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SIRKAZHI SATTAINATHAR KOIL - Brahmapurishwarar тАФ Attraction in Tamil Nadu

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SIRKAZHI SATTAINATHAR KOIL - Brahmapurishwarar
Description
Nearby attractions
Sree Brahmapureeswarar Temple
6PQQ+6Q8, East Coast Rd, Thenpathi, Sirkali, Tamil Nadu 609110, India
Divya Desam Trivikrama Perumal Temple (Kazhicchiramavinnagaram)
6PRJ+9M7, Railway Rd, Marudhanayagam Colony, Sirkali, Tamil Nadu 609110, India
Nearby restaurants
Mangala Vilas
6PMQ+VMG, opposite to New Bus stand, Thenpathi, Sirkali, Tamil Nadu 609110, India
Aasife Biriyani - Sirkazhi
62 D/1 Kaivilanchery, East Coast Rd, near BSNL Office, Thiruvalluvar Nagar, Thenpathi, Sirkali, Tamil Nadu 609111, India
Nearby hotels
The Hotel Chola Inn
105-109, SH 210, Cutcherry Rd, Thenpathi, Nagapattinam, Tamil Nadu 609110, India
The Grand White Palace
No. 37, North Car Street, opposite to Santhi coffee bar, Sirkali, Tamil Nadu 609110, India
Royale Inn
56, GH Rd, Sattinathar Colony, Thenpathi, Sirkali, Tamil Nadu 609110, India
Rajamselva Hotel - Sirkazhi
Thenpathi, Sirkali, Tamil Nadu 609110, India
Related posts
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SIRKAZHI SATTAINATHAR KOIL - Brahmapurishwarar things to do, attractions, restaurants, events info and trip planning
SIRKAZHI SATTAINATHAR KOIL - Brahmapurishwarar
IndiaTamil NaduSIRKAZHI SATTAINATHAR KOIL - Brahmapurishwarar

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SIRKAZHI SATTAINATHAR KOIL - Brahmapurishwarar

6PQP+JFC, Thenpathi, Sirkali, Tamil Nadu 609110, India
4.8(538)
Open 24 hours
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attractions: Sree Brahmapureeswarar Temple, Divya Desam Trivikrama Perumal Temple (Kazhicchiramavinnagaram), restaurants: Mangala Vilas, Aasife Biriyani - Sirkazhi
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Reviews

Nearby attractions of SIRKAZHI SATTAINATHAR KOIL - Brahmapurishwarar

Sree Brahmapureeswarar Temple

Divya Desam Trivikrama Perumal Temple (Kazhicchiramavinnagaram)

Sree Brahmapureeswarar Temple

Sree Brahmapureeswarar Temple

4.7

(776)

Open 24 hours
Click for details
Divya Desam Trivikrama Perumal Temple (Kazhicchiramavinnagaram)

Divya Desam Trivikrama Perumal Temple (Kazhicchiramavinnagaram)

4.7

(261)

Open 24 hours
Click for details

Nearby restaurants of SIRKAZHI SATTAINATHAR KOIL - Brahmapurishwarar

Mangala Vilas

Aasife Biriyani - Sirkazhi

Mangala Vilas

Mangala Vilas

4.0

(195)

Click for details
Aasife Biriyani - Sirkazhi

Aasife Biriyani - Sirkazhi

4.5

(331)

Click for details
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Reviews of SIRKAZHI SATTAINATHAR KOIL - Brahmapurishwarar

4.8
(538)
avatar
5.0
2y

Review: Sirkazhi Sattainathar Koil - Brahmapurishwarar

Nestled in the historic town of Sirkazhi in Tamil Nadu, the Sirkazhi Sattainathar Koil, also known as Brahmapurishwarar, stands as a beacon of spiritual and architectural grandeur. Dedicated to Lord Shiva, this ancient temple is not just a place of worship but a living testament to the rich cultural and religious tapestry of the region.

Stepping into its precincts, one is immediately struck by the intricate carvings adorning the temple's gopurams (towers) and pillared halls, showcasing the exemplary craftsmanship of the artisans of yore. The sanctum sanctorum houses the deity, Sattainathar or Brahmapurishwarar, radiating a sense of divine serenity and majesty.

Legend intertwines with every stone and sculpture here. Stories of Lord Shiva's divine plays and his blessings upon devotees echo through the corridors. The temple's architecture, reflecting the Dravidian style, offers visitors a glimpse into the architectural marvels of ancient Tamil Nadu.

The temple's significance extends beyond its religious importance. It serves as a hub of cultural activities, with festivals and rituals that celebrate the town's rich heritage. The vibrant energy during festivals, the resonating chants, and the aromatic scent of incense make every visit a memorable experience.

In conclusion, the Sirkazhi Sattainathar Koil - Brahmapurishwarar, with its blend of spirituality, history, and artistry, stands as a timeless gem, beckoning both the devout and the curious to immerse themselves in its divine aura.

