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ThailandNakhon Ratchasima ProvinceWat Thammachak Semaram (Wat Phra Non Khlong Khwang)

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Wat Thammachak Semaram (Wat Phra Non Khlong Khwang)

WQ8V+MFV, Sema, Sung Noen District, Nakhon Ratchasima 30170, Thailand
4.6(265)
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Reviews of Wat Thammachak Semaram (Wat Phra Non Khlong Khwang)

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1,300-year-old Buddhist treasures unearthed in northeastern Thailand

A stunning collection of ancient artifacts from the Dvaravati period has been discovered at the historic Wat Thammachak Sema Ram temple complex in Thailand’s Nakhon Ratchasima Province. The discovery, announced by Thailand’s Fine Arts Department, was made during conservation work at the Phra Non archaeological site, where workers were installing an underground drainage system near the famed reclining Buddha statue.

The findings were initially made on April 21, 2025, at a depth of approximately 1.3 meters beneath the temple site. A damaged ceramic container was unearthed, and within it were a total of 33 ancient ornaments made of gold, silver, and bronze. These included gold rings, silver earrings, and a special pair of bronze spiral hoop earrings — a form previously discovered at other sites from the Dvaravati period, such as Phu Khao Thong in Ranong Province and Tha Chana in Surat Thani Province.

Further excavation on April 30 led to the discovery of three additional religious items, such as repoussÃĐ gold and lead-tin alloy sheets (locally called “chin”). The most eye-catching of these is a rectangular gold sheet, measuring 8 by 12.5 centimeters, depicting a seated Buddha in the Vitarka Mudra — a hand gesture that indicates the transmission of teachings. The figure has characteristic Dvaravati artistry, such as spiral curls, a large halo, elongated earlobes, and a robe draped over one shoulder. A small puncture hole at the top right suggests it may have been worn or displayed.

Another of the finds is a chin sheet showing a standing Buddha in an arched frame. Although damaged on one side, the sheet — measuring 11.5 by 15.5 centimeters — retains detail. The Buddha is flanked by two attendant figures, one of whom is thought to be an image of Phra Phrom, the Thai manifestation of the Hindu god Brahma. The figure bears a strong resemblance to other Dvaravati repoussÃĐ pieces, such as a plaque now housed in the Dvaravati Art Room of the National Museum Bangkok.

The third artifact is a piece of hardened soil that has three stacked metal sheets embedded inside it, separated by thin layers of mortar. This was discovered behind the reclining Buddha’s head, and it points to the possibility of intentional ritual placement.

The Director of the 10th Regional Office of Fine Arts in Nakhon Ratchasima, Mr. Thotsaphon Srisaman, has transferred the recently discovered items to the Phimai National Museum, where they are being conserved and cataloged.

The reclining Buddha statue itself, central to the site and believed to have been created around CE 657 under the reign of King Ramaraj of Ramburi (possibly Ayodhyapura), remains a point of religious and historical fascination. The site, which has seen activity since the 6th century during the Buddhist Dvaravati state period, continues to yield signs of sophisticated artistry and long-distance cultural exchanges within Southeast Asia.

More information: The Fine...

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Reclining Buddha at Wat Dharmacakra Semaram

The length of the Buddha is approx. 13.3m in length and 2.8m in height. The head is south and faces east. The face is somewhat square and made of 4 sandstone slabs on top of one another. The body is composed of red sandstone blocks stacked vertically. Housed in a rectangular building 26m by 6.5m.

It is estimated that his temple was constructed in the “Dvaravati” period (7th -8th century A.D). It is possibly the oldest reclining Buddha image in Thailand.

The Dharmacakra stone (Wheel of Life) in the plastic display case, this is the original from the 8th century. In front is a modern replica. Some other artifacts are also displayed in this building at the temple.

Variations in the temples name: Wat Dharmacakra Semaram Wat Thammachack Semaram (āļ§āļąāļ”āļ˜āļĢāļĢāļĄāļˆāļąāļāļĢāđ€āļŠāļĄāļēāļĢāļēāļĄ) Wat Sema Dhammachakra Ram Sung Noen Wat Phra Non

Location: Ban Klong Khawng, 4 kilometres from Amphoe Sung Noen.

GPS coordinates (WGS84): N 14.916190, E 101.793446.

Photos taken with Nikon D5200 with 18-55mm kit lens. Processing in Photoelements 11, Nikon N-XD...

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4.0
7y

Dvaravari Sandstone Reclining Buddha: This reclining Buddha image made of sandstone is the oldest and largest in Thailand. It was built in approximately the 13th century Buddhist era (10th century A.D.). It is in the area just outside the moal of Mueang Sema. The image is built from large blocks of red sandstone placed in layers and carved into the shape of a reclining Buddha oriented north to south. In front of the reclining image was excavated a wheel of dharma or wheel of Dhammajakatra, 1.2 meters in diameter. Around the vihara, or shrine hall, of the reclining Buddha, which is in the present Dhammajaksemaram Temple, are sandstone sema stones, or boundary stones. Thus it has been hypothesized that this area was an important Buddhist religious center for the ancient...

