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Catacombs of St. Callixtus — Attraction in Rome

Name
Catacombs of St. Callixtus
Description
The Catacomb of Callixtus is one of the Catacombs of Rome on the Appian Way, most notable for containing the Crypt of the Popes, which once contained the tombs of several popes from the 2nd to 4th centuries.
Nearby attractions
Catacombs of Domitilla
Via delle Sette Chiese, 282, 00147 Roma RM, Italy
Catacombs of Saint Sebastian
Via Appia Antica, 136, 00179 Roma RM, Italy
Praetextatus Catacombs
Via Appia Pignatelli, 11, 00178 Roma RM, Italy
Nearby restaurants
Luce Experience
Via Ardeatina, 164, 00134 Roma RM, Italy
Volta Romana Pizzeria
Via Ardeatina, 164, 00147 Roma RM, Italy
Casaluce via cupa 15
Via Ardeatina, 164, 00147 Roma RM, Italy
Silma Ristorazione - S.R.L.
Via Ardeatina, 12, 00179 Roma RM, Italy
Ristorante Cecilia Metella
Via Appia Antica, 129, 00179 Roma RM, Italy
L'Archeologia
Via Appia Antica, 139, 00179 Roma RM, Italy
Bompiani Trattoria Pizzeria
Via Benedetto Bompiani, 4, 00147 Roma RM, Italy
Pinsa & DeliciOus
Via Leon Pancaldo, 84, 00147 Roma RM, Italy
Raggi di Pizza
Via Giulio Aristide Sartorio, 96, 00147 Roma RM, Italy
Quo Vadis Sporting Club
Via della Caffarella, 10, 00179 Roma RM, Italy
Related posts
Keywords
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Catacombs of St. Callixtus things to do, attractions, restaurants, events info and trip planning
Catacombs of St. Callixtus
ItalyLazioRomeCatacombs of St. Callixtus

Basic Info

Catacombs of St. Callixtus

Via Appia Antica, 110/126, 00179 Roma RM, Italy
4.6(4.6K)
Open 24 hours
Save
spot

Ratings & Description

Info

The Catacomb of Callixtus is one of the Catacombs of Rome on the Appian Way, most notable for containing the Crypt of the Popes, which once contained the tombs of several popes from the 2nd to 4th centuries.

Cultural
Accessibility
attractions: Catacombs of Domitilla, Catacombs of Saint Sebastian, Praetextatus Catacombs, restaurants: Luce Experience, Volta Romana Pizzeria, Casaluce via cupa 15, Silma Ristorazione - S.R.L., Ristorante Cecilia Metella, L'Archeologia, Bompiani Trattoria Pizzeria, Pinsa & DeliciOus, Raggi di Pizza, Quo Vadis Sporting Club
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Phone
+39 06 513 0151
Website
catacombesancallisto.it

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Reviews

Nearby attractions of Catacombs of St. Callixtus

Catacombs of Domitilla

Catacombs of Saint Sebastian

Praetextatus Catacombs

Catacombs of Domitilla

Catacombs of Domitilla

4.6

(1.7K)

Open until 12:00 PM
Click for details
Catacombs of Saint Sebastian

Catacombs of Saint Sebastian

4.6

(2K)

Open 24 hours
Click for details
Praetextatus Catacombs

Praetextatus Catacombs

4.4

(26)

Open 24 hours
Click for details

Things to do nearby

Catacombs: The Coolest Underground Tour in Rome
Catacombs: The Coolest Underground Tour in Rome
Fri, Dec 5 • 10:00 AM
00147, Rome, Lazio, Italy
View details
Pasta and Pizza cooking class with wine and more
Pasta and Pizza cooking class with wine and more
Sun, Dec 7 • 10:30 AM
00142, Rome, Lazio, Italy
View details
Visit a 16th-century boutique winery
Visit a 16th-century boutique winery
Sat, Dec 6 • 10:00 AM
00044, Frascati, Lazio, Italy
View details

Nearby restaurants of Catacombs of St. Callixtus

Luce Experience

Volta Romana Pizzeria

Casaluce via cupa 15

Silma Ristorazione - S.R.L.

