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Ubon Ratchathani National Museum — Attraction in Ubon Ratchathani Province

Name
Ubon Ratchathani National Museum
Description
Nearby attractions
Nearby restaurants
Yuan Steak house
6VG5+WPV, Khuanthani Rd, āļ•āļģāļšāļĨ āđƒāļ™āđ€āļĄāļ·āļ­āļ‡ Mueang Ubon Ratchathani District, Ubon Ratchathani 34000, Thailand
Guay Jub Ubon
6VG5+36J, Mueang Ubon Ratchathani District, Ubon Ratchathani 34000, Thailand
KOLÃĐ Bakery Bar
248 Phrommarat Rd, āđƒāļ™āđ€āļĄāļ·āļ­āļ‡ āđ€āļĄāļ·āļ­āļ‡ Ubon Ratchathani 34000, Thailand
Observe Bar & Bistro
80 Yutthaphan Rd, āđ€āļĄāļ·āļ­āļ‡ Ubon Ratchathani 34000, Thailand
āđ€āļ­āļŠāļžāļĩāđ€āļŪāđ‰āļēāļŠāđŒ S.P.House Ubon
76 Ratchabut Rd, Mueang Ubon Ratchathani District, Ubon Ratchathani 34000, Thailand
MADELA āļĄāļēāđ€āļ”āļ­āļ°āļĨāđˆāļē
āļŠāļąāđ‰āļ™ 1 YUU HOTEL & Cafe, 179/1-4 Upparat Rd, Mueang Ubon Ratchathani District, Ubon Ratchathani 34000, Thailand
Ubon Ocha
250 Luang Alley, āļ•āļģāļšāļĨ āđƒāļ™āđ€āļĄāļ·āļ­āļ‡ Mueang Ubon Ratchathani District, Ubon Ratchathani 34000, Thailand
bennie burgers
6VF6+H9W, āļĄāļđāļĨ, Ubon Ratchathani, Thailand
MoonUbon
13 Upparat Rd, Amphoe Mueang Ubon Ratchathani, Ubon Ratchathani 34000, Thailand
āļ„āļĢāļąāļ§āļĢāļīāļĄāļĄāļđāļĨ
8/1 Phrommathep Rd, Mueang Ubon Ratchathani District, Ubon Ratchathani 34000, Thailand
Nearby hotels
Ubon Hotel
6VG5+V58, 2 Ubonkit Rd, Mueang Ubon Ratchathani District, Ubon Ratchathani 34000, Thailand
Ratchathani Hotel
297 Khuanthani Rd, āļ•āļģāļšāļĨ āđƒāļ™āđ€āļĄāļ·āļ­āļ‡ Mueang Ubon Ratchathani District, Ubon Ratchathani 34000, Thailand
YUU HOTEL & Cafe
179/1-4 Aupparat Rd. T.Naimuang A.Muang, āļ•āļģāļšāļĨ āđƒāļ™āđ€āļĄāļ·āļ­āļ‡ Mueang Ubon Ratchathani District, Ubon Ratchathani 34000, Thailand
28 Rachabutr Hostel
Mueang Ubon Ratchathani District, Ubon Ratchathani 34000, Thailand
CafeInn Ubon
7/1-3 Nakhonban Rd, āđƒāļ™āđ€āļĄāļ·āļ­āļ‡ āđ€āļĄāļ·āļ­āļ‡ Ubon Ratchathani 34000, Thailand
Eco Inn
152 Srinarong, āļ•āļģāļšāļĨ āđƒāļ™āđ€āļĄāļ·āļ­āļ‡ Mueang Ubon Ratchathani District, Ubon Ratchathani 34000, Thailand
Bordin Hotel
32 Phalochai Rd, āļ•āļģāļšāļĨ āđƒāļ™āđ€āļĄāļ·āļ­āļ‡ Mueang Ubon Ratchathani District, Ubon Ratchathani 34000, Thailand
Phadaeng Hotel
126 Phadaeng Rd, āļ•āļģāļšāļĨ āđƒāļ™āđ€āļĄāļ·āļ­āļ‡ Mueang Ubon Ratchathani District, Ubon Ratchathani 34000, Thailand
T3 House
1 1 Rd Sappasit, Mueang Ubon Ratchathani District, Ubon Ratchathani 34000, Thailand
Chatsuree Mansion
70 Chongkonnithan Rd, Mueang Ubon Ratchathani District, Ubon Ratchathani 34000, Thailand
Related posts
Keywords
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Ubon Ratchathani National Museum things to do, attractions, restaurants, events info and trip planning
Ubon Ratchathani National Museum
ThailandUbon Ratchathani ProvinceUbon Ratchathani National Museum

Basic Info

Ubon Ratchathani National Museum

318 Khuanthani Rd, Mueang Ubon Ratchathani District, Ubon Ratchathani 34000, Thailand
4.6(275)
Open 24 hours
Save
spot

Ratings & Description

Info

Cultural
Family friendly
Accessibility
attractions: , restaurants: Yuan Steak house, Guay Jub Ubon, KOLÃĐ Bakery Bar, Observe Bar & Bistro, āđ€āļ­āļŠāļžāļĩāđ€āļŪāđ‰āļēāļŠāđŒ S.P.House Ubon, MADELA āļĄāļēāđ€āļ”āļ­āļ°āļĨāđˆāļē, Ubon Ocha, bennie burgers, MoonUbon, āļ„āļĢāļąāļ§āļĢāļīāļĄāļĄāļđāļĨ
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Phone
+66 45 251 015
Website
virtualmuseum.finearts.go.th

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Reviews

Nearby restaurants of Ubon Ratchathani National Museum

Yuan Steak house

Guay Jub Ubon

KOLÃĐ Bakery Bar

Observe Bar & Bistro

āđ€āļ­āļŠāļžāļĩāđ€āļŪāđ‰āļēāļŠāđŒ S.P.House Ubon

MADELA āļĄāļēāđ€āļ”āļ­āļ°āļĨāđˆāļē

Ubon Ocha

bennie burgers

MoonUbon

āļ„āļĢāļąāļ§āļĢāļīāļĄāļĄāļđāļĨ

Yuan Steak house

Yuan Steak house

4.2

(138)

$

Click for details
Guay Jub Ubon

Guay Jub Ubon

4.5

(108)

Click for details
KOLÃĐ Bakery Bar

KOLÃĐ Bakery Bar

4.6

(96)

Click for details
Observe Bar & Bistro

Observe Bar & Bistro

4.7

(22)

Click for details
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Reviews of Ubon Ratchathani National Museum

4.6
(275)
avatar
5.0
1y

Note: The National Museum is only open twice a week, ( Sunday and Wednesday I was told. Best to call before going) The renovated museum is housed in the former city hall building which dates back to the late 1800’s. The historical building is a beautiful example of architecture from that time period.

