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Shalban Bihar — Attraction in Chattogram Division

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Shalban Bihar
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Mainamati Museum
Shalmanpur, Bangladesh
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Shalban Bihar
BangladeshChattogram DivisionShalban Bihar

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Shalban Bihar

Comilla Univ Rd, Shalmanpur 3506, Bangladesh
4.4(2.7K)
Open 24 hours
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attractions: Mainamati Museum, restaurants:
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archaeology.gov.bd

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Nearby attractions of Shalban Bihar

Mainamati Museum

Mainamati Museum

Mainamati Museum

4.3

(681)

Open until 5:00 PM
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Foysal AhmedFoysal Ahmed
When you visit here, you will see that Shalbon Vihar bears the signature of the ancient archaeological heritage of Bangladesh. 8 copperplates, about 400 gold and silver coins, numerous burnt clay plaques or terracotta, seals, bronze and clay idols have been found from the ruins of the vihara through archaeological excavations. Shalvan Vihara is one of the most important archaeological monuments excavated at Mainamati in Comilla. The location of this monastery is in the middle of Lalmai hill near Bard in Kotbari. The vihar was named Shalban Vihar as there was once a dense forest of shal-gazari around the vihar.[citation needed] The nearby village is called Shalbanpur. There is still a small forest there. This monastery is similar to the Paharpur Buddhist monastery, but smaller in size. It is believed that the fourth king of the Deva Dynasty, Sribhavadeva, built this Buddhist monastery between the end of the seventh century and the beginning of the eighth century. Six construction and reconstruction phases of Shalban Vihar are known. It is estimated that the central temple was built during the third phase during the 8th century AD and the vihara was completely renovated. The fourth and fifth phases of construction and renovation were completed in the ninth-tenth centuries. It is square in shape. Each arm of Shalban Bihar is 167.7 meters long. The walls of Bihar on four sides are five meters thick. The rooms are built on four sides of the walls of Bihar. There was only one way in or out of Bihar. This path or door is right in the middle of the north block. Each room has a 1.5 meter wide wall between them. 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Pratnatāttbika khananēra mādhyamē bihāraáš­ira dhbansābaÅ›Ä“ášŖa thēkē 8áš­i tāmralipi, prāáēa 400áš­i sbarṇa ō raupya mudrā, asaṅkhya pō᚛ā māᚭira phalaka bā ṭērākōᚭā, silamōhara, brÅÃąja ō māᚭira mÅĢrti pā'ōáēÄ gēchē.Kumillāra maáēanāmatitē khananakrĖĨta saba pratnatāttbika nidarśanēra madhyē śālabana bihāra an'yatama pradhāna. Kōᚭabāṛitē bārḍēra kāchē lālamā'i pāhāṛēra mājhāmājhi ēlākāáēa ē bihāraáš­ira abasthāna. Bihāraáš­ira āśapāśē ēka samaáēa śāla-gajārira ghana bana chila balē ē bihāraáš­ira nāmakaraṇa haáēÄ“chila śālabana bihāra.[TathyasÅĢtra praáēÅjana] ēra sannihita grāmaáš­ira nāma śālabanapura. Ēkhanō chōᚭa ēkaáš­i bana āchē sēkhānē. Ē bihāraáš­i pāhāṛapura baud'dha bihārēra matō halē'ō ākārē chōᚭa.Dhāraṇā karā haáēa yē khrĖĨsáš­ÄĢáēa saptama śatābdÄĢra Å›Ä“ášŖa thēkē aášŖáš­ama śatābdÄĢra prathama bhāgē dēbabanśēra caturtha rājā śrÄĢbhaba
emran Hossainemran Hossain
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āĻĒā§āϰāĻ¤ā§āύāϤāĻžāĻ¤ā§āĻ¤ā§āĻŦāĻŋāĻ• āĻ–āύāύ⧇ āĻāϕ⧇ āĻļāĻžāϞāĻŦāύ āĻŦāĻŋāĻšāĻžāϰ āύāĻžāĻŽā§‡ āφāĻ–ā§āϝāĻžā§ŸāĻŋāϤ āĻ•āϰāĻž āĻšā§ŸāĨ¤ āĻĒā§āϰāĻžāĻšā§€āύ āĻ¸ā§āĻĨāĻžāĻĒāύāĻžāϗ⧁āϞ⧋āϰ āĻāĻ•āϟāĻŋ āĻāχ āĻŦ⧌āĻĻā§āϧ āĻŦāĻŋāĻšāĻžāϰ āĨ¤ āĻāϟāĻŋ ⧧⧍āĻļ āĻĒā§āϰāĻ¤ā§āύāϤāĻžāĻ¤ā§āĻ¤ā§āĻŦāĻŋāĻ• āĻāϞāĻžāĻ•āĻž āĻšāĻŋāϏ⧇āĻŦ⧇ āϚāĻŋāĻšā§āύāĻŋāϤāĨ¤ āϐāϤāĻŋāĻšāĻžāϏāĻŋāĻ•āϏ⧂āĻ¤ā§āϰ⧇ āϜāĻžāύāĻž āϝāĻžā§Ÿ ā§§ā§Žā§­ā§Ģ āϏāĻžāϞ⧇āϰ āĻļ⧇āώ āĻĻāĻŋāϕ⧇ āĻŦāĻ°ā§āϤāĻŽāĻžāύ āϕ⧇āĻžāϟāĻŦāĻžā§œāĻŋ āĻāϞāĻžāĻ•āĻžā§Ÿ āĻāĻ•āϟāĻŋ āϏ⧜āĻ• āϤ⧈āϰāĻŋāϰ āϏāĻŽā§Ÿ āĻāĻ•āϟāĻŋ āχāĻŽāĻžāϰāϤ⧇āϰ āĻ§ā§āĻŦāĻ‚āĻļāĻžāĻŦāĻļ⧇āώ āωāĻ¨ā§āĻŽā§‡āĻžāϚāĻŋāϤ āĻšā§Ÿā§‡ āĻĒā§œā§‡āĨ¤ āϏ⧇ āϏāĻŽā§Ÿ āφāĻŦāĻŋāĻˇā§āĻ•ā§ƒāϤ āĻ§ā§āĻŦāĻ‚āϏāĻžāĻŦāĻļ⧇āώāϕ⧇ āĻāĻ•āϟāĻŋ āĻĻ⧁āĻ°ā§āĻ— āĻŦāϞ⧇ āĻ…āύ⧁āĻŽāĻžāύ āĻ•āϰāĻž āĻšā§Ÿā§‡āĻ›āĻŋāϞāĨ¤ āĻļāĻžāϞāĻŦāύ āĻŦāĻŋāĻšāĻžāϰ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ⧇āϰ āĻĒā§āϰāĻžāĻšā§€āύ āĻĒā§āϰāĻ¤ā§āύāϤāĻžāĻ¤ā§āĻ¤ā§āĻŦāĻŋāĻ• āϐāϤāĻŋāĻšā§āϝ⧇āϰ āĻ¸ā§āĻŦāĻžāĻ•ā§āώāϰ āĻŦāĻšāύ āĻ•āϰāϛ⧇āĨ¤āĻĒā§āϰāĻ¤ā§āύāϤāĻžāĻ¤ā§āĻ¤ā§āĻŦāĻŋāĻ• āĻ–āύāύ⧇āϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āĻŦāĻŋāĻšāĻžāϰāϟāĻŋāϰ āĻ§ā§āĻŦāĻ‚āϏāĻžāĻŦāĻļ⧇āώ āĻĨ⧇āϕ⧇ āφāϟāϟāĻŋ āϤāĻžāĻŽā§āϰāϞāĻŋāĻĒāĻŋ, āĻĒā§āϰāĻžāϝāĻŧ ā§Ēā§Ļā§ĻāϟāĻŋ āĻ¸ā§āĻŦāĻ°ā§āĻŖ āĻ“ āϰ⧌āĻĒā§āϝ āĻŽā§āĻĻā§āϰāĻž, āĻ…āϏāĻ‚āĻ–ā§āϝ āĻĒā§‹āĻĄāĻŧāĻž āĻŽāĻžāϟāĻŋāϰ āĻĢāϞāĻ• āĻŦāĻž āĻŸā§‡āϰāĻžāϕ⧋āϟāĻž, āϏāĻŋāϞāĻŽā§‹āĻšāϰ, āĻŦā§āϰ⧋āĻžā§āϜ āĻ“ āĻŽāĻžāϟāĻŋāϰ āĻŽā§‚āĻ°ā§āϤāĻŋ āĻĒāĻžāĻ“āϝāĻŧāĻž āϗ⧇āϛ⧇āĨ¤ āĻŽā§ŸāύāĻžāĻŽāϤāĻŋ āϜāĻžāĻĻ⧁āϘāϰāĨ¤ āĻļāĻžāϞāĻŦāύ āĻŦāĻŋāĻšāĻžāϰ⧇āϰ āĻĒāĻžāĻļ⧇āχ āĻŽā§ŸāύāĻžāĻŽāϤāĻŋ āϜāĻžāĻĻ⧁āϘāϰ āĨ¤ āĻļā§āϰ⧀āĻ­āĻŦāĻĻ⧇āϰ āĻŽāĻšāĻžāĻŦāĻŋāĻšāĻžāϰ, āϕ⧋āϟāĻŋāϞāĻž āĻŽā§ā§œāĻž, āϚāĻžāϰāĻĒāĻ¤ā§āϰ āĻŽā§ā§œāĻž, āϰ⧂āĻĒāĻŦāĻžāύāĻŽā§ā§œāĻž, āχāϟāĻžāĻ–ā§‹āϞāĻž āĻŽā§ā§œāĻž, āφāύāĻ¨ā§āĻĻ āĻŦāĻŋāĻšāĻžāϰ, āϰāĻžāύ⧀āϰ āĻŦāĻžāĻ‚āϞāĻž, āĻ“ āĻ­ā§‹āϜ āϰāĻžāϜāĻžāϰ āĻŦāĻžā§œāĻŋ āĻŦāĻŋāĻšāĻžāϰ āĻ–āύāύāĻ•āĻžāϞ⧇ āĻ…āύ⧇āĻ• āĻŽā§āĻ˛ā§āϝāĻŦāĻžāύ āĻĒ⧁āϰāĻžāϏāĻžāĻŽāĻ—ā§āϰ⧀ āϖ⧁āρāĻœā§‡ āĻĒāĻžāĻ“ā§ŸāĻž āϝāĻžā§ŸāĨ¤ āĻāϏāĻŦ āĻĒ⧁āϰāĻžāĻŦāĻ¸ā§āϤ⧁ āϏāĻ‚āϰāĻ•ā§āώāĻŖ āĻ“ āĻĒā§āϰāĻĻāĻ°ā§āĻļāύ⧇āϰ āϜāĻ¨ā§āϝ ⧧⧝ā§Ŧā§Ģ āϏāĻžāϞ⧇ āϕ⧁āĻŽāĻŋāĻ˛ā§āϞāĻž āϕ⧋āϟāĻŦāĻžā§œāĻŋāϰ āĻļāĻžāϞāĻŦāύ āĻŦāĻŋāĻšāĻžāϰ⧇āϰ āĻĻāĻ•ā§āώāĻŋāĻŖ āĻĒāĻžāĻļ⧇ āĻļāĻžāϞāĻŦāύāϕ⧇ āϏāĻžāĻŽāύ⧇ āϰ⧇āϖ⧇ āĻĒāĻļā§āϚāĻŋāĻŽāĻŽā§āĻ–ā§€ āĻāĻ•āϟāĻŋ āϜāĻžāĻĻ⧁āϘāϰ āĻ¸ā§āĻĨāĻžāĻĒāύ āĻ•āϰāĻž āĻšā§ŸāĨ¤ āϜāĻžāĻĻ⧁āϘāϰ⧇āϰ āĻĒā§āϰāĻŦ⧇āĻļāĻĒāĻĨ⧇āϰ āĻŦāĻžāρ āĻĒāĻžāĻļ⧇āχ āĻ°ā§Ÿā§‡āϛ⧇ āĻŦ⧁āĻĻā§āϧ⧇āϰ āĻŦāĻŋāĻļāĻžāϞ āĻŦā§āϰ⧋āĻžā§āĻœā§‡āϰ āĻŽā§‚āĻ°ā§āϤāĻŋāĨ¤ āϤāĻžāϰāĻĒāϰ āĻ°ā§Ÿā§‡āϛ⧇ āĻŦ⧇āϞ⧇ āĻĒāĻžāĻĨāϰ⧇ āĻĻāĻŖā§āĻĄāĻžā§ŸāĻŽāĻžāύ āĻŦ⧌āĻĻā§āϧ⧇āϰ āĻŽā§‚āĻ°ā§āϤāĻŋāĨ¤ āĻāϟāĻŋ āφāύ⧁āĻŽāĻžāύāĻŋāĻ• ā§­āĻŽ āĻļāϤāϕ⧇ āϤ⧈āϰāĻŋāĨ¤ ⧧⧍-ā§§ā§Š āĻļāϤāϕ⧇āϰ āĻĻ⧁āĻŸā§‹ āϤāĻžāĻŽā§āϰ āĻļāĻžāϏāύ āĻ°ā§Ÿā§‡āϛ⧇āĨ¤ āĻ…āĻ¨ā§āϝāĻžāĻ¨ā§āϝ āωāĻ˛ā§āϞ⧇āĻ–āϝ⧋āĻ—ā§āϝ āĻĻā§āϰāĻŦā§āϝ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āĻŦā§āϰ⧋āĻžā§āĻœā§‡āϰ āĻŦāĻŋāĻļāĻžāϞ āϘāĻŖā§āϟāĻž, (āĻ“āϜāύ ā§Šā§­ā§Ļ āϕ⧇āϜāĻŋ) āĻ•āĻžāϞ⧋ āĻĒāĻžāĻĨāϰ⧇āϰ āĻļāĻŋāĻŦ⧇āϰ āĻŦāĻžāĻšāύ, āϤāĻžāϞāĻĒāĻžāϤāĻžāϰ āĻŦāĻ°ā§āĻŽā§€ āĻĒāĻžāĻŖā§āĻĄā§āϞāĻŋāĻĒāĻŋ āĨ¤ āϜāĻžāĻĻ⧁āϘāϰ⧇ āĻĒā§āϰāĻĻāĻ°ā§āĻļāύ⧇āϰ āωāĻ˛ā§āϞ⧇āĻ–āϝ⧋āĻ—ā§āϝ āĻĒāĻžāĻĨāϰ āĻ“ āĻŦā§āϰ⧋āĻžā§āϜāĻŽā§‚āĻ°ā§āϤāĻŋ āĻšāĻšā§āϛ⧇- āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϧāϰāύ⧇āϰ āĻĒāĻžāĻĨāϰ⧇āϰ āĻĻāĻ¨ā§āĻĄāĻžā§ŸāĻŽāĻžāύ āϞ⧋āϕ⧋āĻ¤ā§āϤāϰ āĻŦ⧁āĻĻā§āϧ āĻŽā§‚āĻ°ā§āϤāĻŋ, āĻ¤ā§āϰāĻŋ āĻŦāĻŋāĻ•ā§āϰāĻŽ āĻŦāĻŋāĻˇā§āϪ⧁āĻŽā§‚āĻ°ā§āϤāĻŋ, āϤāĻžāϰāĻž āĻŽā§‚āĻ°ā§āϤāĻŋ, āĻŽāĻžāϰ⧀āϛ⧀ āĻŽā§‚āĻ°ā§āϤāĻŋ, āĻŽāĻžā§āϜ⧁āϰ⧇āϰ āĻŽā§‚āĻ°ā§āϤāĻŋ, āĻĒāĻžāĻ°ā§āĻŦāϤ⧀ āĻŽā§‚āĻ°ā§āϤāĻŋ, āĻšāϰāĻ—ā§Œāϰ⧀āĻŽā§‚āĻ°ā§āϤāĻŋ, āύāĻ¨ā§āĻĻā§€ āĻŽā§‚āĻ°ā§āϤāĻŋ, āĻŽāĻšāĻŋāώāĻŽāĻ°ā§āĻĻāĻŋāύ⧀ āĻŽā§‚āĻ°ā§āϤāĻŋ, āĻŽāύāϏāĻž āĻŽā§‚āĻ°ā§āϤāĻŋ, āĻ—āύ⧇āĻļ āĻŽā§‚āĻ°ā§āϤāĻŋ, āϏ⧂āĻ°ā§āϝāĻŽā§‚āĻ°ā§āϤāĻŋ, āĻšā§‡āϰ⧁āĻ• āĻŽā§‚āĻ°ā§āϤāĻŋ āĻāĻŦāĻ‚ āĻŦā§āϰ⧋āĻžā§āĻœā§‡āϰ āĻŦāĻœā§āϰāϏāĻ¤ā§āĻ¤ā§āĻŦ āĻŽā§‚āĻ°ā§āϤāĻŋāĨ¤āĻāĻ›āĻžā§œāĻžāĻ“ āĻŦā§āϰ⧋āĻžā§āĻœā§‡āϰ āϛ⧋āϟ-āĻŦ⧜ āφāϰāĻ“ āĻŽā§‚āĻ°ā§āϤāĻŋ āĻ°ā§Ÿā§‡āϛ⧇āĨ¤ āĻ āϜāĻžāĻĻ⧁āϘāϰ⧇ āĻ°ā§Ÿā§‡āϛ⧇ āĻŦā§āϰ⧋āĻžā§āĻœā§‡āϰ āϤ⧈āϰ⧀ āĻŦāĻŋāĻļāĻžāϞāĻžāĻ•āĻžā§Ÿ āĻāĻ•āϟāĻŋ āϘāĻ¨ā§āϟāĻžāĨ¤ āϝāĻžāϰ āĻ“āϜāύ ā§ĢāĻļ’ āϕ⧇āϜāĻŋāĨ¤ āϟāĻŋāϕ⧇āϟ āĻŽā§āĻ˛ā§āϝāσ āϜāĻžāĻĻ⧁āϘāϰ āĻ“ āĻļāĻžāϞāĻŦāύ āĻŦāĻŋāĻšāĻžāϰ⧇āϰ āϗ⧇āĻŸā§‡āϰ āĻĒāĻžāĻļ⧇āχ āϰāϝāĻŧ⧇āϛ⧇ āϟāĻŋāϕ⧇āϟ āĻ•āĻžāωāĻ¨ā§āϟāĻžāϰ, āϜāύāĻĒā§āϰāϤāĻŋ āϟāĻŋāϕ⧇āϟ āĻāϰ āĻĻāĻžāĻŽ āĻŦāĻŋāĻļ āϟāĻžāĻ•āĻž āĻ•āϰ⧇, āϤāĻŦ⧇ āĻĒāĻžāρāϚ āĻŦāĻ›āϰ⧇āϰ āĻ•āĻŽ āϕ⧋āύ āĻŦāĻžāĻšā§āϚāĻžāϰ āϜāĻ¨ā§āϝ⧇ āϟāĻŋāϕ⧇āϟ āĻāϰ āĻĻāϰāĻ•āĻžāϰ āĻĒāĻĄāĻŧ⧇āύāĻžāĨ¤ āϤāĻŦ⧇ āĻŽāĻžāĻ§ā§āϝāĻŽāĻŋāĻ• āĻĒāĻ°ā§āϝāĻžā§Ÿā§‡āϰ āĻļāĻŋāĻļ⧁-āĻ•āĻŋāĻļā§‹āϰāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻĒā§āϰāĻŦ⧇āĻļ āĻŽā§āĻ˛ā§āϝ⧇ āύāĻŋāĻ°ā§āϧāĻžāϰāύ āĻ•āϰāĻž āĻšā§Ÿā§‡āϛ⧇ 10 āϟāĻžāĻ•āĻžāĨ¤ āϏāĻžāĻ°ā§āĻ•āϭ⧁āĻ•ā§āϤ āĻŦāĻŋāĻĻ⧇āĻļāĻŋ āĻĻāĻ°ā§āĻļāύāĻžāĻ°ā§āĻĨā§€āϰ āϜāĻ¨ā§āϝ⧇ āϟāĻŋāϕ⧇āϟ āĻŽā§‚āĻ˛ā§āϝ āĻāĻ•āĻļāϤ āϟāĻžāĻ•āĻž āĻāĻŦāĻ‚ āĻ…āĻ¨ā§āϝāĻžāĻ¨ā§āϝ āĻŦāĻŋāĻĻ⧇āĻļā§€ āĻĻāĻ°ā§āĻļāĻ•āĻĻ⧇āϰ āϜāĻ¨ā§āϝ āϟāĻŋāϕ⧇āĻŸā§‡āϰ āĻŽā§‚āĻ˛ā§āϝ āĻĻ⧁āχāĻļāϤ āϟāĻžāĻ•āĻž āĻ•āϰ⧇āĨ¤ āĻļ⧁āϧ⧁ āĻŽāĻžāĻ¤ā§āϰ āϜāĻžāĻĻ⧁āϘāϰ⧇āϰ āϜāĻ¨ā§āϝ⧇ āĻĒā§āϰāϝ⧋āĻœā§āϝāĨ¤ āĻŦāĻ¨ā§āϧ – āĻ–ā§‹āϞāĻžāϰ āϏāĻŽāϝāĻŧāϏ⧂āĻšā§€āσ āĻ—ā§āϰ⧀āĻˇā§āĻŽāĻ•āĻžāϞ⧇ āĻŽā§ŸāύāĻžāĻŽāϤāĻŋ āϜāĻžāĻĻ⧁āϘāϰ āϏāĻ•āĻžāϞ ā§§ā§ĻāϟāĻž āĻĨ⧇āϕ⧇ āϏāĻ¨ā§āĻ§ā§āϝāĻž ā§ŦāϟāĻž āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āĻ–ā§‹āϞāĻž āĻĨāĻžāϕ⧇āĨ¤ āĻŽāĻžāĻāĻ–āĻžāύ⧇ āĻĻ⧁āĻĒ⧁āϰ ā§§āϟāĻž āĻĨ⧇āϕ⧇ ā§§.ā§Šā§Ļ āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āφāϧ āϘāĻŖā§āϟāĻžāϰ āϜāĻ¨ā§āϝ⧇ āĻŦāĻ¨ā§āϧ āĻĨāĻžāϕ⧇āĨ¤ āφāϰ āĻļā§€āϤāĻ•āĻžāϞ⧇ āϏāĻ•āĻžāϞ ⧝āϟāĻž āĻĨ⧇āϕ⧇ āĻŦāĻŋāϕ⧇āϞ ā§ĢāϟāĻž āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āĻŽā§ŸāύāĻžāĻŽāϤāĻŋ āϜāĻžāĻĻ⧁āϘāϰ āĻ–ā§‹āϞāĻž āĻĨāĻžāϕ⧇āĨ¤ āĻļā§€āϤāĻ•āĻžāϞ⧇āĻ“ āĻĻ⧁āĻĒ⧁āϰ ā§§āϟāĻž āĻĨ⧇āϕ⧇ ā§§.ā§Šā§Ļ āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āĻŦāĻ¨ā§āϧ āĻĨāĻžāϕ⧇āĨ¤ āφāϰ āϏāĻŦāϏāĻŽāϝāĻŧ⧇āϰ āϜāĻ¨ā§āϝ⧇āχ āĻļ⧁āĻ•ā§āϰāĻŦāĻžāϰ⧇ āϜ⧁āĻŽā§āĻŽāĻžāϰ āύāĻžāĻŽāĻžāϝ⧇āϰ āϜāĻ¨ā§āϝ⧇ āϏāĻžāĻĄāĻŧ⧇ āĻŦāĻžāϰ⧋āϟāĻž āĻĨ⧇āϕ⧇ āϤāĻŋāύāϟāĻž āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āĻŽā§ŸāύāĻžāĻŽāϤāĻŋ āϜāĻžāĻĻ⧁āϘāϰ āĻŦāĻ¨ā§āϧ āĻĨāĻžāϕ⧇āĨ¤ āϰāĻŦāĻŋāĻŦāĻžāϰ āϏāĻžāϧāĻžāϰāĻŖ āϛ⧁āϟāĻŋ āĻāĻŦāĻ‚ āϏ⧇āĻžāĻŽāĻŦāĻžāϰ āĻŦ⧇āϞāĻž ⧍.ā§Ļā§Ļ āĻĨ⧇āϕ⧇ āϖ⧇āĻžāϞāĻž āĻĨāĻžāϕ⧇āĨ¤ āĻāĻ›āĻžā§œāĻžāĻ“ āϏāϰāĻ•āĻžāϰ⧀ āϕ⧇āĻžāύ āĻŦāĻŋāĻļ⧇āώ āĻĻāĻŋāĻŦāϏ⧇ āĻŽā§ŸāύāĻžāĻŽāϤāĻŋ āϜāĻžāĻĻ⧁āϘāϰ āĻŦāĻ¨ā§āϧ āĻĨāĻžāϕ⧇ āĨ¤ āĻ•āĻŋāĻ­āĻžāĻŦ⧇ āϝāĻžāĻ“ā§ŸāĻž āϝāĻžā§Ÿāσ āĻĸāĻžāĻ•āĻž āĻĨ⧇āϕ⧇ āϕ⧁āĻŽāĻŋāĻ˛ā§āϞāĻž āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āϏ⧜āĻ• āĻĒāĻĨ⧇āϰ āĻĻā§‚āϰāĻ¤ā§āĻŦ āĻŽāĻžāĻ¤ā§āϰ ⧍ āϘāĻ¨ā§āϟāĻž ā§Šā§Ļ āĻŽāĻŋāύāĻŋāĻŸā§‡āϰāĨ¤ āĻŦāĻžāϏ āϏāĻžāĻ°ā§āĻ­āĻŋāϏ⧇āϰ āĻĻāĻŋāĻ• āĻĨ⧇āϕ⧇ āϤāĻŋāĻļāĻž āĻāĻŦāĻ‚ āĻāĻļāĻŋ⧟āĻž āϞāĻžāχāύ āĻāĻ—āĻŋā§Ÿā§‡āĨ¤ āϝ⧇āϕ⧋āύ āĻāĻ•āϟāĻŋāϤ⧇ āĻšā§œā§‡āχ āϝ⧇āϤ⧇ āĻĒāĻžāϰ⧇āύ āϕ⧁āĻŽāĻŋāĻ˛ā§āϞāĻžāϰ āĻĒāĻĨ⧇āĨ¤ āϝāĻžāϰāĻž āϚāĻŸā§āϟāĻ—ā§āϰāĻžāĻŽ āĻĨ⧇āϕ⧇ āφāϏāϤ⧇ āϚāĻžāύ āϤāĻžāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻĒā§āϰ⧀āĻ¨ā§āϏ āϏ⧌āĻĻāĻŋ⧟āĻž āĻŦāĻžāϏ āĻ­āĻžāϞ⧋ āĻšāĻŦ⧇āĨ¤ āϤāĻŦ⧇ āĻŽāϜāĻžāϰ āĻŦā§āϝāĻžāĻĒāĻžāϰ āĻšāϞ⧋ āϚāĻŸā§āϟāĻ—ā§āϰāĻžāĻŽ āĻĨ⧇āϕ⧇ āϕ⧁āĻŽāĻŋāĻ˛ā§āϞāĻž āϝ⧇āϤ⧇ āĻŦāĻžāϏ āĻāϰ āϤ⧁āϞāύāĻžā§Ÿ āĻŸā§āϰ⧇āύ⧇ āϏāĻŽā§Ÿ āĻ•āĻŽāχ āϞāĻžāϗ⧇, āĻŽāĻžāĻ¤ā§āϰ ā§Š āϘāĻ¨ā§āϟāĻž ā§Šā§Ļ āĻŽāĻŋāύāĻŋāϟāĨ¤ āĻŦāĻžāϏ āĻ āϏāĻŽā§Ÿ āϞāĻžāϗ⧇ ā§Ē āϘāĻ¨ā§āϟāĻž ā§Šā§Ļ āĻŽāĻŋāύāĻŋāϟ āĻāϰ āĻŽāϤāĨ¤ āϕ⧁āĻŽāĻŋāĻ˛ā§āϞāĻž āĻāϏ⧇ āϚāϞ⧇ āϝāĻžāύ āĻŦāĻŋāĻļā§āĻŦāϰ⧋āĻĄ āĻŦāĻžāϏ āĻ¸ā§āĻŸā§āϝāĻžāĻ¨ā§āĻĄ āĻāĨ¤ āϏ⧇āĻ–āĻžāύ⧇ āϏāĻŋāĻāύāϜāĻŋ āĻ¸ā§āĻŸā§āϝāĻžāĻ¨ā§āĻĄ āĻĒāĻžāĻŦ⧇āύāĨ¤ āϞ⧋āĻ•āĻžāϞ⧇ āϗ⧇āϞ⧇ āϞāĻžāĻ—āĻŦ⧇ ā§Šā§Ļ āϟāĻžāĻ•āĻž āφāϰ āϝāĻĻāĻŋ āϰāĻŋāϜāĻžāĻ°ā§āĻ­ āϝ⧇āϤ⧇ āϚāĻžāύ āϏāĻ°ā§āĻŦā§āĻŦā§‹āĻšā§āϚ ā§§ā§Ģā§Ļ āϟāĻžāĻ•āĻžāĨ¤ āφāĻĒāύāĻžāϕ⧇ āϏāĻŋāĻāύāϜāĻŋ āĻ“ā§ŸāĻžāϞāĻž āύāĻžāĻŽāĻžāĻŦ⧇ āϕ⧋āϟāĻŦāĻžā§œāĻŋāϤ⧇āĨ¤ āϏ⧇āĻ–āĻžāύ āĻĨ⧇āϕ⧇ āĻ…āĻŸā§‹āϰāĻŋāĻ•ā§āϏāĻž āĻ•āϰ⧇ āϝ⧇āϤ⧇ āĻšāĻŦ⧇ āĻļāĻžāϞāĻŦāύ āĻŦāĻŋāĻšāĻžāϰāĨ¤ āĻ­āĻžā§œāĻž āύāĻŋāĻŦ⧇ ā§§ā§Ļ āϟāĻžāĻ•āĻžāĨ¤ āĻļāĻžāϞāĻŦāύ āĻŦ⧌āĻĻā§āϧ āĻŦāĻŋāĻšāĻžāϰ⧇āϰ āĻĒāĻžāĻļ⧇āχ āĻŽā§ŸāύāĻžāĻŽāϤāĻŋ āϜāĻžāĻĻ⧁āϘāϰāĨ¤ āϕ⧋āĻĨāĻžā§Ÿ āĻĨāĻžāĻ•āĻŦ⧇āύāσ āĻŦ⧇āĻļāĻ•āĻŋāϛ⧁ āĻšā§‹āĻŸā§‡āϞ āĻ“ āϗ⧇āĻ¸ā§āϟ āĻšāĻžāωāϜ āĻ°ā§Ÿā§‡āϛ⧇ āĻāĻ–āĻžāύ⧇āĨ¤ āĻāϏāĻŋ āĻ•āĻŋāĻ‚āĻŦāĻž āύāύāĻāϏāĻŋ āϏāĻŦ āϧāϰāύ⧇āϰ āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻž āĻ°ā§Ÿā§‡āϛ⧇āĨ¤ āĻĻ⧁āϜāύ⧇āϰ āĻ•āĻ•ā§āώ⧇ āĻĒā§āϰāϤāĻŋ āϰāĻžāĻ¤ā§āϰāĻŋ āϝāĻžāĻĒāύ āĻ–āϰāϚ āĻšāĻŦ⧇ ā§§ āĻšāĻžāϜāĻžāϰ āĻĨ⧇āϕ⧇ ā§Š āĻšāĻžāϜāĻžāϰ āϟāĻžāĻ•āĻžāĨ¤āĻļāĻžāϞāĻŦāύ, āφāĻļā§€āĻ• āϰ⧇āĻ¸ā§āϟ āĻšāĻžāωāϏ āχāĻ¤ā§āϝāĻžāĻĻāĻŋāĨ¤ āĻ­āĻžā§œāĻž ⧍ā§Ļā§Ļ āĻĨ⧇āϕ⧇ ā§Ŧā§Ļā§Ļ āϟāĻžāĻ•āĻžāϰ āĻŽāĻ§ā§āϝ⧇āĨ¤ āĻšā§‹āĻŸā§‡āϞ āύ⧁āϰāϜāĻžāĻšāĻžāύ – āĻĸāĻžāĻ•āĻž-āϚāĻŸā§āϰāĻ—ā§āϰāĻžāĻŽ āĻŽāĻšāĻžāϏ⧜āĻ•, āϕ⧁āĻŽāĻŋāĻ˛ā§āϞāĻž, āϝ⧋āĻ—āĻžāϝ⧋āĻ—āσ ā§Ŧā§Žā§­ā§Šā§­
