My visit to the Rubell Museum has left me deeply troubled and wounded by the “art” that was on display. I attended a wedding at the museum this past weekend, and to say I was shocked and appalled is an understatement. Not all, but several of the exhibits contained imagery that is profoundly inappropriate for minors and emotionally distressing for humanity at large.
As a woman of faith, I was especially disturbed by works featuring inverted crosses, dark spiritual symbolism, and depictions suggesting the harm or consumption of babies — visuals that clearly carry evil undertones. Other installations contained highly explicit material portraying acts that, in my opinion, cross far beyond artistic freedom and into moral corruption.
I consider myself very open-minded toward art, diverse worldviews, and even controversial subjects. Yet there is a clear line between creativity and depravity, between nudity and vulgarity, between thoughtful expression and a deliberate attempt to shock and desensitize. What I witnessed inside this museum was not art intended to elevate or inspire — it was art that sought to wound, provoke, and desensitize the soul.
It came as a tremendous shock to learn that the museum admits children for free under the age of seven. I cannot understand how anyone could consider this environment appropriate for young, impressionable minds.
At one point, I stood in the middle of the museum and wept as I saw a small child— perhaps seven or eight years old (without parental supervision) — standing alone before a graphic painting that no child should ever have to see. How can this be permitted in a public space that welcomes families, when similar imagery would be restricted in a film or television program as ‘rated R’?
I wept at what I saw. My heart shattered. To see our children exposed to this filth in the name of “art”. This is not art. This is an agenda. This is the indoctrination and desensitization of our children and the populace at large.
This is not artistic freedom; this is a reflection of a culture losing its moral compass. I pray that more people awaken, stand firm in truth, and protect what is sacred — faith, purity, and light — in a world that seems increasingly dark
I wish I could attach photos of what I saw, but I know the moment I do, my review would be removed for violating content guidelines — which is telling in and of itself. If you wish to look deeper, I encourage you to research some of the works currently or previously displayed at the museum: (1) Paul McCarthy – Cultural Gothic (2) Charles Ray – Oh! Charley, Charley, Charley… (3) Keith Haring – The Story of Jason (4) Cajsa von Zeipel – Post Me, Post You (5) Juanita McNeely – Woman’s Psyche (6) Vanessa Raw – On Earth We Weren’t Meant to Stay (7) The works of Jean-Michel Basquiat
May this serve as a wake-up call for us to guard the hearts and minds of our children and return to what is pure and sacred. When darkness is displayed as beauty, the truest art left is the courage to speak...
Read moreTitle: A Captivating Journey into Artistic Expression at the Rubell Museum
Rating: ⭐⭐⭐⭐⭐ (5/5)
Review:
My recent visit to the Rubell Museum was an extraordinary experience that left me in awe of the power of art and its ability to inspire and provoke thought. From the moment I stepped through the doors, I was transported into a world of creativity, innovation, and artistic expression.
The first thing that struck me was the museum's impressive collection. Spanning multiple floors and encompassing a wide range of mediums, styles, and artists, the Rubell Museum offers an eclectic and diverse selection that caters to all tastes and preferences. From contemporary art to thought-provoking installations, there was something to captivate every visitor.
The curation of the artworks was exceptional. Each exhibit was thoughtfully arranged, allowing for a seamless and immersive experience. The layout of the museum ensured a smooth flow, guiding visitors through various themes and narratives. The attention to detail in presenting the artworks enhanced their impact, allowing for a deeper understanding and connection with the artists' intentions.
One of the highlights of my visit was the interactive nature of some exhibits. The Rubell Museum encourages visitors to engage with the art, inviting participation and dialogue. This hands-on approach fostered a sense of connection and allowed for a more personal and meaningful experience. It was a refreshing departure from the traditional museum experience and created a vibrant and dynamic atmosphere.
The staff at the museum were knowledgeable, friendly, and passionate about art. They were readily available to answer questions, offer insights, and provide additional information about the artists and their works. Their enthusiasm and dedication added an extra layer of appreciation and made the visit all the more enriching.
Furthermore, the museum's facilities were top-notch. The galleries were spacious, well-lit, and thoughtfully designed to showcase the artworks. The amenities, including clean restrooms and comfortable seating areas, ensured a comfortable and enjoyable visit.
In conclusion, the Rubell Museum is a hidden gem that deserves recognition for its commitment to showcasing thought-provoking and groundbreaking contemporary art. It offers an immersive and transformative experience, inviting visitors to explore new perspectives and engage with art on a profound level. Whether you're an art enthusiast or someone seeking inspiration, a visit to the Rubell Museum is an absolute must. Prepare to be captivated, inspired, and moved by the incredible artistic journey...
Read moreThe Rubell Museum is everything a great institution should be — open to risk, unapologetically curious, and unafraid to challenge convention. The art here isn’t filtered for comfort. It’s complex, sometimes disruptive, but always real. You walk through the space and feel the value of perspective, courage, and originality. Talent isn’t contained — it’s elevated.
Now compare that to the University of Miami Miller School of Medicine, where the moment you think outside the narrow academic box, you’re quietly marked. Professors don’t mentor independent thinkers — they sideline them. TAs reinforce hierarchy. And if you’re too bright, too self-driven, or unwilling to play the submission game? You’re labeled “a problem.”
Miller doesn’t empower potential. It polices it.
The Rubell Museum thrives on challenge and change. Miller fears both — and protects fragile egos over fostering real growth.
They call it a research institution, but Miller’s system does more to contain ideas than expand them. Progress is performative. Politics come first. The brightest minds often find themselves fighting a culture that should have supported them from the start.
Five stars to the Rubell Museum for proving that institutions can honor originality without fear. Zero to UMiami Miller — for turning talent into a threat and learning into a...
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