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Divyadesam51 Sri Sonnavannam Seitha Perumal Yathothakaari Temple — Attraction in Tamil Nadu

Name
Divyadesam51 Sri Sonnavannam Seitha Perumal Yathothakaari Temple
Description
Tiruvekkaa Temple or Yathothkari Perumal Temple is a Hindu temple located in Kanchipuram in the South Indian state of Tamil Nadu and dedicated to the Hindu god Vishnu.
Nearby attractions
Divyadesam Sri Ashtabujakara Perumal Temple
RPF6+28M, 401, Gandhi Rd, Chinna Kanchipuram, Ennaikaran, Arappanacheri, Tamil Nadu 631501, India
Sri Tiruvelukkai Sri Azhagiya SingaPerumal Temple
RPC4+VHP, Singaperumal Sannidhi St, Ennaikaran, Kanchipuram, Tamil Nadu 631501, India
Divyadesam 45 Arulmigu Sri Vilakkoli Perumal Temple
RPF4+Q23, Vilakadi Koil St, Ennaikaran, Kanchipuram, Tamil Nadu 631501, India
Nearby restaurants
Ramu Mess
Reddipettai Street, Ennaikaran, Tamil Nadu 631501, India
Madras Briyani
RPF6+R3R, Gandhi Rd, Ennaikaran, Arappanacheri, Tamil Nadu 631501, India
DOSA CORNER
42, TK Nambi St, Chinna Kanchipuram, Ennaikaran, Kanchipuram, Arappanacheri, Tamil Nadu 631501, India
Chakra Restaurant
Gandhi Road, Near, Theradi, Kanchipuram, Tamil Nadu 631501, India
C2 CHICKEN
27b, TK Nambi St, Little Kanchipuram, Ennaikaran, Kanchipuram, Arappanacheri, Tamil Nadu 631501, India
Sangeetha Panipoori Center
RPF6+CFF, Kanchipuram - Chengalpattu Rd, Chinna Kanchipuram, Ennaikaran, Arappanacheri, Tamil Nadu 631501, India
Guhaas Restaurant
Vikram Towers, 328, Gandhi Rd, near Theradi, next to Indian Coffee House, Ennaikaran, Kanchipuram, Tamil Nadu 631501, India
SBK Restaurant
328, Gandhi Rd, near Theradi, next to Indian Coffee House, Ennaikaran, Kanchipuram, Tamil Nadu 631501, India
THE RED BOX
ARYAN FOODS, 88, Vilakadi Koil St, Ennaikaran, Kanchipuram, Tamil Nadu 631501, India
VB World by Namma Veedu Vasanta Bhavan - Kanchipuram
NO: 504, Gandhi Rd, Ennaikaran, Kanchipuram, Tamil Nadu 631501, India
Nearby hotels
Gayathri Stay
11, TK Nambi St, near to Ransamy kulam Petrol Bunk and Saravana Bala (Veg) Restaurant, Chinna Kanchipuram, Ennaikaran, Kanchipuram, Arappanacheri, Tamil Nadu 631501, India
Vasanth Villa
Women's College, Bus Stop, 124, TK Nambi St, near to Vallal Pachaiyappan Street, Chinna Kanchipuram, Ennaikaran, Kanchipuram, Arappanacheri, Tamil Nadu 631501, India
SSK Residency - Kanchipuram
111, TK Nambi St, Little Kanchipuram, Ennaikaran, Kanchipuram, Arappanacheri, Tamil Nadu 631501, India
TCS Residency
Thiruvalluvar St, Little Kanchipuram, Ennaikaran, Kanchipuram, Arappanacheri, Tamil Nadu 631501, India
SBK PARK INN
328, Gandhi Rd, near Theradi, next to Indian Coffee House, Ennaikaran, Kanchipuram, Tamil Nadu 631501, India
VV RESIDENCY
328, Gandhi Rd, near Theradi, next to indian coffee house hotel, Ennaikaran, Kanchipuram, Tamil Nadu 631501, India
Regency Kanchipuram by GRT Hotels
GRT Regency, 487, Gandhi Rd, Ennaikaran, Kanchipuram, Tamil Nadu 631501, India
The Paradise Hotel
111, Gandhi Rd, near Prakash Silks & Sarees, Ennaikaran, Kanchipuram, Tamil Nadu 631501, India
T.M. INN HOTEL
TM inn Hotel, 106, Pallikudathan St, Ennaikaran, Kanchipuram, Tamil Nadu 631501, India
AKG Lodge
502, Gandhi Rd, Ennaikaran, Kanchipuram, Tamil Nadu 631501, India
Related posts
Keywords
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Divyadesam51 Sri Sonnavannam Seitha Perumal Yathothakaari Temple
IndiaTamil NaduDivyadesam51 Sri Sonnavannam Seitha Perumal Yathothakaari Temple

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Divyadesam51 Sri Sonnavannam Seitha Perumal Yathothakaari Temple

RPF6+JWX, Ennaikaran, Kanchipuram, Arappanacheri, Tamil Nadu 631501, India
4.7(646)
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Tiruvekkaa Temple or Yathothkari Perumal Temple is a Hindu temple located in Kanchipuram in the South Indian state of Tamil Nadu and dedicated to the Hindu god Vishnu.

