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Amaravati Stupam — Attraction in Andhra Pradesh

Name
Amaravati Stupam
Description
Amarāvati Stupa is a ruined Buddhist stūpa at the village of Amaravathi, Palnadu district, Andhra Pradesh, India, probably built in phases between the third century BCE and about 250 CE. It was enlarged and new sculptures replaced the earlier ones, beginning in about 50 CE.
Nearby attractions
Buddhist Archaeological Museum
H9F5+Q6W, MAIN ROAD, opposite AMBEDKAR STATUE, Amaravathi, Andhra Pradesh 522020, India
Sri Amareswara Swamy Vari Devasthanam
Mandal And Town, Amaravathi, Andhra Pradesh 522020, India
Amaravathi Amara Lingeswara Temple
H9J5+CHX, Amaravathi, Andhra Pradesh 522020, India
Nearby restaurants
Sri Durga Vilas Amaravathi
H9G5+JHP, Amaravathi, Andhra Pradesh 522020, India
Hotel Vasavi
H9G5+VHQ, Amaravathi, Andhra Pradesh 522020, India
Sri Anjaneya vilas,Amaravathi
H9G5+VF2, Amaralingeswara Swamy Temple Rd, Amaravathi, Andhra Pradesh 522020, India
Haritha resorts (Dharani vasathi gruham)
H9J6+75C, Amaravathi, Andhra Pradesh 522020, India
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Keywords
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Amaravati Stupam things to do, attractions, restaurants, events info and trip planning
Amaravati Stupam
IndiaAndhra PradeshAmaravati Stupam

Basic Info

Amaravati Stupam

H9G4+7HQ, Amaravathi, Andhra Pradesh 522020, India
4.4(1.3K)
Open until 6:00 PM
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Amarāvati Stupa is a ruined Buddhist stūpa at the village of Amaravathi, Palnadu district, Andhra Pradesh, India, probably built in phases between the third century BCE and about 250 CE. It was enlarged and new sculptures replaced the earlier ones, beginning in about 50 CE.

Cultural
Family friendly
attractions: Buddhist Archaeological Museum, Sri Amareswara Swamy Vari Devasthanam, Amaravathi Amara Lingeswara Temple, restaurants: Sri Durga Vilas Amaravathi, Hotel Vasavi, Sri Anjaneya vilas,Amaravathi, Haritha resorts (Dharani vasathi gruham)
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Nearby attractions of Amaravati Stupam

Buddhist Archaeological Museum

Sri Amareswara Swamy Vari Devasthanam

Amaravathi Amara Lingeswara Temple

Buddhist Archaeological Museum

Buddhist Archaeological Museum

4.2

(1.4K)

Closed
Click for details
Sri Amareswara Swamy Vari Devasthanam

Sri Amareswara Swamy Vari Devasthanam

4.7

(3.2K)

Open 24 hours
Click for details
Amaravathi Amara Lingeswara Temple

Amaravathi Amara Lingeswara Temple

4.7

(1.6K)

Open until 1:00 PM
Click for details

Nearby restaurants of Amaravati Stupam

Sri Durga Vilas Amaravathi

Hotel Vasavi

Sri Anjaneya vilas,Amaravathi

Haritha resorts (Dharani vasathi gruham)

Sri Durga Vilas Amaravathi

Sri Durga Vilas Amaravathi

3.7

(424)

Click for details
Hotel Vasavi

Hotel Vasavi

3.7

(56)

Click for details
Sri Anjaneya vilas,Amaravathi

Sri Anjaneya vilas,Amaravathi

3.6

(27)

Click for details
Haritha resorts (Dharani vasathi gruham)

Haritha resorts (Dharani vasathi gruham)

3.5

(16)

Click for details
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Reviews of Amaravati Stupam