The museum itself was a pleasant surprise with its professional displays and lighting along with the information nicely printed in Thai and English. The rooms follow a chronological history time line. The artifacts on display from the ancient Khmer Empire,(found at various ruins), are truly priceless and the old Buddhist statues are amazing to see. The whole museum is full of interesting information but not over whelming. It took me an hour to causally go through all the displays and read most of the captions. It’s definitely worth a visit. Note: Foreigners pay more than 20 baht which is the Thai entrance...

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avatar
5.0
2y

Really lovely museum with eleven exhibition rooms organised around two courtyards. Originally used as the City Hall, it was built in 1918 in Western Colonial architectural style and opened as the national museum in 1989. Moving from room to room in a clockwise direction the exhibition is organised in chronological order. It starts with Prehistoric periods with archeological finds of artifacts, many from the caves at Ta Lao. Then moves onto the historic periods; Dvaravati, Angkor and Thai-Lao civilisations. The Khmer influence on artistic development is very evident in the carvings displayed. Don't miss perhaps the highlight piece in this collection: "The only sitting Ardhanarishvara sculpture in SE Asia". This region was noted for the very fine craftmanship of it's textiles as noted by King Rama V who acted as agent for their woven silk cloths. Plenty of english text in the museum describing the items and three videos also available in...

