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Labirinto della Masone β€” Attraction in Fontanellato

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Labirinto della Masone
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Il Labirinto Ristorante BistrΓ² Parma
Str. Masone, 121, 43012 Parma PR, Italy
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Labirinto della Masone things to do, attractions, restaurants, events info and trip planning
Labirinto della Masone
ItalyEmilia-RomagnaFontanellatoLabirinto della Masone

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Labirinto della Masone

Str. Masone, 121, 43012 Parma PR, Italy
4.4(3.6K)
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attractions: , restaurants: Il Labirinto Ristorante BistrΓ² Parma
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Phone
+39 0521 827081
Website
labirintodifrancomariaricci.it
Open hoursSee all hours
Fri10:30 AM - 7 PMClosed

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Things to do nearby

Taste and see how Parmesan and prosciutto are made
Taste and see how Parmesan and prosciutto are made
Thu, Dec 4 β€’ 8:30 AM
43122, Parma, Emilia-Romagna, Italy
View details
Homemade Pasta in a Peaceful Medieval Village
Homemade Pasta in a Peaceful Medieval Village
Thu, Dec 4 β€’ 11:00 AM
43121, Parma, Emilia-Romagna, Italy
View details
Labirinto della Masone: Biglietto dingresso
Labirinto della Masone: Biglietto dingresso
Thu, Dec 4 β€’ 9:30 AM
Strada Masone, 121, Fontanellato, 43012
View details

Nearby restaurants of Labirinto della Masone

Il Labirinto Ristorante BistrΓ² Parma

Il Labirinto Ristorante BistrΓ² Parma

Il Labirinto Ristorante BistrΓ² Parma

4.2

(71)