4.4
(1,276)
avatar
5.0
29w

Maha Chaitya at Amaravati The great stupa or Maha Chaitya at Amaravati was one of the biggest in Andhra Pradesh with probable diameter of 50 meters and a height of 27 meters. It has a brick built circular vedika or drum with projecting rectangular ayaka platforms in four cardinal directions measuring 7.20 x 2.10 meters each. Five ayaka pillars must have stood on each platform symbolically representing the five main events in Buddha’s life viz. the birth, the great renunciation, the enlightenment, the first sermon, and the final extinction. The drum and ayaka platforms were covered with sculptured slabs. Five crystal caskets containing bone pieces, pearls and gold flowers were discovered from the southern ayaka platform. This is a sariraka type of stupa and hence its great importance, mounted on this circular drum stood an anda or hemispherical dome. Tall sculptured dome slabs covered the vertical part of the dome, above which came decorations in stucco. Scenes from the life of Buddha, Jataka stories, animal motifs, floral decorations, formed the subject matter of these sculptures carved on the locally available light green lime stone. The dome was crowned by a harmika or box like structure over which stood a chhatra or umbrella all now missing except the remains of the plinth. The drum of the stupa had a well laid pradakshinapatha or circumambulatory path of 4 meters with paved with cuddapah slabs protected by a railing in stone on its extreme end, pierced on all the four sides by gateways projecting out. The railing consisted of updmvapatas or upright pillars, three suchis or cross bars connecting each pair of upright pillars, and ushnisha or coping stone running on top those pillars, seated lions stood on pillars guarding either side of the gate ways. The stone railing of later periods was highly ornamental. The history of Mahachaitya is spread to a period of roughly over a thousand and seven hundred years (Circa 3rd Century BCE to circa 14th Century CE). The foundation of this maha stupa must have been laid by the great Mahadeva Bikshu an emissary of Emperor Asoka who was deputed to Mahishamandala for the propagation of the Buddhist norm. The first construction is believed to have been plain and modest. The ornamental renovations were brought later during the next seven centuries. The stupa had received its rich patronage from Kings like Vasistiputra Pulumavi, Sivaskanda, Satakarni, Gautamiputra Yajna Sri Satakarni, Buddhist Monks like Acharyaa Nagarjuna, and Nuns like Nanda and lay Devotees like Utara, Khalata etc. Evidence shows that the stupa was an object of worship receiving attention during the reign of the dynasties of the Satavahana, Ikshvaku, Chalukya, Pallava, Salankayaha, Vishnukundin Kakatiya and Kota kings. The Chinese Traveller Yuvan Chwang and the Tibetan Historian Taranath glorified in their accounts the greatness of this ancient seat of Buddhism. Colonel Colin Mackenzie of the trignometrical survey had discovered these remains of this stupa in 1791 CE. Subsequently Archaeologists like Mr. Burgess, Mr. Rea, Sri TN Ramachandran, Dr. R. Subrahmanyan, Dr. K. Krishnamurthy and Dr. I Karthikeya Sarma have worked on it. Out of the vast sculptural wealth this stupa has yielded, a good Number have become the objects of exhibition in the galleries of the British Museum London, Musie Guimet Germany, National Museum, New Delhi, Indian Museum, Calcutta, and Government Museum, Madras. The rest are on display in the...

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5.0
7y

AMRAVATI STUPA

The Amravati stupa, which is also known as Mahachaitya Stupa, has the privilege of being the largest stupa(95 feet high) in India - the birthplace of Buddhism. Built during the 2nd century BCE, the stupa was discovered by a British archaeologist, Colonel Colin Mackenzie in 1797. The stupa was earlier a simple structure with limestone crossbars and simple carvings, but when renovated by the Satavahana rulers, became a highly marked architectural monument.

The great stupa or Mahachaitya at Amaravati was one of the biggest in Andhra Pradesh with a probable diameter of 50 meters and a height of 27 meters. It has a brick built circular vedika or drum with projecting rectangular Ayaka platforms in four cardinal directions measuring 7.20 X 2.10 meters each. Five Ayaka pillars must have stood on each platform symbolically representing the five main events in Buddha’s life viz., the birth, the great renunciation, the enlightenment, the first sermon and the final extinction. The drum and Ayaka platforms were covered with sculptured slabs. All the four-ayaka platforms have yielded seven crystal and one Ivory relic caskets, some of which contain bone-pieces, pearls, precious stones and gold flowers. This is a Sariraka type of stupa and hence it’s great importance.