Cultural
Family friendly
Accessibility
attractions: Divyadesam Sri Ashtabujakara Perumal Temple, Sri Tiruvelukkai Sri Azhagiya SingaPerumal Temple, Divyadesam 45 Arulmigu Sri Vilakkoli Perumal Temple, restaurants: Ramu Mess, Madras Briyani, DOSA CORNER, Chakra Restaurant, C2 CHICKEN, Sangeetha Panipoori Center, Guhaas Restaurant, SBK Restaurant, THE RED BOX, VB World by Namma Veedu Vasanta Bhavan - Kanchipuram
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Sun8 - 10:30 AM, 4:30 - 7:30 PMClosed

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Nearby attractions of Divyadesam51 Sri Sonnavannam Seitha Perumal Yathothakaari Temple

Divyadesam Sri Ashtabujakara Perumal Temple

Sri Tiruvelukkai Sri Azhagiya SingaPerumal Temple

Divyadesam 45 Arulmigu Sri Vilakkoli Perumal Temple

Divyadesam Sri Ashtabujakara Perumal Temple

Divyadesam Sri Ashtabujakara Perumal Temple

4.7

(276)

Open 24 hours
Click for details
Sri Tiruvelukkai Sri Azhagiya SingaPerumal Temple

Sri Tiruvelukkai Sri Azhagiya SingaPerumal Temple

4.8

(190)

Open 24 hours
Click for details
Divyadesam 45 Arulmigu Sri Vilakkoli Perumal Temple

Divyadesam 45 Arulmigu Sri Vilakkoli Perumal Temple

4.7

(270)

Open 24 hours
Click for details

Nearby restaurants of Divyadesam51 Sri Sonnavannam Seitha Perumal Yathothakaari Temple

Ramu Mess

Madras Briyani

DOSA CORNER

Chakra Restaurant

C2 CHICKEN

Sangeetha Panipoori Center

Guhaas Restaurant

SBK Restaurant

THE RED BOX

VB World by Namma Veedu Vasanta Bhavan - Kanchipuram

Ramu Mess

Ramu Mess

4.0

(203)

Click for details
Madras Briyani

Madras Briyani

3.9

(178)

Closed
Click for details
DOSA CORNER

DOSA CORNER

4.7

(24)

Click for details
Chakra Restaurant

Chakra Restaurant

4.2

(211)