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Anna AgliettiAnna Aglietti
The collection shows the quirky genius of Franco Maria Ricci, Italian publisher extraordinaire. Friend of Borges and Erté, Franco Maria Ricci (FMR) recruited the best litrary talents and scouted for the strangest visual suggestions; he produced and published beautiful and weird works of art, among which the stunning Codex Seraphinianum. Works by Wildt, Erté, Chiparus and Ligabue are on display. The Labyrinth is a multi-layered metaphysic reflection, an ode to bamboo, and some good sport on top of it (take a picture of the map, it will help you!). Only cloud on an otherwise spotless experience: the food offer (at the Cafè, Bistrot and Bottega) is limited and seriously overpriced. Head to the nearby Fontanellato and stop at the friendly Salsamenteria for a rewarding snack or lunch.
VictoriariumVictoriarium
𝑻𝒓𝒂 π’”π’π’ˆπ’π’ 𝒆 π’Žπ’Šπ’”π’•π’†π’“π’: 𝒍𝒂 π’Žπ’Šπ’‚ π’†π’”π’‘π’†π’“π’Šπ’†π’π’›π’‚ 𝒂𝒍 π‘³π’‚π’ƒπ’Šπ’“π’Šπ’π’•π’ 𝒅𝒆𝒍𝒍𝒂 𝑴𝒂𝒔𝒐𝒏𝒆 🌿✨ 𝐢’è 𝑒𝑛 π‘šπ‘œπ‘šπ‘’π‘›π‘‘π‘œ, π‘£π‘Žπ‘Ÿπ‘π‘Žπ‘‘π‘œ π‘™β€™π‘–π‘›π‘”π‘Ÿπ‘’π‘ π‘ π‘œ 𝑑𝑒𝑙 πΏπ‘Žπ‘π‘–π‘Ÿπ‘–π‘›π‘‘π‘œ π‘‘π‘’π‘™π‘™π‘Ž π‘€π‘Žπ‘ π‘œπ‘›π‘’, 𝑖𝑛 𝑐𝑒𝑖 𝑠𝑖 β„Žπ‘Ž π‘™π‘Ž π‘ π‘’π‘›π‘ π‘Žπ‘§π‘–π‘œπ‘›π‘’ 𝑑𝑖 π‘Žπ‘π‘π‘Žπ‘›π‘‘π‘œπ‘›π‘Žπ‘Ÿπ‘’ 𝑖𝑙 π‘šπ‘œπ‘›π‘‘π‘œ π‘Ÿπ‘’π‘Žπ‘™π‘’ π‘π‘’π‘Ÿ π‘’π‘›π‘‘π‘Ÿπ‘Žπ‘Ÿπ‘’ 𝑖𝑛 𝑒𝑛 π‘™π‘’π‘œπ‘”π‘œ π‘ π‘œπ‘ π‘π‘’π‘ π‘œ 𝑛𝑒𝑙 π‘‘π‘’π‘šπ‘π‘œ. π‘ˆπ‘›β€™π‘–π‘šπ‘šπ‘’π‘›π‘ π‘Ž π‘‘π‘–π‘ π‘‘π‘’π‘ π‘Ž π‘£π‘’π‘Ÿπ‘‘π‘’ 𝑠𝑖 π‘Žπ‘π‘Ÿπ‘’ π‘‘π‘Žπ‘£π‘Žπ‘›π‘‘π‘– π‘Žπ‘”π‘™π‘– π‘œπ‘π‘β„Žπ‘–, π‘“π‘Žπ‘‘π‘‘π‘Ž 𝑑𝑖 π‘ π‘’π‘›π‘‘π‘–π‘’π‘Ÿπ‘– π‘–π‘›π‘‘π‘Ÿπ‘’π‘π‘π‘–π‘Žπ‘‘π‘–, 𝑠𝑖𝑙𝑒𝑛𝑧𝑖 π‘Žπ‘›π‘‘π‘–π‘β„Žπ‘– 𝑒 π‘žπ‘’π‘’π‘™ π‘ π‘’π‘›π‘ π‘œ π‘ π‘œπ‘‘π‘‘π‘–π‘™π‘’ 𝑑𝑖 π‘Žπ‘£π‘£π‘’π‘›π‘‘π‘’π‘Ÿπ‘Ž π‘β„Žπ‘’ π‘ π‘œπ‘™π‘œ 𝑖 π‘£π‘’π‘Ÿπ‘– π‘™π‘Žπ‘π‘–π‘Ÿπ‘–π‘›π‘‘π‘– π‘Ÿπ‘–π‘’π‘ π‘π‘œπ‘›π‘œ π‘Ž π‘’π‘£π‘œπ‘π‘Žπ‘Ÿπ‘’ πŸŒ€πŸŒ³. π‘†π‘–π‘Žπ‘šπ‘œ π‘Žπ‘Ÿπ‘Ÿπ‘–π‘£π‘Žπ‘‘π‘– 𝑖𝑛 π‘’π‘›π‘Ž π‘”π‘–π‘œπ‘Ÿπ‘›π‘Žπ‘‘π‘Ž π‘‘β€™π‘’π‘ π‘‘π‘Žπ‘‘π‘’, 𝑛𝑒𝑙 π‘π‘’π‘œπ‘Ÿπ‘’ 𝑑𝑖 π‘Žπ‘”π‘œπ‘ π‘‘π‘œ β˜€οΈ, π‘π‘œπ‘› 𝑖𝑙 π‘ π‘œπ‘™π‘’ π‘Žπ‘™π‘‘π‘œ 𝑒 π‘™β€™π‘Žπ‘Ÿπ‘–π‘Ž π‘π‘Žπ‘™π‘‘π‘Ž π‘β„Žπ‘’ π‘£π‘–π‘π‘Ÿπ‘Žπ‘£π‘Ž 𝑠𝑒𝑙𝑙𝑒 π‘π‘–π‘’π‘‘π‘Ÿπ‘’ 𝑑𝑒𝑙 π‘π‘Žπ‘šπ‘šπ‘–π‘›π‘œ. πΏβ€™π‘’π‘›π‘‘π‘’π‘ π‘–π‘Žπ‘ π‘šπ‘œ π‘’π‘Ÿπ‘Ž π‘”π‘Ÿπ‘Žπ‘›π‘‘π‘’, 𝑖𝑙 π‘‘π‘’π‘ π‘–π‘‘π‘’π‘Ÿπ‘–π‘œ 𝑑𝑖 π‘π‘’π‘Ÿπ‘‘π‘’π‘Ÿπ‘π‘– π‘‘π‘Ÿπ‘Ž 𝑖 π‘π‘œπ‘Ÿπ‘Ÿπ‘–π‘‘π‘œπ‘– 𝑑𝑖 π‘π‘Žπ‘šπ‘ΓΉ π‘Žπ‘›π‘π‘œπ‘Ÿπ‘Ž 𝑝𝑖ù π‘“π‘œπ‘Ÿπ‘‘π‘’. 