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DMITRII PAKHORUKOVDMITRII PAKHORUKOV
1,300-year-old Buddhist treasures unearthed in northeastern Thailand A stunning collection of ancient artifacts from the Dvaravati period has been discovered at the historic Wat Thammachak Sema Ram temple complex in Thailand’s Nakhon Ratchasima Province. The discovery, announced by Thailand’s Fine Arts Department, was made during conservation work at the Phra Non archaeological site, where workers were installing an underground drainage system near the famed reclining Buddha statue. The findings were initially made on April 21, 2025, at a depth of approximately 1.3 meters beneath the temple site. A damaged ceramic container was unearthed, and within it were a total of 33 ancient ornaments made of gold, silver, and bronze. These included gold rings, silver earrings, and a special pair of bronze spiral hoop earrings — a form previously discovered at other sites from the Dvaravati period, such as Phu Khao Thong in Ranong Province and Tha Chana in Surat Thani Province. Further excavation on April 30 led to the discovery of three additional religious items, such as repoussÃĐ gold and lead-tin alloy sheets (locally called “chin”). The most eye-catching of these is a rectangular gold sheet, measuring 8 by 12.5 centimeters, depicting a seated Buddha in the Vitarka Mudra — a hand gesture that indicates the transmission of teachings. The figure has characteristic Dvaravati artistry, such as spiral curls, a large halo, elongated earlobes, and a robe draped over one shoulder. A small puncture hole at the top right suggests it may have been worn or displayed. Another of the finds is a chin sheet showing a standing Buddha in an arched frame. Although damaged on one side, the sheet — measuring 11.5 by 15.5 centimeters — retains detail. The Buddha is flanked by two attendant figures, one of whom is thought to be an image of Phra Phrom, the Thai manifestation of the Hindu god Brahma. The figure bears a strong resemblance to other Dvaravati repoussÃĐ pieces, such as a plaque now housed in the Dvaravati Art Room of the National Museum Bangkok. The third artifact is a piece of hardened soil that has three stacked metal sheets embedded inside it, separated by thin layers of mortar. This was discovered behind the reclining Buddha’s head, and it points to the possibility of intentional ritual placement. The Director of the 10th Regional Office of Fine Arts in Nakhon Ratchasima, Mr. Thotsaphon Srisaman, has transferred the recently discovered items to the Phimai National Museum, where they are being conserved and cataloged. The reclining Buddha statue itself, central to the site and believed to have been created around CE 657 under the reign of King Ramaraj of Ramburi (possibly Ayodhyapura), remains a point of religious and historical fascination. The site, which has seen activity since the 6th century during the Buddhist Dvaravati state period, continues to yield signs of sophisticated artistry and long-distance cultural exchanges within Southeast Asia. More information: The Fine Arts Department