Sambandar, a distinguished Saiva poet-saint from Tamil Nadu around the 7th century CE, holds a significant position among the sixty-three Nayanars, a group of Tamil Saiva bhakti saints spanning from the 6th to 10th centuries CE. Revered for his profound hymns dedicated to Shiva, his contributions became foundational texts in the Tirumurai, the esteemed religious anthology of Tamil Saiva Siddhanta. Notably, he shared his era with another illustrious Saiva saint, Appar.

Born in the devout household of Sivapada Hrudiyar and Bhagavathiar in Sirkazhi, Tamil Nadu, Sambandar's upbringing was deeply rooted in the Saivite Brahmin traditions of the Rig Veda. Iconographically, he is often depicted with a distinct tuft on his head, tilted to the rightтАФa detail found consistently in artistic representations across ages, including those of Arunagirinathar.

A captivating legend recounts a divine encounter at the tender age of three, where young Sambandar was graced by the presence of Shiva and Parvati in a temple. Parvati, in a maternal gesture, nursed him, leaving a trace of milk on his lips. When questioned by his father, Sambandar, in his innocence, gestured heavenward and sang the inaugural verse of the Tevaram, "Todudaya Seviyan." By seven, his precocious understanding of the Vedas astounded many, a fact also acknowledged by the venerable Sri Sankaracharya in his poetic tribute, Soundarya Lahari.

In essence, Sambandar's life is a testament to divine devotion and literary prowess, making his legacy a cherished part of Tamil cultural and...

┬а┬а┬аRead more
avatar
5.0
3y

Sirkali is Thiruganasambanthar birth place. He started Devaram from this temple. Big temple with various Sanithis. Lord Siva is in three forms here. Sattainathar, Kailasnathar and Brahmapuriswarar are three forms of Lord Siva. Also Bairavar sanithi is very famous here. If you're a Tamil, you must visit this temple at least once in a life time.

Sirkali Sattainathar Temple, also known as Brahmapureeswarar Temple, is a significant Hindu temple located in Sirkali town, Mayiladuthurai district, Tamil Nadu, India. It is dedicated to Lord Shiva and holds immense historical and religious importance for devotees and pilgrims.

Architecture: The temple boasts an impressive Dravidian architectural style, reflecting the rich cultural heritage of the region. The gopuram (tower) at the entrance is adorned with intricate carvings and sculptures, showcasing the remarkable craftsmanship of the artisans from the past.

Historical Significance: The temple's history dates back to ancient times, and it is believed to have been mentioned in various religious scriptures and literary works. It is considered one of the 276 Paadal Petra Sthalams, a collection of temples revered in Tamil Saivaite tradition.

Religious Importance: The temple is dedicated to Lord Shiva, worshipped here as Sattainathar or Brahmapureeswarar, and his consort, Goddess Parvati, known as Bhramarambikai or Thirunilai Nayaki. The presiding deity, Sattainathar, is revered as one of the sacred forms of Lord Shiva, bestowing blessings and divine grace upon devotees.

Festivals and Celebrations: Sirkali Sattainathar Temple hosts various religious festivals that attract thousands of devotees from far and wide. The annual Brahmotsavam is a grand celebration that includes colorful processions, music, dance, and spiritual discourses. Other important festivals include Maha Shivaratri, Navaratri, and Arudra Darshanam, which are celebrated with great fervor and enthusiasm.

Spiritual Atmosphere: The temple offers a serene and spiritual atmosphere, providing visitors with a sense of tranquility and devotion. The sacred chants and rituals performed by the priests enhance the overall spiritual experience.

Pilgrim Experience: Devotees often visit Sirkali Sattainathar Temple seeking blessings, solace, and fulfillment of their prayers and wishes. The temple's historical significance and association with religious traditions make it a must-visit place for those interested in exploring Hindu culture and spirituality.

Overall, Sirkali Sattainathar Temple is a cherished religious site that captivates visitors with its architectural brilliance, historical heritage, and spiritual aura. Whether you are a devout pilgrim or an admirer of art and history, this temple offers a unique and enriching experience that will leave a lasting impression...

┬а┬а┬аRead more
avatar
5.0
2y

OM NAMAH SHIVAYA Located 24 kms from Chidambaram. Glorified in Thevaram by all three Thevara Saints Thirugnana Sambandar, Thirunavukarasar and Sundarar.Glorified in Thiruvasagam by Saint Manickavasagar.

Birth place of Saint Thirugnana Sambandar.

Lord Shiva in Lingam form as Brahmapureeswarar in the base. Along with Goddess Parvathi in 2nd tier of the gopuram as Thoniyappar and in 3rd tier as Sattainathar .

Brahma puri,Thoni puram and Venuvanam are some of the puranic names of this place. Since Goddess Kali worshipped this place is called Sirkazhi.

This temple has the highest number of hymns (devara pathigams) rendered by the Moovar - ┬аa tall number of 71 hymns.

This is the place where Saint Thirugnana Sambandar sang his first Thevaram "Thodudaya Seviyan "

It is believed that there was once a great deluge that submerged the entire earth. During this incident, Lord Shiva is believed to have carried the 64 arts with him on a raft (тАЬThoniтАЭ in Tamil) and reached this shrine where he stayed with Goddess Parvathy. Hence this place gets the name, тАЬThonipuramтАЭ and the lord is praised as тАЬSri ThoniapparтАЭ.

