“Ma'am, start in Greece first and then go in Roma”. I was instructed by a guide in Syracuse. Unnecessary advice, time has stopped in this space.
I left Rome with disgust and rushed to the largest Greek amphitheater in the world. It is a pity that they do not play here any Euripidea or Aristofanes play tomight, I said for myself. It was here that they premiered 460 before Christ ...
But ... just as I sat down and said to myself: what a lucky they don't pley any comedy today!!
This amphitheater itself is a play behind a play. It is a huge planetary amplifier and transmitter at the same time.
This Amphitheater has space and sound and geometry and system and agenda. Drunvalo Melchizedech should say something about scale and harmony just like Nassim Harramein.
This space creates a unique frequency, has its vibrational structure, is a special quantum wave and a field.
His name is Openness. Openness and Expansion.
What joy to write a drama for such a particle accelerator, a asvan ex sonic technology?
How did the words and structure of Aristotel's drama works here?
How with the help of choruses accelerate catharsis of the greek comedy structures? The original "hero's journey" of ancient world? How did the vivid vibrations in this quantum technology worked here?
Certainly better than today's hadron ´s collector in Switzerland. From here, pictures and messages were sent to our brothers in space.
And the Romans? There, don't go out there. This is like a Operation paperclip after the WWII. They made an imitation of this pure art in which gladiators were trained in thier arena for Rome. Underneath the seats were the corridors through which hungry beasts were running. The Emperor sacrificed hundreds of young bulls every year on the altars, the blood was flowing...
Read moreThe Ancient Roman gladiators who fought in this great arena so many centuries ago would take bloody vengeance on the current responsible officials of the municipality of Syracuse if they saw the disgraceful conditions of this historical treasure. To begin with, the toilet facilities are dirty and without soap or toilet paper, and when I asked two park custodians (in uniform) about it they simply shrugged and continued to smoke and converse among themselves under the shade of a nearby tree. But the worst thing is that the ruins have been allowed to become overgrown with bushes and vines, blocking the circumferential pathways that would allow one to visit the archeological site. In response, the municipality has simply roped off more than half of the ruins. After paying ten Euro to visit I refused to abide by this negligence and I simply ignored the closures, stepped over the ropes and made my way around the amphitheater. I am glad that I did because I was able to see and experience the ruins more fully. At no point was the pathway dangerous to walk on - park staff had simply decided to stop clearing the overgrown adjoining shrubs and bushes and decided to close off the pathways instead, but the paved path was safe to navigate. What a shameful and lazy lack of civic pride and neglect of duty. The local Mafia bosses should take notice and correct this immediately, because the local officials...
Read moreWhen we arrived, it was cloudy and relatively cold for the time of the year.
To see the Roman amphitheater, it is necessary to buy a ticket, which gives access to the entire archaeological site which includes an area of 86 acres of the Parco Archeologico della Neapolis.
When we visited (Spring, 2019) a regular ticket cost €10.00. It was free for those that were younger than 18 and half price for 18-25 year old’s and teachers. There was also a possibility to buy a ticket that included in addition to the archaeological site access to one of two museums (Paolo Orsi or Galleria Palazzo Bellomo). The price for this ticket was €13.50. This was also free for those that were younger than 18 and available at a reduced cost of €7.00 for 18-25 year old’s and teachers. Usually the ticket office is open between 08:30 and 18:00.
Certainly, the main attraction of the archaeological park is the Greek theater, however it is worthwhile to stroll back in time along the relatively well-preserved remains of the...
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