Mounted on this circular drum stood an anda or hemispherical dome. Tall sculptured dome slabs covered the vertical part of the dome, above which came decorations in stucco. Scenes from the life of Buddha, Jataka stories, animal motifs, floral decorations formed the subject matter of these sculptures carved on the locally available light green limestone.The drum was crowned by a harmika or box like structure over which stood a chhatra or umbrella. All now missing except the remains of the plinth.

The drum of the stupa had a well laid Pradakshinapatha or circumambulatory path of 4 meters width paved with Cuddapah slabs protected by a railing in stone on its outer extreme end, pierced on all the four sides by gateways projecting out. The railing consisted of Urdhvapatas or Upright pillars, three suchis or cross-bars connecting each pair of upright pillars, and Ushnisha or coping stone running on top of those pillars. Seated lions stood on pillars guarding either side of the gateways. The stone railing of later periods was...

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avatar
5.0
2y

Amaravati Stupam, located in the city of Amaravati, is a magnificent Buddhist monument that truly showcases the rich heritage and architectural brilliance of ancient India. As a tourist attraction, it offers a mesmerizing experience that leaves visitors in awe.

The grandeur of Amaravati Stupam is truly captivating, with its towering structure and intricate carvings. The sheer size of this monument is astonishing, and it stands as a testament to the skill and craftsmanship of the artisans who built it centuries ago.

The location of Amaravati Stupam adds to its appeal, as it is situated amidst serene surroundings and lush greenery. The peaceful ambiance of the place creates a sense of tranquility and spirituality, making it a perfect spot for meditation and reflection.

Visiting Amaravati Stupam is not just about admiring its architectural beauty, but also about immersing oneself in the rich history and culture of Buddhism. The site is filled with ancient relics and sculptures, each telling a story and providing insight into the teachings of Lord Buddha.

The well-maintained gardens surrounding the stupam offer a peaceful retreat for visitors, allowing them to relax and soak in the serene atmosphere. The place also hosts various cultural events and festivals, which further enhance the overall experience.

In conclusion, Amaravati Stupam is a must-visit destination for anyone interested in exploring the rich heritage and spirituality of ancient India. Its architectural splendor, serene location, and cultural significance make it a perfect spot for both locals and tourists. It offers a glimpse into the profound teachings of Buddhism while providing a memorable experience for...