𝑂𝑔𝑛𝑖 π‘π‘Žπ‘ π‘ π‘œ π‘‘π‘’π‘›π‘‘π‘Ÿπ‘œ 𝑖𝑙 π‘™π‘Žπ‘π‘–π‘Ÿπ‘–π‘›π‘‘π‘œ π‘’π‘Ÿπ‘Ž π‘’π‘›π‘Ž π‘ π‘π‘œπ‘π‘’π‘Ÿπ‘‘π‘Ž: 𝑖𝑙 π‘“π‘Ÿπ‘’π‘ π‘π‘–π‘œ π‘™π‘’π‘”π‘”π‘’π‘Ÿπ‘œ 𝑑𝑒𝑙𝑙𝑒 π‘“π‘œπ‘”π‘™π‘–π‘’, 𝑙𝑒 π‘œπ‘šπ‘π‘Ÿπ‘’ π‘β„Žπ‘’ 𝑠𝑖 π‘Žπ‘™π‘™π‘’π‘›π‘”π‘Žπ‘£π‘Žπ‘›π‘œ 𝑠𝑒𝑖 π‘ π‘’π‘›π‘‘π‘–π‘’π‘Ÿπ‘–, π‘™π‘Ž π‘‘π‘œπ‘™π‘π‘’ π‘–π‘›π‘π‘’π‘Ÿπ‘‘π‘’π‘§π‘§π‘Ž 𝑑𝑖 π‘›π‘œπ‘› π‘ π‘Žπ‘π‘’π‘Ÿπ‘’ π‘‘π‘œπ‘£π‘’ 𝑐𝑖 π‘Žπ‘£π‘Ÿπ‘’π‘π‘π‘’π‘Ÿπ‘œ π‘π‘œπ‘›π‘‘π‘œπ‘‘π‘‘π‘œ 𝑖 π‘π‘Ÿπ‘œπ‘ π‘ π‘–π‘šπ‘– 𝑏𝑖𝑣𝑖. 𝐢𝑖 π‘ π‘–π‘Žπ‘šπ‘œ π‘™π‘Žπ‘ π‘π‘–π‘Žπ‘‘π‘– π‘”π‘’π‘–π‘‘π‘Žπ‘Ÿπ‘’ π‘‘π‘Žπ‘– 𝑠𝑒𝑛𝑠𝑖, π‘π‘œπ‘šπ‘’ π‘π‘–π‘π‘π‘œπ‘™π‘– π‘’π‘ π‘π‘™π‘œπ‘Ÿπ‘Žπ‘‘π‘œπ‘Ÿπ‘– 𝑖𝑛 π‘π‘’π‘Ÿπ‘π‘Ž π‘‘π‘’π‘™π‘™π‘Ž π‘£π‘–π‘Ž π‘‘β€™π‘’π‘ π‘π‘–π‘‘π‘Ž πŸŒΏπŸšΆβ€β™‚οΈπŸšΆβ€β™€οΈ. πΏβ€™π‘–π‘šπ‘π‘œπ‘›π‘’π‘›π‘§π‘Ž 𝑑𝑒𝑙 π‘™π‘’π‘œπ‘”π‘œ 𝑑𝑖 π‘Žπ‘£π‘£π‘œπ‘™π‘”π‘’ 𝑖𝑛 𝑒𝑛 π‘Žπ‘π‘π‘Ÿπ‘Žπ‘π‘π‘–π‘œ π‘£π‘’π‘Ÿπ‘‘π‘’, 𝑒 π‘œπ‘”π‘›π‘– π‘‘π‘Žπ‘›π‘‘π‘œ β€” π‘›π‘Žπ‘ π‘π‘œπ‘ π‘‘π‘– π‘‘π‘Ÿπ‘Ž 𝑙𝑒 π‘“π‘œπ‘”π‘™π‘–π‘’ β€” π‘ π‘π‘œπ‘Ÿπ‘π‘– 𝑑𝑖 π‘π‘–π‘’π‘™π‘œ π‘™π‘–π‘šπ‘π‘–π‘‘π‘œ 𝑐𝑖 π‘Ÿπ‘–π‘π‘œπ‘Ÿπ‘‘π‘Žπ‘£π‘Žπ‘›π‘œ π‘™π‘Ž π‘π‘’π‘™π‘™π‘’π‘§π‘§π‘Ž π‘ π‘’π‘šπ‘π‘™π‘–π‘π‘’ π‘‘π‘’π‘™π‘™β€™π‘’π‘ π‘ π‘’π‘Ÿπ‘’ π‘–π‘šπ‘šπ‘’π‘Ÿπ‘ π‘– π‘›π‘’π‘™π‘™π‘Ž π‘›π‘Žπ‘‘π‘’π‘Ÿπ‘Ž. πΈπ‘π‘π‘’π‘Ÿπ‘’, π‘›π‘œπ‘› π‘π‘œπ‘ π‘ π‘œ π‘›π‘’π‘”π‘Žπ‘Ÿπ‘™π‘œ: 𝑖𝑙 π‘π‘Žπ‘™π‘‘π‘œ π‘–π‘›π‘‘π‘’π‘›π‘ π‘œ 𝑑𝑖 π‘Žπ‘”π‘œπ‘ π‘‘π‘œ πŸ”₯ π‘Ÿπ‘’π‘›π‘‘π‘’π‘£π‘Ž 𝑑𝑖𝑓𝑓𝑖𝑐𝑖𝑙𝑒 π‘”π‘œπ‘‘π‘’π‘Ÿπ‘ π‘– π‘Žπ‘π‘π‘–π‘’π‘›π‘œ π‘œπ‘”π‘›π‘– π‘Žπ‘›π‘”π‘œπ‘™π‘œ 𝑑𝑖 π‘žπ‘’π‘’π‘ π‘‘π‘œ π‘–π‘›π‘π‘Žπ‘›π‘‘π‘’π‘£π‘œπ‘™π‘’ π‘‘π‘’π‘‘π‘Žπ‘™π‘œ. 𝐼𝑙 π‘π‘œπ‘›π‘ π‘–π‘”π‘™π‘–π‘œ π‘β„Žπ‘’ π‘π‘œπ‘Ÿπ‘‘π‘œ 𝑛𝑒𝑙 π‘π‘’π‘œπ‘Ÿπ‘’ π‘π‘’π‘Ÿ π‘β„Žπ‘– π‘£π‘œπ‘Ÿπ‘ŸΓ  π‘£π‘–π‘£π‘’π‘Ÿπ‘’ π‘žπ‘’π‘’π‘ π‘‘π‘Ž π‘’π‘ π‘π‘’π‘Ÿπ‘–π‘’π‘›π‘§π‘Ž Γ¨ π‘ π‘’π‘šπ‘π‘™π‘–π‘π‘’: 𝑠𝑐𝑒𝑔𝑙𝑖𝑒𝑑𝑒 π‘’π‘›π‘Ž π‘”π‘–π‘œπ‘Ÿπ‘›π‘Žπ‘‘π‘Ž 𝑝𝑖ù π‘“π‘Ÿπ‘’π‘ π‘π‘Ž, π‘šπ‘Žπ‘”π‘Žπ‘Ÿπ‘– 𝑖𝑛 π‘π‘Ÿπ‘–π‘šπ‘Žπ‘£π‘’π‘Ÿπ‘Ž 🌸 π‘œ 𝑖𝑛 π‘Žπ‘’π‘‘π‘’π‘›π‘›π‘œ πŸ‚, π‘žπ‘’π‘Žπ‘›π‘‘π‘œ 𝑖𝑙 π‘£π‘’π‘›π‘‘π‘œ π‘Žπ‘π‘π‘Žπ‘Ÿπ‘’π‘§π‘§π‘Ž π‘‘π‘œπ‘™π‘π‘’π‘šπ‘’π‘›π‘‘π‘’ 𝑖 π‘ π‘’π‘›π‘‘π‘–π‘’π‘Ÿπ‘– 𝑒 π‘π‘Žπ‘šπ‘šπ‘–π‘›π‘Žπ‘Ÿπ‘’ π‘‘π‘Ÿπ‘Ž 𝑖 π‘π‘Žπ‘šπ‘ΓΉ π‘‘π‘–π‘£π‘’π‘›π‘‘π‘Ž π‘Žπ‘›π‘π‘œπ‘Ÿπ‘Ž 𝑝𝑖ù π‘šπ‘Žπ‘”π‘–π‘π‘œ. π·π‘œπ‘π‘œ 𝑖𝑙 π‘π‘’π‘Ÿπ‘π‘œπ‘Ÿπ‘ π‘œ 𝑛𝑒𝑙 π‘™π‘Žπ‘π‘–π‘Ÿπ‘–π‘›π‘‘π‘œ, 𝑐𝑖 π‘ π‘–π‘Žπ‘šπ‘œ π‘“π‘’π‘Ÿπ‘šπ‘Žπ‘‘π‘– π‘Ž π‘£π‘–π‘ π‘–π‘‘π‘Žπ‘Ÿπ‘’ π‘™β€™π‘’π‘™π‘’π‘”π‘Žπ‘›π‘‘π‘’ π‘π‘œπ‘šπ‘π‘™π‘’π‘ π‘ π‘œ π‘Žπ‘Ÿπ‘β„Žπ‘–π‘‘π‘’π‘‘π‘‘π‘œπ‘›π‘–π‘π‘œ π‘β„Žπ‘’ π‘œπ‘ π‘π‘–π‘‘π‘Ž π‘œπ‘π‘’π‘Ÿπ‘’ 𝑑'π‘Žπ‘Ÿπ‘‘π‘’ 𝑒 π‘ π‘π‘Žπ‘§π‘– π‘π‘’π‘™π‘‘π‘’π‘Ÿπ‘Žπ‘™π‘– πŸŽ¨πŸ“–: 𝑒𝑛 π‘Ÿπ‘–π‘“π‘’π‘”π‘–π‘œ π‘π‘’π‘Ÿπ‘“π‘’π‘‘π‘‘π‘œ π‘π‘’π‘Ÿ π‘β„Žπ‘–, π‘π‘œπ‘šπ‘’ π‘šπ‘’, π‘Žπ‘šπ‘Ž π‘Žπ‘π‘π‘–π‘›π‘Žπ‘Ÿπ‘’ π‘™π‘Ž π‘π‘’π‘™π‘™π‘’π‘§π‘§π‘Ž π‘›π‘Žπ‘‘π‘’π‘Ÿπ‘Žπ‘™π‘’ π‘Žπ‘™π‘™π‘Ž π‘šπ‘’π‘Ÿπ‘Žπ‘£π‘–π‘”π‘™π‘–π‘Ž 𝑑𝑒𝑙𝑙'π‘Žπ‘Ÿπ‘‘π‘’ 𝑒 𝑑𝑒𝑙 π‘π‘’π‘›π‘ π‘–π‘’π‘Ÿπ‘œ. π‘‡π‘Ÿπ‘Ž π‘ π‘Žπ‘™π‘’ π‘™π‘’π‘šπ‘–π‘›π‘œπ‘ π‘’ 𝑒 π‘π‘œπ‘Ÿπ‘Ÿπ‘–π‘‘π‘œπ‘– π‘ π‘–π‘™π‘’π‘›π‘§π‘–π‘œπ‘ π‘–, π‘Žπ‘π‘π‘–π‘Žπ‘šπ‘œ π‘Ÿπ‘’π‘ π‘π‘–π‘Ÿπ‘Žπ‘‘π‘œ π‘ π‘‘π‘œπ‘Ÿπ‘–π‘Ž, π‘π‘’π‘™π‘‘π‘’π‘Ÿπ‘Ž 𝑒 π‘–π‘ π‘π‘–π‘Ÿπ‘Žπ‘§π‘–π‘œπ‘›π‘’. π‘ˆπ‘ π‘π‘–π‘Ÿπ‘’ π‘‘π‘Žπ‘™ πΏπ‘Žπ‘π‘–π‘Ÿπ‘–π‘›π‘‘π‘œ π‘‘π‘’π‘™π‘™π‘Ž π‘€π‘Žπ‘ π‘œπ‘›π‘’ Γ¨ π‘ π‘‘π‘Žπ‘‘π‘œ π‘π‘œπ‘šπ‘’ π‘ π‘£π‘’π‘”π‘™π‘–π‘Žπ‘Ÿπ‘ π‘– π‘‘π‘Ž 𝑒𝑛 π‘ π‘œπ‘”π‘›π‘œ: π‘’π‘›π‘Ž π‘π‘Žπ‘Ÿπ‘‘π‘’ 𝑑𝑖 π‘›π‘œπ‘– π‘’π‘Ÿπ‘Ž π‘Žπ‘›π‘π‘œπ‘Ÿπ‘Ž 𝑙ì, π‘‘π‘Ÿπ‘Ž π‘žπ‘’π‘’π‘™π‘™π‘’ 𝑖𝑛𝑓𝑖𝑛𝑖𝑑𝑒 π‘ π‘‘π‘Ÿπ‘Žπ‘‘π‘’ 𝑑𝑖 π‘£π‘’π‘Ÿπ‘‘π‘’ 𝑒 π‘‘π‘’π‘ π‘–π‘‘π‘’π‘Ÿπ‘– π‘›π‘Žπ‘ π‘π‘œπ‘ π‘‘π‘– ✨.
Hamed KhajehmirzaHamed Khajehmirza
The best part was the art collection which was pretty neat and interesting. The labyrinth was also nice. Unfortunately there are some factors that make the experience less enjoyable. To begin with, as most people mentioned the ticket price is extremely high compared to much more famous and richer museums/gardens. Also, there is not a single way to get there if you do not have your own car except by walking on the road for an hour which makes it very difficult to reach. For such an expensive place, there should be a shuttle service at least. The labyrinth was clean and nice yet I believe there could be more interesting elements embedded in it like fountains etc.
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The collection shows the quirky genius of Franco Maria Ricci, Italian publisher extraordinaire. Friend of Borges and Erté, Franco Maria Ricci (FMR) recruited the best litrary talents and scouted for the strangest visual suggestions; he produced and published beautiful and weird works of art, among which the stunning Codex Seraphinianum. Works by Wildt, Erté, Chiparus and Ligabue are on display. The Labyrinth is a multi-layered metaphysic reflection, an ode to bamboo, and some good sport on top of it (take a picture of the map, it will help you!). Only cloud on an otherwise spotless experience: the food offer (at the Cafè, Bistrot and Bottega) is limited and seriously overpriced. Head to the nearby Fontanellato and stop at the friendly Salsamenteria for a rewarding snack or lunch.
Anna Aglietti

Anna Aglietti

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𝑻𝒓𝒂 π’”π’π’ˆπ’π’ 𝒆 π’Žπ’Šπ’”π’•π’†π’“π’: 𝒍𝒂 π’Žπ’Šπ’‚ π’†π’”π’‘π’†π’“π’Šπ’†π’π’›π’‚ 𝒂𝒍 π‘³π’‚π’ƒπ’Šπ’“π’Šπ’π’•π’ 𝒅𝒆𝒍𝒍𝒂 𝑴𝒂𝒔𝒐𝒏𝒆 🌿✨ 𝐢’è 𝑒𝑛 π‘šπ‘œπ‘šπ‘’π‘›π‘‘π‘œ, π‘£π‘Žπ‘Ÿπ‘π‘Žπ‘‘π‘œ π‘™β€™π‘–π‘›π‘”π‘Ÿπ‘’π‘ π‘ π‘œ 𝑑𝑒𝑙 πΏπ‘Žπ‘π‘–π‘Ÿπ‘–π‘›π‘‘π‘œ π‘‘π‘’π‘™π‘™π‘Ž π‘€π‘Žπ‘ π‘œπ‘›π‘’, 𝑖𝑛 𝑐𝑒𝑖 𝑠𝑖 β„Žπ‘Ž π‘™π‘Ž π‘ π‘’π‘›π‘ π‘Žπ‘§π‘–π‘œπ‘›π‘’ 𝑑𝑖 π‘Žπ‘π‘π‘Žπ‘›π‘‘π‘œπ‘›π‘Žπ‘Ÿπ‘’ 𝑖𝑙 π‘šπ‘œπ‘›π‘‘π‘œ π‘Ÿπ‘’π‘Žπ‘™π‘’ π‘π‘’π‘Ÿ π‘’π‘›π‘‘π‘Ÿπ‘Žπ‘Ÿπ‘’ 𝑖𝑛 𝑒𝑛 π‘™π‘’π‘œπ‘”π‘œ π‘ π‘œπ‘ π‘π‘’π‘ π‘œ 𝑛𝑒𝑙 π‘‘π‘’π‘šπ‘π‘œ. π‘ˆπ‘›β€™π‘–π‘šπ‘šπ‘’π‘›π‘ π‘Ž π‘‘π‘–π‘ π‘‘π‘’π‘ π‘Ž π‘£π‘’π‘Ÿπ‘‘π‘’ 𝑠𝑖 π‘Žπ‘π‘Ÿπ‘’ π‘‘π‘Žπ‘£π‘Žπ‘›π‘‘π‘– π‘Žπ‘”π‘™π‘– π‘œπ‘π‘β„Žπ‘–, π‘“π‘Žπ‘‘π‘‘π‘Ž 𝑑𝑖 π‘ π‘’π‘›π‘‘π‘–π‘’π‘Ÿπ‘– π‘–π‘›π‘‘π‘Ÿπ‘’π‘π‘π‘–π‘Žπ‘‘π‘–, 𝑠𝑖𝑙𝑒𝑛𝑧𝑖 π‘Žπ‘›π‘‘π‘–π‘β„Žπ‘– 𝑒 π‘žπ‘’π‘’π‘™ π‘ π‘’π‘›π‘ π‘œ π‘ π‘œπ‘‘π‘‘π‘–π‘™π‘’ 𝑑𝑖 π‘Žπ‘£π‘£π‘’π‘›π‘‘π‘’π‘Ÿπ‘Ž π‘β„Žπ‘’ π‘ π‘œπ‘™π‘œ 𝑖 π‘£π‘’π‘Ÿπ‘– π‘™π‘Žπ‘π‘–π‘Ÿπ‘–π‘›π‘‘π‘– π‘Ÿπ‘–π‘’π‘ π‘π‘œπ‘›π‘œ π‘Ž π‘’π‘£π‘œπ‘π‘Žπ‘Ÿπ‘’ πŸŒ€πŸŒ³. π‘†π‘–π‘Žπ‘šπ‘œ π‘Žπ‘Ÿπ‘Ÿπ‘–π‘£π‘Žπ‘‘π‘– 𝑖𝑛 π‘’π‘›π‘Ž π‘”π‘–π‘œπ‘Ÿπ‘›π‘Žπ‘‘π‘Ž π‘‘β€™π‘’π‘ π‘‘π‘Žπ‘‘π‘’, 𝑛𝑒𝑙 π‘π‘’π‘œπ‘Ÿπ‘’ 𝑑𝑖 π‘Žπ‘”π‘œπ‘ π‘‘π‘œ β˜€οΈ, π‘π‘œπ‘› 𝑖𝑙 π‘ π‘œπ‘™π‘’ π‘Žπ‘™π‘‘π‘œ 𝑒 π‘™β€™π‘Žπ‘Ÿπ‘–π‘Ž π‘π‘Žπ‘™π‘‘π‘Ž π‘β„Žπ‘’ π‘£π‘–π‘π‘Ÿπ‘Žπ‘£π‘Ž 𝑠𝑒𝑙𝑙𝑒 π‘π‘–π‘’π‘‘π‘Ÿπ‘’ 𝑑𝑒𝑙 π‘π‘Žπ‘šπ‘šπ‘–π‘›π‘œ. πΏβ€™π‘’π‘›π‘‘π‘’π‘ π‘–π‘Žπ‘ π‘šπ‘œ π‘’π‘Ÿπ‘Ž π‘”π‘Ÿπ‘Žπ‘›π‘‘π‘’, 𝑖𝑙 π‘‘π‘’π‘ π‘–π‘‘π‘’π‘Ÿπ‘–π‘œ 𝑑𝑖 π‘π‘’π‘Ÿπ‘‘π‘’π‘Ÿπ‘π‘– π‘‘π‘Ÿπ‘Ž 𝑖 π‘π‘œπ‘Ÿπ‘Ÿπ‘–π‘‘π‘œπ‘– 𝑑𝑖 π‘π‘Žπ‘šπ‘ΓΉ π‘Žπ‘›π‘π‘œπ‘Ÿπ‘Ž 𝑝𝑖ù π‘“π‘œπ‘Ÿπ‘‘π‘’. 