Since Lord Brahma is believed to have worshipped Lord Shiva here, the lord is also praised as тАЬSri BhramapureeswararтАЭ.

Asura king named Soorapadman after getting boons tortured all devas .Lord Shiva told them that Lord Muruga will be born to destroy Soorapadman and until that time advised Lord Indra and other devas to stay at Sirkazhi.

It is also believed that lords Brahma, Mahavishnu, Murugan, Indira, Guru Bhagawan, Suryan, Chandran, Rahu, Kethu, Adisheshan, Goddess Kali, sages Parasara, Romasa, Veda Vyasa and Emperor Sibi have worshiped the lord of this temple. Also the birthplace of Gananatha Nayanar - one of the 63 Nayanmars.

The Jeeva samadhi of Sattai Muni ,one of the 18 sidhars is...

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Shreenath SanthanakrishnanShreenath Santhanakrishnan
**Review: Sirkazhi Sattainathar Koil - Brahmapurishwarar** Nestled in the historic town of Sirkazhi in Tamil Nadu, the Sirkazhi Sattainathar Koil, also known as Brahmapurishwarar, stands as a beacon of spiritual and architectural grandeur. Dedicated to Lord Shiva, this ancient temple is not just a place of worship but a living testament to the rich cultural and religious tapestry of the region. Stepping into its precincts, one is immediately struck by the intricate carvings adorning the temple's gopurams (towers) and pillared halls, showcasing the exemplary craftsmanship of the artisans of yore. The sanctum sanctorum houses the deity, Sattainathar or Brahmapurishwarar, radiating a sense of divine serenity and majesty. Legend intertwines with every stone and sculpture here. Stories of Lord Shiva's divine plays and his blessings upon devotees echo through the corridors. The temple's architecture, reflecting the Dravidian style, offers visitors a glimpse into the architectural marvels of ancient Tamil Nadu. The temple's significance extends beyond its religious importance. It serves as a hub of cultural activities, with festivals and rituals that celebrate the town's rich heritage. The vibrant energy during festivals, the resonating chants, and the aromatic scent of incense make every visit a memorable experience. In conclusion, the Sirkazhi Sattainathar Koil - Brahmapurishwarar, with its blend of spirituality, history, and artistry, stands as a timeless gem, beckoning both the devout and the curious to immerse themselves in its divine aura. Sambandar, a distinguished Saiva poet-saint from Tamil Nadu around the 7th century CE, holds a significant position among the sixty-three Nayanars, a group of Tamil Saiva bhakti saints spanning from the 6th to 10th centuries CE. Revered for his profound hymns dedicated to Shiva, his contributions became foundational texts in the Tirumurai, the esteemed religious anthology of Tamil Saiva Siddhanta. Notably, he shared his era with another illustrious Saiva saint, Appar. Born in the devout household of Sivapada Hrudiyar and Bhagavathiar in Sirkazhi, Tamil Nadu, Sambandar's upbringing was deeply rooted in the Saivite Brahmin traditions of the Rig Veda. Iconographically, he is often depicted with a distinct tuft on his head, tilted to the rightтАФa detail found consistently in artistic representations across ages, including those of Arunagirinathar. A captivating legend recounts a divine encounter at the tender age of three, where young Sambandar was graced by the presence of Shiva and Parvati in a temple. Parvati, in a maternal gesture, nursed him, leaving a trace of milk on his lips. When questioned by his father, Sambandar, in his innocence, gestured heavenward and sang the inaugural verse of the Tevaram, "Todudaya Seviyan." By seven, his precocious understanding of the Vedas astounded many, a fact also acknowledged by the venerable Sri Sankaracharya in his poetic tribute, Soundarya Lahari. In essence, Sambandar's life is a testament to divine devotion and literary prowess, making his legacy a cherished part of Tamil cultural and religious heritage.
ERAIANBU EZHILARASUERAIANBU EZHILARASU
This is a magnificent and massive Shiva Temple in Mayiladuthurai town. Infact, it is three Shiva temples built within one temple. Brahmapureeswarar is the main god in this temple, represented by a Linga. This shrine is situated on the ground floor. There is a separate shrine for Goddess, Thirunilai Nayaki. (Parvathi) For Thirugnana Sambanda Nayanar there is a separate large shrine in the temple Sambandar is believed to have received "gnanapaal" from Goddess Parvathi in the temple tank here and he started singing his Devara songs in Mayiladuthurai. Above the Brahmapureeswarar shrine, there is a shrine for Thoniappar, which is represented in a large human form along with Goddess Parvathi. Above this shrine, there is a small shrine for Lord Sattanathar represented in human form in a small statue. Devotes can see and worship Sattanathar through a small window as only the priest is permitted into the shrine which has a small entrance. This temple also has a large shrine for Kaala Bhairavar and a large temple tank. Dharmapuram Aadheenam administers this temple. Maintenance is impeccable. Visiting this temple gives a divine experience.
Arun PrasathArun Prasath