Ismaeel HossainIsmaeel Hossain
āφāĻĒāύāĻŋ āϝāĻĻāĻŋ āĻ­ā§āϰāĻŽāύ āĻĒāĻŋāĻĒāĻžāϏ⧁ āĻšāύ āϜāĻžā§ŸāĻ—āĻžāϟāĻž āφāĻĒāύāĻžāϰ āϜāĻ¨ā§āϝ, āφāĻŽāĻŋ āϏāĻ‚āĻ•ā§āώāĻŋāĻĒā§āϤ āχāϤāĻŋāĻšāĻžāϏ āϤ⧁āϞ⧇ āϧāϰāϤ⧇āĻ›āĻŋ, āϝāĻž āϏāĻ‚āĻ—ā§ƒāĻšāĻŋāϤāĨ¤ āĻŽāϝāĻŧāύāĻžāĻŽāϤ⧀āϰ āĻĒā§āϰāĻ¤ā§āύāϤāĻžāĻ¤ā§āĻ¤ā§āĻŦāĻŋāĻ• āĻ–āύāύāĻ¸ā§āĻĨāĻžāύāϗ⧁āϞāĻŋāϰ āĻŽāĻ§ā§āϝ⧇ āϏāĻŦāĻšā§‡āϝāĻŧ⧇ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āĻĒā§āϰāĻ¤ā§āύāĻ¸ā§āĻĨāϞāĨ¤ āϕ⧁āĻŽāĻŋāĻ˛ā§āϞāĻžāϰ āĻ•āĻžāϛ⧇ āϕ⧋āϟāĻŦāĻžāĻĄāĻŧāĻŋāϰ āĻŦāĻ°ā§āϤāĻŽāĻžāύ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻĒāĻ˛ā§āϞ⧀ āωāĻ¨ā§āύāϝāĻŧāύ āĻāĻ•āĻžāĻĄā§‡āĻŽā§€āϰ āϞāĻžāĻ—ā§‹āϝāĻŧāĻž āϞāĻžāϞāĻŽāĻžāχ āĻĒāĻžāĻšāĻžāĻĄāĻŧ⧇āϰ āĻŽāĻ§ā§āϝāĻŦāĻ°ā§āϤ⧀ āĻāϞāĻžāĻ•āĻžāϝāĻŧ āĻāϰ āĻ…āĻŦāĻ¸ā§āĻĨāĻŋāϤāĻŋāĨ¤ āĻāĻ–āĻžāύ⧇ āĻ–āύāύ⧇āϰ āĻĢāϞ⧇ āĻĒāĻžāĻšāĻžāĻĄāĻŧāĻĒ⧁āϰ āĻŦāĻŋāĻšāĻžāϰ⧇āϰ āĻŽāϤ⧋ āĻāĻ• āĻŦāĻŋāϰāĻžāϟ āĻŦ⧌āĻĻā§āϧāĻŦāĻŋāĻšāĻžāϰ āĻ“ āĻ…āĻ¨ā§āϝāĻžāĻ¨ā§āϝ āωāĻĒāĻ•āϰāϪ⧇āϰ āϏāĻ¨ā§āϧāĻžāύ āĻĒāĻžāĻ“āϝāĻŧāĻž āϗ⧇āϛ⧇āĨ¤ āĻāϗ⧁āϞāĻŋ āϏāĻžāϤ āĻĨ⧇āϕ⧇ āĻŦāĻžāϰ⧋ āĻļāϤāϕ⧇āϰ āĻŦāϞ⧇ āϧāϰāĻž āϝāĻžāϝāĻŧāĨ¤ āĻāĻ• āϕ⧇āĻ¨ā§āĻĻā§āϰ⧀āϝāĻŧ āĻŽāĻ¨ā§āĻĄāĻĒ⧇āϰ āϚāϤ⧁āĻ°ā§āĻĻāĻŋāϕ⧇ āĻ•ā§āϰ⧁āĻļ āφāĻ•āĻžāϰ⧇ āϚāĻžāϰāϟāĻŋ āĻļāĻžāĻ–āĻžāϝāĻŧ āĻ āĻŦāĻŋāĻšāĻžāϰ⧇āϰ āĻĒāϰāĻŋāĻ•āĻ˛ā§āĻĒāύāĻž āĻ•āϰāĻž āĻšāϝāĻŧāĨ¤ āĻ āĻŦ⧌āĻĻā§āϧ āĻŽāϠ⧇āϰ āφāϝāĻŧāϤāύ ā§§ā§Ŧā§­ āĻŦāĻ°ā§āĻ—āĻŽāĻŋāϟāĻžāϰāĨ¤ āĻāϤ⧇ āĻŽā§‹āϟ ā§§ā§Ģā§ĢāϟāĻŋ āĻ•āĻ•ā§āώ āϰāϝāĻŧ⧇āϛ⧇āĨ¤ āĻ āĻŦāĻŋāĻšāĻžāϰ⧇āϰ āĻŽā§‚āϞ āĻĒā§āϰāĻŦ⧇āĻļāĻĒāĻĨ āĻŽāĻžāĻ¤ā§āϰ āĻāĻ•āϟāĻŋāĨ¤ āφāϰ āϏ⧇āϟāĻŋāϰ āĻ…āĻŦāĻ¸ā§āĻĨāĻžāύ āωāĻ¤ā§āϤāϰ āĻļāĻžāĻ–āĻžāϰ āĻŽāĻ§ā§āϝāĻŦāĻ°ā§āϤ⧀ āĻ¸ā§āĻĨāϞ⧇āĨ¤ āĻ āĻĒā§āϰāĻŦ⧇āĻļāĻĒāĻĨ⧇āϰ āϏāĻŽā§āĻŽā§āĻ–āĻ­āĻžāĻ— ⧍⧍.ā§Ŧ āĻŽāĻŋāϟāĻžāϰ āϚāĻ“āĻĄāĻŧāĻž, āφāϰ āĻāϰ āĻĻ⧁āĻĒāĻžāĻļ āĻĨ⧇āϕ⧇ āĻŦāĻžāχāϰ⧇āϰ āĻĻāĻŋāϕ⧇ āĻĒā§āϰāϞāĻŽā§āĻŦāĻŋāϤ āϰāϝāĻŧ⧇āϛ⧇ āĻĻ⧁āϟāĻŋ āĻĒā§āϰāĻšāϰāĻŋāĻ•āĻ•ā§āώāĨ¤ āĻŦāĻŋāĻšāĻžāϰ⧇āϰ āϏāĻ•āϞ āĻĻ⧇āĻ“āϝāĻŧāĻžāϞ āĻŦāĻŋāĻļāĻžāϞāĻžāϝāĻŧāϤāύ āĻ“ āχāϟ āύāĻŋāĻ°ā§āĻŽāĻŋāϤāĨ¤ āĻĒ⧇āĻ›āύ⧇āϰ āĻĻ⧇āĻ“āϝāĻŧāĻžāϞ āϏāĻŦāĻšā§‡āϝāĻŧ⧇ āĻĒ⧁āϰ⧁ āĻ“ āĻŦāĻŋāĻļāĻžāϞāĨ¤ āĻāχ āĻĻ⧇āĻ“āϝāĻŧāĻžāϞ ā§Ģ āĻŽāĻŋāϟāĻžāϰ āĻĒ⧁āϰ⧁āĨ¤ āĻ āĻŦ⧈āĻļāĻŋāĻˇā§āĻŸā§āϝ āĻ“ āϏ⧇āχāϏāĻžāĻĨ⧇ āĻĒā§āϰāĻšāϰāĻŋāĻ•āĻ•ā§āώāϏāĻŽā§āĻŦāϞāĻŋāϤ āĻāĻ•āĻŽāĻžāĻ¤ā§āϰ āĻĒā§āϰāĻŦ⧇āĻļāĻĻā§āĻŦāĻžāϰ⧇āϰ āĻ•āĻĄāĻŧāĻž āύāĻŋāϰāĻžāĻĒāĻ¤ā§āϤāĻžāϰ āφāϞāĻžāĻŽāϤ āĻ“ āĻŦāĻšāĻŋāσāĻĒā§āϰāĻžāĻšā§€āϰ⧇āϰ āĻŦāĻŋāĻļāĻžāϞ āφāĻ•ā§ƒāϤāĻŋ āĻ āĻŦāĻŋāĻšāĻžāϰāϕ⧇ āϏ⧁āύāĻŋāĻļā§āϚāĻŋāϤāĻ­āĻžāĻŦ⧇ āĻāĻ• āĻĻ⧁āĻ°ā§āϗ⧇āϰ āύāĻŽā§āύāĻž āĻšāĻŋāϏ⧇āĻŦ⧇ āϤ⧁āϞ⧇ āϧāϰ⧇āĨ¤ āĻāϰāĻ•āĻŽ āĻāĻ• āĻĻ⧁āĻ°ā§āĻ—āĻĒā§āϰāĻžāϏāĻžāĻĻ⧇āϰ āĻĒā§āϰāϝāĻŧā§‹āϜāύ āĻ›āĻŋāϞ āĻ āĻ•āĻžāϰāϪ⧇ āϝ⧇, āĻ āϧāϰāύ⧇āϰ āϧāĻ°ā§āĻŽā§€āϝāĻŧ āĻ¸ā§āĻĨāĻžāĻĒāύāĻžāϗ⧁āϞāĻŋāϰ āĻŦāĻŋāĻ¤ā§āϤāĻŦ⧈āĻ­āĻŦ āϤāĻ–āύ āĻŦ⧃āĻĻā§āϧāĻŋ āĻĒāĻžāĻšā§āĻ›āĻŋāϞ āφāϰ āϝ⧁āĻ—āĻĒā§Ž āύāĻŋāϰāĻžāĻĒāĻ¤ā§āϤāĻžāϰ āĻ…āĻ­āĻžāĻŦāĻ“ āĻ›āĻŋāϞāĨ¤ āĻļāĻžāϞāĻŦāύ āĻŦāĻŋāĻšāĻžāϰ āĻāϞāĻžāĻ•āĻžāϝāĻŧ āĻ…āύ⧇āĻ• āĻ—āĻ­ā§€āϰ⧇ āĻ–āύāύ āϚāĻžāϞāĻŋāϝāĻŧ⧇ āĻāĻ–āĻžāύ⧇ āϚāĻžāϰ āĻ¸ā§āϤāϰ⧇ āϏāĻ‚āĻ¸ā§āĻ•āĻžāϰ-āĻŽā§‡āϰāĻžāĻŽāϤ āĻ“ āĻĒ⧁āύāĻ°ā§āύāĻŋāĻ°ā§āĻŽāĻžāĻŖ āĻĒāĻ°ā§āϝāĻžāϝāĻŧ⧇āϰ āĻĒā§āϰāĻŽāĻžāĻŖ āĻĒāϰāĻŋāϞāĻ•ā§āώāĻŋāϤ āĻšāϝāĻŧāĨ¤ āφāĻĻāĻŋāϤāĻŽ āϕ⧇āĻ¨ā§āĻĻā§āϰ⧀āϝāĻŧ āĻŽāĻ¨ā§āĻĄāĻĒāϟāĻŋ ā§ŠāϝāĻŧ āĻ•āĻžāϞāĻĒāĻ°ā§āϝāĻžāϝāĻŧāϭ⧁āĻ•ā§āϤ (āϏāĻžāϤ-āφāϟ āĻ–ā§āϰāĻŋ.)āĨ¤ ⧍āϝāĻŧ āĻ“ ā§§āĻŽ āĻ•āĻžāϞāĻĒāĻ°ā§āϝāĻžāϝāĻŧ⧇āϰ āĻĒāϰāĻŋāϏāϰ⧇ āĻĒāĻĄāĻŧ⧇ āĻāĻŽāύ āϕ⧋āύ āĻŦāĻŋāĻšāĻžāϰ⧇āϰ āϏāĻ¨ā§āϧāĻžāύ āĻāĻ–āύāĻ“ āĻĒāĻžāĻ“āϝāĻŧāĻž āϝāĻžāϝāĻŧāύāĻŋāĨ¤ āĻĒāϰ⧇āϰ āĻĻ⧁āχ āĻ•āĻžāϞāĻĒāĻ°ā§āϝāĻžāϝāĻŧ āĻ…āĻ°ā§āĻĨāĻžā§Ž ā§ĒāĻ°ā§āĻĨ āĻ“ ā§ĢāĻŽ āĻ•āĻžāϞāĻĒāĻ°ā§āϝāĻžāϝāĻŧ⧇ (āύāϝāĻŧ-āĻĻāĻļ āĻ–ā§āϰāĻŋ.) āĻāĻ–āĻžāύ⧇ āĻĒā§‚āĻ°ā§āĻŦ⧇āϰ āύāĻŋāĻ°ā§āĻŽāĻŋāϤ āĻ…āĻŦāĻļ⧇āώ⧇āϰ āωāĻĒāϰ āύāϤ⧁āύ āĻ•āϰ⧇ āĻŽā§‡āĻā§‡ āĻ“ āĻĒā§āϰāĻŦ⧇āĻļāĻĒāĻĨ āύāĻŋāĻ°ā§āĻŽāĻŋāϤ āĻšāϝāĻŧāĨ¤ āĻŦāĻŋāĻšāĻžāϰ⧇āϰ āĻ•āĻ•ā§āώāϗ⧁āϞāĻŋāϰ āϭ⧇āϤāϰ āĻĻ⧁āϟāĻŋ āĻ•ā§ŒāϤ⧂āĻšāϞ⧋āĻĻā§āĻĻā§€āĻĒāĻ• āĻŦ⧈āĻļāĻŋāĻˇā§āĻŸā§āϝ āĻ āĻ•āĻžāϞ āĻĒāϰāĻŋāϏāϰ⧇ āĻĒāϰāĻŋāϞāĻ•ā§āώāĻŋāϤ āĻšāϝāĻŧ⧇āϛ⧇āĨ¤ āϏ⧇ āĻĻ⧁āϟāĻŋ āĻšāϞ⧋: āĻ•āĻ•ā§āώ⧇ āφāϗ⧁āύ āĻœā§āĻŦāĻžāϞāĻžāύ⧋āϰ āϤāĻĨāĻž āϰāĻžāĻ¨ā§āύāĻžāϰ āĻĒāϰāĻŋāĻ•āĻ˛ā§āĻĒāĻŋāϤ āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻž āĻ“ āύāĻ•āĻļāĻŋ āχāĻŸā§‡āϰ āĻĒāĻžāĻĻāĻ¸ā§āϤāĻŽā§āĻ­ (pedestal)āĨ¤ āĻāϗ⧁āϞāĻŋ āĻŦāĻŋāĻšāĻžāϰ⧇āϰ āĻŽā§‚āϞ āĻĒāϰāĻŋāĻ•āĻ˛ā§āĻĒāύāĻžāϭ⧁āĻ•ā§āϤ āĻ›āĻŋāϞ āύāĻžāĨ¤ āĻ¸ā§āĻĒāĻˇā§āϟāϤ āĻĻ⧇āĻ–āĻž āϝāĻžāϝāĻŧ, āĻŦāĻŋāĻšāĻžāϰ⧇āϰ āĻ•āĻŋāϛ⧁ āύāĻŋāĻŦāĻžāϏ⧀ āϏāĻ¨ā§āĻ¨ā§āϝāĻžāϏ⧀ āϤāĻžāĻĻ⧇āϰ āύāĻŋāĻœā§‡āĻĻ⧇āϰ āϰāĻžāĻ¨ā§āύāĻžāϰ āĻ“ āĻāĻ•āĻžāĻ¨ā§āϤ āĻ¸ā§āĻŦāϕ⧀āϝāĻŧ āĻĒāĻ°ā§āϝāĻžāϝāĻŧ⧇āϰ āϧāĻ°ā§āĻŽā§€āϝāĻŧ āĻŦāĻŋāĻļā§āĻŦāĻžāϏ⧇āϰ āϚāĻžāĻšāĻŋāĻĻāĻž āĻĒā§‚āϰāϪ⧇āϰ āϜāĻ¨ā§āϝ āĻ āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻž āĻ•āϰ⧇āĻ›āĻŋāϞ⧇āύāĨ¤ āĻ…āĻŦāĻļā§āϝ āĻŦāĻŋāĻšāĻžāϰ⧇ āϏāĻ•āϞ āϏāĻ¨ā§āĻ¨ā§āϝāĻžāϏ⧀āϰ āϜāĻ¨ā§āϝ āĻŦāĻžāϰ⧋āϝāĻŧāĻžāϰāĻŋ āϰāĻ¨ā§āϧāύāĻļāĻžāϞāĻž āĻ“ āĻŦāĻŋāϰāĻžāϟāĻžāĻ•āĻžāϰ āĻĒā§€āĻ āĻ¸ā§āĻĨāĻžāύ āĻ›āĻŋāϞāĨ¤ āĻ…āĻ¨ā§āϝāĻžāĻ¨ā§āϝ āφāϰāĻ“ āϝ⧇ āĻŦ⧈āĻļāĻŋāĻˇā§āĻŸā§āϝ āĻāχ āĻŦāĻŋāĻšāĻžāϰ⧇ āĻĒāϰāĻŋāϞāĻ•ā§āώāĻŋāϤ āĻšāϝāĻŧ, āϤāĻž āĻšāϞ⧋ āĻĻāϰāĻŦāĻžāϰ āφāĻ™āĻŋāύāĻžāϝāĻŧ āĻ•āĻŋāϛ⧁ āϏ⧋āĻĒāĻžāύ āĻ“ āϕ⧋āϪ⧇āϰ āĻ•āĻ•ā§āώāϗ⧁āϞāĻŋāϤ⧇ āĻŦāĻĄāĻŧ āφāĻ•āĻžāϰ⧇āϰ āϏāĻŋāρāĻĄāĻŧāĻŋ,āϕ⧇āĻ¨ā§āĻĻā§āϰ⧀āϝāĻŧ āĻ•āĻ•ā§āώāϗ⧁āϞāĻŋāϤ⧇ āĻ­āϜāύāĻžāϞāϝāĻŧ,āĻĒā§āϰāϤāĻŋ āĻ•āĻ•ā§āώ⧇ āĻĒā§‚āĻœā§āϝ āĻĻ⧇āĻŦāĻĻ⧇āĻŦā§€āϰ āĻŽā§‚āĻ°ā§āϤāĻŋ,āĻŦāĻžāϤāĻŋ, āϞāĻŋāĻ–āύ āĻ“ āĻĒāĻžāĻ  āϏāĻžāĻŽāĻ—ā§āϰ⧀ āϰāĻžāĻ–āĻžāϰ āϜāĻ¨ā§āϝ āϏ⧋āĻĒāĻžāύāĻ•ā§āϰāĻŽāĻŋāĻ• āϤāĻžāĻ• āĻŦāĻž āϕ⧁āϞ⧁āĻ™ā§āĻ—āĻŋāĨ¤ āϕ⧇āĻ¨ā§āĻĻā§āϰ⧀āϝāĻŧ āĻŦāĻž āĻŽāĻ§ā§āϝāĻŦāĻ°ā§āϤ⧀ āĻŽāĻ¨ā§āĻĄāĻĒāσ āĻļāĻžāϞāĻŦāύ āĻŦāĻŋāĻšāĻžāϰ⧇āϰ āϕ⧇āĻ¨ā§āĻĻā§āϰ⧀āϝāĻŧ āĻŽāĻ¨ā§āĻĄāĻĒ āĻĒā§āϰāĻ•ā§ƒāϤāĻĒāĻ•ā§āώ⧇ āϕ⧋āύ āĻāĻ•āĻ• āύāĻŋāĻ°ā§āĻŽāĻžāĻŖ āĻ•āĻžāĻ āĻžāĻŽā§‹ āύāϝāĻŧ, āĻŦāϰāĻ‚ āĻāĻ–āĻžāύ⧇ āĻ›āϝāĻŧāϟāĻŋ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āύāĻŋāĻ°ā§āĻŽāĻžāĻŖ āĻ•āĻžāĻ āĻžāĻŽā§‹āϰ āĻ…āĻ¸ā§āϤāĻŋāĻ¤ā§āĻŦ āϰāϝāĻŧ⧇āϛ⧇āĨ¤ āĻāϗ⧁āϞāĻŋ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϏāĻŽāϝāĻŧ⧇ āĻ“ āĻĒāϰāĻŋāĻ•āĻ˛ā§āĻĒāύāĻžāϝāĻŧ āĻāĻ•āχ āĻ¸ā§āĻĨāĻžāύ⧇ āĻāϕ⧇āϰ āĻĒāϰ āĻāĻ• āύāĻŋāĻ°ā§āĻŽāĻŋāϤ āĻšāϝāĻŧāĨ¤ āĻāϗ⧁āϞāĻŋāϤ⧇ āĻ•āĻžāϞāĻĒāϰāĻŋāĻ•ā§āϰāĻŽāĻžāϝāĻŧ āĻāĻ•āϟāĻŋ āϏāύāĻžāϤāύ āĻŦ⧌āĻĻā§āϧ āϏ⧂āϤāĻĒ āĻ¸ā§āĻĨāĻžāĻĒāĻ¤ā§āϝ āĻ•ā§āϰāĻŽāĻŦāĻŋāĻŦāĻ°ā§āϤāύ⧇āϰ āĻĢāϞ⧇ āĻ•āĻŋāĻ­āĻžāĻŦ⧇ āϧ⧀āϰ⧇ āϧ⧀āϰ⧇ āĻšāĻŋāĻ¨ā§āĻĻ⧁ āĻŽāĻ¨ā§āĻĻāĻŋāϰ āĻ¸ā§āĻĨāĻžāĻĒāĻ¤ā§āϝ⧇ āϰ⧂āĻĒāĻžāĻ¨ā§āϤāϰāĻŋāϤ āĻšāϝāĻŧ⧇āϛ⧇ āϤāĻžāϰāχ āĻāĻ• āĻĒā§āϰāĻŽāĻžāĻŖ āĻĒāĻžāĻ“āϝāĻŧāĻž āϝāĻžāϝāĻŧāĨ¤ āĻĒā§āϰāĻĨāĻŽ āĻĻ⧁āχ āĻ•āĻžāϞāĻĒāĻ°ā§āϝāĻžāϝāĻŧ⧇āϰ āĻ§ā§āĻŦāĻ‚āϏāĻžāĻŦāĻļ⧇āώ āϤ⧃āϤ⧀āϝāĻŧ āĻ•āĻžāϞāĻĒāĻ°ā§āϝāĻžāϝāĻŧ⧇āϰ āύāĻŋāĻšā§‡ āϞ⧁āĻ•āĻŋāϝāĻŧ⧇ āφāϛ⧇āĨ¤ ā§ŠāϝāĻŧ āĻ•āĻžāϞāĻĒāĻ°ā§āϝāĻžāϝāĻŧ⧇ āĻāĻ–āĻžāύ⧇ āĻāĻ• āĻ•ā§āϰ⧁āĻļāĻžāĻ•āĻžāϰ āĻŽāĻ¨ā§āĻĄāĻĒ āύāĻŋāĻ°ā§āĻŽāĻŋāϤ āĻšāϝāĻŧ āĻŦāĻŋāĻšāĻžāϰ⧇āϰ āĻāĻ•āĻ• āĻ¸ā§āĻĨāĻžāĻĒāύāĻžāϰ āĻ…āĻ™ā§āĻ— āĻšāĻŋāϏ⧇āĻŦ⧇āĨ¤ āĻ•ā§āϰ⧁āĻļāĻžāĻ•āĻžāϰ āĻŽāĻ¨ā§āĻĄāĻĒāσ āĻ…āĻ¤ā§āϝāĻ¨ā§āϤ āĻ•ā§ŒāϤ⧂āĻšāϞ⧋āĻĻā§āĻĻā§€āĻĒāĻ• āĻ¸ā§āĻĨāĻžāĻĒāĻ¤ā§āϝ⧇āϰ āύāĻŽā§āύāĻž āĻāχ āĻ•ā§āϰ⧁āĻļāĻžāĻ•ā§ƒāϤāĻŋ āĻŽāĻ¨ā§āĻĄāĻĒāĨ¤ āĻŽāĻ¨ā§āĻĄāĻĒāϟāĻŋ āĻ—ā§āϰāĻŋāĻ• āĻ•ā§āϰ⧁āĻļāĻžāĻ•ā§ƒāϤāĻŋ āĻĒāϰāĻŋāĻ•āĻ˛ā§āĻĒāύāĻžāϝāĻŧ āύāĻŋāĻ°ā§āĻŽāĻŋāϤāĨ¤ āĻĻā§€āĻ°ā§āϘāϤāϰ āĻŽā§‚āϞāĻĻāĻ¨ā§āĻĄāϟāĻŋāϰ āϏāĻžāĻĨ⧇ āĻŽāĻŋāϞ āϰ⧇āϖ⧇ ā§Ģā§§.ā§Ž āĻŽāĻŋāϟāĻžāϰ āĻĻā§€āĻ°ā§āϘ āĻŦāĻžāĻšā§āϰ āĻĻ⧁āĻĻāĻŋāϕ⧇ āĻ­āϜāύāĻžāϞāϝāĻŧāϗ⧁āϞāĻŋ āύāĻŋāĻ°ā§āĻŽāĻŋāϤ āĻšāϝāĻŧ⧇āĻ›āĻŋāϞāĨ¤ 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When you visit here, you will see that Shalbon Vihar bears the signature of the ancient archaeological heritage of Bangladesh. 8 copperplates, about 400 gold and silver coins, numerous burnt clay plaques or terracotta, seals, bronze and clay idols have been found from the ruins of the vihara through archaeological excavations. Shalvan Vihara is one of the most important archaeological monuments excavated at Mainamati in Comilla. The location of this monastery is in the middle of Lalmai hill near Bard in Kotbari. The vihar was named Shalban Vihar as there was once a dense forest of shal-gazari around the vihar.[citation needed] The nearby village is called Shalbanpur. There is still a small forest there. This monastery is similar to the Paharpur Buddhist monastery, but smaller in size. It is believed that the fourth king of the Deva Dynasty, Sribhavadeva, built this Buddhist monastery between the end of the seventh century and the beginning of the eighth century. Six construction and reconstruction phases of Shalban Vihar are known. It is estimated that the central temple was built during the third phase during the 8th century AD and the vihara was completely renovated. The fourth and fifth phases of construction and renovation were completed in the ninth-tenth centuries. It is square in shape. Each arm of Shalban Bihar is 167.7 meters long. The walls of Bihar on four sides are five meters thick. The rooms are built on four sides of the walls of Bihar. There was only one way in or out of Bihar. This path or door is right in the middle of the north block. Each room has a 1.5 meter wide wall between them. 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Pratnatāttbika khananēra mādhyamē bihāraáš­ira dhbansābaÅ›Ä“ášŖa thēkē 8áš­i tāmralipi, prāáēa 400áš­i sbarṇa ō raupya mudrā, asaṅkhya pō᚛ā māᚭira phalaka bā ṭērākōᚭā, silamōhara, brÅÃąja ō māᚭira mÅĢrti pā'ōáēÄ gēchē.Kumillāra maáēanāmatitē khananakrĖĨta saba pratnatāttbika nidarśanēra madhyē śālabana bihāra an'yatama pradhāna. Kōᚭabāṛitē bārḍēra kāchē lālamā'i pāhāṛēra mājhāmājhi ēlākāáēa ē bihāraáš­ira abasthāna. Bihāraáš­ira āśapāśē ēka samaáēa śāla-gajārira ghana bana chila balē ē bihāraáš­ira nāmakaraṇa haáēÄ“chila śālabana bihāra.[TathyasÅĢtra praáēÅjana] ēra sannihita grāmaáš­ira nāma śālabanapura. Ēkhanō chōᚭa ēkaáš­i bana āchē sēkhānē. Ē bihāraáš­i pāhāṛapura baud'dha bihārēra matō halē'ō ākārē chōᚭa.Dhāraṇā karā haáēa yē khrĖĨsáš­ÄĢáēa saptama śatābdÄĢra Å›Ä“ášŖa thēkē aášŖáš­ama śatābdÄĢra prathama bhāgē dēbabanśēra caturtha rājā śrÄĢbhaba
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āϏāĻ‚āϰāĻ•ā§āώāĻŖ āĻ“ āĻĒā§āϰāĻĻāĻ°ā§āĻļāύ⧇āϰ āϜāĻ¨ā§āϝ ⧧⧝ā§Ŧā§Ģ āϏāĻžāϞ⧇ āϕ⧁āĻŽāĻŋāĻ˛ā§āϞāĻž āϕ⧋āϟāĻŦāĻžā§œāĻŋāϰ āĻļāĻžāϞāĻŦāύ āĻŦāĻŋāĻšāĻžāϰ⧇āϰ āĻĻāĻ•ā§āώāĻŋāĻŖ āĻĒāĻžāĻļ⧇ āĻļāĻžāϞāĻŦāύāϕ⧇ āϏāĻžāĻŽāύ⧇ āϰ⧇āϖ⧇ āĻĒāĻļā§āϚāĻŋāĻŽāĻŽā§āĻ–ā§€ āĻāĻ•āϟāĻŋ āϜāĻžāĻĻ⧁āϘāϰ āĻ¸ā§āĻĨāĻžāĻĒāύ āĻ•āϰāĻž āĻšā§ŸāĨ¤ āϜāĻžāĻĻ⧁āϘāϰ⧇āϰ āĻĒā§āϰāĻŦ⧇āĻļāĻĒāĻĨ⧇āϰ āĻŦāĻžāρ āĻĒāĻžāĻļ⧇āχ āĻ°ā§Ÿā§‡āϛ⧇ āĻŦ⧁āĻĻā§āϧ⧇āϰ āĻŦāĻŋāĻļāĻžāϞ āĻŦā§āϰ⧋āĻžā§āĻœā§‡āϰ āĻŽā§‚āĻ°ā§āϤāĻŋāĨ¤ āϤāĻžāϰāĻĒāϰ āĻ°ā§Ÿā§‡āϛ⧇ āĻŦ⧇āϞ⧇ āĻĒāĻžāĻĨāϰ⧇ āĻĻāĻŖā§āĻĄāĻžā§ŸāĻŽāĻžāύ āĻŦ⧌āĻĻā§āϧ⧇āϰ āĻŽā§‚āĻ°ā§āϤāĻŋāĨ¤ āĻāϟāĻŋ āφāύ⧁āĻŽāĻžāύāĻŋāĻ• ā§­āĻŽ āĻļāϤāϕ⧇ āϤ⧈āϰāĻŋāĨ¤ ⧧⧍-ā§§ā§Š āĻļāϤāϕ⧇āϰ āĻĻ⧁āĻŸā§‹ āϤāĻžāĻŽā§āϰ āĻļāĻžāϏāύ āĻ°ā§Ÿā§‡āϛ⧇āĨ¤ āĻ…āĻ¨ā§āϝāĻžāĻ¨ā§āϝ āωāĻ˛ā§āϞ⧇āĻ–āϝ⧋āĻ—ā§āϝ āĻĻā§āϰāĻŦā§āϝ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āĻŦā§āϰ⧋āĻžā§āĻœā§‡āϰ āĻŦāĻŋāĻļāĻžāϞ āϘāĻŖā§āϟāĻž, (āĻ“āϜāύ ā§Šā§­ā§Ļ āϕ⧇āϜāĻŋ) āĻ•āĻžāϞ⧋ āĻĒāĻžāĻĨāϰ⧇āϰ āĻļāĻŋāĻŦ⧇āϰ āĻŦāĻžāĻšāύ, āϤāĻžāϞāĻĒāĻžāϤāĻžāϰ āĻŦāĻ°ā§āĻŽā§€ āĻĒāĻžāĻŖā§āĻĄā§āϞāĻŋāĻĒāĻŋ āĨ¤ āϜāĻžāĻĻ⧁āϘāϰ⧇ āĻĒā§āϰāĻĻāĻ°ā§āĻļāύ⧇āϰ āωāĻ˛ā§āϞ⧇āĻ–āϝ⧋āĻ—ā§āϝ āĻĒāĻžāĻĨāϰ āĻ“ āĻŦā§āϰ⧋āĻžā§āϜāĻŽā§‚āĻ°ā§āϤāĻŋ āĻšāĻšā§āϛ⧇- āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϧāϰāύ⧇āϰ āĻĒāĻžāĻĨāϰ⧇āϰ āĻĻāĻ¨ā§āĻĄāĻžā§ŸāĻŽāĻžāύ āϞ⧋āϕ⧋āĻ¤ā§āϤāϰ āĻŦ⧁āĻĻā§āϧ āĻŽā§‚āĻ°ā§āϤāĻŋ, āĻ¤ā§āϰāĻŋ āĻŦāĻŋāĻ•ā§āϰāĻŽ āĻŦāĻŋāĻˇā§āϪ⧁āĻŽā§‚āĻ°ā§āϤāĻŋ, āϤāĻžāϰāĻž āĻŽā§‚āĻ°ā§āϤāĻŋ, āĻŽāĻžāϰ⧀āϛ⧀ āĻŽā§‚āĻ°ā§āϤāĻŋ, āĻŽāĻžā§āϜ⧁āϰ⧇āϰ āĻŽā§‚āĻ°ā§āϤāĻŋ, āĻĒāĻžāĻ°ā§āĻŦāϤ⧀ āĻŽā§‚āĻ°ā§āϤāĻŋ, āĻšāϰāĻ—ā§Œāϰ⧀āĻŽā§‚āĻ°ā§āϤāĻŋ, āύāĻ¨ā§āĻĻā§€ āĻŽā§‚āĻ°ā§āϤāĻŋ, āĻŽāĻšāĻŋāώāĻŽāĻ°ā§āĻĻāĻŋāύ⧀ āĻŽā§‚āĻ°ā§āϤāĻŋ, āĻŽāύāϏāĻž āĻŽā§‚āĻ°ā§āϤāĻŋ, āĻ—āύ⧇āĻļ āĻŽā§‚āĻ°ā§āϤāĻŋ, āϏ⧂āĻ°ā§āϝāĻŽā§‚āĻ°ā§āϤāĻŋ, āĻšā§‡āϰ⧁āĻ• āĻŽā§‚āĻ°ā§āϤāĻŋ āĻāĻŦāĻ‚ āĻŦā§āϰ⧋āĻžā§āĻœā§‡āϰ āĻŦāĻœā§āϰāϏāĻ¤ā§āĻ¤ā§āĻŦ āĻŽā§‚āĻ°ā§āϤāĻŋāĨ¤āĻāĻ›āĻžā§œāĻžāĻ“ āĻŦā§āϰ⧋āĻžā§āĻœā§‡āϰ āϛ⧋āϟ-āĻŦ⧜ āφāϰāĻ“ āĻŽā§‚āĻ°ā§āϤāĻŋ āĻ°ā§Ÿā§‡āϛ⧇āĨ¤ āĻ āϜāĻžāĻĻ⧁āϘāϰ⧇ āĻ°ā§Ÿā§‡āϛ⧇ āĻŦā§āϰ⧋āĻžā§āĻœā§‡āϰ āϤ⧈āϰ⧀ āĻŦāĻŋāĻļāĻžāϞāĻžāĻ•āĻžā§Ÿ āĻāĻ•āϟāĻŋ āϘāĻ¨ā§āϟāĻžāĨ¤ āϝāĻžāϰ āĻ“āϜāύ ā§ĢāĻļ’ āϕ⧇āϜāĻŋāĨ¤ āϟāĻŋāϕ⧇āϟ āĻŽā§āĻ˛ā§āϝāσ āϜāĻžāĻĻ⧁āϘāϰ āĻ“ āĻļāĻžāϞāĻŦāύ āĻŦāĻŋāĻšāĻžāϰ⧇āϰ āϗ⧇āĻŸā§‡āϰ āĻĒāĻžāĻļ⧇āχ āϰāϝāĻŧ⧇āϛ⧇ āϟāĻŋāϕ⧇āϟ āĻ•āĻžāωāĻ¨ā§āϟāĻžāϰ, āϜāύāĻĒā§āϰāϤāĻŋ āϟāĻŋāϕ⧇āϟ āĻāϰ āĻĻāĻžāĻŽ āĻŦāĻŋāĻļ āϟāĻžāĻ•āĻž āĻ•āϰ⧇, āϤāĻŦ⧇ āĻĒāĻžāρāϚ āĻŦāĻ›āϰ⧇āϰ āĻ•āĻŽ āϕ⧋āύ āĻŦāĻžāĻšā§āϚāĻžāϰ āϜāĻ¨ā§āϝ⧇ āϟāĻŋāϕ⧇āϟ āĻāϰ āĻĻāϰāĻ•āĻžāϰ āĻĒāĻĄāĻŧ⧇āύāĻžāĨ¤ āϤāĻŦ⧇ āĻŽāĻžāĻ§ā§āϝāĻŽāĻŋāĻ• āĻĒāĻ°ā§āϝāĻžā§Ÿā§‡āϰ āĻļāĻŋāĻļ⧁-āĻ•āĻŋāĻļā§‹āϰāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻĒā§āϰāĻŦ⧇āĻļ āĻŽā§āĻ˛ā§āϝ⧇ āύāĻŋāĻ°ā§āϧāĻžāϰāύ āĻ•āϰāĻž āĻšā§Ÿā§‡āϛ⧇ 10 āϟāĻžāĻ•āĻžāĨ¤ āϏāĻžāĻ°ā§āĻ•āϭ⧁āĻ•ā§āϤ āĻŦāĻŋāĻĻ⧇āĻļāĻŋ āĻĻāĻ°ā§āĻļāύāĻžāĻ°ā§āĻĨā§€āϰ āϜāĻ¨ā§āϝ⧇ āϟāĻŋāϕ⧇āϟ āĻŽā§‚āĻ˛ā§āϝ āĻāĻ•āĻļāϤ āϟāĻžāĻ•āĻž āĻāĻŦāĻ‚ āĻ…āĻ¨ā§āϝāĻžāĻ¨ā§āϝ āĻŦāĻŋāĻĻ⧇āĻļā§€ āĻĻāĻ°ā§āĻļāĻ•āĻĻ⧇āϰ āϜāĻ¨ā§āϝ āϟāĻŋāϕ⧇āĻŸā§‡āϰ āĻŽā§‚āĻ˛ā§āϝ āĻĻ⧁āχāĻļāϤ āϟāĻžāĻ•āĻž āĻ•āϰ⧇āĨ¤ āĻļ⧁āϧ⧁ āĻŽāĻžāĻ¤ā§āϰ āϜāĻžāĻĻ⧁āϘāϰ⧇āϰ āϜāĻ¨ā§āϝ⧇ āĻĒā§āϰāϝ⧋āĻœā§āϝāĨ¤ āĻŦāĻ¨ā§āϧ – āĻ–ā§‹āϞāĻžāϰ āϏāĻŽāϝāĻŧāϏ⧂āĻšā§€āσ āĻ—ā§āϰ⧀āĻˇā§āĻŽāĻ•āĻžāϞ⧇ āĻŽā§ŸāύāĻžāĻŽāϤāĻŋ āϜāĻžāĻĻ⧁āϘāϰ āϏāĻ•āĻžāϞ ā§§ā§ĻāϟāĻž āĻĨ⧇āϕ⧇ āϏāĻ¨ā§āĻ§ā§āϝāĻž ā§ŦāϟāĻž āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āĻ–ā§‹āϞāĻž āĻĨāĻžāϕ⧇āĨ¤ āĻŽāĻžāĻāĻ–āĻžāύ⧇ āĻĻ⧁āĻĒ⧁āϰ ā§§āϟāĻž āĻĨ⧇āϕ⧇ ā§§.ā§Šā§Ļ āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āφāϧ āϘāĻŖā§āϟāĻžāϰ āϜāĻ¨ā§āϝ⧇ āĻŦāĻ¨ā§āϧ āĻĨāĻžāϕ⧇āĨ¤ āφāϰ āĻļā§€āϤāĻ•āĻžāϞ⧇ āϏāĻ•āĻžāϞ ⧝āϟāĻž āĻĨ⧇āϕ⧇ āĻŦāĻŋāϕ⧇āϞ ā§ĢāϟāĻž āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āĻŽā§ŸāύāĻžāĻŽāϤāĻŋ āϜāĻžāĻĻ⧁āϘāϰ āĻ–ā§‹āϞāĻž āĻĨāĻžāϕ⧇āĨ¤ āĻļā§€āϤāĻ•āĻžāϞ⧇āĻ“ āĻĻ⧁āĻĒ⧁āϰ ā§§āϟāĻž āĻĨ⧇āϕ⧇ ā§§.ā§Šā§Ļ āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āĻŦāĻ¨ā§āϧ āĻĨāĻžāϕ⧇āĨ¤ āφāϰ āϏāĻŦāϏāĻŽāϝāĻŧ⧇āϰ āϜāĻ¨ā§āϝ⧇āχ āĻļ⧁āĻ•ā§āϰāĻŦāĻžāϰ⧇ āϜ⧁āĻŽā§āĻŽāĻžāϰ āύāĻžāĻŽāĻžāϝ⧇āϰ āϜāĻ¨ā§āϝ⧇ āϏāĻžāĻĄāĻŧ⧇ āĻŦāĻžāϰ⧋āϟāĻž āĻĨ⧇āϕ⧇ āϤāĻŋāύāϟāĻž āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āĻŽā§ŸāύāĻžāĻŽāϤāĻŋ āϜāĻžāĻĻ⧁āϘāϰ āĻŦāĻ¨ā§āϧ āĻĨāĻžāϕ⧇āĨ¤ āϰāĻŦāĻŋāĻŦāĻžāϰ āϏāĻžāϧāĻžāϰāĻŖ āϛ⧁āϟāĻŋ āĻāĻŦāĻ‚ āϏ⧇āĻžāĻŽāĻŦāĻžāϰ āĻŦ⧇āϞāĻž ⧍.ā§Ļā§Ļ āĻĨ⧇āϕ⧇ āϖ⧇āĻžāϞāĻž āĻĨāĻžāϕ⧇āĨ¤ āĻāĻ›āĻžā§œāĻžāĻ“ āϏāϰāĻ•āĻžāϰ⧀ āϕ⧇āĻžāύ āĻŦāĻŋāĻļ⧇āώ āĻĻāĻŋāĻŦāϏ⧇ āĻŽā§ŸāύāĻžāĻŽāϤāĻŋ āϜāĻžāĻĻ⧁āϘāϰ āĻŦāĻ¨ā§āϧ āĻĨāĻžāϕ⧇ āĨ¤ āĻ•āĻŋāĻ­āĻžāĻŦ⧇ āϝāĻžāĻ“ā§ŸāĻž āϝāĻžā§Ÿāσ āĻĸāĻžāĻ•āĻž āĻĨ⧇āϕ⧇ āϕ⧁āĻŽāĻŋāĻ˛ā§āϞāĻž āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āϏ⧜āĻ• āĻĒāĻĨ⧇āϰ āĻĻā§‚āϰāĻ¤ā§āĻŦ āĻŽāĻžāĻ¤ā§āϰ ⧍ āϘāĻ¨ā§āϟāĻž ā§Šā§Ļ āĻŽāĻŋāύāĻŋāĻŸā§‡āϰāĨ¤ āĻŦāĻžāϏ āϏāĻžāĻ°ā§āĻ­āĻŋāϏ⧇āϰ āĻĻāĻŋāĻ• āĻĨ⧇āϕ⧇ āϤāĻŋāĻļāĻž āĻāĻŦāĻ‚ āĻāĻļāĻŋ⧟āĻž āϞāĻžāχāύ āĻāĻ—āĻŋā§Ÿā§‡āĨ¤ āϝ⧇āϕ⧋āύ āĻāĻ•āϟāĻŋāϤ⧇ āĻšā§œā§‡āχ āϝ⧇āϤ⧇ āĻĒāĻžāϰ⧇āύ āϕ⧁āĻŽāĻŋāĻ˛ā§āϞāĻžāϰ āĻĒāĻĨ⧇āĨ¤ āϝāĻžāϰāĻž āϚāĻŸā§āϟāĻ—ā§āϰāĻžāĻŽ āĻĨ⧇āϕ⧇ āφāϏāϤ⧇ āϚāĻžāύ āϤāĻžāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻĒā§āϰ⧀āĻ¨ā§āϏ āϏ⧌āĻĻāĻŋ⧟āĻž āĻŦāĻžāϏ āĻ­āĻžāϞ⧋ āĻšāĻŦ⧇āĨ¤ āϤāĻŦ⧇ āĻŽāϜāĻžāϰ āĻŦā§āϝāĻžāĻĒāĻžāϰ āĻšāϞ⧋ āϚāĻŸā§āϟāĻ—ā§āϰāĻžāĻŽ āĻĨ⧇āϕ⧇ āϕ⧁āĻŽāĻŋāĻ˛ā§āϞāĻž āϝ⧇āϤ⧇ āĻŦāĻžāϏ āĻāϰ āϤ⧁āϞāύāĻžā§Ÿ āĻŸā§āϰ⧇āύ⧇ āϏāĻŽā§Ÿ āĻ•āĻŽāχ āϞāĻžāϗ⧇, āĻŽāĻžāĻ¤ā§āϰ ā§Š āϘāĻ¨ā§āϟāĻž ā§Šā§Ļ āĻŽāĻŋāύāĻŋāϟāĨ¤ āĻŦāĻžāϏ āĻ āϏāĻŽā§Ÿ āϞāĻžāϗ⧇ ā§Ē āϘāĻ¨ā§āϟāĻž ā§Šā§Ļ āĻŽāĻŋāύāĻŋāϟ āĻāϰ āĻŽāϤāĨ¤ āϕ⧁āĻŽāĻŋāĻ˛ā§āϞāĻž āĻāϏ⧇ āϚāϞ⧇ āϝāĻžāύ āĻŦāĻŋāĻļā§āĻŦāϰ⧋āĻĄ āĻŦāĻžāϏ āĻ¸ā§āĻŸā§āϝāĻžāĻ¨ā§āĻĄ āĻāĨ¤ āϏ⧇āĻ–āĻžāύ⧇ āϏāĻŋāĻāύāϜāĻŋ āĻ¸ā§āĻŸā§āϝāĻžāĻ¨ā§āĻĄ āĻĒāĻžāĻŦ⧇āύāĨ¤ āϞ⧋āĻ•āĻžāϞ⧇ āϗ⧇āϞ⧇ āϞāĻžāĻ—āĻŦ⧇ ā§Šā§Ļ āϟāĻžāĻ•āĻž āφāϰ āϝāĻĻāĻŋ āϰāĻŋāϜāĻžāĻ°ā§āĻ­ āϝ⧇āϤ⧇ āϚāĻžāύ āϏāĻ°ā§āĻŦā§āĻŦā§‹āĻšā§āϚ ā§§ā§Ģā§Ļ āϟāĻžāĻ•āĻžāĨ¤ āφāĻĒāύāĻžāϕ⧇ āϏāĻŋāĻāύāϜāĻŋ āĻ“ā§ŸāĻžāϞāĻž āύāĻžāĻŽāĻžāĻŦ⧇ āϕ⧋āϟāĻŦāĻžā§œāĻŋāϤ⧇āĨ¤ āϏ⧇āĻ–āĻžāύ āĻĨ⧇āϕ⧇ āĻ…āĻŸā§‹āϰāĻŋāĻ•ā§āϏāĻž āĻ•āϰ⧇ āϝ⧇āϤ⧇ āĻšāĻŦ⧇ āĻļāĻžāϞāĻŦāύ āĻŦāĻŋāĻšāĻžāϰāĨ¤ āĻ­āĻžā§œāĻž āύāĻŋāĻŦ⧇ ā§§ā§Ļ āϟāĻžāĻ•āĻžāĨ¤ āĻļāĻžāϞāĻŦāύ āĻŦ⧌āĻĻā§āϧ āĻŦāĻŋāĻšāĻžāϰ⧇āϰ āĻĒāĻžāĻļ⧇āχ āĻŽā§ŸāύāĻžāĻŽāϤāĻŋ āϜāĻžāĻĻ⧁āϘāϰāĨ¤ āϕ⧋āĻĨāĻžā§Ÿ āĻĨāĻžāĻ•āĻŦ⧇āύāσ āĻŦ⧇āĻļāĻ•āĻŋāϛ⧁ āĻšā§‹āĻŸā§‡āϞ āĻ“ āϗ⧇āĻ¸ā§āϟ āĻšāĻžāωāϜ āĻ°ā§Ÿā§‡āϛ⧇ āĻāĻ–āĻžāύ⧇āĨ¤ āĻāϏāĻŋ āĻ•āĻŋāĻ‚āĻŦāĻž āύāύāĻāϏāĻŋ āϏāĻŦ āϧāϰāύ⧇āϰ āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻž āĻ°ā§Ÿā§‡āϛ⧇āĨ¤ āĻĻ⧁āϜāύ⧇āϰ āĻ•āĻ•ā§āώ⧇ āĻĒā§āϰāϤāĻŋ āϰāĻžāĻ¤ā§āϰāĻŋ āϝāĻžāĻĒāύ āĻ–āϰāϚ āĻšāĻŦ⧇ ā§§ āĻšāĻžāϜāĻžāϰ āĻĨ⧇āϕ⧇ ā§Š āĻšāĻžāϜāĻžāϰ āϟāĻžāĻ•āĻžāĨ¤āĻļāĻžāϞāĻŦāύ, āφāĻļā§€āĻ• āϰ⧇āĻ¸ā§āϟ āĻšāĻžāωāϏ āχāĻ¤ā§āϝāĻžāĻĻāĻŋāĨ¤ āĻ­āĻžā§œāĻž ⧍ā§Ļā§Ļ āĻĨ⧇āϕ⧇ ā§Ŧā§Ļā§Ļ āϟāĻžāĻ•āĻžāϰ āĻŽāĻ§ā§āϝ⧇āĨ¤ āĻšā§‹āĻŸā§‡āϞ āύ⧁āϰāϜāĻžāĻšāĻžāύ – āĻĸāĻžāĻ•āĻž-āϚāĻŸā§āϰāĻ—ā§āϰāĻžāĻŽ āĻŽāĻšāĻžāϏ⧜āĻ•, āϕ⧁āĻŽāĻŋāĻ˛ā§āϞāĻž, āϝ⧋āĻ—āĻžāϝ⧋āĻ—āσ ā§Ŧā§Žā§­ā§Šā§­
emran Hossain

