Ajanta Cave No. 9 — Local services in Maharashtra

Caves 9 and 10 are the two chaitya or worship halls from the 2nd to 1st century BCE – the first period of construction, though both were reworked upon the end of the second period of construction in the 5th century CE.

Cave 9 (18.24 m × 8.04 m) is smaller than Cave 10 (30.5 m × 12.2 m), but more complex. This has led to the view that Cave 10 was perhaps originally of the 1st century BCE, and cave 9 about a hundred years later. The small "shrinelets" called caves 9A to 9D and 10A also date from the second period. These were commissioned by individuals. Cave 9 arch has remnant profile that suggests that it likely had wooden fittings.

The cave has a distinct apsidal shape, nave, aisle and an apse with an icon, architecture, and plan that reminds one of the cathedrals built in Europe many centuries later. The aisle has a row of 23 pillars. The ceiling is vaulted. The stupa is at the center of the apse, with a circumambulation path around it. The stupa sits on a high cylindrical base. On the left wall of the cave are votaries approaching the stupa, which suggests a devotional tradition.

According to Spink, the paintings in this cave, including the intrusive standing Buddhas on the pillars, were added in the 5th century. Above the pillars and also behind the stupa are colorful paintings of the Buddha with Padmapani and Vajrapani next to him, they wear jewels and necklaces, while yogis, citizens and Buddhist bhikshu are shown approaching the Buddha with garlands and offerings, with men wearing dhoti and turbans wrapped around their heads. On the walls are friezes of Jataka tales, but likely from the Hinayana phase of early construction. Some of the panels and reliefs inside as well as outside Cave 10 do not make narrative sense, but are related to Buddhist legends. This lack of narrative flow may be because these were added by different monks and official donors in the 5th century wherever empty space was available. This devotionalism and the worship hall character of this cave is the likely reason why four additional shrinelets 9A, 9B, 9C, and 9D were added between...

Ajanta Cave 9 is one of the notable caves within the Ajanta Caves complex, renowned for its historical and architectural significance. The Ajanta Caves, located in Maharashtra, India, are a series of rock-cut Buddhist temples and monasteries carved into the hillside, dating back to the 2nd century BCE to the 6th century CE.

Cave 9, also known as the "Cave of the Buddha," is classified as a vihara, or a monastery. It features a richly decorated facade and an elaborate interior that provides insight into the architectural styles and religious practices of the period. This cave is particularly notable for its spacious and well-preserved chaitya hall, which is the prayer hall used for communal worship.

Inside Cave 9, visitors can admire the intricate carvings and sculptures that adorn the walls and pillars. The cave's ceiling is adorned with beautiful murals depicting various scenes from Buddhist teachings and the lives of the Buddha. These murals are important examples of early Buddhist art, showcasing the skill and artistry of the craftsmen who worked on the cave.

The central shrine of Cave 9 houses a large stupa, which is a significant feature in Buddhist architecture, representing the presence of the Buddha. The stupa is surrounded by several intricately carved columns and a beautifully decorated altar area. The cave's overall design reflects the influences of both the Mahayana and Theravada branches of Buddhism, offering a glimpse into the religious diversity of the time.

Visitors to Ajanta Cave 9 can also appreciate the serene and contemplative atmosphere of the space, which is enhanced by the cave's natural surroundings and the cool, shaded environment. The cave's location provides a sense of tranquility and isolation, ideal for meditation and reflection.

Overall, Ajanta Cave 9 is a key site within the Ajanta Caves complex, offering valuable insights into early Buddhist architecture and art. Its well-preserved features and historical significance make it an important destination for those interested in Buddhist history and...

Ajanta Cave 9 is unique as it's one of the oldest chaityagrihas (prayer halls) at Ajanta, dating back to the 1st century BC. Here's what makes it special: Ancient Architecture: The cave features a large central hall with a row of 23 pillars supporting the roof, creating a sense of grandeur. Early Buddhist Art: The paintings and sculptures within the cave offer valuable insights into early Buddhist art and iconography. Historical Significance: As one of the earliest caves, it provides a crucial link to the early development of the Ajanta site. However, be aware: Less Extensively Decorated: Compared to some of the later caves, Cave 9 may not have the same level of elaborate frescoes and sculptures. May be Less Crowded: Due to its historical significance and unique architecture, it might be less crowded than some of the more popular caves. Overall: Ajanta Cave 9 is a valuable addition to any visit to the complex. It offers a glimpse into the early history of Ajanta and provides a unique perspective on the evolution of Buddhist art and...