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VeludharanVeludharan
Maha Chaitya at Amaravati The great stupa or Maha Chaitya at Amaravati was one of the biggest in Andhra Pradesh with probable diameter of 50 meters and a height of 27 meters. It has a brick built circular vedika or drum with projecting rectangular ayaka platforms in four cardinal directions measuring 7.20 x 2.10 meters each. Five ayaka pillars must have stood on each platform symbolically representing the five main events in Buddha’s life viz. the birth, the great renunciation, the enlightenment, the first sermon, and the final extinction. The drum and ayaka platforms were covered with sculptured slabs. Five crystal caskets containing bone pieces, pearls and gold flowers were discovered from the southern ayaka platform. This is a sariraka type of stupa and hence its great importance, mounted on this circular drum stood an anda or hemispherical dome. Tall sculptured dome slabs covered the vertical part of the dome, above which came decorations in stucco. Scenes from the life of Buddha, Jataka stories, animal motifs, floral decorations, formed the subject matter of these sculptures carved on the locally available light green lime stone. The dome was crowned by a harmika or box like structure over which stood a chhatra or umbrella all now missing except the remains of the plinth. The drum of the stupa had a well laid pradakshinapatha or circumambulatory path of 4 meters with paved with cuddapah slabs protected by a railing in stone on its extreme end, pierced on all the four sides by gateways projecting out. The railing consisted of updmvapatas or upright pillars, three suchis or cross bars connecting each pair of upright pillars, and ushnisha or coping stone running on top those pillars, seated lions stood on pillars guarding either side of the gate ways. The stone railing of later periods was highly ornamental. The history of Mahachaitya is spread to a period of roughly over a thousand and seven hundred years (Circa 3rd Century BCE to circa 14th Century CE). The foundation of this maha stupa must have been laid by the great Mahadeva Bikshu an emissary of Emperor Asoka who was deputed to Mahishamandala for the propagation of the Buddhist norm. The first construction is believed to have been plain and modest. The ornamental renovations were brought later during the next seven centuries. The stupa had received its rich patronage from Kings like Vasistiputra Pulumavi, Sivaskanda, Satakarni, Gautamiputra Yajna Sri Satakarni, Buddhist Monks like Acharyaa Nagarjuna, and Nuns like Nanda and lay Devotees like Utara, Khalata etc. Evidence shows that the stupa was an object of worship receiving attention during the reign of the dynasties of the Satavahana, Ikshvaku, Chalukya, Pallava, Salankayaha, Vishnukundin Kakatiya and Kota kings. The Chinese Traveller Yuvan Chwang and the Tibetan Historian Taranath glorified in their accounts the greatness of this ancient seat of Buddhism. Colonel Colin Mackenzie of the trignometrical survey had discovered these remains of this stupa in 1791 CE. Subsequently Archaeologists like Mr. Burgess, Mr. Rea, Sri TN Ramachandran, Dr. R. Subrahmanyan, Dr. K. Krishnamurthy and Dr. I Karthikeya Sarma have worked on it. Out of the vast sculptural wealth this stupa has yielded, a good Number have become the objects of exhibition in the galleries of the British Museum London, Musie Guimet Germany, National Museum, New Delhi, Indian Museum, Calcutta, and Government Museum, Madras. The rest are on display in the site Museum.