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āļ™āđˆāļēāļˆāļ°āđ€āļĢāļĩāļĒāļāļ§āđˆāļēāđ€āļĄāļ·āļ­āļ‡āļĻāļĢāļĩāļˆāļ™āļēāļĻāļ°āđ€āļ›āđ‡āļ™āđ€āļĄāļ·āļ­āļ‡āļĢāļđāļ›āļ§āļ‡āļĢāļĩāļĄāļĩāļ„āļąāļ™āļ”āļīāļ™āđāļĨāļ°āļ„āļđāļ™āđ‰āļģāļĨāđ‰āļ­āļĄāļĢāļ­āļšāđāļĨāļ°āļ•āļąāļ§āđ€āļĄāļ·āļ­āļ‡āļĄāļĩāļŠāļąāđ‰āļ™āļ™āļ­āļāđāļĨāļ°āđ€āļĄāļ·āļ­āļ‡āļŠāļąāđ‰āļ™āđƒāļ™āļŦāļĢāļ·āļ­āđ€āļĢāļēāļĄāļąāļāļˆāļ°āđƒāļŠāđ‰āļ„āļģāļ§āđˆāļēāđ€āļĄāļ·āđˆāļ­ "āļ„āļĢāļąāđ‰āļ‡āļ‚āļ­āļĄāđ€āļĢāļ·āļ­āļ‡āļ­āļģāļ™āļēāļˆ" āļžāļ­āļŦāļĄāļ”āļĒāļļāļ„āļŠāļĄāļąāļĒāļ—āļ§āļēāļĢāļ§āļ”āļĩāļŦāļĢāļ·āļ­āļŠāļēāļ§āļ‚āļ­āļĄāđāļĨāđ‰āļ§āļšāļĢāļīāđ€āļ§āļ“āļ™āļĩāđ‰āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āđ€āļĄāļ·āļ­āļ‡āļĢāđ‰āļēāļ‡āđ„āļ› āļ•āđˆāļ­āļĄāļēāđ€āļĄāļ·āđˆāļ­āļžāļšāļĢāđˆāļ­āļ‡āļĢāļ­āļĒāđ€āļĄāļ·āļ­āļ‡āļĢāđ‰āļēāļ‡āļ—āļēāļ‡āļāļĢāļĄāļĻāļīāļĨāļ›āļēāļāļĢāđ„āļ”āđ‰āđ€āļ‚āđ‰āļēāļĄāļēāļŠāļģāļĢāļ§āļˆāļžāļ·āđ‰āļ™āļ—āļĩāđˆāļ”āļīāļ™āļ‚āļ­āļ‡āđ€āļĄāļ·āļ­āļ‡āđ‚āļšāļĢāļēāļ“āđāļŦāđˆāļ‡āļ™āļĩāđ‰āđ€āļžāļ·āđˆāļ­āļĻāļķāļāļĐāļēāļāļēāļĢāđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āđƒāļ™āļĒāļļāļ„āļŠāļĄāļąāļĒāļ—āļ§āļēāļĢāļ§āļ”āļĩāļ™āđˆāļēāļŠāļ™āđƒāļˆāđ„āļ›āđ€āļ—āļĩāđˆāļĒāļ§āļŠāļĄāđ€āļĄāļ·āļ­āļ‡āđ€āļŠāļĄāļēāļŦāļĢāļ·āļ­āđ€āļĄāļ·āļ­āļ‡āļĻāļĢāļĩāļˆāļ™āļēāļĻāļ°āđāļĨāļ°āļĄāļĩāļŠāļ–āļēāļ™āļ—āļĩāđˆāļĻāļąāļāļ”āļīāđŒāļŠāļīāļ—āļ˜āļīāđŒāļ™āđˆāļēāļˆāļ°āđ€āļ›āđ‡āļ™āļĢāđˆāļ­āļ‡āļĢāļ­āļĒāļ‚āļ­āļ‡āļ›āļĢāļēāļŠāļēāļ—āļ—āļĩāđˆāļŠāļēāļ§āļšāđ‰āļēāļ™āļ„āļĨāļ­āļ‡āļ‚āļ§āļēāļ‡āļ™āļģāļ˜āļđāļ›āđ€āļ—āļĩāļĒāļ™āļ”āļ­āļāđ„āļĄāđ‰āļĄāļēāļāļĢāļēāļšāļšāļđāļŠāļēāđ€āļ›āđ‡āļ™āļ›āļĢāļ°āļˆāļģāļ§āļąāļ™ āļ›āļąāļˆāļˆāļļāļšāļąāļ™āđƒāļ™āļšāļĢāļīāđ€āļ§āļ“āđ‚āļ”āļĒāļĢāļ­āļšāđ€āļĄāļ·āļ­āļ‡āđ‚āļšāļĢāļēāļ“āđ€āļŠāļĄāļēāļĄāļĩ "āļ§āļąāļ”āļ˜āļĢāļĢāļĄāļˆāļąāļāļĢāđ€āļŠāļĄāļēāļĢāļēāļĄ" āļŠāļąāļ™āļ™āļīāļĐāļāļēāļ™āļ§āđˆāļēāļ™āđˆāļēāļˆāļ°āđ€āļ›āđ‡āļ™āđ€āļ—āļ§āļŠāļ–āļēāļ™āļ„āļđāđˆāļāļąāļ™āļāļąāļšāđ€āļĄāļ·āļ­āļ‡āđ€āļŠāļĄāļēāđƒāļŠāđ‰āļ›āļĢāļ°āļāļ­āļšāļžāļīāļ˜āļĩāļāļĢāļĢāļĄāļ•āđˆāļēāļ‡ āđ† āļ‚āļ­āļ‡āļĻāļēāļŠāļ™āļēāļžāļĢāļēāļŦāļĄāļ“āđŒ-āļŪāļīāļ™āļ”āļđāļ•āđˆāļ­āļĄāļēāļ„āļ·āļ­āļĻāļēāļŠāļ™āļēāļžāļļāļ—āļ˜ āđ€āļĄāļ·āđˆāļ­āļŦāļĄāļ”āļĒāļļāļ„āļŠāļĄāļąāļĒāļ‚āļ­āļĄāđāļĨāđ‰āļ§āļāđ‡āļĄāļēāđ€āļ›āđ‡āļ™āļ§āļąāļ”āđ€āļĨāđ‡āļ āđ† āļ‚āļ­āļ‡āļŠāļēāļ§āļšāđ‰āļēāļ™āļ„āļĨāļ­āļ‡āļ‚āļ§āļēāļ‡ āđƒāļ™āļ›āļĩ āļž.āļĻ. 2295 āļŠāļĄāļąāļĒāļ­āļēāļ“āļēāļˆāļąāļāļĢāđāļœāđˆāļ™āļ”āļīāļ™āļāļĢāļļāļ‡āļĻāļĢāļĩāļ­āļĒāļļāļ˜āļĒāļēāļ•āļ­āļ™āļ›āļĨāļēāļĒāđāļĨāļ°āļ•āđˆāļ­āļĄāļēāđƒāļ™āļ›āļĩ āļž.āļĻ. 2533 āļ—āļēāļ‡āļāļĢāļĄāļĻāļīāļĨāļ›āļēāļāļĢāđ„āļ”āđ‰āļ‚āļļāļ”āļžāļšāļ­āļ‡āļ„āđŒāļžāļĢāļ°āļžāļļāļ—āļ˜āļĢāļđāļ›āđ€āļ›āđ‡āļ™ "āļžāļĢāļ°āļ™āļ­āļ™āļŦāļĢāļ·āļ­āļžāļĢāļ°āļžāļļāļ—āļ˜āđ„āļŠāļĒāļēāļŠāļ™āđŒ" āđāļāļ°āļŠāļĨāļąāļāļ”āđ‰āļ§āļĒāļŦāļīāļ™āļ—āļĢāļēāļĒāļĄāļĩāļ­āļēāļĒāļļāđ€āļāļīāļ™ 1,300 āļ›āļĩ āļāđ‡āđ„āļ”āđ‰āļšāļđāļĢāļ“āļ°āļ‹āđˆāļ­āļĄāđāļ‹āļĄāļ­āļ‡āļ„āđŒāļžāļĢāļ°āļ™āļ­āļ™āđƒāļŦāđ‰āļĄāļĩāļžāļļāļ—āļ˜āļĨāļąāļāļĐāļ“āļ°āļ‡āļ”āļ‡āļēāļĄāđāļĨāđ‰āļ§āļˆāļąāļ”āļŠāļĢāđ‰āļēāļ‡āļ­āļēāļ„āļēāļĢāļ›āļĢāļ°āļ”āļīāļĐāļāļēāļ™āļ­āļ‡āļ„āđŒāļžāļĢāļ°āļ™āļ­āļ™ āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰āļĒāļąāļ‡āļžāļšāđ€āļŠāļĄāļēāļ˜āļĢāļĢāļĄāļˆāļąāļāļĢāđ€āļ›āđ‡āļ™āļĒāļļāļ„āļŠāļĄāļąāļĒāđ€āļ”āļĩāļĒāļ§āļāļąāļ™āđāļāļ°āļŠāļĨāļąāļāļ”āđ‰āļ§āļĒāļŦāļīāļ™āļ—āļĢāļēāļĒāđ€āļŠāđˆāļ™āļāļąāļ™ "āđ€āļŠāļĄāļēāļ˜āļĢāļĢāļĄāļˆāļąāļāļĢ" āļ™āļĩāđ‰āļ„āļĨāđ‰āļēāļĒ āđ† āļĨāđ‰āļ­āđ€āļāļ§āļĩāļĒāļ™āđāļ•āđˆāļ‡āļ”āļ‡āļēāļĄāļ•āļēāļĄāļŦāļĨāļąāļāļžāļĢāļ°āļžāļļāļ—āļ˜āļĻāļēāļŠāļ™āļēāļ”āđ‰āļ§āļĒāđ€āļŦāļ•āļļāļœāļĨāļ™āļĩāđ‰āļˆāļķāļ‡āđ€āļĢāļĩāļĒāļāļ§āđˆāļē "āļ§āļąāļ”āļžāļĢāļ°āļ™āļ­āļ™āļ„āļĨāļ­āļ‡āļ‚āļ§āļēāļ‡" āđāļĨāđ‰āļ§āļ•āđˆāļ­āļĄāļēāļāđ‡āđ€āļ›āļĨāļĩāđˆāļĒāļ™āļŠāļ·āđˆāļ­āđ€āļ›āđ‡āļ™ "āļ§āļąāļ”āļ˜āļĢāļĢāļĄāļˆāļąāļāļĢāđ€āļŠāļĄāļēāļĢāļēāļĄ" āđƒāļ™āļ—āļļāļāļ§āļąāļ™āļ™āļĩāđ‰āļ„āļĢāļąāļšāļœāļĄ