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avatar
5.0
3y

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āļŦāļĄāđˆāļ­āļĄāđ€āļˆāļĩāļĒāļ‡āļ„āļģ āļŠāļļāļĄāļžāļĨ āļ“ āļ­āļĒāļļāļ˜āļĒāļē (āđƒāļ™āļžāļĢāļ°āđ€āļˆāđ‰āļēāļšāļĢāļĄāļ§āļ‡āļĻāđŒāđ€āļ˜āļ­āļāļĢāļĄāļŦāļĨāļ§āļ‡āļŠāļĢāļĢāļžāļŠāļīāļ—āļ˜āļīāļ›āļĢāļ°āļŠāļ‡āļ„āđŒ)āđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āđ€āļ›āđ‡āļ™āļ—āļĩāđˆ āļŠāļēāļ˜āļēāļĢāļ“āļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļŠāļģāļŦāļĢāļąāļšāļāđˆāļ­āļŠāļĢāđ‰āļēāļ‡āļŠāļ–āļēāļ™āļ—āļĩāđˆāļĢāļēāļŠāļāļēāļĢāļĨāļąāļāļĐāļ“āļ°āļ‚āļ­āļ‡āļ­āļēāļ„āļēāļĢ āđ€āļ›āđ‡āļ™āļ•āļķāļāļŠāļąāđ‰āļ™āđ€āļ”āļĩāļĒāļ§āļĒāļāļŠāļđāļ‡ āļ•āļąāļ§āļ­āļēāļ„āļēāļĢāļāđˆāļ­āļ­āļīāļāļ‰āļēāļšāļ›āļđāļ™ āļŦāļĨāļąāļ‡āļ„āļēāļ—āļĢāļ‡āļ›āļąāļ™āļŦāļĒāļē āđāļœāļ™āļœāļąāļ‡āļ­āļēāļ„āļēāļĢāđ€āļ›āđ‡āļ™āļĢāļđāļ›āļŠāļĩāđˆāđ€āļŦāļĨāļĩāđˆāļĒāļĄāļœāļ·āļ™āļœāđ‰āļēāļŦāļąāļ™āļŦāļ™āđ‰āļēāđ„āļ›āļ—āļēāļ‡āļ—āļīāļĻāđ€āļŦāļ™āļ·āļ­ āļ āļēāļĒāđƒāļ™āļ­āļēāļ„āļēāļĢāļ›āļĢāļ°āļāļ­āļšāļ”āđ‰āļ§āļĒāļŦāđ‰āļ­āļ‡āđ‚āļ–āļ‡āđƒāļŦāļāđˆāļ­āļĒāļđāđˆāļ•āļĢāļ‡āļāļĨāļēāļ‡ āļĄāļĩāļĢāļ°āđ€āļšāļĩāļĒāļ‡āļ—āļēāļ‡āđ€āļ”āļīāļ™āđāļĨāļ°āļŦāđ‰āļ­āļ‡āļ‚āļ™āļēāļ”āđ€āļĨāđ‡āļāļ­āļĒāļđāđˆāđ‚āļ”āļĒāļĢāļ­āļš āđ€āļŦāļ™āļ·āļ­āļāļĢāļ­āļšāļ›āļĢāļ°āļ•āļđāđāļĨāļ°āļŦāļąāļ§āđ€āļŠāļēāļĢāļąāļšāļŠāļēāļĒāļ„āļēāļ—āļĩāđˆāļĢāļ°āđ€āļšāļĩāļĒāļ‡āļ›āļĢāļ°āļ”āļąāļšāļ”āđ‰āļ§āļĒāđ„āļĄāđ‰āļ‰āļĨāļļāļĨāļēāļĒāļžāļąāļ™āļ˜āļđāđŒāļžāļĪāļāļĐāļē āļ•āđˆāļ­āļĄāļēāđ€āļĄāļ·āđˆāļ­āļšāđ‰āļēāļ™āđ€āļĄāļ·āļ­āļ‡āđ€āļ•āļīāļšāđ‚āļ•āļ‚āļķāđ‰āļ™āļ­āļēāļ„āļēāļĢāļĻāļēāļĨāļēāļāļĨāļēāļ‡āļŦāļĨāļąāļ‡āļ™āļĩāđ‰āļĄāļĩāļŠāļ āļēāļžāļ„āļąāļšāđāļ„āļšāđ„āļĄāđˆāđ€āļžāļĩāļĒāļ‡āļžāļ­ āļāļąāļšāļŦāļ™āđˆāļ§āļĒāļ‡āļēāļ™āļĢāļēāļŠāļāļēāļĢāļ—āļĩāđˆāđ€āļžāļīāđˆāļĄāļ‚āļķāđ‰āļ™ āļˆāļķāļ‡āđ„āļ”āđ‰āļŠāļĢāđ‰āļēāļ‡āļ­āļēāļ„āļēāļĢāļĻāļēāļĨāļēāļāļĨāļēāļ‡āļŦāļĨāļąāļ‡āđƒāļŦāļĄāđˆāļ—āļēāļ‡āļ”āđ‰āļēāļ™āļ•āļ°āļ§āļąāļ™āļ•āļāļ‚āļ­āļ‡āļ—āļļāđˆāļ‡āļĻāļĢāļĩāđ€āļĄāļ·āļ­āļ‡ āđ€āļĄāļ·āđˆāļ­ āļž.āļĻ. āđ’āđ•āđ‘āđ‘ āļŠāđˆāļ§āļ™āļ­āļēāļ„āļēāļĢāļĻāļēāļĨāļēāļāļĨāļēāļ‡āļŦāļĨāļąāļ‡āđ€āļāđˆāļēāđ„āļ”āđ‰āđƒāļŠāđ‰āđ€āļ›āđ‡āļ™āļŠāļģāļ™āļąāļāļ‡āļēāļ™āļ‚āļ­āļ‡āļŦāļ™āđˆāļ§āļĒāļĢāļēāļŠāļāļēāļĢāļ•āđˆāļēāļ‡āđ†āļĄāļēāļ•āļĨāļ­āļ” āđƒāļ™ āļ›āļĩ āļž.