Ristorante Cecilia Metella

L'Archeologia

Bompiani Trattoria Pizzeria

Pinsa & DeliciOus

Raggi di Pizza

Quo Vadis Sporting Club

Luce Experience

Luce Experience

3.3

(329)

Click for details
Volta Romana Pizzeria

Volta Romana Pizzeria

4.4

(30)

Click for details
Casaluce via cupa 15

Casaluce via cupa 15

4.5

(7)

Click for details
Silma Ristorazione - S.R.L.

Silma Ristorazione - S.R.L.

4.3

(5)

Closed
Click for details
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Reviews of Catacombs of St. Callixtus

4.6
(4,621)
avatar
5.0
30w

BUILDING WITH FISHPOND (OR WINTER PALACE)

The structure, combining two different buildings, presents a western façade on three levels, of which the middle one, consisting of a series of passageways that were not connected directly to the "noble" floors, was related to the management and service facilities of the upper level. Once lavishly decorated, the large open spaces of the upper floor were clearly reserved for imperial usage. The provision of suspensurae bricks signifies that these rooms were heated (hence the name of Winter Pa Inter Palace). On the basis of recent research, it is believed that Hadrian's master bedroom was located here, featuring a cross vaulted ceiling, it was also equipped with two sleeping places and two individual latrines, which were originally inally panelled with luxurious marble. The room, together with those adjoining It was not only heated in winter, but also cooled in summer by means of an air conditioning system, which required fresh air to be drawn under the floor by a double draft furnace located far behind the Imperial suite. On the lower floor, a series of spacious rooms ov Stadium-Ga rooms overlooked the adium-Garden and were fumished with summer dining areas, manicured flowerbeda, fountains and water features.

To the rear of the residential area is the so-called Fishpond, a large rectangular pool with niches along its edge that was originally lined with marble and and at at a a lower lower level with respect to the surrounding portico. The space between the pool and the colonnade is a non-functional corridor, open to the elements and paved with mosaic, onto which forty windows open up, providing air and light to the underground passage that runs under the peristyle. This subterranean structure contains portions of preserved plaster that bear, in addition to traces of the ancient painted decoration, graffiti signatures of famous visitors and artists of the past, such as Giovanni Battista Piranesi.

Given the rich decoration of the building and its dominant and central position within the Villa, it is highly plausible that this was the Emperor's main residential complex, indeed, the structure Included reception spaces, a peristyle and cryptoporticus for walking around, as well as a large hall for hosting banquets or ceremonies during the winter, from which one could admire the green areas surrounding the Pecile pool and the countryside that stretched...

   Read more
avatar
5.0
1y

My visit to the Catacombs of San Callisto with my family in Rome was an extraordinary and humbling experience, offering a fascinating glimpse into early Christian history. Walking through the cool, dimly lit tunnels, I felt an overwhelming sense of reverence for the thousands of early Christians who were buried here, many of them martyrs.

The guided tour was excellent, providing insightful commentary on the history and significance of the catacombs. Our guide explained that these catacombs date back to the 2nd century and served as one of the earliest Christian cemeteries in Rome. It was amazing to learn about the importance of this site, which holds the remains of martyrs, popes, and ordinary Christians alike. The stories of persecution and the community's resilience resonated deeply.

As we descended into the labyrinth of narrow passageways lined with tombs carved into the rock, the atmosphere was both eerie and peaceful. Seeing the ancient inscriptions and simple symbols like the fish and the anchor—a hidden language of hope for the persecuted—helped bring the history to life. The frescoes and the small chapels built underground were particularly moving, showcasing both the art and faith of those who worshipped in secret.

One of the most striking parts of the visit was the quiet and solemn beauty of the crypts. The stillness was palpable, broken only by the quiet footsteps of our group as we moved through the chambers. The scale of the catacombs is impressive, and it's difficult to comprehend how such a vast network was created so long ago. It’s truly a testament to the devotion of the early Christian community.

The experience was powerful and unlike anything I’ve ever encountered before. Visiting the Catacombs of San Callisto wasn’t just a walk through ancient burial grounds; it felt like a pilgrimage into the heart of early Christian history. While it may not be for everyone due to the underground setting and the nature of the space, for those interested in history, religion, or archaeology, it’s a deeply moving and insightful journey.

Overall, my visit to the catacombs was an unforgettable experience. It gave me a profound appreciation for the courage and faith of the early Christians and added a meaningful layer to my exploration of...