Click for details
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Vyjayanthi RajanVyjayanthi Rajan
On Tirukachi Nambi Street as we proceed from Varadarajaswami temple on the right side is situated Yathokthakari temple. It is on the opposite side of Ashtabhujakaram temple and can be reached by share-auto from Tiruvadi-koil or any bus going to Kanchipuram bus stand. It is about 2km from Varadaraja Perumal temple. The temple is huge and covers an area of 4 acres. As we offer prostrations at the dwajasthambam one swami asks us to do it facing Perumal sannidhi and not sideways as to our left is Poigaiazhwar sannidhi. After doing anjali to Garudazhwar we went to Perumal sannidhi and saw Perumal lying with His Head resting on His left hand in a left to right position. At His Feet is Saraswathi devi worshipping Him. This is the Moolavar in Bhujana sayanam in reverse order and is Yathokthakari or Sonna vannam Seydha Perumal. What did He do as commanded/requested? To begin with He listened to Brahma who wanted to complete his ashvamedha yaagam in Kanchi which was being disrupted by his angry wife Saraswathi who was rushing furiously as Vegavathi to wash off the yaaga site. What did The Protector do? Well He protected His devotee by just lying down and stopped the gushing waters from entering the yagaasala. So He is known as Vegasethu or the dam on Vega. Brahma completed his yagyam and paved the way for the emergence of Varadaraja. As if to reinforce His name in the era of Pallavaraya there was one Kanikannan a disciple of Tirumazhisaiazhwar who got banished from the kingdom for refusing to sing praises of the king. The guru followed his shishya and asked Perumal to roll up His serpent-bed and follow them. With their departure the kingdom was doomed and the king rushed to Orikkai(one night stay) and apologised and begged them to return. They returned and Perumal proved again that He was sonna vannam seydhavan. The utsavar goes by the name Vegasethu. After worshipping Perumal we worshipped Komallavalli Thayar at Her sannidhi and came out to take permission from the authorities for taking photos. A group of ISCKON devotees were singing and dancing at Andal sannidhi so we had a look at Poigaiazhwar sannidhi which had details of azhwar’s avatharam as also relevant pasurams offfered by Poigai, Pey,Tirumazhisai and Tirumangaiazhwar and upadesarathanamalai and Yathokthakari Suprabatham covering the walls. As we proceeded in pradakshinam we worshipped the Vedasaravimanam and stopped by a mandapam with several vahanams. This was the Bhakthisara Premika Pavithrotsava mandapam offered by Krishnapremi swami. It houses Kalvar sannidhi and Nilathungathundan sannidhi and has a yagyavarahamurthi in between. The huge vahanams were beautiful to behold and an employee of the temple removed the cover from Hanumanthavahanam so that we could take a photo. After completing pradakshinam we worshipped at Andal sannidhi. Andal is captivating and imposing. As we stepped out an employee invited us to have a look at Srikrishna somewhere behind and when we went there we saw a faded painting of Manavalamamuni rendering kalakshepams to shisyas and learnt that swami stayed at this temple and taught Sribashyam. As we stepped out of the temple we saw a board saying ‘Poigai Pushkarni’ and followed the arrow to reach a pond in which Poigaiazhwar took avatharam. The place around was littered and this hallowed spot deserves better maintenance. Incidentally Poigaiazhwar is the first azhwar who took avatharam at this pushkarni and composed the first anthathi (Mudal Tiruvanthathi). He was the manifestation of Panchajanyam, Perumal’s Conch. Known as Bhakthisaara his sambandam with the poigai is better known and this hallowed spot should be worshipped . To conclude This Perumal who is called ‘Kanchi bhaaghyam’ is addressed as ‘Vishnu sethu’, ‘jagadhaiyaka sethu’, ‘shathamakhamani sethu’ (sapphire hued dam) and ‘Vegasethu’ by swami Desikan in ‘Vegasethu stotram ‘ He who reclines on Adisesha on the river Vegavati does whatever those who surrender at His Feet ask Him to do.
Balu RBalu R
Yathothkari Perumal is believed to have appeared for Saraswati and Thirumalisai Alvar. Six daily rituals and three yearly festivals are held at the temple. The temple houses a rare image of Ranganatha recumbent on his left hand unlike other temples where he is recumbent on his right. Once there was an argument between Saraswati, the consort of Brahma and Lakshmi on superiority. They went to Indra, the king of celestial deities. Indra judged Lakshmi as superior and not satisfied with his argument, Saraswati went to her husband, Brahma. He also chose Lakshmi to be the superior one. Saraswati was unhappy with the decision and decided to stay away from Brahma. Brahma did a severe penance praying to Vishnu and did an ashvamedha yagna. Saraswati was still angry that the yagna, which usually is done along with consorts was done alone by Brahma. She tried to disrupt the penance, but Vishnu interfered with his serpent Adishesha. Saraswati, on seeing Vishnu in her path, accepted her defeat and subsided in the form of river Vegavathi. As Vishnu interfered the path of the river, it was termed Vegavani, then as Vegannai and gradually corrupted to Vekka. The presiding deity thus got one of his names, Vegasetu. As per historian Nagaswamy, the temple was called Vehha meaning Vishnu leaning as a slanted slope, which gradually became vekka. Once sage Bhargava had a son through Kanakangi, a celestial dancer. The boy was stillborn and was not fully developed during his birth. Kanakangi left his son under bushes and left to the celestial world. It is believed that the child was a divine incarnation of one of Vishnu's weapons, the Chakra. By the grace of Vishnu and Lakshmi, the baby became alright and began to cry. A childless farmer couple who were passing by took up the child, named him Sivavakkiyar and started rearing him. Once the boy reached adulthood, he was sceptical about choosing between Shaivism and Vaishnavism. He was defeated in arguments by Pey Alvar. He became a devotee of Vaishnavism and the disciple of Pey Alvar. Sivavakkiyar was also called Bhakthisarar and later as Thirumalisai Alvar. Thirumalisai had a disciple by name Kanikkannan. He also had an old lady serving him - Thirumalisai prayed to the presiding deity of the temple and by the grace of Bhujangasayana Perumal, the old lady became a beautiful young lady. The Pallava king who was ruling the region at that time got attracted by the lady and married her. With time while the king was growing older, the lady remained young. He called up Kanikannan and ordered to sing praise of him so that he also turned young. When he refused, the king ordered Kanikannan to be banished out of the country. Kanikannan explained this to his master Thirumalisai, who prayed to Bhujangasayana Perumal. When the king heard this, he ordered the three to be sent of the country, which they obliged. When the three left Kanchipuram, it was engulfed in darkness. Realising his sin, the king worshipped Bhujangasayana Perumal to return along with his two devotees. Since the presiding deity obliged to his devotees wishes, he is called Yathothkari Perumal. Yathothka means as requested and kari denotes the person who accomplishes the task. One of the Alvars, poet saints of the 7-10th century, Poigai Alvar was born at this temple.