āļĻ. āđ’āđ•āđ’āđ– āļ™āļēāļĒāļšāļļāļāļŠāđˆāļ§āļĒ  āļĻāļĢāļĩāļŠāļēāļĢāļ„āļēāļĄ āļœāļđāđ‰āļ§āđˆāļēāļĢāļēāļŠāļāļēāļĢāļˆāļąāļ‡āļŦāļ§āļąāļ”āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ āđ„āļ”āđ‰āļĄāļ­āļšāļ­āļēāļ„āļēāļĢāļĻāļēāļĨāļēāļāļĨāļēāļ‡āļŦāļĨāļąāļ‡āđ€āļāđˆāļēāđƒāļŦāđ‰āļāļĢāļĄāļĻāļīāļĨāļ›āļēāļāļĢāļšāļđāļĢāļ“āļ° āđāļĨāļ°āđƒāļŠāđ‰āļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļˆāļąāļ”āļ•āļąāđ‰āļ‡āļ‚āļķāđ‰āļ™āđ€āļ›āđ‡āļ™āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āļŠāļ–āļēāļ™āđāļŦāđˆāļ‡āļŠāļēāļ•āļī āđ€āļĄāļ·āđˆāļ­āļāļēāļĢāļšāļđāļĢāļ“āļ°āļ‹āđˆāļ­āļĄāđāļ‹āļĄāļ•āļąāļ§āļ­āļēāļ„āļēāļĢ āđāļĨāļ°āļˆāļąāļ”āļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢāļ–āļēāļ§āļĢāđāļĨāđ‰āļ§āđ€āļŠāļĢāđ‡āļˆ āļāļĢāļĄāļĻāļīāļĨāļ›āļēāļāļĢāđ„āļ”āđ‰āļāļĢāļēāļšāļšāļąāļ‡āļ„āļĄāļ—āļđāļĨāđ€āļŠāļīāļāļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āđ€āļ—āļžāļĢāļąāļ•āļ™āļĢāļēāļŠāļŠāļļāļ”āļēāļŊāļŠāļĒāļēāļĄāļšāļĢāļĄāļĢāļēāļŠāļāļļāļĄāļēāļĢāļĩ āđ€āļŠāļ”āđ‡āļˆāļžāļĢāļ°āļĢāļēāļŠāļ”āļģāđ€āļ™āļīāļ™āļ—āļĢāļ‡āđ€āļ›āļīāļ”āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āļŠāļ–āļēāļ™āđāļŦāđˆāļ‡āļŠāļēāļ•āļī āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ āđ€āļĄāļ·āđˆāļ­āļ§āļąāļ™āļ—āļĩāđˆ āđ“āđ āļĄāļīāļ–āļļāļ™āļēāļĒāļ™ āļž.āļĻ.āđ’āđ•āđ“āđ’ āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āļŠāļ–āļēāļ™āđāļŦāđˆāļ‡āļŠāļēāļ•āļī āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ āđ€āļ›āđ‡āļ™āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āļŠāļ–āļēāļ™āđāļŦāđˆāļ‡āļŠāļēāļ•āļīāļ—āļĩāđˆāļāļĢāļĄāļĻāļīāļĨāļ›āļēāļāļĢāļˆāļąāļ”āļ•āļąāđ‰āļ‡āļ‚āļķāđ‰āļ™āđ€āļžāļ·āđˆāļ­āļ•āļ­āļšāļŠāļ™āļ­āļ‡āļ„āļ§āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢ āļ‚āļ­āļ‡āļ—āđ‰āļ­āļ‡āļ–āļīāđˆāļ™āļ—āļĩāđˆāļˆāļ°āđ€āļ›āđ‡āļ™āļĻāļđāļ™āļĒāđŒāļ­āļ™āļļāļĢāļąāļāļĐāđŒāđāļĨāļ°āđ€āļœāļĒāđāļžāļĢāđˆāļĻāļīāļĨāļ›āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ‚āļ­āļ‡āļ—āđ‰āļ­āļ‡āļ–āļīāđˆāļ™ āļ•āļēāļĄāđāļ™āļ§āļ—āļēāļ‡āļāļēāļĢāļžāļąāļ’āļ™āļēāļāļīāļˆāļāļēāļĢāļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āđŒāļŠāļĄāļąāļĒāđƒāļŦāļĄāđˆ āļāļēāļĢāļˆāļąāļ”āđāļŠāļ”āļ‡āļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢāļ–āļēāļ§āļĢāļˆāļķāļ‡āļĄāļļāđˆāļ‡āđ€āļ™āđ‰āļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ•āđˆāļēāļ‡āđ† āļ‚āļ­āļ‡āļˆāļąāļ‡āļŦāļ§āļąāļ”āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ āļ—āļąāđ‰āļ‡āļ—āļēāļ‡āļ āļđāļĄāļīāļĻāļēāļŠāļ•āļĢāđŒ āļ˜āļĢāļ“āļĩāļ§āļīāļ—āļĒāļē āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒ āđ‚āļšāļĢāļēāļ“āļ„āļ”āļĩ āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļžāļ·āđ‰āļ™āļšāđ‰āļēāļ™...