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роЕрогрпИроп ро╡рпИроХрпНроХрокрпНрокроЯрпНроЯ родро┐ро░рпБро╡ро┐ро│роХрпНроХрпБ рокро┐ро░роХро╛роЪрооро╛роХроХрпН роОро░ро┐ропродрпН родрпКроЯроЩрпНроХро┐ропродрпБ. роЕроирпНродрокрпН рокропродрпНродрпИ роЕроЯрпИроирпНрод роОро▓ро┐, рокро┐ро▒рпНроХро╛ро▓родрпНродро┐ро▓рпН роороХро╛рокро▓ро┐ роЪроХрпНроХро░ро╡ро░рпНродрпНродро┐ропро╛роХрокрпН рокро┐ро▒роирпНродродрпБ. роороХро╛рокро▓ро┐роХрпНроХрпБ роорпВройрпНро▒роЯро┐ роорогрпН роХрпЗроЯрпНроХрпБроорпН ро╡ро╛ропрпНроорпИропрпБроЯройрпН ро╡ро╛роорой роЕро╡родро╛ро░роорпН роОроЯрпБродрпНродрпБ, рокрпВрооро┐ропро┐ро▓рпН рокрпБродрпИроирпНродрпБ рооро▒рпИропро┐ро▒ро╛ро░рпН. роЗроирпНродроХрпН роХрпЛропро┐ро▓ро┐ро▓рпН ро╡ро╛ро░роирпНродрпЛро▒рпБроорпН ро╡рпЖро│рпНро│ро┐роХрпНроХро┐ро┤роорпИ роиро│рпНро│ро┐ро░ро╡рпБ рокрпВроЬрпИ роироЯрпИрокрпЖро▒рпБроХро┐ро▒родрпБ. роЗродрпБ роЪрпБроХрпНроХро┐ро░ро╡ро╛ро░ рокрпВроЬрпИ роОройрпНро▒рпБ роЕро┤рпИроХрпНроХрокрпНрокроЯрпБроХро┐ро▒родрпБ. роЗро░ро╡рпБ 9 роорогро┐ропро│ро╡ро┐ро▓рпН родрпКроЯроЩрпНроХрпБроорпН рокрпВроЬрпИ, роиро│рпНро│ро┐ро░ро╡рпБ 12 роорогро┐роХрпНроХрпБ роиро┐ро▒рпИро╡роЯрпИроХро┐ро▒родрпБ. роЗродро▒рпНроХрпБро│рпН роХрпАро┤рпНрокрпН рокро┐ро░роХро╛ро░родрпНродро┐ро▓рпН рокро▓ро┐рокрпАроЯродрпНродро┐ро▒рпНроХрпБ 21 ро╡роХрпИропро╛рой ро╡ро╛роЪройрпИродрпН родро┐ро░ро╡ро┐роп рокрпКро░рпБро│рпНроХро│ро╛ро▓рпН роЕрокро┐ро╖рпЗроХроорпН, роЕро▓роЩрпНроХро╛ро░роорпН, родрпАрокро╛ро░ро╛родройрпИ роироЯроХрпНроХро┐ро▒родрпБ. рокро┐ройрпНройро░рпН, рооро▓рпИ роорпАродрпБ роЕро░рпБро│рпНрокро╛ро▓ро┐роХрпНроХрпБроорпН роЪроЯрпНроЯроиро╛родро░рпБроХрпНроХрпБ рокрпБройрпБроХрпБ роЪроЯрпНроЯроорпН, рокроЪрпНроЪрпИрокрпНрокропро▒рпБ рокро╛ропро╛роЪроорпН, роЙро│рпБроирпНродрпБро╡роЯрпИ роЙро│рпНро│ро┐роЯрпНроЯ роиро┐ро╡рпЗродройроорпН роЪрпЖропрпНродрпБ, родрпАрокро╛ро░ро╛родройрпИ роЪрпЖропрпНропрокрпНрокроЯрпБроХро┐ро▒родрпБ. роХрпЛропро┐ро▓рпН, родро┐ройроорпБроорпН роХро╛ро▓рпИ 6 роорогро┐ роорпБродро▓рпН 12.30 роорогро┐ ро╡ро░рпИ рооро▒рпНро▒рпБроорпН рооро╛ро▓рпИ 4 роорогро┐ роорпБродро▓рпН 8.45 роорогро┐ ро╡ро░рпИ родро┐ро▒роирпНродрпБро│рпНро│родрпБ.
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**Review: Sirkazhi Sattainathar Koil - Brahmapurishwarar** Nestled in the historic town of Sirkazhi in Tamil Nadu, the Sirkazhi Sattainathar Koil, also known as Brahmapurishwarar, stands as a beacon of spiritual and architectural grandeur. Dedicated to Lord Shiva, this ancient temple is not just a place of worship but a living testament to the rich cultural and religious tapestry of the region. Stepping into its precincts, one is immediately struck by the intricate carvings adorning the temple's gopurams (towers) and pillared halls, showcasing the exemplary craftsmanship of the artisans of yore. The sanctum sanctorum houses the deity, Sattainathar or Brahmapurishwarar, radiating a sense of divine serenity and majesty. Legend intertwines with every stone and sculpture here. Stories of Lord Shiva's divine plays and his blessings upon devotees echo through the corridors. The temple's architecture, reflecting the Dravidian style, offers visitors a glimpse into the architectural marvels of ancient Tamil Nadu. The temple's significance extends beyond its religious importance. It serves as a hub of cultural activities, with festivals and rituals that celebrate the town's rich heritage. The vibrant energy during festivals, the resonating chants, and the aromatic scent of incense make every visit a memorable experience. In conclusion, the Sirkazhi Sattainathar Koil - Brahmapurishwarar, with its blend of spirituality, history, and artistry, stands as a timeless gem, beckoning both the devout and the curious to immerse themselves in its divine aura. Sambandar, a distinguished Saiva poet-saint from Tamil Nadu around the 7th century CE, holds a significant position among the sixty-three Nayanars, a group of Tamil Saiva bhakti saints spanning from the 6th to 10th centuries CE. Revered for his profound hymns dedicated to Shiva, his contributions became foundational texts in the Tirumurai, the esteemed religious anthology of Tamil Saiva Siddhanta. Notably, he shared his era with another illustrious Saiva saint, Appar. Born in the devout household of Sivapada Hrudiyar and Bhagavathiar in Sirkazhi, Tamil Nadu, Sambandar's upbringing was deeply rooted in the Saivite Brahmin traditions of the Rig Veda. Iconographically, he is often depicted with a distinct tuft on his head, tilted to the rightтАФa detail found consistently in artistic representations across ages, including those of Arunagirinathar. A captivating legend recounts a divine encounter at the tender age of three, where young Sambandar was graced by the presence of Shiva and Parvati in a temple. Parvati, in a maternal gesture, nursed him, leaving a trace of milk on his lips. When questioned by his father, Sambandar, in his innocence, gestured heavenward and sang the inaugural verse of the Tevaram, "Todudaya Seviyan." By seven, his precocious understanding of the Vedas astounded many, a fact also acknowledged by the venerable Sri Sankaracharya in his poetic tribute, Soundarya Lahari. In essence, Sambandar's life is a testament to divine devotion and literary prowess, making his legacy a cherished part of Tamil cultural and religious heritage.
Shreenath Santhanakrishnan