Gaurav AgrawalGaurav Agrawal
Ruins of Buddhist stupa which was very huge in size.built around 2000 years ago initially with further additions .now only remain platform of bricks and surrounded by stone blocks which was used to built stupa and relief panel which was used to decorate this stupa.most of relief panels ,statue and other archaeological objects belong to this stupa which was discovered during phases of excavation by British people and Indian govt.most of them are kept at ASI museum which is situated near to this stupa and some are kept at various museums in India and in Britain also.A ticket of 5 rs is charged to enter stupa.This maja chaitya is located in ancient Amravati village which is around 50 km from Vijaywada ,you can take local bus 301 from Vijaywada bus stand.
Krish Krishna'sKrish Krishna's
అమరావతి లో గౌతమ బుద్ధుని అవశేషాలను పూజల నిమిత్తమై పొందుపరచి వాటిపై కట్టిన కట్టడమే అమరావతి స్తూపం. ఇది ఒక పర్యాటక అకర్షణ. క్రీస్తు పూర్వము 2వ శతాబ్దము, క్రీస్తు శకము 3వ శతాబ్దముల మధ్య కట్టబడి ఉన్నత స్థితిని పొంది, బౌద్ధం క్షీణతతో మరుగున పడి. 1797 లో మరలా వెలుగులోకి వచ్చింది. అమరావతి శిల్పకళ బుద్ధ విగ్రహం మలచడంలోను, నాగిని ప్రతిమల రూపురేఖలలోను తనదైన ప్రత్యేక గుర్తింపు పొందింది. ఆగ్నేయ ఆసియా, శ్రీలంక దేశాలకు ఈ శిల్పకళ విస్తరించింది. ఇక్కడ లభించిన శాసనాల వలన బ్రాహ్మీలిపి నుండి తెలుగు లిపి పరిణామ క్రమంలో తొలి నాలుగు దశలను తెలుపుతుంది. శాసనాలు, శిల్పాలు స్థానిక పురావస్తు ప్రదర్శనశాల, చెన్నైలో పురావస్తు ప్రదర్శనశాల, బ్రిటీష్ మ్యూజియము లలో భద్రపరచబడ్డాయి. ఆంధ్రదేశమందు, ముఖ్యముగా కృష్ణానదీ లోయలో, బౌద్ధమతము మౌర్య కాలము నుండి పరిఢవిల్లింది. అమరావతి (ధరణికోట), భట్టిప్రోలు, జగ్గయ్యపేట బేతవోలు,ఘంటసాల, శాలిహుండం మొదలైన చోట్ల స్తూప నిర్మాణము జరిగింది. కార్బన్ డేటింగ్ ద్వారా అమరావతి (ధాన్యకటకము) పట్టణం క్రీ.పూ. 5వ శతాబ్దికి చెందిందని తెలిసింది. స్తూపం క్రీస్తు పూర్వము 2వ శతాబ్దము, క్రీస్తు శకము 3వ శతాబ్దముల మధ్య కట్టబడి మార్పులు చేర్పులు చేయబడింది. ప్రాచీన బౌద్ధ వాజ్మయములో విశిష్ట స్థానము పొందిన 'ఆంధ్రపురి'యే ధాన్యకటకం. నేటి అమరావతి, ధరణికోట అందులోని భాగాలే. బుద్ధుని జీవితకాలమునుండి క్రీ. శ 14వ శతాబ్దివరకు ఇక్కడ బౌద్ధం నీరాజనాలందుకొంది. మరుగునపడిన చైత్యప్రాశస్త్యం తిరిగి 18వ శతాబ్దములో వెలుగు చూసింది. దీపాలదిన్నె గా పిలువబడిన పెద్ద దిబ్బను త్రవ్వి 1797 లో మహాస్తూపాన్ని వెలుగులోకి తెచ్చిన వ్యక్తి కల్నల్ కోలిన్ మెకంజీ. అమరావతి, ధరణికోట పరిసరములలో, చైత్యపు అట్టడుగు పొరల్లో బృహత్ శిలాయుగపు సాంస్కృతిక అవశేషాలు లభించాయి. క్రీ. పూ 4-3 శతాబ్దాలనాటి నివాస ప్రదేశాలు, కట్టడాలు, స్తంభాలు వెలుగు చూశాయి. మౌర్యులకు పూర్వమే ఇచట నాగ, యక్ష తెగల జనపదం (గణతంత్ర రాజ్యం) ఉండేదని తెలుస్తోంది. బౌద్ధ భిక్షువు, చరిత్రకారుడు తారనాథుని ప్రకారము గౌతమ బుద్ధుడు ధరణికోటలో కాలచక్ర మండలాన్ని ఆవిష్కరించాడు. బహుశా ఈ కారణము వల్ల బుద్ధుని మరణానంతరము అమరావతిలో గొప్పస్తూప నిర్మాణము జరిగివుండవచ్చును. మౌర్యులు, సదవంశీయులు, శాతవాహనులు, ఇక్ష్వాకులు, పల్లవులు, శాలంకాయనులు, విష్ణుకుండినులు, ఆనంద గోత్రీయులు, చాళుక్యులు, చోళులు, కోట వంశీయులు, కాకతీయులు, విజయనగర రాజులు, కుతుబ్ షాహి నవాబులు వరుసగా ఈ ప్రాంతాన్ని పాలించారు. సా.శ. 4వ శతాబ్ది నుండి 15వ శతాబ్దము వరకు ధరణికోట ఆంధ్రదేశ రాజకీయ చరిత్రలో కీలకస్థానం వహించింది