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1,300-year-old Buddhist treasures unearthed in northeastern Thailand A stunning collection of ancient artifacts from the Dvaravati period has been discovered at the historic Wat Thammachak Sema Ram temple complex in Thailand’s Nakhon Ratchasima Province. The discovery, announced by Thailand’s Fine Arts Department, was made during conservation work at the Phra Non archaeological site, where workers were installing an underground drainage system near the famed reclining Buddha statue. The findings were initially made on April 21, 2025, at a depth of approximately 1.3 meters beneath the temple site. A damaged ceramic container was unearthed, and within it were a total of 33 ancient ornaments made of gold, silver, and bronze. These included gold rings, silver earrings, and a special pair of bronze spiral hoop earrings — a form previously discovered at other sites from the Dvaravati period, such as Phu Khao Thong in Ranong Province and Tha Chana in Surat Thani Province. Further excavation on April 30 led to the discovery of three additional religious items, such as repoussÃĐ gold and lead-tin alloy sheets (locally called “chin”). The most eye-catching of these is a rectangular gold sheet, measuring 8 by 12.5 centimeters, depicting a seated Buddha in the Vitarka Mudra — a hand gesture that indicates the transmission of teachings. The figure has characteristic Dvaravati artistry, such as spiral curls, a large halo, elongated earlobes, and a robe draped over one shoulder. A small puncture hole at the top right suggests it may have been worn or displayed. Another of the finds is a chin sheet showing a standing Buddha in an arched frame. Although damaged on one side, the sheet — measuring 11.5 by 15.5 centimeters — retains detail. The Buddha is flanked by two attendant figures, one of whom is thought to be an image of Phra Phrom, the Thai manifestation of the Hindu god Brahma. The figure bears a strong resemblance to other Dvaravati repoussÃĐ pieces, such as a plaque now housed in the Dvaravati Art Room of the National Museum Bangkok. The third artifact is a piece of hardened soil that has three stacked metal sheets embedded inside it, separated by thin layers of mortar. This was discovered behind the reclining Buddha’s head, and it points to the possibility of intentional ritual placement. The Director of the 10th Regional Office of Fine Arts in Nakhon Ratchasima, Mr. Thotsaphon Srisaman, has transferred the recently discovered items to the Phimai National Museum, where they are being conserved and cataloged. The reclining Buddha statue itself, central to the site and believed to have been created around CE 657 under the reign of King Ramaraj of Ramburi (possibly Ayodhyapura), remains a point of religious and historical fascination. The site, which has seen activity since the 6th century during the Buddhist Dvaravati state period, continues to yield signs of sophisticated artistry and long-distance cultural exchanges within Southeast Asia. More information: The Fine Arts Department
DMITRII PAKHORUKOV