து.பழனிவேலுது.பழனிவேலு
பெருமாள் இடமிருந்து வலமாக சயனித்திருக்கும் திவ்யதேசம் ஆழ்வார் சொன்னதைக் கேட்டு, தனது பாம்பு படுக்கையை சுருட்டிக் கொண்டு கிளம்பிய பெருமாள் பெருமாளின் 108 திவ்ய தேசங்களில் 51 ஆவது திவ்ய தேசம், சின்ன காஞ்சிபுரத்தில் அமைந்துள்ள திருவெக்கா சொன்ன வண்ணம் செய்த பெருமாள் கோவில். தாயார் திருநாமம் கோமளவல்லித் தாயார். பொதுவாக பெருமாள் கோவில்களில் சயனக் கோலத்தில் இருக்கும் பெருமாள், இடமிருந்து வலமாக படுத்திருப்பார். மற்ற கோவில்களில் இருப்பதை போலவே பெருமாள் இக்கோவிலிலும், இடமிருந்து வலமாக தான் சயனித்திருந்தார். பின்னர் அவர் தனது இடது கையை தலைக்கு வைத்துக்கொண்டு, வித்தியாசமான சயனக் கோலத்தில் காட்சி அளிக்கத் தொடங்கினார். இதன் பின்னணியில், ஒரு சுவாரசியமான நிகழ்ச்சி உள்ளது. பன்னிரண்டு ஆழ்வார்கள், நான்காவது ஆழ்வாரான திருமழிசையாழ்வார், திருவெக்க பெருமாள் கோவிலில் தனது சீடன் கணிக்கண்ணனுடன் சேவை செய்து வந்தார். இவர்களின் ஆசிரமத்தை, ஒரு மூதாட்டி நாள்தோறும் தூய்மை செய்து வந்தார் . தனக்குச் சேவகம் செய்த மூதாட்டிக்கு அவள் வேண்டுகோள்படி, இளமை திரும்பப் பெருமாளிடம் திருமழிசையாழ்வார் வேண்டினார். அவ்வாறே பெருமாளும் அருள, மூதாட்டி இளமையைத் திரும்பப் பெற்றார். இச்செய்தியை அறிந்த காஞ்சி மன்னன், தானும் முதுமை நீங்கி இளமை திரும்பப் பெற விரும்பினான். மன்னன் கணிக்கண்ணனிடம், 'தனக்கும் இளமை திரும்புமாறு உங்கள் குருநாதரிடம் சொல்லவேண்டும்' என்று கேட்டார். கணிக்கண்ணனோ, 'குருவின் கருணையை சேவையின் மூலம் பெறலாமே ஒழிய, உத்தரவின் வழியாகப் பெறமுடியாது' என்று சொல்லி மறுத்தார். மன்னன் கோபம் கொண்டு கணிக்கண்ணனை நாடு கடத்துமாறு உத்தரவிட்டார். இதைக் கேள்விப்பட்டதும் மனம் வருந்திய கணிக்கண்ணன் தன் குருவிடம் விடைபெற்றுக் கொண்டார். தன் சேவையைத் தொடர முடியாத நிலையைச் சொல்லி, அந்த ஊரிலிருந்து வெளியேறுவதாகக் கூறினார். இதைக் கேட்ட திருமழிசையாழ்வார், 'வா இருவரும் சென்று பெருமாளிடம் முறையிடுவோம்' என்று சொல்லிக் கோவிலுக்குச் சென்றனர். அங்கு தன் மனக் குறையை வெளிப்படுத்தி, ஆழ்வார் ஒரு பாசுரம் பாடினார் கணிகண்ணன் போகின்றான் காமருபூங்கச்சி மணிவண்ணா நீகிடக்க வேண்டா -துணிவுடைய செந்நாப் புலவன்யான் செல்கின்றேன் நீயுமுந்தன் பைந்நாகப் பாய் சுருட்டிக் கொள், என்று பெருமாளுக்குக் கட்டளை போட்டுவிட்டுப் புறப்பட்டார் திருமழிசையாழ்வார். உடனே ஆழ்வார் சொன்னவண்ணம், பெருமாளும் தனது பாம்பு படுக்கையை சுற்றிக்கொண்டு கிளம்பிவிட்டார் அவரோடு, பெருமாள் மார்பிலே வாசம் செய்யும் திருமகளும் காஞ்சிமாநகரை விட்டு நீங்கினாள். காஞ்சிபுரம் தன் களையை இழந்தது. காஞ்சிபுரத்தை விட்டு கிளம்பிச் சென்ற ஆழ்வார், கணிகண்ணன், பெருமாள், திருமகள் ஆகியோர் ஒரு நாள் இரவு தங்கியிருந்த இடம் 'ஓர் இரவு இருக்கை' என அழைக்கப்பட்டது. பின்னாளில் அது மருவி 'ஓரிக்கை' என இந்நாளில் தெரிகிறது. மறுநாள் பூஜை செய்ய வந்த அர்ச்சகர்கள், கருவறையில் பெருமாள் இல்லாதது கண்டு வருந்தினர். மன்னனிடம் இதைப் பற்றி முறையிட்டனர். காரணத்தையறிந்த மன்னன், தவறையுணர்ந்து ஆழ்வாரைத் தஞ்சம் அடைந்து, சீடனுக்கான நாடு கடத்தும் ஆணையையும் திரும்பப் பெற்றான். ஆழ்வாரும் அவனை மன்னித்து, கணிகண்ணன் போக்கொழிந்தான் காமருபூங்கச்சி மணிவண்ணா நீ கிடக்கவேண்டும் - துணிவுடைய செந்நாப்புலவனும் போக்கொழிந்தேன் நீயுமுன்றன் பைந்நாகப் பாய்படுத்துக்கொள், என்று பெருமாளைப் பாடினார். திருமழிசையாழ்வார் தன் மேல் வைத்திருந்த பக்திக்கும், அவர் பாடும் பாசுரங்களின் மேல் வைத்திருந்த பிரியத்திற்கும் கட்டுப்பட்டு, உடனே பெருமாள் தன் பாம்புப் பாயை சுருட்டிக் கொண்டு ஆழ்வாருடன் திருவெக்கா வந்து, மீண்டும் படுத்துக்கொண்டார். இப்படி ஆழ்வார் சொன்னபடி பெருமாள் நடந்து கொண்டதால் தான், அவருக்கு சொன்ன வண்ணம் செய்த பெருமாள் என்ற திருநாமம் ஏற்பட்டது. பெருமாள் அவசரமாக திருவெக்க வந்து மீண்டும் படுத்ததினால்தான், அவர் வலமிருந்து இடமாக படுத்துக் கொண்டார். இப்படி அவர் இக்கோவிலில், திருமழிசை ஆழ்வார் தன்னை புகழ்ந்து பாடுவதை கேட்பதற்காக, வலமிருந்து இடமாக சயனித்திருப்பது ஒரு தனி சிறப்பாகும். பெருமாளின் திருவடிகளைத் தொழுதபடி சரஸ்வதி தேவி அமர்ந்திருப்பதும் இக்கோவிலின் தனித்துவமான சிறப்பம்சமாகும்
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On Tirukachi Nambi Street as we proceed from Varadarajaswami temple on the right side is situated Yathokthakari temple. It is on the opposite side of Ashtabhujakaram temple and can be reached by share-auto from Tiruvadi-koil or any bus going to Kanchipuram bus stand. It is about 2km from Varadaraja Perumal temple. The temple is huge and covers an area of 4 acres. As we offer prostrations at the dwajasthambam one swami asks us to do it facing Perumal sannidhi and not sideways as to our left is Poigaiazhwar sannidhi. After doing anjali to Garudazhwar we went to Perumal sannidhi and saw Perumal lying with His Head resting on His left hand in a left to right position. At His Feet is Saraswathi devi worshipping Him. This is the Moolavar in Bhujana sayanam in reverse order and is Yathokthakari or Sonna vannam Seydha Perumal. What did He do as commanded/requested? To begin with He listened to Brahma who wanted to complete his ashvamedha yaagam in Kanchi which was being disrupted by his angry wife Saraswathi who was rushing furiously as Vegavathi to wash off the yaaga site. What did The Protector do? Well He protected His devotee by just lying down and stopped the gushing waters from entering the yagaasala. So He is known as Vegasethu or the dam on Vega. Brahma completed his yagyam and paved the way for the emergence of Varadaraja. As if to reinforce His name in the era of Pallavaraya there was one Kanikannan a disciple of Tirumazhisaiazhwar who got banished from the kingdom for refusing to sing praises of the king. The guru followed his shishya and asked Perumal to roll up His serpent-bed and follow them. With their departure the kingdom was doomed and the king rushed to Orikkai(one night stay) and apologised and begged them to return. They returned and Perumal proved again that He was sonna vannam seydhavan. The utsavar goes by the name Vegasethu. After worshipping Perumal we worshipped Komallavalli Thayar at Her sannidhi and came out to take permission from the authorities for taking photos. A group of ISCKON devotees were singing and dancing at Andal sannidhi so we had a look at Poigaiazhwar sannidhi which had details of azhwar’s avatharam as also relevant pasurams offfered by Poigai, Pey,Tirumazhisai and Tirumangaiazhwar and upadesarathanamalai and Yathokthakari Suprabatham covering the walls. As we proceeded in pradakshinam we worshipped the Vedasaravimanam and stopped by a mandapam with several vahanams. This was the Bhakthisara Premika Pavithrotsava mandapam offered by Krishnapremi swami. It houses Kalvar sannidhi and Nilathungathundan sannidhi and has a yagyavarahamurthi in between. The huge vahanams were beautiful to behold and an employee of the temple removed the cover from Hanumanthavahanam so that we could take a photo. After completing pradakshinam we worshipped at Andal sannidhi. Andal is captivating and imposing. As we stepped out an employee invited us to have a look at Srikrishna somewhere behind and when we went there we saw a faded painting of Manavalamamuni rendering kalakshepams to shisyas and learnt that swami stayed at this temple and taught Sribashyam. As we stepped out of the temple we saw a board saying ‘Poigai Pushkarni’ and followed the arrow to reach a pond in which Poigaiazhwar took avatharam. The place around was littered and this hallowed spot deserves better maintenance. Incidentally Poigaiazhwar is the first azhwar who took avatharam at this pushkarni and composed the first anthathi (Mudal Tiruvanthathi). He was the manifestation of Panchajanyam, Perumal’s Conch. Known as Bhakthisaara his sambandam with the poigai is better known and this hallowed spot should be worshipped . To conclude This Perumal who is called ‘Kanchi bhaaghyam’ is addressed as ‘Vishnu sethu’, ‘jagadhaiyaka sethu’, ‘shathamakhamani sethu’ (sapphire hued dam) and ‘Vegasethu’ by swami Desikan in ‘Vegasethu stotram ‘ He who reclines on Adisesha on the river Vegavati does whatever those who surrender at His Feet ask Him to do.