   Read more
avatar
4.0
6y

This catacombs are so full of history and situated along the Appian Way. Lovely part of the country. English speaking tour guide was a pastor and very informative. I was in awe walking through the catacombs. About a 45-60 minute tour, less than 10 euro per person. No skeletons seen during the tour, they had been moved to a different level to protect them from vandalism, etc. Nice little gift shop and restrooms are available.

  1. The Catacombs of St. Callixtus are first of all a Christian sanctuary, not just an archaeological site.
  2. Most of those coming to these Catacombs are pilgrims who seek to strengthen their faith by visiting the place where some martyrs of the first centuries were buried together with thousands of early Christians. It wouldn’t be fair, although it might be politically correct, not to inspire them in order to avoid upsetting a ‘general audience.’
  3. It is obvious that we have to tell the story of those who were buried here, standing in front of their tombs. Part of the information we have about those martyrs and saints is very well documented, and therefore, is history. Part is legend, but we tell it as well, saying that, though it is not historically grounded, it shaped the culture and the behaviour of generations of Christians.
  4. The frescoes in the Catacombs mainly represent biblical characters and episodes. They are not just ‘decorations.’ Instead, they were intended by their authors to convey a message to the living visiting their beloved deceased. Therefore, in order to let people grasp this message today, during our tours we have to go through pages of the Bible, which is still one of the most important and most read books in the history of the world.
  5. We, as Christians, are still called to announce the Gospel of Jesus Christ to every person, all around the world, being well aware that as our brothers were persecuted during the first centuries because of their beliefs, so we are 'persecuted' nowadays also by the many lobbies which are trying to push their theories and values in order to subvert the...
   Read more
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St. IvanSt. Ivan
BUILDING WITH FISHPOND (OR WINTER PALACE) The structure, combining two different buildings, presents a western façade on three levels, of which the middle one, consisting of a series of passageways that were not connected directly to the "noble" floors, was related to the management and service facilities of the upper level. Once lavishly decorated, the large open spaces of the upper floor were clearly reserved for imperial usage. The provision of suspensurae bricks signifies that these rooms were heated (hence the name of Winter Pa Inter Palace). On the basis of recent research, it is believed that Hadrian's master bedroom was located here, featuring a cross vaulted ceiling, it was also equipped with two sleeping places and two individual latrines, which were originally inally panelled with luxurious marble. The room, together with those adjoining It was not only heated in winter, but also cooled in summer by means of an air conditioning system, which required fresh air to be drawn under the floor by a double draft furnace located far behind the Imperial suite. On the lower floor, a series of spacious rooms ov Stadium-Ga rooms overlooked the adium-Garden and were fumished with summer dining areas, manicured flowerbeda, fountains and water features. To the rear of the residential area is the so-called Fishpond, a large rectangular pool with niches along its edge that was originally lined with marble and and at at a a lower lower level with respect to the surrounding portico. The space between the pool and the colonnade is a non-functional corridor, open to the elements and paved with mosaic, onto which forty windows open up, providing air and light to the underground passage that runs under the peristyle. This subterranean structure contains portions of preserved plaster that bear, in addition to traces of the ancient painted decoration, graffiti signatures of famous visitors and artists of the past, such as Giovanni Battista Piranesi. Given the rich decoration of the building and its dominant and central position within the Villa, it is highly plausible that this was the Emperor's main residential complex, indeed, the structure Included reception spaces, a peristyle and cryptoporticus for walking around, as well as a large hall for hosting banquets or ceremonies during the winter, from which one could admire the green areas surrounding the Pecile pool and the countryside that stretched towards Rome.
Abhay RajAbhay Raj
This catacombs are so full of history and situated along the Appian Way. Lovely part of the country. English speaking tour guide was a pastor and very informative. I was in awe walking through the catacombs. About a 45-60 minute tour, less than 10 euro per person. No skeletons seen during the tour, they had been moved to a different level to protect them from vandalism, etc. Nice little gift shop and restrooms are available. 1) The Catacombs of St. Callixtus are first of all a Christian sanctuary, not just an archaeological site. 2) Most of those coming to these Catacombs are pilgrims who seek to strengthen their faith by visiting the place where some martyrs of the first centuries were buried together with thousands of early Christians. It wouldn’t be fair, although it might be politically correct, not to inspire them in order to avoid upsetting a ‘general audience.’ 3) It is obvious that we have to tell the story of those who were buried here, standing in front of their tombs. Part of the information we have about those martyrs and saints is very well documented, and therefore, is history. Part is legend, but we tell it as well, saying that, though it is not historically grounded, it shaped the culture and the behaviour of generations of Christians. 4) The frescoes in the Catacombs mainly represent biblical characters and episodes. They are not just ‘decorations.’ Instead, they were intended by their authors to convey a message to the living visiting their beloved deceased. Therefore, in order to let people grasp this message today, during our tours we have to go through pages of the Bible, which is still one of the most important and most read books in the history of the world. 5) We, as Christians, are still called to announce the Gospel of Jesus Christ to every person, all around the world, being well aware that as our brothers were persecuted during the first centuries because of their beliefs, so we are 'persecuted' nowadays also by the many lobbies which are trying to push their theories and values in order to subvert the natural law.