DMITRII PAKHORUKOV

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āļžāļĢāļ°āļ™āļ­āļ™āļŦāļīāļ™āļ—āļĢāļēāļĒ āļ­āļēāļĒāļļ 1300 āļāļ§āđˆāļēāļ›āļĩ āļŠāļĄāļąāļĒāļ—āļ§āļēāļĢāļ§āļ”āļĩ āļĄāļĩāļ„āļ§āļēāļĄāđ€āļāđˆāļēāđāļāđˆāđāļĨāļ°āļĄāļĩāļ‚āļ™āļēāļ”āđƒāļŦāļāđˆ āļŦāļĢāļ·āļ­āļžāļĢāļ°āļžāļļāļ—āļ˜āđ„āļŠāļĒāļēāļŠāļ™āđŒâ€ āļ„āļēāļ”āļ§āđˆāļēāļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āđ€āļĄāļ·āđˆāļ­āļĢāļēāļ§āļžāļļāļ—āļ˜āļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ 13 āđ‚āļ”āļĒāļŦāļīāļ™āļ—āļĢāļēāļĒāļ‚āļ™āļēāļ”āđƒāļŦāļāđˆāļŦāļĨāļēāļĒāđ† āļāđ‰āļ­āļ™ āļĄāļēāļ›āļĢāļ°āļāļ­āļšāđ€āļ‚āđ‰āļēāļ”āđ‰āļ§āļĒāļāļąāļ™ āļĄāļĩāļŠāļ–āļēāļ™āļ—āļĩāđˆāđ€āļāđ‡āļšāļ˜āļĢāļĢāļĄāļˆāļąāļāļĢāļĻāļīāļĨāļēāđ€āļāđˆāļēāđāļāđˆ āļĢāļ§āļĄāļ–āļķāļ‡āđ€āļĻāļĐāļ§āļąāļ•āļ–āļļāđ‚āļšāļĢāļēāļ“
RITNARONG KAMBUTDA

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Trending Stays Worth the Hype in Nakhon Ratchasima Province

Find a cozy hotel nearby and make it a full experience.

