The Museum of the Hamam in Acre, also known as Hamam al-Basha, offers a unique and immersive journey into the social and cultural history of the Ottoman period in Israel. This isn't your typical museum filled with static displays; instead, it uses a creative and engaging multimedia experience to transport visitors back in time. Upon entering, you are greeted by an audiovisual presentation that tells "The Story of the Last Bathhouse Attendant." This a multi-screen, walk-through dramatic presentation, narrated by the "spirits" of former bathhouse workers, who guide you through the history of the bathhouse and its central role in daily life in Acre. The use of theatrical lighting, sound, and a bit of theatrical "smoke" makes the experience feel both magical and educational. It's a fantastic way to learn about the history of the city and the importance of the hamam beyond just a place for bathing. As you progress through the different rooms of the bathhouseโfrom the grand dressing room with its magnificent fountain to the more intimate hot and lukewarm roomsโyou see sculptures and figures depicting the various activities that took place there. You'll see figures relaxing, receiving massages, and even engaging in social gossip. The attention to detail, from the ornate marble floors to the domed ceilings with their characteristic star-shaped light holes, is truly impressive. The restoration work has brought the 18th-century structure back to its former glory. While some might find the presentation a bit "touristy" or "kitschy," it's precisely this approach that makes the museum so memorable, especially for families and those who prefer a more interactive learning experience. It breathes life into the historic space, allowing you to imagine the bustling atmosphere of this social hub. The Hamam al-Basha Museum is a perfect complement to other historical sites in Acre, such as the Knights' Halls and the Al-Jazzar Mosque, and it's a definite must-see for anyone exploring...
ย ย ย Read moreืืืื ืื ืืืฉื
"ืืื ืืขืจืื ืฉืืืืฃ ืืกืืจื, ืืื ืืืืืื ืืขื ืขืื, ืืื ืขืืจ ืฉืืืจื ืืืื ืืืืื ืืืืจืขืืช ืจืืื ืื ืื ืืขืื, ืืืื ืขืืจ ืืืืชื ืฉืืฉืคืขืชื ืืืฉืืจื ืขื ืืืจืื ืฉื ืื ืืืจืฅ ืืืืชื ืืืืื ืื ืื"
"ืืืื ืื-ืืืฉื" ื ืื ื ืืกืืฃ ืืืื ื- 18 ืข"ื ื'ืืืจ ืคืื, ืืืฉื ืขืื, ืืืชืืื ื ืงืจื "ืืืื ืื-ื'ืืื" (ืืืืื ืืืืฉ) ืื ืืืืจ ืืื ืฉืื ื ืฉืื ื-"ืืืื ืื-ืืืฉื" (ืืืื ืืคืื), ืืืืืื ืฉื ืืืื'ืืจ. ืื ืืืช ืืืืื ืืืืชื ืืืง ืืืคืืืชื ืฉื ืขืื ืืชืงืืคื ืืขืืช'ืืื ืืช, ืืขืืงืจ ืข"ื ืืืื'ืืจ ืคืื,ย ืืืคืจ ืืืืืื ืงืื ืืขืืจ ื ืื ืฉืื ืืชื ืืืช ืชื ืืขื ืขืจื ืืฉืืงืงืช ืฉื ืืกืืจ ืืื ืืื. ืืชืงืืคืช ืฉืืืื ื ืคืขื ืืืื'ืืจ ืืงืืืื ืืขืืจ ืืชืืืืื ืจืืื ืืฉืื ืื. ืืื ืืคืขืืื ื ืืชื ืืื ืืช ืืช ืื ืืืช ืืืช ืืืื ืฉืืืืืื ืืช ืื ืืืขืืื ืืช ืืขืืจ, ืืงืืช ืฉืืืจ ืืืืื ืืขืืื ื ืืืืื ืื ืื ืืืงืืช ืืื ืื ืืฉืืืื ืืืืืช ืืื ืื ืขืืืืื, ืืืกืื ืืืืื ืฉื ืขืื, ืืจืืื ื ืืืคืืืจ, ืืืืืื ืืืืื.
ืืืืื ืฉืืืฉื ืืืงืื ืขืืงืจืืื:
ืืืจ ืืืืืฉื ืฉื ืืงืืฅย - ืืื ืืืืื ืืจืืฉืื ืืืื ืชืืื ืกื ืืืืฆืจ. ืฉื ืืื ืืื ืืืืื ืืชืคืฉืืื, ืืฉืืืจืื ืืช ืืืืืื, ืืชืขืืคืื ืืืืืืช ืืืืืืืืช, ื ืืขืืื ืืช ืืคืืคื ืืืืื ืื ืื ืกืื ืืืืจื ืืืืคืืืื ืืืืืื. ืืืืจ ืืจืืฆื ืืืืืคืืืื ืืฉืื ืื, ืืื ืฉืืื ืืืื ืืื ืืื ืืืชืจืืขืืช.