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William HartzWilliam Hartz
Note: The National Museum is only open twice a week, ( Sunday and Wednesday I was told. Best to call before going) The renovated museum is housed in the former city hall building which dates back to the late 1800’s. The historical building is a beautiful example of architecture from that time period. The museum itself was a pleasant surprise with its professional displays and lighting along with the information nicely printed in Thai and English. The rooms follow a chronological history time line. The artifacts on display from the ancient Khmer Empire,(found at various ruins), are truly priceless and the old Buddhist statues are amazing to see. The whole museum is full of interesting information but not over whelming. It took me an hour to causally go through all the displays and read most of the captions. It’s definitely worth a visit. Note: Foreigners pay more than 20 baht which is the Thai entrance fee. āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āđŒāļ—āļĩāđˆāđƒāļŦāđ‰āļ‚āđ‰āļ­āļĄāļđāļĨāļ”āļĩāļĄāļēāļāļžāļĢāđ‰āļ­āļĄāļāļēāļĢāļˆāļąāļ”āđāļŠāļ”āļ‡āļĢāļ°āļ”āļąāļšāļĄāļ·āļ­āļ­āļēāļŠāļĩāļž
Miles MacdonaldMiles Macdonald
Really lovely museum with eleven exhibition rooms organised around two courtyards. Originally used as the City Hall, it was built in 1918 in Western Colonial architectural style and opened as the national museum in 1989. Moving from room to room in a clockwise direction the exhibition is organised in chronological order. It starts with Prehistoric periods with archeological finds of artifacts, many from the caves at Ta Lao. Then moves onto the historic periods; Dvaravati, Angkor and Thai-Lao civilisations. The Khmer influence on artistic development is very evident in the carvings displayed. Don't miss perhaps the highlight piece in this collection: "The only sitting Ardhanarishvara sculpture in SE Asia". This region was noted for the very fine craftmanship of it's textiles as noted by King Rama V who acted as agent for their woven silk cloths. Plenty of english text in the museum describing the items and three videos also available in English. Admission 100 Baht
natthaphon witinatthaphon witi
āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āļŠāļ–āļēāļ™āđāļŦāđˆāļ‡āļŠāļēāļ•āļī āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ āđ€āļ”āļīāļĄāđ€āļ›āđ‡āļ™āļĻāļēāļĨāļēāļāļĨāļēāļ‡āļˆāļąāļ‡āļŦāļ§āļąāļ” āļŠāļĢāđ‰āļēāļ‡āđ€āļĄāļ·āđˆāļ­ āļž.āļĻ. āđ’āđ”āđ–āđ‘ āđƒāļ™āļŠāļĄāļąāļĒāļžāļĢāļ°āļšāļēāļ—āļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āļĄāļ‡āļāļļāļāđ€āļāļĨāđ‰āļēāđ€āļˆāđ‰āļēāļ­āļĒāļđāđˆāļŦāļąāļ§āļŊ āļšāļ™āļ—āļĩāđˆāļ”āļīāļ™āļ—āļĩāđˆāļžāļĢāļ°āđ€āļˆāđ‰āļēāļšāļĢāļĄāļ§āļ‡āļĻāđŒāđ€āļ˜āļ­āļāļĢāļĄāļŦāļĨāļ§āļ‡āļŠāļĢāļĢāļžāļŠāļīāļ—āļ˜āļīāđŒāļ›āļĢāļ°āļŠāļ‡āļ„āđŒāļ‚āđ‰āļēāļŦāļĨāļ§āļ‡āļ•āđˆāļēāļ‡āļžāļĢāļ°āļ­āļ‡āļ„āđŒ āļžāļĢāļ°āļšāļēāļ—āļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āļˆāļļāļĨāļˆāļ­āļĄāđ€āļāļĨāđ‰āļēāđ€āļˆāđ‰āļēāļ­āļĒāļđāđˆāļŦāļąāļ§āļŊ āļŠāļģāđ€āļĢāđ‡āļˆāļĢāļēāļŠāļāļēāļĢāļĄāļ“āļ‘āļĨāļĨāļēāļ§āļāļēāļ§ (āļĄāļĨāļ‘āļĨāļ­āļĩāļŠāļēāļ™) āļ›āļĢāļ°āļ—āļąāļš āļ“ āđ€āļĄāļ·āļ­āļ‡āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ āđ„āļ”āđ‰āļ—āļĢāļ‡āļ‚āļ­āļĄāļēāļˆāļēāļāļ—āļēāļĒāļēāļ—āļ‚āļ­āļ‡āļĢāļēāļŠāļšāļļāļ•āļĢ (āļŠāļļāđˆāļĒ āļšāļļāļ•āļĢāđ‚āļĨāļšāļĨ) āļ„āļ·āļ­ āļŦāļĄāđˆāļ­āļĄāđ€āļˆāļĩāļĒāļ‡āļ„āļģ āļŠāļļāļĄāļžāļĨ āļ“ āļ­āļĒāļļāļ˜āļĒāļē (āđƒāļ™āļžāļĢāļ°āđ€āļˆāđ‰āļēāļšāļĢāļĄāļ§āļ‡āļĻāđŒāđ€āļ˜āļ­āļāļĢāļĄāļŦāļĨāļ§āļ‡āļŠāļĢāļĢāļžāļŠāļīāļ—āļ˜āļīāļ›āļĢāļ°āļŠāļ‡āļ„āđŒ)āđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āđ€āļ›āđ‡āļ™āļ—āļĩāđˆ āļŠāļēāļ˜āļēāļĢāļ“āļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļŠāļģāļŦāļĢāļąāļšāļāđˆāļ­āļŠāļĢāđ‰āļēāļ‡āļŠāļ–āļēāļ™āļ—āļĩāđˆāļĢāļēāļŠāļāļēāļĢāļĨāļąāļāļĐāļ“āļ°āļ‚āļ­āļ‡āļ­āļēāļ„āļēāļĢ āđ€āļ›āđ‡āļ™āļ•āļķāļāļŠāļąāđ‰āļ™āđ€āļ”āļĩāļĒāļ§āļĒāļāļŠāļđāļ‡ āļ•āļąāļ§āļ­āļēāļ„āļēāļĢāļāđˆāļ­āļ­āļīāļāļ‰āļēāļšāļ›āļđāļ™ āļŦāļĨāļąāļ‡āļ„āļēāļ—āļĢāļ‡āļ›āļąāļ™āļŦāļĒāļē āđāļœāļ™āļœāļąāļ‡āļ­āļēāļ„āļēāļĢāđ€āļ›āđ‡āļ™āļĢāļđāļ›āļŠāļĩāđˆāđ€āļŦāļĨāļĩāđˆāļĒāļĄāļœāļ·āļ™āļœāđ‰āļēāļŦāļąāļ™āļŦāļ™āđ‰āļēāđ„āļ›āļ—āļēāļ‡āļ—āļīāļĻāđ€āļŦāļ™āļ·āļ­ āļ āļēāļĒāđƒāļ™āļ­āļēāļ„āļēāļĢāļ›āļĢāļ°āļāļ­āļšāļ”āđ‰āļ§āļĒāļŦāđ‰āļ­āļ‡āđ‚āļ–āļ‡āđƒāļŦāļāđˆāļ­āļĒāļđāđˆāļ•āļĢāļ‡āļāļĨāļēāļ‡ āļĄāļĩāļĢāļ°āđ€āļšāļĩāļĒāļ‡āļ—āļēāļ‡āđ€āļ”āļīāļ™āđāļĨāļ°āļŦāđ‰āļ­āļ‡āļ‚āļ™āļēāļ”āđ€āļĨāđ‡āļāļ­āļĒāļđāđˆāđ‚āļ”āļĒāļĢāļ­āļš āđ€āļŦāļ™āļ·āļ­āļāļĢāļ­āļšāļ›āļĢāļ°āļ•āļđāđāļĨāļ°āļŦāļąāļ§āđ€āļŠāļēāļĢāļąāļšāļŠāļēāļĒāļ„āļēāļ—āļĩāđˆāļĢāļ°āđ€āļšāļĩāļĒāļ‡āļ›āļĢāļ°āļ”āļąāļšāļ”āđ‰āļ§āļĒāđ„āļĄāđ‰āļ‰āļĨāļļāļĨāļēāļĒāļžāļąāļ™āļ˜āļđāđŒāļžāļĪāļāļĐāļē āļ•āđˆāļ­āļĄāļēāđ€āļĄāļ·āđˆāļ­āļšāđ‰āļēāļ™āđ€āļĄāļ·āļ­āļ‡āđ€āļ•āļīāļšāđ‚āļ•āļ‚āļķāđ‰āļ™āļ­āļēāļ„āļēāļĢāļĻāļēāļĨāļēāļāļĨāļēāļ‡āļŦāļĨāļąāļ‡āļ™āļĩāđ‰āļĄāļĩāļŠāļ āļēāļžāļ„āļąāļšāđāļ„āļšāđ„āļĄāđˆāđ€āļžāļĩāļĒāļ‡āļžāļ­ āļāļąāļšāļŦāļ™āđˆāļ§āļĒāļ‡āļēāļ™āļĢāļēāļŠāļāļēāļĢāļ—āļĩāđˆāđ€āļžāļīāđˆāļĄāļ‚āļķāđ‰āļ™ āļˆāļķāļ‡āđ„āļ”āđ‰āļŠāļĢāđ‰āļēāļ‡āļ­āļēāļ„āļēāļĢāļĻāļēāļĨāļēāļāļĨāļēāļ‡āļŦāļĨāļąāļ‡āđƒāļŦāļĄāđˆāļ—āļēāļ‡āļ”āđ‰āļēāļ™āļ•āļ°āļ§āļąāļ™āļ•āļāļ‚āļ­āļ‡āļ—āļļāđˆāļ‡āļĻāļĢāļĩāđ€āļĄāļ·āļ­āļ‡ āđ€āļĄāļ·āđˆāļ­ āļž.