āđ€āļāļīāļ”āļĄāļēāļ•āļąāđ‰āļ‡āđāļ•āđˆāđ€āļ”āđ‡āļāđ† āļāđ‡āđ„āļ”āđ‰āđ€āļŦāđ‡āļ™āļžāļĢāļ°āļ™āļ­āļ™āđāļĨāļ°āđ€āļĄāļ·āļ­āļ‡āđ€āļŠāļĄāļēāļāđˆāļ­āļ™āļ—āļĩāđˆāļ—āļēāļ‡āļāļĢāļĄāļĻāļīāļĨāļ›āļēāļāļĢāļĄāļēāļ—āļģāļāļēāļĢāļšāļđāļĢāļ“āļ°āđƒāļŦāđ‰āđ€āļŦāđ‡āļ™āļŠāļ āļēāļžāļŠāļĄāļšāļđāļĢāļ“āđŒāļ”āļąāđˆāļ‡āļ›āļąāļˆāļˆāļļāļšāļąāļ™ āļĄāļēāļāļĢāļēāļšāļ‚āļ­āļžāļĢ "āļžāļĢāļ°āļ™āļ­āļ™" āļ§āļąāļ”āļ˜āļĢāļĢāļĄāļˆāļąāļāļĢāđ€āļŠāļĄāļēāļĢāļēāļĄ āļˆ.āļ™āļ„āļĢāļĢāļēāļŠāļŠāļĩāļĄāļē āļāļąāļ™āļ„āļĢāļąāļšāļœāļĄ āļĄāļēāļŠāļĄāđ‚āļšāļĢāļēāļ“āļŠāļ–āļēāļ™āļŦāļĢāļ·āļ­āđ€āļĄāļ·āļ­āļ‡āđ€āļāđˆāļēāđāļāđˆāļāđˆāļ­āļ™āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒāļ™āļąāđ‰āļ™āļ„āļ·āļ­ "āđ€āļĄāļ·āļ­āļ‡āđ€āļŠāļĄāļēāļŦāļĢāļ·āļ­āđ€āļĄāļ·āļ­āļ‡āđ‚āļ„āļĢāļēāļ†āļ°āļ›āļļāļĢāļ°" āđƒāļ™āļ­āļģāđ€āļ āļ­āļŠāļđāļ‡āđ€āļ™āļīāļ™ āļˆāļąāļ‡āļŦāļ§āļąāļ”āļ™āļ„āļĢāļĢāļēāļŠāļŠāļĩāļĄāļē āļĄāļĩāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ™āđˆāļēāļŠāļ™āđƒāļˆāđƒāļŦāđ‰āđ„āļ›āļĻāļķāļāļĐāļēāđāļĨāļ°āđ€āļĒāļĩāđˆāļĒāļĄāļŠāļĄāļĢāđˆāļ­āļ‡āļĢāļ­āļĒāđāļŦāđˆāļ‡āļ­āļ”āļĩāļ•āļ™āļąāļšāļžāļąāļ™āļ›āļĩ "āđ€āļĄāļ·āļ­āļ‡āđ€āļŠāļĄāļēāļŦāļĢāļ·āļ­āđ€āļĄāļ·āļ­āļ‡āđ‚āļ„āļĢāļēāļ†āļ°āļ›āļļāļĢāļ°" āļŠāļąāļ™āļ™āļīāļĐāļāļēāļ™āļ§āđˆāļēāđ€āļĄāļ·āđˆāļ­ 2,000-3,000 āļ›āļĩ āļĒāļļāļ„āļŠāļĄāļąāļĒāļāđˆāļ­āļ™āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒāļ™āđˆāļēāļˆāļ°āļĄāļĩāļĄāļ™āļļāļĐāļĒāđŒāļ­āļēāļĻāļąāļĒāļ­āļĒāļđāđˆāđƒāļ™āļĒāļļāļ„āļŠāļĄāļąāļĒāļ™āļąāđ‰āļ™āļ•āđˆāļ­āļĄāļēāđ€āļŠāļ·āđˆāļ­āļ§āđˆāļēāđ€āļ›āđ‡āļ™āđ€āļĄāļ·āļ­āļ‡āļĢāđˆāļ§āļĄāļāļąāļ™āļŠāļĄāļąāļĒāļ—āļ§āļēāļĢāļ§āļ”āļĩ āļ™āđˆāļēāļˆāļ°āđ€āļĢāļĩāļĒāļāļ§āđˆāļēāđ€āļĄāļ·āļ­āļ‡āļĻāļĢāļĩāļˆāļ™āļēāļĻāļ°āđ€āļ›āđ‡āļ™āđ€āļĄāļ·āļ­āļ‡āļĢāļđāļ›āļ§āļ‡āļĢāļĩāļĄāļĩāļ„āļąāļ™āļ”āļīāļ™āđāļĨāļ°āļ„āļđāļ™āđ‰āļģāļĨāđ‰āļ­āļĄāļĢāļ­āļšāđāļĨāļ°āļ•āļąāļ§āđ€āļĄāļ·āļ­āļ‡āļĄāļĩāļŠāļąāđ‰āļ™āļ™āļ­āļāđāļĨāļ°āđ€āļĄāļ·āļ­āļ‡āļŠāļąāđ‰āļ™āđƒāļ™āļŦāļĢāļ·āļ­āđ€āļĢāļēāļĄāļąāļāļˆāļ°āđƒāļŠāđ‰āļ„āļģāļ§āđˆāļēāđ€āļĄāļ·āđˆāļ­ "āļ„āļĢāļąāđ‰āļ‡āļ‚āļ­āļĄāđ€āļĢāļ·āļ­āļ‡āļ­āļģāļ™āļēāļˆ" āļžāļ­āļŦāļĄāļ”āļĒāļļāļ„āļŠāļĄāļąāļĒāļ—āļ§āļēāļĢāļ§āļ”āļĩāļŦāļĢāļ·āļ­āļŠāļēāļ§āļ‚āļ­āļĄāđāļĨāđ‰āļ§āļšāļĢāļīāđ€āļ§āļ“āļ™āļĩāđ‰āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āđ€āļĄāļ·āļ­āļ‡āļĢāđ‰āļēāļ‡āđ„āļ› āļ•āđˆāļ­āļĄāļēāđ€āļĄāļ·āđˆāļ­āļžāļšāļĢāđˆāļ­āļ‡āļĢāļ­āļĒāđ€āļĄāļ·āļ­āļ‡āļĢāđ‰āļēāļ‡āļ—āļēāļ‡āļāļĢāļĄāļĻāļīāļĨāļ›āļēāļāļĢāđ„āļ”āđ‰āđ€āļ‚āđ‰āļēāļĄāļēāļŠāļģāļĢāļ§āļˆāļžāļ·āđ‰āļ™āļ—āļĩāđˆāļ”āļīāļ™āļ‚āļ­āļ‡āđ€āļĄāļ·āļ­āļ‡āđ‚āļšāļĢāļēāļ“āđāļŦāđˆāļ‡āļ™āļĩāđ‰āđ€āļžāļ·āđˆāļ­āļĻāļķāļāļĐāļēāļāļēāļĢāđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āđƒāļ™āļĒāļļāļ„āļŠāļĄāļąāļĒāļ—āļ§āļēāļĢāļ§āļ”āļĩāļ™āđˆāļēāļŠāļ™āđƒāļˆāđ„āļ›āđ€āļ—āļĩāđˆāļĒāļ§āļŠāļĄāđ€āļĄāļ·āļ­āļ‡āđ€āļŠāļĄāļēāļŦāļĢāļ·āļ­āđ€āļĄāļ·āļ­āļ‡āļĻāļĢāļĩāļˆāļ™āļēāļĻāļ°āđāļĨāļ°āļĄāļĩāļŠāļ–āļēāļ™āļ—āļĩāđˆāļĻāļąāļāļ”āļīāđŒāļŠāļīāļ—āļ˜āļīāđŒāļ™āđˆāļēāļˆāļ°āđ€āļ›āđ‡āļ™āļĢāđˆāļ­āļ‡āļĢāļ­āļĒāļ‚āļ­āļ‡āļ›āļĢāļēāļŠāļēāļ—āļ—āļĩāđˆāļŠāļēāļ§āļšāđ‰āļēāļ™āļ„āļĨāļ­āļ‡āļ‚āļ§āļēāļ‡āļ™āļģāļ˜āļđāļ›āđ€āļ—āļĩāļĒāļ™āļ”āļ­āļāđ„āļĄāđ‰āļĄāļēāļāļĢāļēāļšāļšāļđāļŠāļēāđ€āļ›āđ‡āļ™āļ›āļĢāļ°āļˆāļģāļ§āļąāļ™ āļ›āļąāļˆāļˆāļļāļšāļąāļ™āđƒāļ™āļšāļĢāļīāđ€āļ§āļ“āđ‚āļ”āļĒāļĢāļ­āļšāđ€āļĄāļ·āļ­āļ‡āđ‚āļšāļĢāļēāļ“āđ€āļŠāļĄāļēāļĄāļĩ "āļ§āļąāļ”āļ˜āļĢāļĢāļĄāļˆāļąāļāļĢāđ€āļŠāļĄāļēāļĢāļēāļĄ" āļŠāļąāļ™āļ™āļīāļĐāļāļēāļ™āļ§āđˆāļēāļ™āđˆāļēāļˆāļ°āđ€āļ›āđ‡āļ™āđ€āļ—āļ§āļŠāļ–āļēāļ™āļ„āļđāđˆāļāļąāļ™āļāļąāļšāđ€āļĄāļ·āļ­āļ‡āđ€āļŠāļĄāļēāđƒāļŠāđ‰āļ›āļĢāļ°āļāļ­āļšāļžāļīāļ˜āļĩāļāļĢāļĢāļĄāļ•āđˆāļēāļ‡ āđ† āļ‚āļ­āļ‡āļĻāļēāļŠāļ™āļēāļžāļĢāļēāļŦāļĄāļ“āđŒ-āļŪāļīāļ™āļ”āļđāļ•āđˆāļ­āļĄāļēāļ„āļ·āļ­āļĻāļēāļŠāļ™āļēāļžāļļāļ—āļ˜ āđ€āļĄāļ·āđˆāļ­āļŦāļĄāļ”āļĒāļļāļ„āļŠāļĄāļąāļĒāļ‚āļ­āļĄāđāļĨāđ‰āļ§āļāđ‡āļĄāļēāđ€āļ›āđ‡āļ™āļ§āļąāļ”āđ€āļĨāđ‡āļ āđ† āļ‚āļ­āļ‡āļŠāļēāļ§āļšāđ‰āļēāļ™āļ„āļĨāļ­āļ‡āļ‚āļ§āļēāļ‡ āđƒāļ™āļ›āļĩ āļž.