ืืจืืขืช ืืืจื ืืืื ืืื, ืฉื ืืฆืืื ืืื ืืืืจ ืืงืจ ืืืืจ ืืืย - ืืืืจืื ืืคืืฉืจืื, ืฉืืืฉื ืืืืคืืืื ืืคืขืืืืืืช ืฉืื ืืช. ืืื ืืืืคืืืื ืงืืกืืืืื, ืจืืคืื ืืขืืกืื ืืขื ืืืืกืืืืช ืจืืืงืื ืจืืืงืืช ืืืื ืช ืืืืืืช ืืงืจืืช ืืืืื.
ืืืืจ ืืืย - ืืืืจ ืืืืจืื ืืื ื ืขืืงืจื ืฉื ืืืืื โ ืืืจ ืืืืื. ืืืืจ ืืื ืืจืืื ืืื ืืืจืืฅ ืืืื, ืืืื ืงืจืฆืืฃ, ืกืืืื ืืขืืกืื ืืืืฃ ืืื ืฉืื. ืืืืจืื ืืงืื ืื ืฉืกืืื ืืืื ืืืจืืืืช ืฉืืืฉื ืืืืคืืืื ืคืจืืืื ืืขืฉืืจืื ืืืืืืืกืื.
ืืืฉื ืืืื ืืืืืฉืื ืฉื ื, ืืืื ืืงืืชื ืืขื ืืืืืืช ืืขืฆืืืืช ื-1948, ืชืคืงื ืืืืื ืืืืช ืืจืืฅ ืคืขืื. ืื ืืกืฃ ืืชืคืงืืื ืืืชื, ืืืื ืืช ืืฆืืืช ืืืืืจื ืืคื ื ืืชืคืืื, ืืืื ืืืืื ืืืง ื ืืื ืืืขื ืืื ืชืืืื ืืืืื ืืขืืจ ืืขืืช'ืื ืืช. ืืื ืฉืืืฉ ืืงืื ืืืคืืฉืื ืืืจืชืืื, ืืื ืืื ืืืืื ืืืืืืืช, ืืื ืืงืื ืืฉืื ื ืฉื ืืจืืคืืื ืืืืืืื ืืฉืืืฉ ื"ืืืช ืคืื ืืงืื" ืืขืฉืืจื ืืขืืจ. ืืงืืฆืืจ, ืืื ืื ืืืงืื ืื ืืชืจืืฉืื ืืืืจืื ืืื ืืฉืืืืื ืขื ืืืืืจืขืืช ืืืืจืื ืื - ืืืืจืขืืช ืืืกืืืจืืื ืืฉืืืื ืืื ืื ืืืืจืขืืช ืฉืื ืืืืจ ืจืืืืืช ืืืื.
ืืืืืืช ืืืื ืืืืจืื
ืืืืืืช ืืืื ืืืืจืื ืืืืฆืืช ืืืฉื ืืืฉื ืืช ืืืฆืืช ืคืจืง ืืืืกืืืจืื ืฉื ืขืื -ย ืืชืงืืคื ืืขืืช'ืื ืืช. ืืืงืื ืืืืืืื ืืชื ืืืจืคื ืื ืืืกืืืจื ืืืจื ื ืืืฆืื ืคืจืงืื ืืืชืงืืคื ืืืจื ืกืืคืืจืืช โ ืืืคืื ืืืื ืืืืื ืืืฉืชืฃ ืืช ืืืืงืจ ืืกืืคืืจืื ืฉื ืฉืืขื ืืื ืงืืจืืชืื ืฉื "ืืืืกื".
ืืฆืจื ื ืกืืคืืจ ืืกืืจืช, ืืืืืกืก ืขื ืืืืืืช ืคืืงืืืืืืช ืืขื ืฉืืฉืืช ืืื ืื ืืืืื ืืช, ืฉืืืืืื ืฉืืืฉื ืืืคืขืืื ืืืืื ืืืื ืื ืืืชื ืขื ืืืืขื ืกืืืจืชื. ืืคืืฉ ืืืืื ื ืืื ืืืฉืช ืืืจืืช ืืืื ืื ื ืขืจื ืืขืื ื ืืืืงืจ ืืืืืื "ืืืืื ืืช ื ืืืจื ืืื ืคืขืืืช" ืืืฉืืฃ ืืช ืืกืืคืืจืื ืืืจืืืืืช ืฉื ืฉืืขื ืืื ืงืืจืืช ืืืืื, ืื ืื ืชืจืฆื, "ืืืืกืืืจืื ืฉื ืขืื ืืชืงืืคื ืืขืืช'ืื ืืช", ืืืขื ืืขืื ืืื ืฉื ืืฉืคืืช ืขืืืื, ืื ืขืืจ ืชืคืงืื ืืืื ืืจืืฉื ืฉื ืืืืื "ืื-ืืืฉื" ืืื ืืื, ืืืฉื ืืืจืืช.
