In the 1830s, three different solutions for moving images were invented based on the concept of revolving drums and disks, the stroboscope by Simon von Stampfer in Austria, the phenakistoscope by Joseph Plateau in Belgium, and the zoetrope by William Horner in Britain.
In 1845, Francis Ronalds invented the first successful camera able to make continuous recordings of the varying indications of meteorological and geomagnetic instruments over time. The cameras were supplied to numerous observatories around the world and some remained in use until well into the 20th century.2[4]
William Lincoln patented a device, in 1867 that showed animated pictures called the "wheel of life" or "zoopraxiscope". In it moving drawings or photographs were watched through a slit.
On 19 June 1878, Eadweard Muybridge successfully photographed a horse named "Sallie Gardner" in fast motion using a series of 24 stereoscopic cameras. The cameras were arranged along a track parallel to the horse's, and each camera shutter was controlled by a trip wire triggered by the horse's hooves. They were 21 inches apart to cover the 20 feet taken by the horse stride, taking pictures at one-thousandth of a second.[5] At the end of the decade, Muybridge had adapted sequences of his photographs to a zoopraxiscope for short, primitive projected "movies," which were sensations on his lecture tours by 1879 or 1880.
Cinematographers use a lens to focus reflected light from objects into a real image that is transferred to some image sensor or light-sensitive material inside the movie camera.These exposures are created sequentially and preserved for later processing and viewing as a motion picture. Capturing images with an electronic image sensor produces an electrical charge for each pixel in the image, which is electronically processed and stored in a video file for subsequent processing or display. Images captured with photographic emulsion result in a series of invisible latent images on the film stock, which are chemically "developed" into a visible image. The images on the film stock are projected for viewing in the same motion picture.
Cinematography finds uses in many fields of science and business, as well as for entertainment purposes and mass...
Read moreMesmerizing. Inspiring. Eye opening.
Visit to NMIC is a must of you are in Mumbai. Located at peddar road, Mumbai. This is close to Mahalaxmi station (Western Line). When you enter you will have to mention entr details at main gate. Entry ticket a Rs.20 and none for kids. The ticket counter staff is very kind, generous and polite. They will tell you how to navigate.
Visitor friendly amenities, long walk. Spare minimum of 2.30 to 4 hour to enjoy it completely. Very good options for photos. Less crowded. Mondays closed. Timing 11 to 6. Canteen in campus from Monday to Friday.
There are 2 building one is a bungalow setup (gulshan mahal) and other is a newly constructed building. Water, eatables not allowed. Bag will be deposited at entrance of each building.
The campus is full of greenery and lot of photography spots are present. You will have to start with the new bungalow first. There is a washroom before you enter (use it as there will be a long walk).
The first building walks you through transition of cinema from silent era to modern Era. Very interesting display of various instruments related to movie making. There are lot of kiosk where you can hear songs, watch movies, try out acting and singing skills. There Isa display of regional movies on first floor. Lot of movie posters to make you feel nostalgic.
The second building is spread across g+4 floor. You will have to start your journey from top 4th floor. Washroom and purified drinking water available. Lift as well as escalator available. The 4th and 3rd floor purely talk about technical aspect of movie making.
The second floor is child's section lot of interactive things for everyone. Try voice dubbing, sound mixing, motion picture building, vfx kiosk, makeup kiosk, directors chair and much more.
The first floor takes you through Gandhi and Movie making set-up. Very inspiring and insightful.
The only sad part was there is no souvenir store. It would have been nice to take some memorabilia for this awesome visit. This takes away the one star.
Not described each floor as lot of things to experience and learn.
Go ahead,...
Read moreThe National Museum of Indian Cinema is an absolute treasure trove for any cinephile. This sprawling, aesthetically pleasing museum is a testament to the rich and diverse history of Indian film.
Immersive and Informative From the moment you step inside, you're transported into the world of Indian cinema. The museum's layout is well-structured, guiding visitors through the evolution of the industry in a chronological and engaging manner. The exhibits are rich in detail, offering a comprehensive overview of everything from the early days of silent films to the modern blockbuster era.
A Visual Feast The museum is a feast for the eyes. The displays are beautifully curated, with a clever blend of interactive elements and historical artifacts. The use of technology is commendable, with touchscreens and multimedia presentations enhancing the overall experience. It’s evident that a great deal of thought and effort has gone into the design and presentation.
A No-Photography Policy (Understandably) While it's disappointing not to capture the stunning exhibits on camera, it's easy to understand the museum's decision to maintain a no-photography policy. This ensures the preservation of the artifacts and allows visitors to fully immerse themselves in the experience without distractions.
Excellent Staff and Service The staff at the National Museum of Indian Cinema deserves special mention. They are knowledgeable, courteous, and always ready to assist visitors. Their enthusiasm for Indian cinema is infectious, making the entire experience even more enjoyable.
Overall Impression The National Museum of Indian Cinema is a must-visit for anyone with even a passing interest in films. It's a place where history comes alive, and the magic of cinema is celebrated in all its glory. It’s a cinematic journey that leaves a...
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