𝑂𝑔𝑛𝑖 π‘π‘Žπ‘ π‘ π‘œ π‘‘π‘’π‘›π‘‘π‘Ÿπ‘œ 𝑖𝑙 π‘™π‘Žπ‘π‘–π‘Ÿπ‘–π‘›π‘‘π‘œ π‘’π‘Ÿπ‘Ž π‘’π‘›π‘Ž π‘ π‘π‘œπ‘π‘’π‘Ÿπ‘‘π‘Ž: 𝑖𝑙 π‘“π‘Ÿπ‘’π‘ π‘π‘–π‘œ π‘™π‘’π‘”π‘”π‘’π‘Ÿπ‘œ 𝑑𝑒𝑙𝑙𝑒 π‘“π‘œπ‘”π‘™π‘–π‘’, 𝑙𝑒 π‘œπ‘šπ‘π‘Ÿπ‘’ π‘β„Žπ‘’ 𝑠𝑖 π‘Žπ‘™π‘™π‘’π‘›π‘”π‘Žπ‘£π‘Žπ‘›π‘œ 𝑠𝑒𝑖 π‘ π‘’π‘›π‘‘π‘–π‘’π‘Ÿπ‘–, π‘™π‘Ž π‘‘π‘œπ‘™π‘π‘’ π‘–π‘›π‘π‘’π‘Ÿπ‘‘π‘’π‘§π‘§π‘Ž 𝑑𝑖 π‘›π‘œπ‘› π‘ π‘Žπ‘π‘’π‘Ÿπ‘’ π‘‘π‘œπ‘£π‘’ 𝑐𝑖 π‘Žπ‘£π‘Ÿπ‘’π‘π‘π‘’π‘Ÿπ‘œ π‘π‘œπ‘›π‘‘π‘œπ‘‘π‘‘π‘œ 𝑖 π‘π‘Ÿπ‘œπ‘ π‘ π‘–π‘šπ‘– 𝑏𝑖𝑣𝑖. 𝐢𝑖 π‘ π‘–π‘Žπ‘šπ‘œ π‘™π‘Žπ‘ π‘π‘–π‘Žπ‘‘π‘– π‘”π‘’π‘–π‘‘π‘Žπ‘Ÿπ‘’ π‘‘π‘Žπ‘– 𝑠𝑒𝑛𝑠𝑖, π‘π‘œπ‘šπ‘’ π‘π‘–π‘π‘π‘œπ‘™π‘– π‘’π‘ π‘π‘™π‘œπ‘Ÿπ‘Žπ‘‘π‘œπ‘Ÿπ‘– 𝑖𝑛 π‘π‘’π‘Ÿπ‘π‘Ž π‘‘π‘’π‘™π‘™π‘Ž π‘£π‘–π‘Ž π‘‘β€™π‘’π‘ π‘π‘–π‘‘π‘Ž πŸŒΏπŸšΆβ€β™‚οΈπŸšΆβ€β™€οΈ. πΏβ€™π‘–π‘šπ‘π‘œπ‘›π‘’π‘›π‘§π‘Ž 𝑑𝑒𝑙 π‘™π‘’π‘œπ‘”π‘œ 𝑑𝑖 π‘Žπ‘£π‘£π‘œπ‘™π‘”π‘’ 𝑖𝑛 𝑒𝑛 π‘Žπ‘π‘π‘Ÿπ‘Žπ‘π‘π‘–π‘œ π‘£π‘’π‘Ÿπ‘‘π‘’, 𝑒 π‘œπ‘”π‘›π‘– π‘‘π‘Žπ‘›π‘‘π‘œ β€” π‘›π‘Žπ‘ π‘π‘œπ‘ π‘‘π‘– π‘‘π‘Ÿπ‘Ž 𝑙𝑒 π‘“π‘œπ‘”π‘™π‘–π‘’ β€” π‘ π‘π‘œπ‘Ÿπ‘π‘– 𝑑𝑖 π‘π‘–π‘’π‘™π‘œ π‘™π‘–π‘šπ‘π‘–π‘‘π‘œ 𝑐𝑖 π‘Ÿπ‘–π‘π‘œπ‘Ÿπ‘‘π‘Žπ‘£π‘Žπ‘›π‘œ π‘™π‘Ž π‘π‘’π‘™π‘™π‘’π‘§π‘§π‘Ž π‘ π‘’π‘šπ‘π‘™π‘–π‘π‘’ π‘‘π‘’π‘™π‘™β€™π‘’π‘ π‘ π‘’π‘Ÿπ‘’ π‘–π‘šπ‘šπ‘’π‘Ÿπ‘ π‘– π‘›π‘’π‘™π‘™π‘Ž π‘›π‘Žπ‘‘π‘’π‘Ÿπ‘Ž. πΈπ‘π‘π‘’π‘Ÿπ‘’, π‘›π‘œπ‘› π‘π‘œπ‘ π‘ π‘œ π‘›π‘’π‘”π‘Žπ‘Ÿπ‘™π‘œ: 𝑖𝑙 π‘π‘Žπ‘™π‘‘π‘œ π‘–π‘›π‘‘π‘’π‘›π‘ π‘œ 𝑑𝑖 π‘Žπ‘”π‘œπ‘ π‘‘π‘œ πŸ”₯ π‘Ÿπ‘’π‘›π‘‘π‘’π‘£π‘Ž 𝑑𝑖𝑓𝑓𝑖𝑐𝑖𝑙𝑒 π‘”π‘œπ‘‘π‘’π‘Ÿπ‘ π‘– π‘Žπ‘π‘π‘–π‘’π‘›π‘œ π‘œπ‘”π‘›π‘– π‘Žπ‘›π‘”π‘œπ‘™π‘œ 𝑑𝑖 π‘žπ‘’π‘’π‘ π‘‘π‘œ π‘–π‘›π‘π‘Žπ‘›π‘‘π‘’π‘£π‘œπ‘™π‘’ π‘‘π‘’π‘‘π‘Žπ‘™π‘œ. 