Lukas DuitmannLukas Duitmann
Die Calixtus-Katakombe ist wirklich beeindruckend und sicherlich die größte in Rom mit der größten Anzahl an Gräbern. Unsere Führung wurde von jemandem geleitet, der relativ gut Deutsch sprach – und Deutsch zu beherrschen, obwohl es eine schwierige Sprache ist, verdient definitiv Respekt. Leider wurden einige unserer Fragen nicht ganz richtig verstanden, was etwas enttäuschend war. Besonders schade fand ich, dass man kaum oder gar keine Knochen oder menschliche Überreste sehen konnte. Die Katakombe erstreckt sich über drei Etagen, aber bei der Führung wird nur die zweite Ebene besichtigt. Die menschlichen Überreste befinden sich in der dritten Etage, die leider für Besucher gesperrt ist, da in der Vergangenheit Leute meinten, Knochen und Überreste mitnehmen zu müssen – was absolut inakzeptabel ist. Heutzutage müssen Besucher darunter leiden, was meine Zufriedenheit mit der Führung etwas beeinträchtigt hat. ______________________ Le catacombe di San Callisto sono davvero impressionanti e sicuramente le più grandi di Roma, con il maggior numero di tombe. La nostra guida parlava un tedesco abbastanza buono, e saper parlare tedesco, una lingua così difficile, merita assolutamente rispetto. Purtroppo, alcune delle nostre domande sono state fraintese, il che è stato un po' deludente. Quello che mi ha rattristato di più è stato il fatto che quasi non si vedono ossa o resti umani. La catacomba si sviluppa su tre livelli, ma durante la visita si esplora solo il secondo. I resti umani si trovano nel terzo livello sotterraneo, che purtroppo è inaccessibile ai visitatori, poiché in passato alcuni di loro hanno pensato bene di portare via ossa e resti umani, cosa assolutamente inaccettabile. Questo limita l'esperienza per i visitatori odierni, il che ha influenzato la mia soddisfazione riguardo alla visita. ______________________ Update / Aggiornamento, 07.09.2024 Vielen Dank für Ihre Mühe, auf meine Rezension zu antworten. Es ist jedoch schade, dass uns diese Information während der Führung nicht mitgeteilt wurde. Uns wurde wörtlich gesagt, dass die menschlichen Überreste aufgrund von Angst vor Diebstahl in die unteren Etagen verlagert wurden, und diese daher für Besucher nicht zugänglich sind. Dies hat bei uns den Eindruck erweckt, dass dies der Hauptgrund für den fehlenden Zugang zu den Knochen sei. Es wäre hilfreich gewesen, im Voraus klarere Informationen über den fehlenden Zugang zu den unteren Ebenen und die tatsächlichen Gründe dafür zu erhalten. Dadurch hätten wir die Bedeutung und den Respekt, den Sie gegenüber den Verstorbenen ausdrücken, besser nachvollziehen können, was ich an sich sehr respektiere. Diese Erklärung ist verständlich, dennoch hatte ich die Katakomben vielleicht eher so wie die in Paris vorgestellt, wo man deutlich mehr Überreste sehen kann. Für künftige Führungen wäre es wünschenswert, solche Details klarer zu kommunizieren, um Missverständnisse zu vermeiden und den Besuchern eine noch tiefere Wertschätzung für den Ort zu vermitteln. ______________________ Grazie per aver avuto la cortesia di rispondere alla mia recensione. È un peccato, però, che questa informazione non ci sia stata comunicata durante la visita guidata. Ci è stato detto letteralmente che i resti umani sono stati trasferiti ai livelli inferiori per paura di furti, e per questo non sono accessibili ai visitatori. Questo ci ha fatto credere che fosse il motivo principale per cui non si potevano vedere le ossa. Sarebbe stato utile ricevere in anticipo informazioni più chiare riguardo l’accesso limitato ai livelli inferiori e le vere motivazioni. In questo modo avremmo compreso meglio il significato e il rispetto che dimostrate verso i defunti, che rispetto molto. La spiegazione è comprensibile, ma forse mi aspettavo qualcosa di più simile alle catacombe di Parigi, dove si possono vedere molti più resti. Per le visite future, sarebbe auspicabile comunicare questi dettagli in modo più chiaro, per evitare malintesi e permettere ai visitatori di apprezzare ancora di più il luogo.
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BUILDING WITH FISHPOND (OR WINTER PALACE) The structure, combining two different buildings, presents a western façade on three levels, of which the middle one, consisting of a series of passageways that were not connected directly to the "noble" floors, was related to the management and service facilities of the upper level. Once lavishly decorated, the large open spaces of the upper floor were clearly reserved for imperial usage. The provision of suspensurae bricks signifies that these rooms were heated (hence the name of Winter Pa Inter Palace). On the basis of recent research, it is believed that Hadrian's master bedroom was located here, featuring a cross vaulted ceiling, it was also equipped with two sleeping places and two individual latrines, which were originally inally panelled with luxurious marble. The room, together with those adjoining It was not only heated in winter, but also cooled in summer by means of an air conditioning system, which required fresh air to be drawn under the floor by a double draft furnace located far behind the Imperial suite. On the lower floor, a series of spacious rooms ov Stadium-Ga rooms overlooked the adium-Garden and were fumished with summer dining areas, manicured flowerbeda, fountains and water features. To the rear of the residential area is the so-called Fishpond, a large rectangular pool with niches along its edge that was originally lined with marble and and at at a a lower lower level with respect to the surrounding portico. The space between the pool and the colonnade is a non-functional corridor, open to the elements and paved with mosaic, onto which forty windows open up, providing air and light to the underground passage that runs under the peristyle. This subterranean structure contains portions of preserved plaster that bear, in addition to traces of the ancient painted decoration, graffiti signatures of famous visitors and artists of the past, such as Giovanni Battista Piranesi. Given the rich decoration of the building and its dominant and central position within the Villa, it is highly plausible that this was the Emperor's main residential complex, indeed, the structure Included reception spaces, a peristyle and cryptoporticus for walking around, as well as a large hall for hosting banquets or ceremonies during the winter, from which one could admire the green areas surrounding the Pecile pool and the countryside that stretched towards Rome.
St. Ivan