Shreenath Santhanakrishnan

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This is a magnificent and massive Shiva Temple in Mayiladuthurai town. Infact, it is three Shiva temples built within one temple. Brahmapureeswarar is the main god in this temple, represented by a Linga. This shrine is situated on the ground floor. There is a separate shrine for Goddess, Thirunilai Nayaki. (Parvathi) For Thirugnana Sambanda Nayanar there is a separate large shrine in the temple Sambandar is believed to have received "gnanapaal" from Goddess Parvathi in the temple tank here and he started singing his Devara songs in Mayiladuthurai. Above the Brahmapureeswarar shrine, there is a shrine for Thoniappar, which is represented in a large human form along with Goddess Parvathi. Above this shrine, there is a small shrine for Lord Sattanathar represented in human form in a small statue. Devotes can see and worship Sattanathar through a small window as only the priest is permitted into the shrine which has a small entrance. This temple also has a large shrine for Kaala Bhairavar and a large temple tank. Dharmapuram Aadheenam administers this temple. Maintenance is impeccable. Visiting this temple gives a divine experience.
ERAIANBU EZHILARASU

ERAIANBU EZHILARASU

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Trending Stays Worth the Hype in Tamil Nadu

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рооропро┐ро▓ро╛роЯрпБродрпБро▒рпИ рооро╛ро╡роЯрпНроЯроорпН, роЪрпАро░рпНроХро╛ро┤ро┐ роЪро┐ройрпНройродро░рпБроорокрпБро░родрпНродро┐ро▓рпН роЕроорпИроирпНродрпБро│рпНро│ ро╕рпНро░рпА роЪроЯрпНроЯроиро╛родро░рпН роЖро▓ропроорпН, родро░рпБроорокрпБро░ роЖродрпАрой рокро░ро┐рокро╛ро▓ройродрпНродро┐ро▒рпНроХрпБ роЙроЯрпНрокроЯрпНроЯродрпБ. роЗроЩрпНроХрпБ, роПро┤ро╛роорпН роирпВро▒рпНро▒ро╛рогрпНроЯро┐ро▓рпН роЪрооропроХрпНроХрпБро░ро╡ро░рпНроХро│ро┐ро▓рпН роТро░рпБро╡ро░ро╛роХ роЙро│рпНро│ родро┐ро░рпБроЮро╛ройроЪроорпНрокроирпНродро░рпБроХрпНроХрпБ роЕроорпНрооро╛ роЮро╛ройрокрпНрокро╛ро▓рпН роКроЯрпНроЯро┐роп родро┐ро░рпБродрпНродро▓рооро╛роХроХрпН роХро░рпБродрокрпНрокроЯрпБроХро┐ро▒родрпБ. родро┐ро░рпБроЮро╛ройроЪроорпНрокроирпНродро░рпН роЪрпАро░рпНроХро╛ро┤ро┐ропро┐ро▓рпН роЕро╡родро░ро┐родрпНродро╡ро░рпН. тАЬродрпЛроЯрпБроЯрпИроп роЪрпЖро╡ро┐ропройрпНтАЭ роОройрпНро▒рпБ родрпКроЯроЩрпНроХрпБроорпН родройродрпБ роорпБродро▓рпН