emran Hossain

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āφāĻĒāύāĻŋ āϝāĻĻāĻŋ āĻ­ā§āϰāĻŽāύ āĻĒāĻŋāĻĒāĻžāϏ⧁ āĻšāύ āϜāĻžā§ŸāĻ—āĻžāϟāĻž āφāĻĒāύāĻžāϰ āϜāĻ¨ā§āϝ, āφāĻŽāĻŋ āϏāĻ‚āĻ•ā§āώāĻŋāĻĒā§āϤ āχāϤāĻŋāĻšāĻžāϏ āϤ⧁āϞ⧇ āϧāϰāϤ⧇āĻ›āĻŋ, āϝāĻž āϏāĻ‚āĻ—ā§ƒāĻšāĻŋāϤāĨ¤ āĻŽāϝāĻŧāύāĻžāĻŽāϤ⧀āϰ āĻĒā§āϰāĻ¤ā§āύāϤāĻžāĻ¤ā§āĻ¤ā§āĻŦāĻŋāĻ• āĻ–āύāύāĻ¸ā§āĻĨāĻžāύāϗ⧁āϞāĻŋāϰ āĻŽāĻ§ā§āϝ⧇ āϏāĻŦāĻšā§‡āϝāĻŧ⧇ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āĻĒā§āϰāĻ¤ā§āύāĻ¸ā§āĻĨāϞāĨ¤ āϕ⧁āĻŽāĻŋāĻ˛ā§āϞāĻžāϰ āĻ•āĻžāϛ⧇ āϕ⧋āϟāĻŦāĻžāĻĄāĻŧāĻŋāϰ āĻŦāĻ°ā§āϤāĻŽāĻžāύ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻĒāĻ˛ā§āϞ⧀ āωāĻ¨ā§āύāϝāĻŧāύ āĻāĻ•āĻžāĻĄā§‡āĻŽā§€āϰ āϞāĻžāĻ—ā§‹āϝāĻŧāĻž āϞāĻžāϞāĻŽāĻžāχ āĻĒāĻžāĻšāĻžāĻĄāĻŧ⧇āϰ āĻŽāĻ§ā§āϝāĻŦāĻ°ā§āϤ⧀ āĻāϞāĻžāĻ•āĻžāϝāĻŧ āĻāϰ āĻ…āĻŦāĻ¸ā§āĻĨāĻŋāϤāĻŋāĨ¤ āĻāĻ–āĻžāύ⧇ āĻ–āύāύ⧇āϰ āĻĢāϞ⧇ āĻĒāĻžāĻšāĻžāĻĄāĻŧāĻĒ⧁āϰ āĻŦāĻŋāĻšāĻžāϰ⧇āϰ āĻŽāϤ⧋ āĻāĻ• āĻŦāĻŋāϰāĻžāϟ āĻŦ⧌āĻĻā§āϧāĻŦāĻŋāĻšāĻžāϰ āĻ“ āĻ…āĻ¨ā§āϝāĻžāĻ¨ā§āϝ āωāĻĒāĻ•āϰāϪ⧇āϰ āϏāĻ¨ā§āϧāĻžāύ āĻĒāĻžāĻ“āϝāĻŧāĻž āϗ⧇āϛ⧇āĨ¤ āĻāϗ⧁āϞāĻŋ āϏāĻžāϤ āĻĨ⧇āϕ⧇ āĻŦāĻžāϰ⧋ āĻļāϤāϕ⧇āϰ āĻŦāϞ⧇ āϧāϰāĻž āϝāĻžāϝāĻŧāĨ¤ āĻāĻ• āϕ⧇āĻ¨ā§āĻĻā§āϰ⧀āϝāĻŧ āĻŽāĻ¨ā§āĻĄāĻĒ⧇āϰ āϚāϤ⧁āĻ°ā§āĻĻāĻŋāϕ⧇ āĻ•ā§āϰ⧁āĻļ āφāĻ•āĻžāϰ⧇ āϚāĻžāϰāϟāĻŋ āĻļāĻžāĻ–āĻžāϝāĻŧ āĻ āĻŦāĻŋāĻšāĻžāϰ⧇āϰ āĻĒāϰāĻŋāĻ•āĻ˛ā§āĻĒāύāĻž āĻ•āϰāĻž āĻšāϝāĻŧāĨ¤ āĻ āĻŦ⧌āĻĻā§āϧ āĻŽāϠ⧇āϰ āφāϝāĻŧāϤāύ ā§§ā§Ŧā§­ āĻŦāĻ°ā§āĻ—āĻŽāĻŋāϟāĻžāϰāĨ¤ āĻāϤ⧇ āĻŽā§‹āϟ ā§§ā§Ģā§ĢāϟāĻŋ āĻ•āĻ•ā§āώ āϰāϝāĻŧ⧇āϛ⧇āĨ¤ āĻ āĻŦāĻŋāĻšāĻžāϰ⧇āϰ āĻŽā§‚āϞ āĻĒā§āϰāĻŦ⧇āĻļāĻĒāĻĨ āĻŽāĻžāĻ¤ā§āϰ āĻāĻ•āϟāĻŋāĨ¤ āφāϰ āϏ⧇āϟāĻŋāϰ āĻ…āĻŦāĻ¸ā§āĻĨāĻžāύ āωāĻ¤ā§āϤāϰ āĻļāĻžāĻ–āĻžāϰ āĻŽāĻ§ā§āϝāĻŦāĻ°ā§āϤ⧀ āĻ¸ā§āĻĨāϞ⧇āĨ¤ āĻ āĻĒā§āϰāĻŦ⧇āĻļāĻĒāĻĨ⧇āϰ āϏāĻŽā§āĻŽā§āĻ–āĻ­āĻžāĻ— ⧍⧍.ā§Ŧ āĻŽāĻŋāϟāĻžāϰ āϚāĻ“āĻĄāĻŧāĻž, āφāϰ āĻāϰ āĻĻ⧁āĻĒāĻžāĻļ āĻĨ⧇āϕ⧇ āĻŦāĻžāχāϰ⧇āϰ āĻĻāĻŋāϕ⧇ āĻĒā§āϰāϞāĻŽā§āĻŦāĻŋāϤ āϰāϝāĻŧ⧇āϛ⧇ āĻĻ⧁āϟāĻŋ āĻĒā§āϰāĻšāϰāĻŋāĻ•āĻ•ā§āώāĨ¤ āĻŦāĻŋāĻšāĻžāϰ⧇āϰ āϏāĻ•āϞ āĻĻ⧇āĻ“āϝāĻŧāĻžāϞ āĻŦāĻŋāĻļāĻžāϞāĻžāϝāĻŧāϤāύ āĻ“ āχāϟ āύāĻŋāĻ°ā§āĻŽāĻŋāϤāĨ¤ āĻĒ⧇āĻ›āύ⧇āϰ āĻĻ⧇āĻ“āϝāĻŧāĻžāϞ āϏāĻŦāĻšā§‡āϝāĻŧ⧇ āĻĒ⧁āϰ⧁ āĻ“ āĻŦāĻŋāĻļāĻžāϞāĨ¤ āĻāχ āĻĻ⧇āĻ“āϝāĻŧāĻžāϞ ā§Ģ āĻŽāĻŋāϟāĻžāϰ āĻĒ⧁āϰ⧁āĨ¤ āĻ āĻŦ⧈āĻļāĻŋāĻˇā§āĻŸā§āϝ āĻ“ āϏ⧇āχāϏāĻžāĻĨ⧇ āĻĒā§āϰāĻšāϰāĻŋāĻ•āĻ•ā§āώāϏāĻŽā§āĻŦāϞāĻŋāϤ āĻāĻ•āĻŽāĻžāĻ¤ā§āϰ āĻĒā§āϰāĻŦ⧇āĻļāĻĻā§āĻŦāĻžāϰ⧇āϰ āĻ•āĻĄāĻŧāĻž āύāĻŋāϰāĻžāĻĒāĻ¤ā§āϤāĻžāϰ āφāϞāĻžāĻŽāϤ āĻ“ āĻŦāĻšāĻŋāσāĻĒā§āϰāĻžāĻšā§€āϰ⧇āϰ āĻŦāĻŋāĻļāĻžāϞ āφāĻ•ā§ƒāϤāĻŋ āĻ āĻŦāĻŋāĻšāĻžāϰāϕ⧇ āϏ⧁āύāĻŋāĻļā§āϚāĻŋāϤāĻ­āĻžāĻŦ⧇ āĻāĻ• āĻĻ⧁āĻ°ā§āϗ⧇āϰ āύāĻŽā§āύāĻž āĻšāĻŋāϏ⧇āĻŦ⧇ āϤ⧁āϞ⧇ āϧāϰ⧇āĨ¤ āĻāϰāĻ•āĻŽ āĻāĻ• āĻĻ⧁āĻ°ā§āĻ—āĻĒā§āϰāĻžāϏāĻžāĻĻ⧇āϰ āĻĒā§āϰāϝāĻŧā§‹āϜāύ āĻ›āĻŋāϞ āĻ āĻ•āĻžāϰāϪ⧇ āϝ⧇, āĻ āϧāϰāύ⧇āϰ āϧāĻ°ā§āĻŽā§€āϝāĻŧ āĻ¸ā§āĻĨāĻžāĻĒāύāĻžāϗ⧁āϞāĻŋāϰ āĻŦāĻŋāĻ¤ā§āϤāĻŦ⧈āĻ­āĻŦ āϤāĻ–āύ āĻŦ⧃āĻĻā§āϧāĻŋ āĻĒāĻžāĻšā§āĻ›āĻŋāϞ āφāϰ āϝ⧁āĻ—āĻĒā§Ž āύāĻŋāϰāĻžāĻĒāĻ¤ā§āϤāĻžāϰ āĻ…āĻ­āĻžāĻŦāĻ“ āĻ›āĻŋāϞāĨ¤ āĻļāĻžāϞāĻŦāύ āĻŦāĻŋāĻšāĻžāϰ āĻāϞāĻžāĻ•āĻžāϝāĻŧ āĻ…āύ⧇āĻ• āĻ—āĻ­ā§€āϰ⧇ āĻ–āύāύ āϚāĻžāϞāĻŋāϝāĻŧ⧇ āĻāĻ–āĻžāύ⧇ āϚāĻžāϰ āĻ¸ā§āϤāϰ⧇ āϏāĻ‚āĻ¸ā§āĻ•āĻžāϰ-āĻŽā§‡āϰāĻžāĻŽāϤ āĻ“ āĻĒ⧁āύāĻ°ā§āύāĻŋāĻ°ā§āĻŽāĻžāĻŖ āĻĒāĻ°ā§āϝāĻžāϝāĻŧ⧇āϰ āĻĒā§āϰāĻŽāĻžāĻŖ āĻĒāϰāĻŋāϞāĻ•ā§āώāĻŋāϤ āĻšāϝāĻŧāĨ¤ āφāĻĻāĻŋāϤāĻŽ āϕ⧇āĻ¨ā§āĻĻā§āϰ⧀āϝāĻŧ āĻŽāĻ¨ā§āĻĄāĻĒāϟāĻŋ ā§ŠāϝāĻŧ āĻ•āĻžāϞāĻĒāĻ°ā§āϝāĻžāϝāĻŧāϭ⧁āĻ•ā§āϤ (āϏāĻžāϤ-āφāϟ āĻ–ā§āϰāĻŋ.)