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Yathothkari Perumal is believed to have appeared for Saraswati and Thirumalisai Alvar. Six daily rituals and three yearly festivals are held at the temple. The temple houses a rare image of Ranganatha recumbent on his left hand unlike other temples where he is recumbent on his right. Once there was an argument between Saraswati, the consort of Brahma and Lakshmi on superiority. They went to Indra, the king of celestial deities. Indra judged Lakshmi as superior and not satisfied with his argument, Saraswati went to her husband, Brahma. He also chose Lakshmi to be the superior one. Saraswati was unhappy with the decision and decided to stay away from Brahma. Brahma did a severe penance praying to Vishnu and did an ashvamedha yagna. Saraswati was still angry that the yagna, which usually is done along with consorts was done alone by Brahma. She tried to disrupt the penance, but Vishnu interfered with his serpent Adishesha. Saraswati, on seeing Vishnu in her path, accepted her defeat and subsided in the form of river Vegavathi. As Vishnu interfered the path of the river, it was termed Vegavani, then as Vegannai and gradually corrupted to Vekka. The presiding deity thus got one of his names, Vegasetu. As per historian Nagaswamy, the temple was called Vehha meaning Vishnu leaning as a slanted slope, which gradually became vekka. Once sage Bhargava had a son through Kanakangi, a celestial dancer. The boy was stillborn and was not fully developed during his birth. Kanakangi left his son under bushes and left to the celestial world. It is believed that the child was a divine incarnation of one of Vishnu's weapons, the Chakra. By the grace of Vishnu and Lakshmi, the baby became alright and began to cry. A childless farmer couple who were passing by took up the child, named him Sivavakkiyar and started rearing him. Once the boy reached adulthood, he was sceptical about choosing between Shaivism and Vaishnavism. He was defeated in arguments by Pey Alvar. He became a devotee of Vaishnavism and the disciple of Pey Alvar. Sivavakkiyar was also called Bhakthisarar and later as Thirumalisai Alvar. Thirumalisai had a disciple by name Kanikkannan. He also had an old lady serving him - Thirumalisai prayed to the presiding deity of the temple and by the grace of Bhujangasayana Perumal, the old lady became a beautiful young lady. The Pallava king who was ruling the region at that time got attracted by the lady and married her. With time while the king was growing older, the lady remained young. He called up Kanikannan and ordered to sing praise of him so that he also turned young. When he refused, the king ordered Kanikannan to be banished out of the country. Kanikannan explained this to his master Thirumalisai, who prayed to Bhujangasayana Perumal. When the king heard this, he ordered the three to be sent of the country, which they obliged. When the three left Kanchipuram, it was engulfed in darkness. Realising his sin, the king worshipped Bhujangasayana Perumal to return along with his two devotees. Since the presiding deity obliged to his devotees wishes, he is called Yathothkari Perumal. Yathothka means as requested and kari denotes the person who accomplishes the task. One of the Alvars, poet saints of the 7-10th century, Poigai Alvar was born at this temple.
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பெருமாள் இடமிருந்து வலமாக சயனித்திருக்கும் திவ்யதேசம் ஆழ்வார் சொன்னதைக் கேட்டு, தனது பாம்பு படுக்கையை சுருட்டிக் கொண்டு கிளம்பிய பெருமாள் பெருமாளின் 108 திவ்ய தேசங்களில் 51 ஆவது திவ்ய தேசம், சின்ன காஞ்சிபுரத்தில் அமைந்துள்ள திருவெக்கா சொன்ன வண்ணம் செய்த பெருமாள் கோவில். தாயார் திருநாமம் கோமளவல்லித் தாயார். பொதுவாக பெருமாள் கோவில்களில் சயனக் கோலத்தில் இருக்கும் பெருமாள், இடமிருந்து வலமாக படுத்திருப்பார். மற்ற கோவில்களில் இருப்பதை போலவே பெருமாள் இக்கோவிலிலும், இடமிருந்து வலமாக தான் சயனித்திருந்தார். பின்னர் அவர் தனது இடது கையை தலைக்கு வைத்துக்கொண்டு, வித்தியாசமான சயனக் கோலத்தில் காட்சி அளிக்கத் தொடங்கினார். இதன் பின்னணியில், ஒரு சுவாரசியமான நிகழ்ச்சி உள்ளது. பன்னிரண்டு ஆழ்வார்கள், நான்காவது ஆழ்வாரான திருமழிசையாழ்வார், திருவெக்க பெருமாள் கோவிலில் தனது சீடன் கணிக்கண்ணனுடன் சேவை செய்து வந்தார். இவர்களின் ஆசிரமத்தை, ஒரு மூதாட்டி நாள்தோறும் தூய்மை செய்து வந்தார் . தனக்குச் சேவகம் செய்த மூதாட்டிக்கு அவள் வேண்டுகோள்படி, இளமை திரும்பப் பெருமாளிடம் திருமழிசையாழ்வார் வேண்டினார். அவ்வாறே பெருமாளும் அருள, மூதாட்டி இளமையைத் திரும்பப் பெற்றார். இச்செய்தியை அறிந்த காஞ்சி மன்னன், தானும் முதுமை நீங்கி இளமை திரும்பப் பெற விரும்பினான். மன்னன் கணிக்கண்ணனிடம், 'தனக்கும் இளமை திரும்புமாறு உங்கள் குருநாதரிடம் சொல்லவேண்டும்' என்று கேட்டார். கணிக்கண்ணனோ, 'குருவின் கருணையை சேவையின் மூலம் பெறலாமே ஒழிய, உத்தரவின் வழியாகப் பெறமுடியாது' என்று சொல்லி மறுத்தார். மன்னன் கோபம் கொண்டு கணிக்கண்ணனை நாடு கடத்துமாறு உத்தரவிட்டார். இதைக் கேள்விப்பட்டதும் மனம் வருந்திய கணிக்கண்ணன் தன் குருவிடம் விடைபெற்றுக் கொண்டார். தன் சேவையைத் தொடர முடியாத நிலையைச் சொல்லி, அந்த ஊரிலிருந்து வெளியேறுவதாகக் கூறினார். இதைக் கேட்ட திருமழிசையாழ்வார், 'வா இருவரும் சென்று பெருமாளிடம் முறையிடுவோம்' என்று சொல்லிக் கோவிலுக்குச் சென்றனர். அங்கு தன் மனக் குறையை வெளிப்படுத்தி, ஆழ்வார் ஒரு பாசுரம் பாடினார் கணிகண்ணன் போகின்றான் காமருபூங்கச்சி மணிவண்ணா நீகிடக்க வேண்டா -துணிவுடைய செந்நாப் புலவன்யான் செல்கின்றேன் நீயுமுந்தன் பைந்நாகப் பாய் சுருட்டிக் கொள், என்று பெருமாளுக்குக் கட்டளை போட்டுவிட்டுப் புறப்பட்டார் திருமழிசையாழ்வார். உடனே ஆழ்வார் சொன்னவண்ணம், பெருமாளும் தனது பாம்பு படுக்கையை சுற்றிக்கொண்டு கிளம்பிவிட்டார் அவரோடு, பெருமாள் மார்பிலே வாசம் செய்யும் திருமகளும் காஞ்சிமாநகரை விட்டு நீங்கினாள். காஞ்சிபுரம் தன் களையை இழந்தது. காஞ்சிபுரத்தை விட்டு கிளம்பிச் சென்ற ஆழ்வார், கணிகண்ணன், பெருமாள், திருமகள் ஆகியோர் ஒரு நாள் இரவு தங்கியிருந்த இடம் 'ஓர் இரவு இருக்கை' என அழைக்கப்பட்டது. பின்னாளில் அது மருவி 'ஓரிக்கை' என இந்நாளில் தெரிகிறது. மறுநாள் பூஜை செய்ய வந்த அர்ச்சகர்கள், கருவறையில் பெருமாள் இல்லாதது கண்டு வருந்தினர். மன்னனிடம் இதைப் பற்றி முறையிட்டனர். காரணத்தையறிந்த மன்னன், தவறையுணர்ந்து ஆழ்வாரைத் தஞ்சம் அடைந்து, சீடனுக்கான நாடு கடத்தும் ஆணையையும் திரும்பப் பெற்றான். ஆழ்வாரும் அவனை மன்னித்து, கணிகண்ணன் போக்கொழிந்தான் காமருபூங்கச்சி மணிவண்ணா நீ கிடக்கவேண்டும் - துணிவுடைய செந்நாப்புலவனும் போக்கொழிந்தேன் நீயுமுன்றன் பைந்நாகப் பாய்படுத்துக்கொள், என்று பெருமாளைப் பாடினார். திருமழிசையாழ்வார் தன் மேல் வைத்திருந்த பக்திக்கும், அவர் பாடும் பாசுரங்களின் மேல் வைத்திருந்த பிரியத்திற்கும் கட்டுப்பட்டு, உடனே பெருமாள் தன் பாம்புப் பாயை சுருட்டிக் கொண்டு ஆழ்வாருடன் திருவெக்கா வந்து, மீண்டும் படுத்துக்கொண்டார். இப்படி ஆழ்வார் சொன்னபடி பெருமாள் நடந்து கொண்டதால் தான், அவருக்கு சொன்ன வண்ணம் செய்த பெருமாள் என்ற திருநாமம் ஏற்பட்டது. பெருமாள் அவசரமாக திருவெக்க வந்து மீண்டும் படுத்ததினால்தான், அவர் வலமிருந்து இடமாக படுத்துக் கொண்டார். இப்படி அவர் இக்கோவிலில், திருமழிசை ஆழ்வார் தன்னை புகழ்ந்து பாடுவதை கேட்பதற்காக, வலமிருந்து இடமாக சயனித்திருப்பது ஒரு தனி சிறப்பாகும். பெருமாளின் திருவடிகளைத் தொழுதபடி சரஸ்வதி தேவி அமர்ந்திருப்பதும் இக்கோவிலின் தனித்துவமான சிறப்பம்சமாகும்
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Reviews of Divyadesam51 Sri Sonnavannam Seitha Perumal Yathothakaari Temple