родрпЗро╡ро╛ро░родрпНродрпИродрпН родро┐ро░рпБроЮро╛ройроЪроорпНрокроирпНродро░рпН роЗроЩрпНроХрпБ рокро╛роЯро┐ройро╛ро░рпН. роЪро┐ро╡ройрпН роЪрпБропроорпНрокрпБ роорпВро░рпНродрпНродро┐ропро╛роХ роЕро░рпБро│рпНрокро╛ро▓ро┐роХрпНроХро┐ро▒ро╛ро░рпН. роЗроирпНрод роЖро▓ропроорпН, роЪроорпНрокроирпНродро░рпН, роЕрокрпНрокро░рпН, роЪрпБроирпНродро░ро░рпН роорпВро╡ро░рпБроорпН рокро╛роЯро┐роп роЪро┐ро╡родрпНродро▓рооро╛роХрпБроорпН. роЗродрпБ роЪроорпНрокроирпНродро░ро┐ройрпН роЕро╡родро╛ро░родрпНродро▓рооро╛роХроХрпН роХрпВро▒рокрпНрокроЯрпБроХро┐ро▒родрпБ. роХро╛ро╡ро┐ро░ро┐ ро╡роЯроХро░рпИродрпН родро▓роЩрпНроХро│ро┐ро▓рпН 14ро╡родрпБ родро▓рооро╛роХро╡рпБроорпН, роЪро┐ро╡ройро┐ройрпН родрпЗро╡ро╛ро░рокрпН рокро╛роЯро▓рпН рокрпЖро▒рпНро▒ 274 роЪро┐ро╡ро╛ро▓ропроЩрпНроХро│ро┐ро▓рпН 14ро╡родрпБ родрпЗро╡ро╛ро░родрпНродро▓рооро╛роХро╡рпБроорпН, родро┐ро░рпБро╡ро╛роЪроХродрпН родро┐ро░рпБродрпНродро▓роЩрпНроХро│ро┐ро▓рпН роТройрпНро▒ро╛роХро╡рпБроорпН роХрпКрогрпНроЯро╛роЯрокрпНрокроЯрпБроХро┐ро▒родрпБ. роЗроирпНродроХрпН роХрпЛропро┐ро▓ро┐ро▓рпН 47 роХро▓рпНро╡рпЖроЯрпНроЯрпБроХро│рпН роЙро│рпНро│рой. роЪрпЛро┤ рооройрпНройро░рпНроХро│ро┐ройрпН роХро▓рпНро╡рпЖроЯрпНроЯрпБроХро│рпН, ро╡рпАро░ ро╡ро┐ро░рпБрокрпНрокрогрпНрог роЙроЯрпИропро╛ро░рпН рооро▒рпНро▒рпБроорпН роХро┐ро░рпБро╖рпНрогродрпЗро╡ро░ро╛ропро░ро┐ройрпН роХро▓рпНро╡рпЖроЯрпНроЯрпБроХро│рпН роЕроЯроЩрпНроХро┐ропро╡рпИ. роЗро╡рпИ рокро▓ рокро┤роХрпНроХ ро╡ро┤роХрпНроХроЩрпНроХро│рпН, роиро┐ро▓ роЕро│ро╡рпИроХро│рпН рооро▒рпНро▒рпБроорпН родро▓роорпН роорпВро░рпНродрпНродро┐ роЕроорпИрокрпНрокрпБроХро│рпИ ро╡ро┐ро│роХрпНроХрпБроХро┐ройрпНро▒рой. роЪрпАро░рпНроХро╛ро┤ро┐ропро┐ро▓рпН рокрпИро░ро╡ ро╖рпЗродрпНродро┐ро░роорпН "роХро╛роЪро┐ропро┐ро▓рпН рокро╛родро┐ роХро╛ро┤ро┐" роОройрокрпН рокро┤роорпКро┤ро┐ропро╛ро▓рпН рокрпБроХро┤рокрпНрокроЯрпБроХро┐ро▒родрпБ. роХро╛роЪро┐ропрпИ родро░ро┐роЪро┐родрпНрод рокрпБрогрпНрогро┐ропроорпН роЗроЩрпНроХрпБ роХро┐роЯрпИроХрпНроХро┐ро▒родрпБ. роЗро╡рпНро╡ро╛ро▒рпБ, рокро┐ро░роорпНрооро╛, ро╡ро┐ро╖рпНрогрпБ, роЪро┐ро╡ройрпН, рокро╛ро░рпНро╡родро┐, ро▓роЯрпНроЪрпБрооро┐, роЪро░ро╕рпНро╡родро┐, роорпВро▓ро╡ро░рпН рооро▒рпНро▒рпБроорпН роЙро▒рпНроЪро╡ро░рпН роЖроХро┐ропрпЛро░рпН роХрпИро▓ро╛ропроХрпН роХро╛роЯрпНроЪро┐ропро┐ро▓рпН роЙро│рпНро│ роТро░рпЗ родро▓рооро╛роХ роЪрпАро░рпНроХро╛ро┤ро┐ роЗро░рпБроХрпНроХро┐ро▒родрпБ. роорпВройрпНро▒рпБ родро│роЩрпНроХро│ро┐ро▓рпН