āĨ¤ ⧍āϝāĻŧ āĻ“ ā§§āĻŽ āĻ•āĻžāϞāĻĒāĻ°ā§āϝāĻžāϝāĻŧ⧇āϰ āĻĒāϰāĻŋāϏāϰ⧇ āĻĒāĻĄāĻŧ⧇ āĻāĻŽāύ āϕ⧋āύ āĻŦāĻŋāĻšāĻžāϰ⧇āϰ āϏāĻ¨ā§āϧāĻžāύ āĻāĻ–āύāĻ“ āĻĒāĻžāĻ“āϝāĻŧāĻž āϝāĻžāϝāĻŧāύāĻŋāĨ¤ āĻĒāϰ⧇āϰ āĻĻ⧁āχ āĻ•āĻžāϞāĻĒāĻ°ā§āϝāĻžāϝāĻŧ āĻ…āĻ°ā§āĻĨāĻžā§Ž ā§ĒāĻ°ā§āĻĨ āĻ“ ā§ĢāĻŽ āĻ•āĻžāϞāĻĒāĻ°ā§āϝāĻžāϝāĻŧ⧇ (āύāϝāĻŧ-āĻĻāĻļ āĻ–ā§āϰāĻŋ.) āĻāĻ–āĻžāύ⧇ āĻĒā§‚āĻ°ā§āĻŦ⧇āϰ āύāĻŋāĻ°ā§āĻŽāĻŋāϤ āĻ…āĻŦāĻļ⧇āώ⧇āϰ āωāĻĒāϰ āύāϤ⧁āύ āĻ•āϰ⧇ āĻŽā§‡āĻā§‡ āĻ“ āĻĒā§āϰāĻŦ⧇āĻļāĻĒāĻĨ āύāĻŋāĻ°ā§āĻŽāĻŋāϤ āĻšāϝāĻŧāĨ¤ āĻŦāĻŋāĻšāĻžāϰ⧇āϰ āĻ•āĻ•ā§āώāϗ⧁āϞāĻŋāϰ āϭ⧇āϤāϰ āĻĻ⧁āϟāĻŋ āĻ•ā§ŒāϤ⧂āĻšāϞ⧋āĻĻā§āĻĻā§€āĻĒāĻ• āĻŦ⧈āĻļāĻŋāĻˇā§āĻŸā§āϝ āĻ āĻ•āĻžāϞ āĻĒāϰāĻŋāϏāϰ⧇ āĻĒāϰāĻŋāϞāĻ•ā§āώāĻŋāϤ āĻšāϝāĻŧ⧇āϛ⧇āĨ¤ āϏ⧇ āĻĻ⧁āϟāĻŋ āĻšāϞ⧋: āĻ•āĻ•ā§āώ⧇ āφāϗ⧁āύ āĻœā§āĻŦāĻžāϞāĻžāύ⧋āϰ āϤāĻĨāĻž āϰāĻžāĻ¨ā§āύāĻžāϰ āĻĒāϰāĻŋāĻ•āĻ˛ā§āĻĒāĻŋāϤ āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻž āĻ“ āύāĻ•āĻļāĻŋ āχāĻŸā§‡āϰ āĻĒāĻžāĻĻāĻ¸ā§āϤāĻŽā§āĻ­ (pedestal)āĨ¤ āĻāϗ⧁āϞāĻŋ āĻŦāĻŋāĻšāĻžāϰ⧇āϰ āĻŽā§‚āϞ āĻĒāϰāĻŋāĻ•āĻ˛ā§āĻĒāύāĻžāϭ⧁āĻ•ā§āϤ āĻ›āĻŋāϞ āύāĻžāĨ¤ āĻ¸ā§āĻĒāĻˇā§āϟāϤ āĻĻ⧇āĻ–āĻž āϝāĻžāϝāĻŧ, āĻŦāĻŋāĻšāĻžāϰ⧇āϰ āĻ•āĻŋāϛ⧁ āύāĻŋāĻŦāĻžāϏ⧀ āϏāĻ¨ā§āĻ¨ā§āϝāĻžāϏ⧀ āϤāĻžāĻĻ⧇āϰ āύāĻŋāĻœā§‡āĻĻ⧇āϰ āϰāĻžāĻ¨ā§āύāĻžāϰ āĻ“ āĻāĻ•āĻžāĻ¨ā§āϤ āĻ¸ā§āĻŦāϕ⧀āϝāĻŧ āĻĒāĻ°ā§āϝāĻžāϝāĻŧ⧇āϰ āϧāĻ°ā§āĻŽā§€āϝāĻŧ āĻŦāĻŋāĻļā§āĻŦāĻžāϏ⧇āϰ āϚāĻžāĻšāĻŋāĻĻāĻž āĻĒā§‚āϰāϪ⧇āϰ āϜāĻ¨ā§āϝ āĻ āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻž āĻ•āϰ⧇āĻ›āĻŋāϞ⧇āύāĨ¤ āĻ…āĻŦāĻļā§āϝ āĻŦāĻŋāĻšāĻžāϰ⧇ āϏāĻ•āϞ āϏāĻ¨ā§āĻ¨ā§āϝāĻžāϏ⧀āϰ āϜāĻ¨ā§āϝ āĻŦāĻžāϰ⧋āϝāĻŧāĻžāϰāĻŋ āϰāĻ¨ā§āϧāύāĻļāĻžāϞāĻž āĻ“ āĻŦāĻŋāϰāĻžāϟāĻžāĻ•āĻžāϰ āĻĒā§€āĻ āĻ¸ā§āĻĨāĻžāύ āĻ›āĻŋāϞāĨ¤ āĻ…āĻ¨ā§āϝāĻžāĻ¨ā§āϝ āφāϰāĻ“ āϝ⧇ āĻŦ⧈āĻļāĻŋāĻˇā§āĻŸā§āϝ āĻāχ āĻŦāĻŋāĻšāĻžāϰ⧇ āĻĒāϰāĻŋāϞāĻ•ā§āώāĻŋāϤ āĻšāϝāĻŧ, āϤāĻž āĻšāϞ⧋ āĻĻāϰāĻŦāĻžāϰ āφāĻ™āĻŋāύāĻžāϝāĻŧ āĻ•āĻŋāϛ⧁ āϏ⧋āĻĒāĻžāύ āĻ“ āϕ⧋āϪ⧇āϰ āĻ•āĻ•ā§āώāϗ⧁āϞāĻŋāϤ⧇ āĻŦāĻĄāĻŧ āφāĻ•āĻžāϰ⧇āϰ āϏāĻŋāρāĻĄāĻŧāĻŋ,āϕ⧇āĻ¨ā§āĻĻā§āϰ⧀āϝāĻŧ āĻ•āĻ•ā§āώāϗ⧁āϞāĻŋāϤ⧇ āĻ­āϜāύāĻžāϞāϝāĻŧ,āĻĒā§āϰāϤāĻŋ āĻ•āĻ•ā§āώ⧇ āĻĒā§‚āĻœā§āϝ āĻĻ⧇āĻŦāĻĻ⧇āĻŦā§€āϰ āĻŽā§‚āĻ°ā§āϤāĻŋ,āĻŦāĻžāϤāĻŋ, āϞāĻŋāĻ–āύ āĻ“ āĻĒāĻžāĻ  āϏāĻžāĻŽāĻ—ā§āϰ⧀ āϰāĻžāĻ–āĻžāϰ āϜāĻ¨ā§āϝ āϏ⧋āĻĒāĻžāύāĻ•ā§āϰāĻŽāĻŋāĻ• āϤāĻžāĻ• āĻŦāĻž āϕ⧁āϞ⧁āĻ™ā§āĻ—āĻŋāĨ¤ āϕ⧇āĻ¨ā§āĻĻā§āϰ⧀āϝāĻŧ āĻŦāĻž āĻŽāĻ§ā§āϝāĻŦāĻ°ā§āϤ⧀ āĻŽāĻ¨ā§āĻĄāĻĒāσ āĻļāĻžāϞāĻŦāύ āĻŦāĻŋāĻšāĻžāϰ⧇āϰ āϕ⧇āĻ¨ā§āĻĻā§āϰ⧀āϝāĻŧ āĻŽāĻ¨ā§āĻĄāĻĒ āĻĒā§āϰāĻ•ā§ƒāϤāĻĒāĻ•ā§āώ⧇ āϕ⧋āύ āĻāĻ•āĻ• āύāĻŋāĻ°ā§āĻŽāĻžāĻŖ āĻ•āĻžāĻ āĻžāĻŽā§‹ āύāϝāĻŧ, āĻŦāϰāĻ‚ āĻāĻ–āĻžāύ⧇ āĻ›āϝāĻŧāϟāĻŋ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āύāĻŋāĻ°ā§āĻŽāĻžāĻŖ āĻ•āĻžāĻ āĻžāĻŽā§‹āϰ āĻ…āĻ¸ā§āϤāĻŋāĻ¤ā§āĻŦ āϰāϝāĻŧ⧇āϛ⧇āĨ¤ āĻāϗ⧁āϞāĻŋ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϏāĻŽāϝāĻŧ⧇ āĻ“ āĻĒāϰāĻŋāĻ•āĻ˛ā§āĻĒāύāĻžāϝāĻŧ āĻāĻ•āχ āĻ¸ā§āĻĨāĻžāύ⧇ āĻāϕ⧇āϰ āĻĒāϰ āĻāĻ• āύāĻŋāĻ°ā§āĻŽāĻŋāϤ āĻšāϝāĻŧāĨ¤ āĻāϗ⧁āϞāĻŋāϤ⧇ āĻ•āĻžāϞāĻĒāϰāĻŋāĻ•ā§āϰāĻŽāĻžāϝāĻŧ āĻāĻ•āϟāĻŋ āϏāύāĻžāϤāύ āĻŦ⧌āĻĻā§āϧ āϏ⧂āϤāĻĒ āĻ¸ā§āĻĨāĻžāĻĒāĻ¤ā§āϝ āĻ•ā§āϰāĻŽāĻŦāĻŋāĻŦāĻ°ā§āϤāύ⧇āϰ āĻĢāϞ⧇ āĻ•āĻŋāĻ­āĻžāĻŦ⧇ āϧ⧀āϰ⧇ āϧ⧀āϰ⧇ āĻšāĻŋāĻ¨ā§āĻĻ⧁ āĻŽāĻ¨ā§āĻĻāĻŋāϰ āĻ¸ā§āĻĨāĻžāĻĒāĻ¤ā§āϝ⧇ āϰ⧂āĻĒāĻžāĻ¨ā§āϤāϰāĻŋāϤ āĻšāϝāĻŧ⧇āϛ⧇ āϤāĻžāϰāχ āĻāĻ• āĻĒā§āϰāĻŽāĻžāĻŖ āĻĒāĻžāĻ“āϝāĻŧāĻž āϝāĻžāϝāĻŧāĨ¤ āĻĒā§āϰāĻĨāĻŽ āĻĻ⧁āχ āĻ•āĻžāϞāĻĒāĻ°ā§āϝāĻžāϝāĻŧ⧇āϰ āĻ§ā§āĻŦāĻ‚āϏāĻžāĻŦāĻļ⧇āώ āϤ⧃āϤ⧀āϝāĻŧ āĻ•āĻžāϞāĻĒāĻ°ā§āϝāĻžāϝāĻŧ⧇āϰ āύāĻŋāĻšā§‡ āϞ⧁āĻ•āĻŋāϝāĻŧ⧇ āφāϛ⧇āĨ¤ ā§ŠāϝāĻŧ āĻ•āĻžāϞāĻĒāĻ°ā§āϝāĻžāϝāĻŧ⧇ āĻāĻ–āĻžāύ⧇ āĻāĻ• āĻ•ā§āϰ⧁āĻļāĻžāĻ•āĻžāϰ āĻŽāĻ¨ā§āĻĄāĻĒ āύāĻŋāĻ°ā§āĻŽāĻŋāϤ āĻšāϝāĻŧ āĻŦāĻŋāĻšāĻžāϰ⧇āϰ āĻāĻ•āĻ• āĻ¸ā§āĻĨāĻžāĻĒāύāĻžāϰ āĻ…āĻ™ā§āĻ— āĻšāĻŋāϏ⧇āĻŦ⧇āĨ¤ āĻ•ā§āϰ⧁āĻļāĻžāĻ•āĻžāϰ āĻŽāĻ¨ā§āĻĄāĻĒāσ āĻ…āĻ¤ā§āϝāĻ¨ā§āϤ āĻ•ā§ŒāϤ⧂āĻšāϞ⧋āĻĻā§āĻĻā§€āĻĒāĻ• āĻ¸ā§āĻĨāĻžāĻĒāĻ¤ā§āϝ⧇āϰ āύāĻŽā§āύāĻž āĻāχ āĻ•ā§āϰ⧁āĻļāĻžāĻ•ā§ƒāϤāĻŋ āĻŽāĻ¨ā§āĻĄāĻĒāĨ¤ āĻŽāĻ¨ā§āĻĄāĻĒāϟāĻŋ āĻ—ā§āϰāĻŋāĻ• āĻ•ā§āϰ⧁āĻļāĻžāĻ•ā§ƒāϤāĻŋ āĻĒāϰāĻŋāĻ•āĻ˛ā§āĻĒāύāĻžāϝāĻŧ āύāĻŋāĻ°ā§āĻŽāĻŋāϤāĨ¤ āĻĻā§€āĻ°ā§āϘāϤāϰ āĻŽā§‚āϞāĻĻāĻ¨ā§āĻĄāϟāĻŋāϰ āϏāĻžāĻĨ⧇ āĻŽāĻŋāϞ āϰ⧇āϖ⧇ ā§Ģā§§.ā§Ž āĻŽāĻŋāϟāĻžāϰ āĻĻā§€āĻ°ā§āϘ āĻŦāĻžāĻšā§āϰ āĻĻ⧁āĻĻāĻŋāϕ⧇ āĻ­āϜāύāĻžāϞāϝāĻŧāϗ⧁āϞāĻŋ āύāĻŋāĻ°ā§āĻŽāĻŋāϤ āĻšāϝāĻŧ⧇āĻ›āĻŋāϞāĨ¤ 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Ismaeel Hossain

Ismaeel Hossain

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Shalban Vihara

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Shalban Bihar (Sanskrit; Bengali: āĻļāĻžāϞāĻŦāύ āĻŦāĻŋāĻšāĻžāĻ°Â Shalban Bihar) is an archaeological site in Moinamoti, Comilla, Bangladesh.1] The ruins are in the middle of the Lalmai hills ridge, and these are of a 7th-century Paharpur-style Buddhist Bihar with 115 cells for monks. It operated through the 12th century.[2

Shalban BiharNative name āĻļāĻžāϞāĻŦāύ āĻŦāĻŋāĻšāĻžāϰīŋŧ

Ruins of Shalban vihara, Cumilla, Bangladesh

LocationMoinamoti, Comilla District, Chittagong Division, BangladeshCoordinates23.426234°N 91.1372098°EBuilt7th century

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Location of Shalban Bihar in Bangladesh

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Excavations have revealed many archaeological artifacts dated to between the 7th and 12th centuries.[1]

Historyedit

īŋŧIntroduction of Shalban Vihara in both English and Bengali language

The Vihara was founded in the eighth century by Bhava Deva, the fourth ruler of the Early-Deva dynasty. The 168 square meters site was built in or on the outskirts of Devaparvata, the Samatata capital bordering the Lalambi forest.[4] The site was, previously known as Shalban Rajar Bari or King's residence at Shalban, was renamed Shalban vihara after archeological excavation revealed terracotta seals and copper plates identifying it as the remains of a residential Buddhist monastery.

Geographyedit

About eight kilometres west of Comilla town, lies a range of low hills known as the Mainamati-Lalmai range which is dotted with more than 50 ancient Buddhist settlements dating from the 8th to the 12th centuries. Almost at middle is the Shalvan Vihara of 115 cells built around a spacious courtyard with a cruciform temple in the centre. About 5 kilometres north of Shalvan Vihara is Kutila Mura, which is a picturesque relic of a unique Buddhist establishment.[5]

Exploration and excavationedit

īŋŧShalban ViharaīŋŧView of Shalban Vihara, Mainamati, Comilla

Deep diggings have revealed four repair and rebuilding phases in the monastery, the earliest corresponding to period III of the cruciform central shrine. No monastery remains corresponding to period I and II (7th century AD) has yet been found. Some scanty and ill-defined remains below the present structure may suggest their existence, probably of smaller size. During the next two phases (period IV and V: 9th–10th centuries AD) new floors and thresholds were built on top of earlier remains. Two interesting features observed inside the cells, fireplaces and ornamental brick-pedestals, were not included in the original plan. Though there was a community kitchen and dining establishment, many of the resident monks (probably sramanas: lay-students) preferred to cook their meals individually inside their cells. The pedestals certainly served the purpose of private cult worship. Discoveries made during explorations and excavations suggests that this establishment may probably have some provision for accommodating poorer lay students (sramanas) from neighbouring settlements with cheaper arrangements for cooking their own food with materials brought from home, an age-old practice still in vogue in certain parts of rural Bengal .[6] Excavations at Shalban Vihara have also exposed a number of subsidiary structures including a community dining establishment, a small oblong, a pillared and a square shrine with exquisitely moulded plinth, two oblong chapels and a number of small votive stupas inside, and an interesting medium-sized shrine with a small sanctum connected by a long narrow passage and enclosed by a solid and massive brick structure, a columned terrace and colonnades just outside the monastery quadrangle.[7]

Architectureedit

īŋŧCentral of Shalban vihara

The large square monastery of 550-foot sides with 115 monastic cells, a dominant central shrine and a number of subsidiary shrines. Stupas and chapels, provides access through its monumental gateway on the north. While the central shrine revealed six building phases and the...

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Brief

Salban Vihara (Sanskrit; Bengali: āĻļāĻžāϞāĻŦāύ āĻŦāĻŋāĻšāĻžāϰ Shalban Bihar) in Mainamati is one of the best known Buddhist viharas in the Indian Subcontinent and is one of the most important archaeological sites in the country. At the end of the 8th century, King Shri Bhavadeva (Vobodev) made the “Salban Bihar” in this place. The digging started from 80th decades. Many archaeological elements were found here. Most of them are kept in the Mainamati Museum now...

Previously it was known as Salban Rajar Bari. But after excavation ground plan of a Buddhist monastery measuring 550’x500′ with 115 monastic cells, it was exposed. Hence it is now popularly known as salbanvihara. The special attraction here is a dominant central shrine and its monumental gate way on the north. In its central shrine has revealed six building and rebuilding phases while in the monastery four. The terracotta in sealing indicates that the monastery was built by Sri Bhava Deva, the 4th ruler of the early deva dynasty during mid-8th century. Previously it was called Bhava Deva MahaVihara. The antiquities recovered during excavation are now displayed in the Maynamati Museum..

Before 1200 years ago the King Bhava Deva, the fourth ruler of the Early-Deva dynasty built that place on 168 square meters of ground. It was the royal palace for the early Buddhist students. This site, previously called Shalban Rajar Bari, came out after archaeological excavation as a Buddhist monastery and hence termed as Salban vihara from the terracotta seals and copper plates discovered. Its original name is supposed to have been Bhava Deva Mahavihara after the 4th king of the early Deva dynasty which ruled this region from the mid-7th to mid-8th centuries AD. It was built in or on the outskirts of Devaparvata, the Samatata capital bordering the Lalambi forest.

How to go

The final destination of the bus is Comilla town, but it will be better for you to get down at Comilla Cantonment, as it is near from Comilla Cantonment rather than Comilla town.

From Cantonment, take a ‘CNG Auto Rickshaw’; it will cost you 70 to 80 taka to reach the Shalban Bihar & Maynamati Museum. Just tell the driver that you want to go to Shalban Bihar &Maynamati Museum. Remember, they will ask BDT 100 to 150 from you for this. So you should be careful. Also there is mini bus transport through the cantonment; it will cost you 10-15 taka to reach at BARD, after that you can take a rickshaw to Shalban Bihar &Maynamati Museum.

How To Reach: Comilla District

Comilla has excellent transport and communication system. Comilla and Dhaka are linked by both road and railway. There is also an airport in the district, but it is not...

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Shalbon Bihar is located in Comilla district's Coatbari area which is also a prominent symbol of Bangladesh's ancient civilization. During that time this area used have Shaal and Gajari forests from which the name Shalbon Bihar gained its popularity. Shalbon Bihar is very similar to Paharpur Buddha Bihar but the latter is a bit smaller in size. During the road construction in the Coatbari area in 1875, many came across the ruins of an ancient palace. During then, it was considered a part of the ancient fort. In 1917, the curator of Dhaka Museum, Professor Nolini Kanto Bhattoshali observed the Buddha Bihard and concluded it to be a part of Pattikera City. However, it is considered that this Bihar was constructed at the end of the 7th century by King Sree Bhobo Deb. At different times, six accounts were heard of building and reconstructing the Shalbon Bihar. It is thought that the central Temple was constructed and renovated 3 times within the 8th century. It was respectively renovated for the 4th and 5th time in the 8th and 9th centuries. Shalbon Bihar is rectangular in size and each side is 167.7m in length. The walls on four sides of the Bihar are 5m thick and the rooms have been built against the cordon. A door can be seen to enter the Bihar which is situated in the middle of the northern block. There are a total of 155 rooms and right in the center is the central Temple.

It is thought to be the place where Buddhist monks used to live and practice religion. There is a long balcony in front of the rooms and a wall at the very end. The walls of each room have a place reserved for oil candles and idols. On the other side, a hall room can be seen built on 4 huge pillars. It is thought that this room was used as the dining space for the monks. At different times during archaeological excavations nearly 400 gold and silver coins, bronze and clay statues, 8 copper plates, 8 seals and terracotta have been discovered. A large part of this collection is being exhibited at Mainamati Museum. At last, I wanna say, It's really an amazing place where you can go to know its history and take mental peace...

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