St. Ivan

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This catacombs are so full of history and situated along the Appian Way. Lovely part of the country. English speaking tour guide was a pastor and very informative. I was in awe walking through the catacombs. About a 45-60 minute tour, less than 10 euro per person. No skeletons seen during the tour, they had been moved to a different level to protect them from vandalism, etc. Nice little gift shop and restrooms are available. 1) The Catacombs of St. Callixtus are first of all a Christian sanctuary, not just an archaeological site. 2) Most of those coming to these Catacombs are pilgrims who seek to strengthen their faith by visiting the place where some martyrs of the first centuries were buried together with thousands of early Christians. It wouldn’t be fair, although it might be politically correct, not to inspire them in order to avoid upsetting a ‘general audience.’ 3) It is obvious that we have to tell the story of those who were buried here, standing in front of their tombs. Part of the information we have about those martyrs and saints is very well documented, and therefore, is history. Part is legend, but we tell it as well, saying that, though it is not historically grounded, it shaped the culture and the behaviour of generations of Christians. 4) The frescoes in the Catacombs mainly represent biblical characters and episodes. They are not just ‘decorations.’ Instead, they were intended by their authors to convey a message to the living visiting their beloved deceased. Therefore, in order to let people grasp this message today, during our tours we have to go through pages of the Bible, which is still one of the most important and most read books in the history of the world. 5) We, as Christians, are still called to announce the Gospel of Jesus Christ to every person, all around the world, being well aware that as our brothers were persecuted during the first centuries because of their beliefs, so we are 'persecuted' nowadays also by the many lobbies which are trying to push their theories and values in order to subvert the natural law.
Abhay Raj