𝐼𝑙 π‘π‘œπ‘›π‘ π‘–π‘”π‘™π‘–π‘œ π‘β„Žπ‘’ π‘π‘œπ‘Ÿπ‘‘π‘œ 𝑛𝑒𝑙 π‘π‘’π‘œπ‘Ÿπ‘’ π‘π‘’π‘Ÿ π‘β„Žπ‘– π‘£π‘œπ‘Ÿπ‘ŸΓ  π‘£π‘–π‘£π‘’π‘Ÿπ‘’ π‘žπ‘’π‘’π‘ π‘‘π‘Ž π‘’π‘ π‘π‘’π‘Ÿπ‘–π‘’π‘›π‘§π‘Ž Γ¨ π‘ π‘’π‘šπ‘π‘™π‘–π‘π‘’: 𝑠𝑐𝑒𝑔𝑙𝑖𝑒𝑑𝑒 π‘’π‘›π‘Ž π‘”π‘–π‘œπ‘Ÿπ‘›π‘Žπ‘‘π‘Ž 𝑝𝑖ù π‘“π‘Ÿπ‘’π‘ π‘π‘Ž, π‘šπ‘Žπ‘”π‘Žπ‘Ÿπ‘– 𝑖𝑛 π‘π‘Ÿπ‘–π‘šπ‘Žπ‘£π‘’π‘Ÿπ‘Ž 🌸 π‘œ 𝑖𝑛 π‘Žπ‘’π‘‘π‘’π‘›π‘›π‘œ πŸ‚, π‘žπ‘’π‘Žπ‘›π‘‘π‘œ 𝑖𝑙 π‘£π‘’π‘›π‘‘π‘œ π‘Žπ‘π‘π‘Žπ‘Ÿπ‘’π‘§π‘§π‘Ž π‘‘π‘œπ‘™π‘π‘’π‘šπ‘’π‘›π‘‘π‘’ 𝑖 π‘ π‘’π‘›π‘‘π‘–π‘’π‘Ÿπ‘– 𝑒 π‘π‘Žπ‘šπ‘šπ‘–π‘›π‘Žπ‘Ÿπ‘’ π‘‘π‘Ÿπ‘Ž 𝑖 π‘π‘Žπ‘šπ‘ΓΉ π‘‘π‘–π‘£π‘’π‘›π‘‘π‘Ž π‘Žπ‘›π‘π‘œπ‘Ÿπ‘Ž 𝑝𝑖ù π‘šπ‘Žπ‘”π‘–π‘π‘œ. π·π‘œπ‘π‘œ 𝑖𝑙 π‘π‘’π‘Ÿπ‘π‘œπ‘Ÿπ‘ π‘œ 𝑛𝑒𝑙 π‘™π‘Žπ‘π‘–π‘Ÿπ‘–π‘›π‘‘π‘œ, 𝑐𝑖 π‘ π‘–π‘Žπ‘šπ‘œ π‘“π‘’π‘Ÿπ‘šπ‘Žπ‘‘π‘– π‘Ž π‘£π‘–π‘ π‘–π‘‘π‘Žπ‘Ÿπ‘’ π‘™β€™π‘’π‘™π‘’π‘”π‘Žπ‘›π‘‘π‘’ π‘π‘œπ‘šπ‘π‘™π‘’π‘ π‘ π‘œ π‘Žπ‘Ÿπ‘β„Žπ‘–π‘‘π‘’π‘‘π‘‘π‘œπ‘›π‘–π‘π‘œ π‘β„Žπ‘’ π‘œπ‘ π‘π‘–π‘‘π‘Ž π‘œπ‘π‘’π‘Ÿπ‘’ 𝑑'π‘Žπ‘Ÿπ‘‘π‘’ 𝑒 π‘ π‘π‘Žπ‘§π‘– π‘π‘’π‘™π‘‘π‘’π‘Ÿπ‘Žπ‘™π‘– πŸŽ¨πŸ“–: 𝑒𝑛 π‘Ÿπ‘–π‘“π‘’π‘”π‘–π‘œ π‘π‘’π‘Ÿπ‘“π‘’π‘‘π‘‘π‘œ π‘π‘’π‘Ÿ π‘β„Žπ‘–, π‘π‘œπ‘šπ‘’ π‘šπ‘’, π‘Žπ‘šπ‘Ž π‘Žπ‘π‘π‘–π‘›π‘Žπ‘Ÿπ‘’ π‘™π‘Ž π‘π‘’π‘™π‘™π‘’π‘§π‘§π‘Ž π‘›π‘Žπ‘‘π‘’π‘Ÿπ‘Žπ‘™π‘’ π‘Žπ‘™π‘™π‘Ž π‘šπ‘’π‘Ÿπ‘Žπ‘£π‘–π‘”π‘™π‘–π‘Ž 𝑑𝑒𝑙𝑙'π‘Žπ‘Ÿπ‘‘π‘’ 𝑒 𝑑𝑒𝑙 π‘π‘’π‘›π‘ π‘–π‘’π‘Ÿπ‘œ. π‘‡π‘Ÿπ‘Ž π‘ π‘Žπ‘™π‘’ π‘™π‘’π‘šπ‘–π‘›π‘œπ‘ π‘’ 𝑒 π‘π‘œπ‘Ÿπ‘Ÿπ‘–π‘‘π‘œπ‘– π‘ π‘–π‘™π‘’π‘›π‘§π‘–π‘œπ‘ π‘–, π‘Žπ‘π‘π‘–π‘Žπ‘šπ‘œ π‘Ÿπ‘’π‘ π‘π‘–π‘Ÿπ‘Žπ‘‘π‘œ π‘ π‘‘π‘œπ‘Ÿπ‘–π‘Ž, π‘π‘’π‘™π‘‘π‘’π‘Ÿπ‘Ž 𝑒 π‘–π‘ π‘π‘–π‘Ÿπ‘Žπ‘§π‘–π‘œπ‘›π‘’. π‘ˆπ‘ π‘π‘–π‘Ÿπ‘’ π‘‘π‘Žπ‘™ πΏπ‘Žπ‘π‘–π‘Ÿπ‘–π‘›π‘‘π‘œ π‘‘π‘’π‘™π‘™π‘Ž π‘€π‘Žπ‘ π‘œπ‘›π‘’ Γ¨ π‘ π‘‘π‘Žπ‘‘π‘œ π‘π‘œπ‘šπ‘’ π‘ π‘£π‘’π‘”π‘™π‘–π‘Žπ‘Ÿπ‘ π‘– π‘‘π‘Ž 𝑒𝑛 π‘ π‘œπ‘”π‘›π‘œ: π‘’π‘›π‘Ž π‘π‘Žπ‘Ÿπ‘‘π‘’ 𝑑𝑖 π‘›π‘œπ‘– π‘’π‘Ÿπ‘Ž π‘Žπ‘›π‘π‘œπ‘Ÿπ‘Ž 𝑙ì, π‘‘π‘Ÿπ‘Ž π‘žπ‘’π‘’π‘™π‘™π‘’ 𝑖𝑛𝑓𝑖𝑛𝑖𝑑𝑒 π‘ π‘‘π‘Ÿπ‘Žπ‘‘π‘’ 𝑑𝑖 π‘£π‘’π‘Ÿπ‘‘π‘’ 𝑒 π‘‘π‘’π‘ π‘–π‘‘π‘’π‘Ÿπ‘– π‘›π‘Žπ‘ π‘π‘œπ‘ π‘‘π‘– ✨.
Victoriarium