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Maha Chaitya at Amaravati The great stupa or Maha Chaitya at Amaravati was one of the biggest in Andhra Pradesh with probable diameter of 50 meters and a height of 27 meters. It has a brick built circular vedika or drum with projecting rectangular ayaka platforms in four cardinal directions measuring 7.20 x 2.10 meters each. Five ayaka pillars must have stood on each platform symbolically representing the five main events in Buddha’s life viz. the birth, the great renunciation, the enlightenment, the first sermon, and the final extinction. The drum and ayaka platforms were covered with sculptured slabs. Five crystal caskets containing bone pieces, pearls and gold flowers were discovered from the southern ayaka platform. This is a sariraka type of stupa and hence its great importance, mounted on this circular drum stood an anda or hemispherical dome. Tall sculptured dome slabs covered the vertical part of the dome, above which came decorations in stucco. Scenes from the life of Buddha, Jataka stories, animal motifs, floral decorations, formed the subject matter of these sculptures carved on the locally available light green lime stone. The dome was crowned by a harmika or box like structure over which stood a chhatra or umbrella all now missing except the remains of the plinth. The drum of the stupa had a well laid pradakshinapatha or circumambulatory path of 4 meters with paved with cuddapah slabs protected by a railing in stone on its extreme end, pierced on all the four sides by gateways projecting out. The railing consisted of updmvapatas or upright pillars, three suchis or cross bars connecting each pair of upright pillars, and ushnisha or coping stone running on top those pillars, seated lions stood on pillars guarding either side of the gate ways. The stone railing of later periods was highly ornamental. The history of Mahachaitya is spread to a period of roughly over a thousand and seven hundred years (Circa 3rd Century BCE to circa 14th Century CE). The foundation of this maha stupa must have been laid by the great Mahadeva Bikshu an emissary of Emperor Asoka who was deputed to Mahishamandala for the propagation of the Buddhist norm. The first construction is believed to have been plain and modest. The ornamental renovations were brought later during the next seven centuries. The stupa had received its rich patronage from Kings like Vasistiputra Pulumavi, Sivaskanda, Satakarni, Gautamiputra Yajna Sri Satakarni, Buddhist Monks like Acharyaa Nagarjuna, and Nuns like Nanda and lay Devotees like Utara, Khalata etc. Evidence shows that the stupa was an object of worship receiving attention during the reign of the dynasties of the Satavahana, Ikshvaku, Chalukya, Pallava, Salankayaha, Vishnukundin Kakatiya and Kota kings. The Chinese Traveller Yuvan Chwang and the Tibetan Historian Taranath glorified in their accounts the greatness of this ancient seat of Buddhism. Colonel Colin Mackenzie of the trignometrical survey had discovered these remains of this stupa in 1791 CE. Subsequently Archaeologists like Mr. Burgess, Mr. Rea, Sri TN Ramachandran, Dr. R. Subrahmanyan, Dr. K. Krishnamurthy and Dr. I Karthikeya Sarma have worked on it. Out of the vast sculptural wealth this stupa has yielded, a good Number have become the objects of exhibition in the galleries of the British Museum London, Musie Guimet Germany, National Museum, New Delhi, Indian Museum, Calcutta, and Government Museum, Madras. The rest are on display in the site Museum.
Veludharan