āļĻ. āđ’āđ•āđ‘āđ‘ āļŠāđˆāļ§āļ™āļ­āļēāļ„āļēāļĢāļĻāļēāļĨāļēāļāļĨāļēāļ‡āļŦāļĨāļąāļ‡āđ€āļāđˆāļēāđ„āļ”āđ‰āđƒāļŠāđ‰āđ€āļ›āđ‡āļ™āļŠāļģāļ™āļąāļāļ‡āļēāļ™āļ‚āļ­āļ‡āļŦāļ™āđˆāļ§āļĒāļĢāļēāļŠāļāļēāļĢāļ•āđˆāļēāļ‡āđ†āļĄāļēāļ•āļĨāļ­āļ” āđƒāļ™ āļ›āļĩ āļž.āļĻ. āđ’āđ•āđ’āđ– āļ™āļēāļĒāļšāļļāļāļŠāđˆāļ§āļĒ  āļĻāļĢāļĩāļŠāļēāļĢāļ„āļēāļĄ āļœāļđāđ‰āļ§āđˆāļēāļĢāļēāļŠāļāļēāļĢāļˆāļąāļ‡āļŦāļ§āļąāļ”āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ āđ„āļ”āđ‰āļĄāļ­āļšāļ­āļēāļ„āļēāļĢāļĻāļēāļĨāļēāļāļĨāļēāļ‡āļŦāļĨāļąāļ‡āđ€āļāđˆāļēāđƒāļŦāđ‰āļāļĢāļĄāļĻāļīāļĨāļ›āļēāļāļĢāļšāļđāļĢāļ“āļ° āđāļĨāļ°āđƒāļŠāđ‰āļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļˆāļąāļ”āļ•āļąāđ‰āļ‡āļ‚āļķāđ‰āļ™āđ€āļ›āđ‡āļ™āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āļŠāļ–āļēāļ™āđāļŦāđˆāļ‡āļŠāļēāļ•āļī āđ€āļĄāļ·āđˆāļ­āļāļēāļĢāļšāļđāļĢāļ“āļ°āļ‹āđˆāļ­āļĄāđāļ‹āļĄāļ•āļąāļ§āļ­āļēāļ„āļēāļĢ āđāļĨāļ°āļˆāļąāļ”āļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢāļ–āļēāļ§āļĢāđāļĨāđ‰āļ§āđ€āļŠāļĢāđ‡āļˆ āļāļĢāļĄāļĻāļīāļĨāļ›āļēāļāļĢāđ„āļ”āđ‰āļāļĢāļēāļšāļšāļąāļ‡āļ„āļĄāļ—āļđāļĨāđ€āļŠāļīāļāļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āđ€āļ—āļžāļĢāļąāļ•āļ™āļĢāļēāļŠāļŠāļļāļ”āļēāļŊāļŠāļĒāļēāļĄāļšāļĢāļĄāļĢāļēāļŠāļāļļāļĄāļēāļĢāļĩ āđ€āļŠāļ”āđ‡āļˆāļžāļĢāļ°āļĢāļēāļŠāļ”āļģāđ€āļ™āļīāļ™āļ—āļĢāļ‡āđ€āļ›āļīāļ”āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āļŠāļ–āļēāļ™āđāļŦāđˆāļ‡āļŠāļēāļ•āļī āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ āđ€āļĄāļ·āđˆāļ­āļ§āļąāļ™āļ—āļĩāđˆ āđ“āđ āļĄāļīāļ–āļļāļ™āļēāļĒāļ™ āļž.āļĻ.āđ’āđ•āđ“āđ’ āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āļŠāļ–āļēāļ™āđāļŦāđˆāļ‡āļŠāļēāļ•āļī āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ āđ€āļ›āđ‡āļ™āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āļŠāļ–āļēāļ™āđāļŦāđˆāļ‡āļŠāļēāļ•āļīāļ—āļĩāđˆāļāļĢāļĄāļĻāļīāļĨāļ›āļēāļāļĢāļˆāļąāļ”āļ•āļąāđ‰āļ‡āļ‚āļķāđ‰āļ™āđ€āļžāļ·āđˆāļ­āļ•āļ­āļšāļŠāļ™āļ­āļ‡āļ„āļ§āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢ āļ‚āļ­āļ‡āļ—āđ‰āļ­āļ‡āļ–āļīāđˆāļ™āļ—āļĩāđˆāļˆāļ°āđ€āļ›āđ‡āļ™āļĻāļđāļ™āļĒāđŒāļ­āļ™āļļāļĢāļąāļāļĐāđŒāđāļĨāļ°āđ€āļœāļĒāđāļžāļĢāđˆāļĻāļīāļĨāļ›āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ‚āļ­āļ‡āļ—āđ‰āļ­āļ‡āļ–āļīāđˆāļ™ āļ•āļēāļĄāđāļ™āļ§āļ—āļēāļ‡āļāļēāļĢāļžāļąāļ’āļ™āļēāļāļīāļˆāļāļēāļĢāļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āđŒāļŠāļĄāļąāļĒāđƒāļŦāļĄāđˆ āļāļēāļĢāļˆāļąāļ”āđāļŠāļ”āļ‡āļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢāļ–āļēāļ§āļĢāļˆāļķāļ‡āļĄāļļāđˆāļ‡āđ€āļ™āđ‰āļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ•āđˆāļēāļ‡āđ† āļ‚āļ­āļ‡āļˆāļąāļ‡āļŦāļ§āļąāļ”āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ āļ—āļąāđ‰āļ‡āļ—āļēāļ‡āļ āļđāļĄāļīāļĻāļēāļŠāļ•āļĢāđŒ āļ˜āļĢāļ“āļĩāļ§āļīāļ—āļĒāļē āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒ āđ‚āļšāļĢāļēāļ“āļ„āļ”āļĩ āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļžāļ·āđ‰āļ™āļšāđ‰āļēāļ™ āđāļĨāļ°āļŠāļēāļ•āļīāļžāļąāļ™āļ˜āļļāđŒāļ§āļīāļ—āļĒāļē
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Note: The National Museum is only open twice a week, ( Sunday and Wednesday I was told. Best to call before going) The renovated museum is housed in the former city hall building which dates back to the late 1800’s. The historical building is a beautiful example of architecture from that time period. The museum itself was a pleasant surprise with its professional displays and lighting along with the information nicely printed in Thai and English. The rooms follow a chronological history time line. The artifacts on display from the ancient Khmer Empire,(found at various ruins), are truly priceless and the old Buddhist statues are amazing to see. The whole museum is full of interesting information but not over whelming. It took me an hour to causally go through all the displays and read most of the captions. It’s definitely worth a visit. Note: Foreigners pay more than 20 baht which is the Thai entrance fee. āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āđŒāļ—āļĩāđˆāđƒāļŦāđ‰āļ‚āđ‰āļ­āļĄāļđāļĨāļ”āļĩāļĄāļēāļāļžāļĢāđ‰āļ­āļĄāļāļēāļĢāļˆāļąāļ”āđāļŠāļ”āļ‡āļĢāļ°āļ”āļąāļšāļĄāļ·āļ­āļ­āļēāļŠāļĩāļž
William Hartz