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On Tirukachi Nambi Street as we proceed from Varadarajaswami temple on the right side is situated Yathokthakari temple. It is on the opposite side of Ashtabhujakaram temple and can be reached by share-auto from Tiruvadi-koil or any bus going to Kanchipuram bus stand. It is about 2km from Varadaraja Perumal temple.

The temple is huge and covers an area of 4 acres. As we offer prostrations at the dwajasthambam one swami asks us to do it facing Perumal sannidhi and not sideways as to our left is Poigaiazhwar sannidhi. After doing anjali to Garudazhwar we went to Perumal sannidhi and saw Perumal lying with His Head resting on His left hand in a left to right position. At His Feet is Saraswathi devi worshipping Him. This is the Moolavar in Bhujana sayanam in reverse order and is Yathokthakari or Sonna vannam Seydha Perumal. What did He do as commanded/requested? To begin with He listened to Brahma who wanted to complete his ashvamedha yaagam in Kanchi which was being disrupted by his angry wife Saraswathi who was rushing furiously as Vegavathi to wash off the yaaga site. What did The Protector do? Well He protected His devotee by just lying down and stopped the gushing waters from entering the yagaasala. So He is known as Vegasethu or the dam on Vega. Brahma completed his yagyam and paved the way for the emergence of Varadaraja.