роЕроорпИроирпНродрпБро│рпНро│ роЗроирпНрод роЖро▓ропродрпНродро┐ро▓рпН, роорпБродро▓рпН родро│родрпНродро┐ро▓рпН рокро┐ро░роорпНроорокрпБро░рпАро╕рпНро╡ро░ро░рпН, роЗро░рогрпНроЯро╛ро╡родрпБ родро│родрпНродро┐ро▓рпН рооро▓рпИроорпАродрпБ роЪро┐ро╡ройрпН-рокро╛ро░рпНро╡родро┐ роХрпИро▓ро╛ропроХрпН роХро╛роЯрпНроЪро┐ропрпИ роЙрогро░рпНродрпНродрпБроорпН родрпЛрогро┐ропрокрпНрокро░рпН роЙрооро╛роороХрпЗро╕рпНро╡ро░ро┐ роХрпЛро▓родрпНродро┐ро▓рпН, роорпВройрпНро▒ро╛ро╡родрпБ родро│родрпНродро┐ро▓рпН роорпБродрпНродрпБ роЪроЯрпНроЯроиро╛родро░рпН роЖроХро┐роп роорпВройрпНро▒рпБ ро╡ро┐родрооро╛роХ роЪро┐ро╡рокрпЖро░рпБрооро╛ройро╛ро▓рпН роЕро░рпБро│рпНрокро╛ро▓ро┐роХрпНроХро┐ро▒ро╛ро░рпН. родро┐ро░рпБроорпБро▓рпИрокрпНрокро╛ро▓рпН роЙро▒рпНроЪро╡роорпН роЪрпБрооро╛ро░рпН 1400 роЖрогрпНроЯрпБроХро│рпБроХрпНроХрпБ роорпБройрпНрокрпБ роЙро▓роХрооро╛родро╛ рокрпЖро░ро┐ропроиро╛ропроХро┐ роЕроорпНроорпИропро┐ройрпН роХрпБро┤роирпНродрпИ роЪроорпНрокроирпНродро░рпБроХрпНроХрпБ роЮро╛ройрокрпНрокро╛ро▓рпН роКроЯрпНроЯро┐роп ро╡ро░ро▓ро╛ро▒рпНро▒рпИроХрпН роХрпБро▒ро┐рокрпНрокро┐роЯрпБроХро┐ро▒родрпБ. роЖрогрпНроЯрпБродрпЛро▒рпБроорпН роЪро┐родрпНродро┐ро░рпИ рооро╛родродрпНродро┐ро▓рпН роЗро░рогрпНроЯро╛роорпН роиро╛ро│рпН родро┐ро░рпБро╡ро┐ро┤ро╛ родро┐ро░рпБроорпБро▓рпИрокрпНрокро╛ро▓рпН роЙро▒рпНроЪро╡рооро╛роХроХрпН роХрпКрогрпНроЯро╛роЯрокрпНрокроЯрпБроХро┐ро▒родрпБ. роЪро┐родрпНродро┐ро░рпИ рокро┐ро░роорпНроорпЛро▒рпНроЪро╡родрпНродро┐ро▓рпН роЗро░рогрпНроЯро╛роорпН роиро╛ро│рпН родро┐ро░рпБро╡ро╛родро┐ро░рпИ роироЯрпНроЪродрпНродро┐ро░родрпНродро┐ро▓рпН роЗро╡рпНро╡ро┐ро┤ро╛ роироЯрпИрокрпЖро▒рпБроорпН. родро┐ро░рпБро╡ро╛родро┐ро░рпИ роиро╛ро│ро┐ро▓рпН родро┐ро░рпБроЮро╛ройроЪроорпНрокроирпНродро░ро┐ройрпН рокро┐ро▒роирпНрод роиро╛ро│рпБроорпН, роЮро╛ройрокрпНрокро╛ро▓рпН роЙрогрпНроЯ роиро╛ро│рпН, роЗро▒рпИро╡ройрпБроЯройрпН роХро▓роирпНрод роиро╛ро│рпН роОрой роЕройрпИродрпНродрпБроорпН роТро░рпБ родро┐ро░рпБро╡ро╛родро┐ро░рпИ роиро╛ро│ро┐ро▓рпН родро╛ройрпН роЗроЯроорпНрокрпЖро▒рпНро▒родрпБ. ро╡рпЖро│рпНро│ро┐роХрпНроХро┐ро┤роорпИ роЗро░ро╡рпБ роЪрпБроХрпНроХро┐ро░ро╡ро╛ро░ рокрпВроЬрпИ, роЪрпАро░рпНроХро╛ро┤ро┐ роХрпЛро╡ро┐ро▓ро┐ро▓рпН роЪро┐ро╡рокрпЖро░рпБрооро╛ройрпН роЪроЯрпНроЯроиро╛родро░рпН, ро╡роЯрпБроХроиро╛родро░рпН, родрогрпНроЯрокро╛рогро┐, роЖрокродрпНродрпБродро╛ро░рогро░рпН роОрой рокро▓ родро┐ро░рпБроиро╛роороЩрпНроХро│рпЛроЯрпБ ро╡ро┐ро│роЩрпНроХро┐ро╡ро░рпБроХро┐ро▒ро╛ро░рпН. роорпБройрпНрокрпБ роОро▓ро┐ роЪро┐ро╡ройрпН роЪройрпНройродро┐ропро┐ро▓рпН роЪрпБро▒рпНро▒ро┐роп рокрпЛродрпБ, роЕродройрпН ро╡ро╛ро▓рпН роирпБройро┐ роЕрогрпИроп ро╡рпИроХрпНроХрокрпНрокроЯрпНроЯ родро┐ро░рпБро╡ро┐ро│роХрпНроХрпБ рокро┐ро░роХро╛роЪрооро╛роХроХрпН роОро░ро┐ропродрпН родрпКроЯроЩрпНроХро┐ропродрпБ. роЕроирпНродрокрпН рокропродрпНродрпИ роЕроЯрпИроирпНрод роОро▓ро┐, рокро┐ро▒рпНроХро╛ро▓родрпНродро┐ро▓рпН роороХро╛рокро▓ро┐ роЪроХрпНроХро░ро╡ро░рпНродрпНродро┐ропро╛роХрокрпН рокро┐ро▒роирпНродродрпБ. роороХро╛рокро▓ро┐роХрпНроХрпБ роорпВройрпНро▒роЯро┐ роорогрпН роХрпЗроЯрпНроХрпБроорпН ро╡ро╛ропрпНроорпИропрпБроЯройрпН ро╡ро╛роорой роЕро╡родро╛ро░роорпН роОроЯрпБродрпНродрпБ, рокрпВрооро┐ропро┐ро▓рпН рокрпБродрпИроирпНродрпБ рооро▒рпИропро┐ро▒ро╛ро░рпН. роЗроирпНродроХрпН роХрпЛропро┐ро▓ро┐ро▓рпН ро╡ро╛ро░роирпНродрпЛро▒рпБроорпН ро╡рпЖро│рпНро│ро┐роХрпНроХро┐ро┤роорпИ роиро│рпНро│ро┐ро░ро╡рпБ рокрпВроЬрпИ роироЯрпИрокрпЖро▒рпБроХро┐ро▒родрпБ. роЗродрпБ роЪрпБроХрпНроХро┐ро░ро╡ро╛ро░ рокрпВроЬрпИ роОройрпНро▒рпБ роЕро┤рпИроХрпНроХрокрпНрокроЯрпБроХро┐ро▒родрпБ. роЗро░ро╡рпБ 9 роорогро┐ропро│ро╡ро┐ро▓рпН родрпКроЯроЩрпНроХрпБроорпН рокрпВроЬрпИ, роиро│рпНро│ро┐ро░ро╡рпБ 12 роорогро┐роХрпНроХрпБ роиро┐ро▒рпИро╡роЯрпИроХро┐ро▒родрпБ. роЗродро▒рпНроХрпБро│рпН роХрпАро┤рпНрокрпН рокро┐ро░роХро╛ро░родрпНродро┐ро▓рпН рокро▓ро┐рокрпАроЯродрпНродро┐ро▒рпНроХрпБ 21 ро╡роХрпИропро╛рой ро╡ро╛роЪройрпИродрпН родро┐ро░ро╡ро┐роп рокрпКро░рпБро│рпНроХро│ро╛ро▓рпН роЕрокро┐ро╖рпЗроХроорпН, роЕро▓роЩрпНроХро╛ро░роорпН, родрпАрокро╛ро░ро╛родройрпИ роироЯроХрпНроХро┐ро▒родрпБ. рокро┐ройрпНройро░рпН, рооро▓рпИ роорпАродрпБ роЕро░рпБро│рпНрокро╛ро▓ро┐роХрпНроХрпБроорпН роЪроЯрпНроЯроиро╛родро░рпБроХрпНроХрпБ рокрпБройрпБроХрпБ роЪроЯрпНроЯроорпН, рокроЪрпНроЪрпИрокрпНрокропро▒рпБ рокро╛ропро╛роЪроорпН, роЙро│рпБроирпНродрпБро╡роЯрпИ роЙро│рпНро│ро┐роЯрпНроЯ роиро┐ро╡рпЗродройроорпН роЪрпЖропрпНродрпБ, родрпАрокро╛ро░ро╛родройрпИ роЪрпЖропрпНропрокрпНрокроЯрпБроХро┐ро▒родрпБ. роХрпЛропро┐ро▓рпН, родро┐ройроорпБроорпН роХро╛ро▓рпИ 6 роорогро┐ роорпБродро▓рпН 12.30 роорогро┐ ро╡ро░рпИ рооро▒рпНро▒рпБроорпН рооро╛ро▓рпИ 4 роорогро┐ роорпБродро▓рпН 8.45 роорогро┐ ро╡ро░рпИ родро┐ро▒роирпНродрпБро│рпНро│родрпБ.
Arun Prasath

Arun Prasath

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