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Ruins of Buddhist stupa which was very huge in size.built around 2000 years ago initially with further additions .now only remain platform of bricks and surrounded by stone blocks which was used to built stupa and relief panel which was used to decorate this stupa.most of relief panels ,statue and other archaeological objects belong to this stupa which was discovered during phases of excavation by British people and Indian govt.most of them are kept at ASI museum which is situated near to this stupa and some are kept at various museums in India and in Britain also.A ticket of 5 rs is charged to enter stupa.This maja chaitya is located in ancient Amravati village which is around 50 km from Vijaywada ,you can take local bus 301 from Vijaywada bus stand.
Gaurav Agrawal

Gaurav Agrawal

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అమరావతి లో గౌతమ బుద్ధుని అవశేషాలను పూజల నిమిత్తమై పొందుపరచి వాటిపై కట్టిన కట్టడమే అమరావతి స్తూపం. ఇది ఒక పర్యాటక అకర్షణ. క్రీస్తు పూర్వము 2వ శతాబ్దము, క్రీస్తు శకము 3వ శతాబ్దముల మధ్య కట్టబడి ఉన్నత స్థితిని పొంది, బౌద్ధం క్షీణతతో మరుగున పడి. 1797 లో మరలా వెలుగులోకి వచ్చింది. అమరావతి శిల్పకళ బుద్ధ విగ్రహం మలచడంలోను, నాగిని ప్రతిమల రూపురేఖలలోను తనదైన ప్రత్యేక గుర్తింపు పొందింది. ఆగ్నేయ ఆసియా, శ్రీలంక దేశాలకు ఈ శిల్పకళ విస్తరించింది. ఇక్కడ లభించిన శాసనాల వలన బ్రాహ్మీలిపి నుండి తెలుగు లిపి పరిణామ క్రమంలో తొలి నాలుగు దశలను తెలుపుతుంది. శాసనాలు, శిల్పాలు స్థానిక పురావస్తు ప్రదర్శనశాల, చెన్నైలో పురావస్తు ప్రదర్శనశాల, బ్రిటీష్ మ్యూజియము లలో భద్రపరచబడ్డాయి. ఆంధ్రదేశమందు, ముఖ్యముగా కృష్ణానదీ లోయలో, బౌద్ధమతము మౌర్య కాలము నుండి పరిఢవిల్లింది. అమరావతి (ధరణికోట), భట్టిప్రోలు, జగ్గయ్యపేట బేతవోలు,ఘంటసాల, శాలిహుండం మొదలైన చోట్ల స్తూప నిర్మాణము జరిగింది. కార్బన్ డేటింగ్ ద్వారా అమరావతి (ధాన్యకటకము) పట్టణం క్రీ.పూ. 5వ శతాబ్దికి చెందిందని తెలిసింది. స్తూపం క్రీస్తు పూర్వము 2వ శతాబ్దము, క్రీస్తు శకము 3వ శతాబ్దముల మధ్య కట్టబడి మార్పులు చేర్పులు చేయబడింది. ప్రాచీన బౌద్ధ వాజ్మయములో విశిష్ట స్థానము పొందిన 'ఆంధ్రపురి'యే ధాన్యకటకం. నేటి అమరావతి, ధరణికోట అందులోని భాగాలే. బుద్ధుని జీవితకాలమునుండి క్రీ. శ 14వ శతాబ్దివరకు ఇక్కడ బౌద్ధం నీరాజనాలందుకొంది. మరుగునపడిన చైత్యప్రాశస్త్యం తిరిగి 18వ శతాబ్దములో వెలుగు చూసింది. దీపాలదిన్నె గా పిలువబడిన పెద్ద దిబ్బను త్రవ్వి 1797 లో మహాస్తూపాన్ని వెలుగులోకి తెచ్చిన వ్యక్తి కల్నల్ కోలిన్ మెకంజీ. అమరావతి, ధరణికోట పరిసరములలో, చైత్యపు అట్టడుగు పొరల్లో బృహత్ శిలాయుగపు సాంస్కృతిక అవశేషాలు లభించాయి. క్రీ. పూ 4-3 శతాబ్దాలనాటి నివాస ప్రదేశాలు, కట్టడాలు, స్తంభాలు వెలుగు చూశాయి. మౌర్యులకు పూర్వమే ఇచట నాగ, యక్ష తెగల జనపదం (గణతంత్ర రాజ్యం) ఉండేదని తెలుస్తోంది. బౌద్ధ భిక్షువు, చరిత్రకారుడు తారనాథుని ప్రకారము గౌతమ బుద్ధుడు ధరణికోటలో కాలచక్ర మండలాన్ని ఆవిష్కరించాడు. బహుశా ఈ కారణము వల్ల బుద్ధుని మరణానంతరము అమరావతిలో గొప్పస్తూప నిర్మాణము జరిగివుండవచ్చును. మౌర్యులు, సదవంశీయులు, శాతవాహనులు, ఇక్ష్వాకులు, పల్లవులు, శాలంకాయనులు, విష్ణుకుండినులు, ఆనంద గోత్రీయులు, చాళుక్యులు, చోళులు, కోట వంశీయులు, కాకతీయులు, విజయనగర రాజులు, కుతుబ్ షాహి నవాబులు వరుసగా ఈ ప్రాంతాన్ని పాలించారు. సా.శ. 4వ శతాబ్ది నుండి 15వ శతాబ్దము వరకు ధరణికోట ఆంధ్రదేశ రాజకీయ చరిత్రలో కీలకస్థానం వహించింది
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