William Hartz

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Really lovely museum with eleven exhibition rooms organised around two courtyards. Originally used as the City Hall, it was built in 1918 in Western Colonial architectural style and opened as the national museum in 1989. Moving from room to room in a clockwise direction the exhibition is organised in chronological order. It starts with Prehistoric periods with archeological finds of artifacts, many from the caves at Ta Lao. Then moves onto the historic periods; Dvaravati, Angkor and Thai-Lao civilisations. The Khmer influence on artistic development is very evident in the carvings displayed. Don't miss perhaps the highlight piece in this collection: "The only sitting Ardhanarishvara sculpture in SE Asia". This region was noted for the very fine craftmanship of it's textiles as noted by King Rama V who acted as agent for their woven silk cloths. Plenty of english text in the museum describing the items and three videos also available in English. Admission 100 Baht
Miles Macdonald

Miles Macdonald

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Trending Stays Worth the Hype in Ubon Ratchathani Province

Find a cozy hotel nearby and make it a full experience.

āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āļŠāļ–āļēāļ™āđāļŦāđˆāļ‡āļŠāļēāļ•āļī āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ āđ€āļ”āļīāļĄāđ€āļ›āđ‡āļ™āļĻāļēāļĨāļēāļāļĨāļēāļ‡āļˆāļąāļ‡āļŦāļ§āļąāļ” āļŠāļĢāđ‰āļēāļ‡āđ€āļĄāļ·āđˆāļ­ āļž.āļĻ. āđ’āđ”āđ–āđ‘ āđƒāļ™āļŠāļĄāļąāļĒāļžāļĢāļ°āļšāļēāļ—āļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āļĄāļ‡āļāļļāļāđ€āļāļĨāđ‰āļēāđ€āļˆāđ‰āļēāļ­āļĒāļđāđˆāļŦāļąāļ§āļŊ āļšāļ™āļ—āļĩāđˆāļ”āļīāļ™āļ—āļĩāđˆāļžāļĢāļ°āđ€āļˆāđ‰āļēāļšāļĢāļĄāļ§āļ‡āļĻāđŒāđ€āļ˜āļ­āļāļĢāļĄāļŦāļĨāļ§āļ‡āļŠāļĢāļĢāļžāļŠāļīāļ—āļ˜āļīāđŒāļ›āļĢāļ°āļŠāļ‡āļ„āđŒāļ‚āđ‰āļēāļŦāļĨāļ§āļ‡āļ•āđˆāļēāļ‡āļžāļĢāļ°āļ­āļ‡āļ„āđŒ āļžāļĢāļ°āļšāļēāļ—āļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āļˆāļļāļĨāļˆāļ­āļĄāđ€āļāļĨāđ‰āļēāđ€āļˆāđ‰āļēāļ­āļĒāļđāđˆāļŦāļąāļ§āļŊ āļŠāļģāđ€āļĢāđ‡āļˆāļĢāļēāļŠāļāļēāļĢāļĄāļ“āļ‘āļĨāļĨāļēāļ§āļāļēāļ§ (āļĄāļĨāļ‘āļĨāļ­āļĩāļŠāļēāļ™) āļ›āļĢāļ°āļ—āļąāļš āļ“ āđ€āļĄāļ·āļ­āļ‡āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ āđ„āļ”āđ‰āļ—āļĢāļ‡āļ‚āļ­āļĄāļēāļˆāļēāļāļ—āļēāļĒāļēāļ—āļ‚āļ­āļ‡āļĢāļēāļŠāļšāļļāļ•āļĢ (āļŠāļļāđˆāļĒ āļšāļļāļ•āļĢāđ‚āļĨāļšāļĨ) āļ„āļ·āļ­ āļŦāļĄāđˆāļ­āļĄāđ€āļˆāļĩāļĒāļ‡āļ„āļģ āļŠāļļāļĄāļžāļĨ āļ“ āļ­āļĒāļļāļ˜āļĒāļē (āđƒāļ™āļžāļĢāļ°āđ€āļˆāđ‰āļēāļšāļĢāļĄāļ§āļ‡āļĻāđŒāđ€āļ˜āļ­āļāļĢāļĄāļŦāļĨāļ§āļ‡āļŠāļĢāļĢāļžāļŠāļīāļ—āļ˜āļīāļ›āļĢāļ°āļŠāļ‡āļ„āđŒ)āđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āđ€āļ›āđ‡āļ™āļ—āļĩāđˆ āļŠāļēāļ˜āļēāļĢāļ“āļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļŠāļģāļŦāļĢāļąāļšāļāđˆāļ­āļŠāļĢāđ‰āļēāļ‡āļŠāļ–āļēāļ™āļ—āļĩāđˆāļĢāļēāļŠāļāļēāļĢāļĨāļąāļāļĐāļ“āļ°āļ‚āļ­āļ‡āļ­āļēāļ„āļēāļĢ āđ€āļ›āđ‡āļ™āļ•āļķāļāļŠāļąāđ‰āļ™āđ€āļ”āļĩāļĒāļ§āļĒāļāļŠāļđāļ‡ āļ•āļąāļ§āļ­āļēāļ„āļēāļĢāļāđˆāļ­āļ­āļīāļāļ‰āļēāļšāļ›āļđāļ™ āļŦāļĨāļąāļ‡āļ„āļēāļ—āļĢāļ‡āļ›āļąāļ™āļŦāļĒāļē āđāļœāļ™āļœāļąāļ‡āļ­āļēāļ„āļēāļĢāđ€āļ›āđ‡āļ™āļĢāļđāļ›āļŠāļĩāđˆāđ€āļŦāļĨāļĩāđˆāļĒāļĄāļœāļ·āļ™āļœāđ‰āļēāļŦāļąāļ™āļŦāļ™āđ‰āļēāđ„āļ›āļ—āļēāļ‡āļ—āļīāļĻāđ€āļŦāļ™āļ·āļ­ āļ āļēāļĒāđƒāļ™āļ­āļēāļ„āļēāļĢāļ›āļĢāļ°āļāļ­āļšāļ”āđ‰āļ§āļĒāļŦāđ‰āļ­āļ‡āđ‚āļ–āļ‡āđƒāļŦāļāđˆāļ­āļĒāļđāđˆāļ•āļĢāļ‡āļāļĨāļēāļ‡ āļĄāļĩāļĢāļ°āđ€āļšāļĩāļĒāļ‡āļ—āļēāļ‡āđ€āļ”āļīāļ™āđāļĨāļ°āļŦāđ‰āļ­āļ‡āļ‚āļ™āļēāļ”āđ€āļĨāđ‡āļāļ­āļĒāļđāđˆāđ‚āļ”āļĒāļĢāļ­āļš āđ€āļŦāļ™āļ·āļ­āļāļĢāļ­āļšāļ›āļĢāļ°āļ•āļđāđāļĨāļ°āļŦāļąāļ§āđ€āļŠāļēāļĢāļąāļšāļŠāļēāļĒāļ„āļēāļ—āļĩāđˆāļĢāļ°āđ€āļšāļĩāļĒāļ‡āļ›āļĢāļ°āļ”āļąāļšāļ”āđ‰āļ§āļĒāđ„āļĄāđ‰āļ‰āļĨāļļāļĨāļēāļĒāļžāļąāļ™āļ˜āļđāđŒāļžāļĪāļāļĐāļē