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The best part was the art collection which was pretty neat and interesting. The labyrinth was also nice. Unfortunately there are some factors that make the experience less enjoyable. To begin with, as most people mentioned the ticket price is extremely high compared to much more famous and richer museums/gardens. Also, there is not a single way to get there if you do not have your own car except by walking on the road for an hour which makes it very difficult to reach. For such an expensive place, there should be a shuttle service at least. The labyrinth was clean and nice yet I believe there could be more interesting elements embedded in it like fountains etc.
Hamed Khajehmirza

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Reviews of Labirinto della Masone

4.4
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4.0
3y

It is a beautiful, sprawling site just about 15 minutes outside of Parma. It is a great place to bring the kids as a break from museums and churches. The walk through the maze was pleasant with lots of shade from the bamboo walls, filled with interesting historical facts about labyrinths and a few art installations along the way. It took us roughly 45 minutes at a leisurely pace to get through the maze, this included stops to read and translate the info. There is never any concern about getting lost within the maze. There are maps and checkpoints along the way to give you a sense of location. The art collection in the museum was a pleasant surprise! It was diverse and the accompanying info plaques were very informative. One should also take the time to see the temporary exhibit. We were there for the "Aeropainting Futurism" exhibit. It featured an era of art brought about through the advent of flight and airplanes, not widely known about, at the beginning of the 20th century. In general, the labyrinth and its museum was a unique and...

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4.0
8y

The collection shows the quirky genius of Franco Maria Ricci, Italian publisher extraordinaire. Friend of Borges and Erté, Franco Maria Ricci (FMR) recruited the best litrary talents and scouted for the strangest visual suggestions; he produced and published beautiful and weird works of art, among which the stunning Codex Seraphinianum. Works by Wildt, Erté, Chiparus and Ligabue are on display. The Labyrinth is a multi-layered metaphysic reflection, an ode to bamboo, and some good sport on top of it (take a picture of the map, it will help you!). Only cloud on an otherwise spotless experience: the food offer (at the Cafè, Bistrot and Bottega) is limited and seriously overpriced. Head to the nearby Fontanellato and stop at the friendly Salsamenteria for a rewarding...

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5.0
33w

An incredible and unique place – a true cinematic experience The Labirinto is unlike anything I’ve seen before. It’s an extraordinary place that evokes new sensations and emotions from the moment you enter. The entire setting feels otherworldly – refined, almost dreamlike – and is enriched by a remarkable art collection featuring rare and carefully selected pieces. Temporary exhibitions are just as thoughtful and well-curated, perfectly reflecting the vision and legacy of the founder, the iconic publisher behind it all. The experience is complete with a charming cafΓ© and boutique area, offering a moment of pleasant relaxation in the midst of such inspiration. Absolutely...

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