As if to reinforce His name in the era of Pallavaraya there was one Kanikannan a disciple of Tirumazhisaiazhwar who got banished from the kingdom for refusing to sing praises of the king. The guru followed his shishya and asked Perumal to roll up His serpent-bed and follow them. With their departure the kingdom was doomed and the king rushed to Orikkai(one night stay) and apologised and begged them to return. They returned and Perumal proved again that He was sonna vannam seydhavan. The utsavar goes by the name Vegasethu. After worshipping Perumal we worshipped Komallavalli Thayar at Her sannidhi and came out to take permission from the authorities for taking photos.

A group of ISCKON devotees were singing and dancing at Andal sannidhi so we had a look at Poigaiazhwar sannidhi which had details of azhwar’s avatharam as also relevant pasurams offfered by Poigai, Pey,Tirumazhisai and Tirumangaiazhwar and upadesarathanamalai and Yathokthakari Suprabatham covering the walls. As we proceeded in pradakshinam we worshipped the Vedasaravimanam and stopped by a mandapam with several vahanams. This was the Bhakthisara Premika Pavithrotsava mandapam offered by Krishnapremi swami. It houses Kalvar sannidhi and Nilathungathundan sannidhi and has a yagyavarahamurthi in between. The huge vahanams were beautiful to behold and an employee of the temple removed the cover from Hanumanthavahanam so that we could take a photo. After completing pradakshinam we worshipped at Andal sannidhi. Andal is captivating and imposing. As we stepped out an employee invited us to have a look at Srikrishna somewhere behind and when we went there we saw a faded painting of Manavalamamuni rendering kalakshepams to shisyas and learnt that swami stayed at this temple and taught Sribashyam. As we stepped out of the temple we saw a board saying ‘Poigai Pushkarni’ and followed the arrow to reach a pond in which Poigaiazhwar took avatharam. The place around was littered and this hallowed spot deserves better maintenance.