Abhay Raj

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Die Calixtus-Katakombe ist wirklich beeindruckend und sicherlich die größte in Rom mit der größten Anzahl an Gräbern. Unsere Führung wurde von jemandem geleitet, der relativ gut Deutsch sprach – und Deutsch zu beherrschen, obwohl es eine schwierige Sprache ist, verdient definitiv Respekt. Leider wurden einige unserer Fragen nicht ganz richtig verstanden, was etwas enttäuschend war. Besonders schade fand ich, dass man kaum oder gar keine Knochen oder menschliche Überreste sehen konnte. Die Katakombe erstreckt sich über drei Etagen, aber bei der Führung wird nur die zweite Ebene besichtigt. Die menschlichen Überreste befinden sich in der dritten Etage, die leider für Besucher gesperrt ist, da in der Vergangenheit Leute meinten, Knochen und Überreste mitnehmen zu müssen – was absolut inakzeptabel ist. Heutzutage müssen Besucher darunter leiden, was meine Zufriedenheit mit der Führung etwas beeinträchtigt hat. ______________________ Le catacombe di San Callisto sono davvero impressionanti e sicuramente le più grandi di Roma, con il maggior numero di tombe. La nostra guida parlava un tedesco abbastanza buono, e saper parlare tedesco, una lingua così difficile, merita assolutamente rispetto. Purtroppo, alcune delle nostre domande sono state fraintese, il che è stato un po' deludente. Quello che mi ha rattristato di più è stato il fatto che quasi non si vedono ossa o resti umani. La catacomba si sviluppa su tre livelli, ma durante la visita si esplora solo il secondo. I resti umani si trovano nel terzo livello sotterraneo, che purtroppo è inaccessibile ai visitatori, poiché in passato alcuni di loro hanno pensato bene di portare via ossa e resti umani, cosa assolutamente inaccettabile. Questo limita l'esperienza per i visitatori odierni, il che ha influenzato la mia soddisfazione riguardo alla visita. ______________________ Update / Aggiornamento, 07.09.2024 Vielen Dank für Ihre Mühe, auf meine Rezension zu antworten. Es ist jedoch schade, dass uns diese Information während der Führung nicht mitgeteilt wurde. Uns wurde wörtlich gesagt, dass die menschlichen Überreste aufgrund von Angst vor Diebstahl in die unteren Etagen verlagert wurden, und diese daher für Besucher nicht zugänglich sind. Dies hat bei uns den Eindruck erweckt, dass dies der Hauptgrund für den fehlenden Zugang zu den Knochen sei. Es wäre hilfreich gewesen, im Voraus klarere Informationen über den fehlenden Zugang zu den unteren Ebenen und die tatsächlichen Gründe dafür zu erhalten. Dadurch hätten wir die Bedeutung und den Respekt, den Sie gegenüber den Verstorbenen ausdrücken, besser nachvollziehen können, was ich an sich sehr respektiere. Diese Erklärung ist verständlich, dennoch hatte ich die Katakomben vielleicht eher so wie die in Paris vorgestellt, wo man deutlich mehr Überreste sehen kann. Für künftige Führungen wäre es wünschenswert, solche Details klarer zu kommunizieren, um Missverständnisse zu vermeiden und den Besuchern eine noch tiefere Wertschätzung für den Ort zu vermitteln. ______________________ Grazie per aver avuto la cortesia di rispondere alla mia recensione. È un peccato, però, che questa informazione non ci sia stata comunicata durante la visita guidata. Ci è stato detto letteralmente che i resti umani sono stati trasferiti ai livelli inferiori per paura di furti, e per questo non sono accessibili ai visitatori. Questo ci ha fatto credere che fosse il motivo principale per cui non si potevano vedere le ossa. Sarebbe stato utile ricevere in anticipo informazioni più chiare riguardo l’accesso limitato ai livelli inferiori e le vere motivazioni. In questo modo avremmo compreso meglio il significato e il rispetto che dimostrate verso i defunti, che rispetto molto. La spiegazione è comprensibile, ma forse mi aspettavo qualcosa di più simile alle catacombe di Parigi, dove si possono vedere molti più resti. Per le visite future, sarebbe auspicabile comunicare questi dettagli in modo più chiaro, per evitare malintesi e permettere ai visitatori di apprezzare ancora di più il luogo.
Lukas Duitmann

Lukas Duitmann

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