āļ•āđˆāļ­āļĄāļēāđ€āļĄāļ·āđˆāļ­āļšāđ‰āļēāļ™āđ€āļĄāļ·āļ­āļ‡āđ€āļ•āļīāļšāđ‚āļ•āļ‚āļķāđ‰āļ™āļ­āļēāļ„āļēāļĢāļĻāļēāļĨāļēāļāļĨāļēāļ‡āļŦāļĨāļąāļ‡āļ™āļĩāđ‰āļĄāļĩāļŠāļ āļēāļžāļ„āļąāļšāđāļ„āļšāđ„āļĄāđˆāđ€āļžāļĩāļĒāļ‡āļžāļ­ āļāļąāļšāļŦāļ™āđˆāļ§āļĒāļ‡āļēāļ™āļĢāļēāļŠāļāļēāļĢāļ—āļĩāđˆāđ€āļžāļīāđˆāļĄāļ‚āļķāđ‰āļ™ āļˆāļķāļ‡āđ„āļ”āđ‰āļŠāļĢāđ‰āļēāļ‡āļ­āļēāļ„āļēāļĢāļĻāļēāļĨāļēāļāļĨāļēāļ‡āļŦāļĨāļąāļ‡āđƒāļŦāļĄāđˆāļ—āļēāļ‡āļ”āđ‰āļēāļ™āļ•āļ°āļ§āļąāļ™āļ•āļāļ‚āļ­āļ‡āļ—āļļāđˆāļ‡āļĻāļĢāļĩāđ€āļĄāļ·āļ­āļ‡ āđ€āļĄāļ·āđˆāļ­ āļž.āļĻ. āđ’āđ•āđ‘āđ‘ āļŠāđˆāļ§āļ™āļ­āļēāļ„āļēāļĢāļĻāļēāļĨāļēāļāļĨāļēāļ‡āļŦāļĨāļąāļ‡āđ€āļāđˆāļēāđ„āļ”āđ‰āđƒāļŠāđ‰āđ€āļ›āđ‡āļ™āļŠāļģāļ™āļąāļāļ‡āļēāļ™āļ‚āļ­āļ‡āļŦāļ™āđˆāļ§āļĒāļĢāļēāļŠāļāļēāļĢāļ•āđˆāļēāļ‡āđ†āļĄāļēāļ•āļĨāļ­āļ” āđƒāļ™ āļ›āļĩ āļž.āļĻ. āđ’āđ•āđ’āđ– āļ™āļēāļĒāļšāļļāļāļŠāđˆāļ§āļĒ  āļĻāļĢāļĩāļŠāļēāļĢāļ„āļēāļĄ āļœāļđāđ‰āļ§āđˆāļēāļĢāļēāļŠāļāļēāļĢāļˆāļąāļ‡āļŦāļ§āļąāļ”āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ āđ„āļ”āđ‰āļĄāļ­āļšāļ­āļēāļ„āļēāļĢāļĻāļēāļĨāļēāļāļĨāļēāļ‡āļŦāļĨāļąāļ‡āđ€āļāđˆāļēāđƒāļŦāđ‰āļāļĢāļĄāļĻāļīāļĨāļ›āļēāļāļĢāļšāļđāļĢāļ“āļ° āđāļĨāļ°āđƒāļŠāđ‰āļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļˆāļąāļ”āļ•āļąāđ‰āļ‡āļ‚āļķāđ‰āļ™āđ€āļ›āđ‡āļ™āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āļŠāļ–āļēāļ™āđāļŦāđˆāļ‡āļŠāļēāļ•āļī āđ€āļĄāļ·āđˆāļ­āļāļēāļĢāļšāļđāļĢāļ“āļ°āļ‹āđˆāļ­āļĄāđāļ‹āļĄāļ•āļąāļ§āļ­āļēāļ„āļēāļĢ āđāļĨāļ°āļˆāļąāļ”āļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢāļ–āļēāļ§āļĢāđāļĨāđ‰āļ§āđ€āļŠāļĢāđ‡āļˆ āļāļĢāļĄāļĻāļīāļĨāļ›āļēāļāļĢāđ„āļ”āđ‰āļāļĢāļēāļšāļšāļąāļ‡āļ„āļĄāļ—āļđāļĨāđ€āļŠāļīāļāļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āđ€āļ—āļžāļĢāļąāļ•āļ™āļĢāļēāļŠāļŠāļļāļ”āļēāļŊāļŠāļĒāļēāļĄāļšāļĢāļĄāļĢāļēāļŠāļāļļāļĄāļēāļĢāļĩ āđ€āļŠāļ”āđ‡āļˆāļžāļĢāļ°āļĢāļēāļŠāļ”āļģāđ€āļ™āļīāļ™āļ—āļĢāļ‡āđ€āļ›āļīāļ”āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āļŠāļ–āļēāļ™āđāļŦāđˆāļ‡āļŠāļēāļ•āļī āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ āđ€āļĄāļ·āđˆāļ­āļ§āļąāļ™āļ—āļĩāđˆ āđ“āđ āļĄāļīāļ–āļļāļ™āļēāļĒāļ™ āļž.āļĻ.āđ’āđ•āđ“āđ’ āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āļŠāļ–āļēāļ™āđāļŦāđˆāļ‡āļŠāļēāļ•āļī āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ āđ€āļ›āđ‡āļ™āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āļŠāļ–āļēāļ™āđāļŦāđˆāļ‡āļŠāļēāļ•āļīāļ—āļĩāđˆāļāļĢāļĄāļĻāļīāļĨāļ›āļēāļāļĢāļˆāļąāļ”āļ•āļąāđ‰āļ‡āļ‚āļķāđ‰āļ™āđ€āļžāļ·āđˆāļ­āļ•āļ­āļšāļŠāļ™āļ­āļ‡āļ„āļ§āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢ āļ‚āļ­āļ‡āļ—āđ‰āļ­āļ‡āļ–āļīāđˆāļ™āļ—āļĩāđˆāļˆāļ°āđ€āļ›āđ‡āļ™āļĻāļđāļ™āļĒāđŒāļ­āļ™āļļāļĢāļąāļāļĐāđŒāđāļĨāļ°āđ€āļœāļĒāđāļžāļĢāđˆāļĻāļīāļĨāļ›āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ‚āļ­āļ‡āļ—āđ‰āļ­āļ‡āļ–āļīāđˆāļ™ āļ•āļēāļĄāđāļ™āļ§āļ—āļēāļ‡āļāļēāļĢāļžāļąāļ’āļ™āļēāļāļīāļˆāļāļēāļĢāļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āđŒāļŠāļĄāļąāļĒāđƒāļŦāļĄāđˆ āļāļēāļĢāļˆāļąāļ”āđāļŠāļ”āļ‡āļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢāļ–āļēāļ§āļĢāļˆāļķāļ‡āļĄāļļāđˆāļ‡āđ€āļ™āđ‰āļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ•āđˆāļēāļ‡āđ† āļ‚āļ­āļ‡āļˆāļąāļ‡āļŦāļ§āļąāļ”āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ āļ—āļąāđ‰āļ‡āļ—āļēāļ‡āļ āļđāļĄāļīāļĻāļēāļŠāļ•āļĢāđŒ āļ˜āļĢāļ“āļĩāļ§āļīāļ—āļĒāļē āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒ āđ‚āļšāļĢāļēāļ“āļ„āļ”āļĩ āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļžāļ·āđ‰āļ™āļšāđ‰āļēāļ™ āđāļĨāļ°āļŠāļēāļ•āļīāļžāļąāļ™āļ˜āļļāđŒāļ§āļīāļ—āļĒāļē
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