yes there's a bar. Nice cold drinks over by the pink flamingo and that's a store btw. A must place see!! I will return & donate my things that I call treasures! Another's trash is...
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