āļĻ. 2295 āļŠāļĄāļąāļĒāļ­āļēāļ“āļēāļˆāļąāļāļĢāđāļœāđˆāļ™āļ”āļīāļ™āļāļĢāļļāļ‡āļĻāļĢāļĩāļ­āļĒāļļāļ˜āļĒāļēāļ•āļ­āļ™āļ›āļĨāļēāļĒāđāļĨāļ°āļ•āđˆāļ­āļĄāļēāđƒāļ™āļ›āļĩ āļž.āļĻ. 2533 āļ—āļēāļ‡āļāļĢāļĄāļĻāļīāļĨāļ›āļēāļāļĢāđ„āļ”āđ‰āļ‚āļļāļ”āļžāļšāļ­āļ‡āļ„āđŒāļžāļĢāļ°āļžāļļāļ—āļ˜āļĢāļđāļ›āđ€āļ›āđ‡āļ™ "āļžāļĢāļ°āļ™āļ­āļ™āļŦāļĢāļ·āļ­āļžāļĢāļ°āļžāļļāļ—āļ˜āđ„āļŠāļĒāļēāļŠāļ™āđŒ" āđāļāļ°āļŠāļĨāļąāļāļ”āđ‰āļ§āļĒāļŦāļīāļ™āļ—āļĢāļēāļĒāļĄāļĩāļ­āļēāļĒāļļāđ€āļāļīāļ™ 1,300 āļ›āļĩ āļāđ‡āđ„āļ”āđ‰āļšāļđāļĢāļ“āļ°āļ‹āđˆāļ­āļĄāđāļ‹āļĄāļ­āļ‡āļ„āđŒāļžāļĢāļ°āļ™āļ­āļ™āđƒāļŦāđ‰āļĄāļĩāļžāļļāļ—āļ˜āļĨāļąāļāļĐāļ“āļ°āļ‡āļ”āļ‡āļēāļĄāđāļĨāđ‰āļ§āļˆāļąāļ”āļŠāļĢāđ‰āļēāļ‡āļ­āļēāļ„āļēāļĢāļ›āļĢāļ°āļ”āļīāļĐāļāļēāļ™āļ­āļ‡āļ„āđŒāļžāļĢāļ°āļ™āļ­āļ™ āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰āļĒāļąāļ‡āļžāļšāđ€āļŠāļĄāļēāļ˜āļĢāļĢāļĄāļˆāļąāļāļĢāđ€āļ›āđ‡āļ™āļĒāļļāļ„āļŠāļĄāļąāļĒāđ€āļ”āļĩāļĒāļ§āļāļąāļ™āđāļāļ°āļŠāļĨāļąāļāļ”āđ‰āļ§āļĒāļŦāļīāļ™āļ—āļĢāļēāļĒāđ€āļŠāđˆāļ™āļāļąāļ™ "āđ€āļŠāļĄāļēāļ˜āļĢāļĢāļĄāļˆāļąāļāļĢ" āļ™āļĩāđ‰āļ„āļĨāđ‰āļēāļĒ āđ† āļĨāđ‰āļ­āđ€āļāļ§āļĩāļĒāļ™āđāļ•āđˆāļ‡āļ”āļ‡āļēāļĄāļ•āļēāļĄāļŦāļĨāļąāļāļžāļĢāļ°āļžāļļāļ—āļ˜āļĻāļēāļŠāļ™āļēāļ”āđ‰āļ§āļĒāđ€āļŦāļ•āļļāļœāļĨāļ™āļĩāđ‰āļˆāļķāļ‡āđ€āļĢāļĩāļĒāļāļ§āđˆāļē "āļ§āļąāļ”āļžāļĢāļ°āļ™āļ­āļ™āļ„āļĨāļ­āļ‡āļ‚āļ§āļēāļ‡" āđāļĨāđ‰āļ§āļ•āđˆāļ­āļĄāļēāļāđ‡āđ€āļ›āļĨāļĩāđˆāļĒāļ™āļŠāļ·āđˆāļ­āđ€āļ›āđ‡āļ™ "āļ§āļąāļ”āļ˜āļĢāļĢāļĄāļˆāļąāļāļĢāđ€āļŠāļĄāļēāļĢāļēāļĄ" āđƒāļ™āļ—āļļāļāļ§āļąāļ™āļ™āļĩāđ‰āļ„āļĢāļąāļšāļœāļĄ
Thakornpan Fadsungnoen (Noom)

Thakornpan Fadsungnoen (Noom)

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