Incidentally Poigaiazhwar is the first azhwar who took avatharam at this pushkarni and composed the first anthathi (Mudal Tiruvanthathi). He was the manifestation of Panchajanyam, Perumal’s Conch. Known as Bhakthisaara his sambandam with the poigai is better known and this hallowed spot should be worshipped .

To conclude This Perumal who is called ‘Kanchi bhaaghyam’ is addressed as ‘Vishnu sethu’, ‘jagadhaiyaka sethu’, ‘shathamakhamani sethu’ (sapphire hued dam) and ‘Vegasethu’ by swami Desikan in ‘Vegasethu stotram ‘ He who reclines on Adisesha on the river Vegavati does whatever those who surrender at His Feet...

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Yathothkari Perumal is believed to have appeared for Saraswati and Thirumalisai Alvar. Six daily rituals and three yearly festivals are held at the temple. The temple houses a rare image of Ranganatha recumbent on his left hand unlike other temples where he is recumbent on his right.

Once there was an argument between Saraswati, the consort of Brahma and Lakshmi on superiority. They went to Indra, the king of celestial deities. Indra judged Lakshmi as superior and not satisfied with his argument, Saraswati went to her husband, Brahma. He also chose Lakshmi to be the superior one. Saraswati was unhappy with the decision and decided to stay away from Brahma. Brahma did a severe penance praying to Vishnu and did an ashvamedha yagna. Saraswati was still angry that the yagna, which usually is done along with consorts was done alone by Brahma. She tried to disrupt the penance, but Vishnu interfered with his serpent Adishesha. Saraswati, on seeing Vishnu in her path, accepted her defeat and subsided in the form of river Vegavathi. As Vishnu interfered the path of the river, it was termed Vegavani, then as Vegannai and gradually corrupted to Vekka. The presiding deity thus got one of his names, Vegasetu. As per historian Nagaswamy, the temple was called Vehha meaning Vishnu leaning as a slanted slope, which gradually became vekka.

Once sage Bhargava had a son through Kanakangi, a celestial dancer. The boy was stillborn and was not fully developed during his birth. Kanakangi left his son under bushes and left to the celestial world. It is believed that the child was a divine incarnation of one of Vishnu's weapons, the Chakra. By the grace of Vishnu and Lakshmi, the baby became alright and began to cry. A childless farmer couple who were passing by took up the child, named him Sivavakkiyar and started rearing him. Once the boy reached adulthood, he was sceptical about choosing between Shaivism and Vaishnavism. He was defeated in arguments by Pey Alvar. He became a devotee of Vaishnavism and the disciple of Pey Alvar. Sivavakkiyar was also called Bhakthisarar and later as Thirumalisai Alvar.

Thirumalisai had a disciple by name Kanikkannan. He also had an old lady serving him - Thirumalisai prayed to the presiding deity of the temple and by the grace of Bhujangasayana Perumal, the old lady became a beautiful young lady. The Pallava king who was ruling the region at that time got attracted by the lady and married her. With time while the king was growing older, the lady remained young. He called up Kanikannan and ordered to sing praise of him so that he also turned young. When he refused, the king ordered Kanikannan to be banished out of the country. Kanikannan explained this to his master Thirumalisai, who prayed to Bhujangasayana Perumal. When the king heard this, he ordered the three to be sent of the country, which they obliged. When the three left Kanchipuram, it was engulfed in darkness. Realising his sin, the king worshipped Bhujangasayana Perumal to return along with his two devotees. Since the presiding deity obliged to his devotees wishes, he is called Yathothkari Perumal. Yathothka means as requested and kari denotes the person who accomplishes the task. One of the Alvars, poet saints of the 7-10th century, Poigai Alvar was born at...

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Yathothkari Perumal (regarded as Sonna Vannam Seidha Perumal) Temple is one of the 108 Divya Desams of Lord Vishnu. Here, Lord Vishnu is in the form of Ranganatha, sleeping on Adisesha. According to a legend, Goddess Saraswati was angry with her husband Lord Brahma, who conducted yagna without informing her, as the yagnas are performed along with the consorts. She tried to disrupt the yagna by transforming into a river named Vegavathi. Lord Brahma sought the help of Lord Vishnu, who in the form of Ranganatha, interfered with Adisesha. Thus the flow of the river was stagnated and Saraswati accepted her defeat.

The image of the presiding deity is one of the rare forms of Lord Ranganatha, where he is recumbent on his left hand. Another instance of this rare form can be seen in Adikesava Perumal Temple, Thiruvattaaru in Kanyakumari District. The pose of the presiding deity is almost similar to that of Lord Rama holding his bow and arrow, but in a sleeping position, without the bow and arrow. Goddess Saraswati is worshipping the Lord Vishnu near his feet in the same shrine. Goddess Lakshmi is worshipped here as Komalavalli Thaayaar and she has a separate shrine. This temple is the birth place of Poigai Azhwar.

The old name of this area is Thiruvekkaa. This temple is now located in Little Kanchipuram, only around 2 km from Kanchipuram...

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