ืืืืืื ืื ืืื ืืืืื ืืื ืืืืืืืืื, ืกืืืืื ืืืื ืืืื ืืคืกืงืื ืืืฉืื ืืช ืืืื ืืืืื ืืกืืคืืจื ืขืื. ืืืืืจืื, ืคืจื ืขืื ืฉื ืืฆืืืจืช ืื ืื ืกืืืฆืงื, ืืชืืจืื ืืช ืขืื ืืชืงืืคื ืืขืืช'ืื ืืช - ืืื ืืืื ืืื, ืืืืจืืขืื ืืืืกืืืจืืื ืืืืื ืืืืื. ืืืืืืืช ืืืคืืกืืืช ืืืืฆืืืช ืืืืจืื ืืฉืื ืื ืืชืืจืืช ืืช ืืคืขืืืืืืช ืืืืคืืื ืืืช ืืืืื, ืืืื ืื ืฉืขืกืงื ืืืืืืืช ืืฉืื ืืช ืืืื ืฉืื ืฉืืชืจืืฆื ืืฉืื ืื. ืฉืืื ืฉื ืืืืืื ืืืืจ ืืื. ืืืืงืจืื ื ืื ืกืื ืืืืจ ืืคืืฃ ืืืื "ืืคืืืฉืื" ืืช ืืืื ืืืืจืื ืืคืขืืื. ืืื' ืืืฉืืจ ืืงืจืฆืฃ, ืืขืกื, ืืืื ืืืกืื ืืช ืืงืืืืชืื, ืชืื ืฉืืื ืื ืืื ืืืกืคืจ, ืืจืื ืืืืกืืืจ ืืืืืื ืื (ืงืื ืืืืงืจืื ืฉื ืืืื ื), ืืื ืคืืขื ืืืื, ืื ืชืคืงืืื ืืืื ืืงืืืื, ืืื ืืืช ืขื ืจืงืข ืืืืจืืขืื ืืืืกืืืจืืื ืฉืขืืจื ืขื ืขืื ืืืืชื ืืืืื.
ืืืื ื ืืืืจืืืื ืืืืืืื ืืืจืฉืืืื ืฉื ืืืืื ืืืืืฉืื ืขื ืืืื ื ืืชืืืจื ืืจืืืืช ืืืืคืืื ืืืืง ืืื ืืืจืื ืืืกืืคืืจ ืืืืืืกืืืจืื. ืื ืื ื ืืืืื ืื ืืชืื ืืืฆืืจืฃ ืืืื ื ืืืืงืืจ ืืืืื ืืคื ืฉืืื ืืชืงืืคื ืฉืคืขื, ืืคืืืฉ ืืช ืืื ืฉืื ืฉืขืืฆืื ืืช ืืืืชื - ืืืื ืื ืืืืืืื ืื, ืืฉืืืข ืืคืืื ืืช ืชืืืืืชืื ืฉื ืขืื ืืชืงืืคืช ืืืืืจ ืืขืืช'ืื ืืช.
ืืืืืื ืืืคืขืืช ืโ8 ืฉืคืืช: ืขืืจืืช, ืขืจืืืช, ืื ืืืืช, ืืจืื ืืช, ืฆืจืคืชืืช, ืกืคืจืืืช, ืืืืืงืืช ืืจืืกืืช. ืืืืงืจ ืืงืื ื ืื ืืืงืืจืื ื ืืฉืคื ืืืืืงืฉืช ืขื ืืื, ืืืฉื ืื ืขืืื ืืืฉืืืจ ืชืขืืื ืืืื ืืืชื ืืงืื...
ย ย ย Read moreSpent a full month exploring Acre: The Knights , the tunnel and this were my 3 favorite things. If you just walk through without the headset it's boring, but WITH the sound track it's funny AND highly educational. Really like how they brought it to life. Make sure when you get the ticket for the knights that you buy the WHOLE package WITH this one... otherwise if you get the ticket must for this it includes the tunnel... which is fine if you want to do the...
ย ย ย Read more