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The Great Musa Khan Mosque — Attraction in Dhaka Metropolitan

Name
The Great Musa Khan Mosque
Description
Musa Khan Mosque is a Mughal-era structure in Bangladesh that stands in the southern part of the country's capital Dhaka. Built in 18th century the mosque holds significant historical values and is named after the son of medieval Bengal's one of the most prominent Baro-Bhuyans, Isa Khan's son Musa Khan.
Nearby attractions
Central Shaheed Minar
Near Dhaka Medical College Gate, Secretariat Road, Secretariate Rd, Dhaka 1000, Bangladesh
Suhrawardy Udyan
Dhaka 1000, Bangladesh
Ramna Kali Temple
9-10, Old Mymensingh Road, Kazi Nazrul Islam Ave, Dhaka 1000, Bangladesh
Asiatic Society Heritage Museum, Nimtali Deuri, Dhaka
Asiatic Society of Bangladesh 5, Old Secretariat Road, Nimtoli Ln, Dhaka 1000, Bangladesh
Hussaini Dalan
1 Hussaini Dalan Rd, Dhaka 1211, Bangladesh
Museum of Independence
P9MX+J9F, Suhrawardi Udyan Rd, Dhaka 1000, Bangladesh
Dhaka City Museum
Nagar Bhaban, Dhaka, Bangladesh
Ramna Botmul
PCP2+6HQ, Ramna Park, Ramna Foot Over Bridge, Dhaka, Bangladesh
Nearby restaurants
The Eatico
88, 89 Nazimuddin Rd, Dhaka, Bangladesh
Haji Biriyani
70 Kazi Alauddin Rd, Dhaka 1000, Bangladesh
Ayaat Biriyani and Juice Bar
8 Nazimuddin Rd, Dhaka, Bangladesh
Mashallah Kabab (Nazimuddin Road)
P9CX+47Q, Dhaka, Bangladesh
Kabab King & Seafood ~ Nazira Bazar
73 Kazi Alauddin Rd, Dhaka 1100, Bangladesh
Nearby hotels
Hotel White House International Residential
81/B/2, Chankharpul Zahir Raihan Rd, Dhaka 1211, Bangladesh
Hotel Victoria Inn
ā§Žā§Š āύāĻžāϜāĻŋāĻŽā§āĻĻā§āĻĻāĻŋāύ āϰ⧋āĻĄ āϚāĻžāĻ–āĻžāϰāĻĒ⧁āϞ, Dhaka, Bangladesh
Asia Hotel & Resorts
34/1 Topkhana Road, Dhaka 1000, Bangladesh
Hotel The Grand Hyatt Dhaka
31/e Topkhana Road, Dhaka 1000, Bangladesh
Hotel Royal Palace
31/D Topkhana Road, Dhaka 1000, Bangladesh
Royal inn Dhaka
City View Tower, 24/B Topkhana Road, Dhaka 1000, Bangladesh
Related posts
Keywords
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The Great Musa Khan Mosque things to do, attractions, restaurants, events info and trip planning
The Great Musa Khan Mosque
BangladeshDhaka DivisionDhaka MetropolitanThe Great Musa Khan Mosque

Basic Info

The Great Musa Khan Mosque

Curzon Hall, Dhaka 1000, Bangladesh
4.7(196)
Open 24 hours
Save
spot

Ratings & Description

Info

Musa Khan Mosque is a Mughal-era structure in Bangladesh that stands in the southern part of the country's capital Dhaka. Built in 18th century the mosque holds significant historical values and is named after the son of medieval Bengal's one of the most prominent Baro-Bhuyans, Isa Khan's son Musa Khan.

Cultural
Accessibility
Family friendly
attractions: Central Shaheed Minar, Suhrawardy Udyan, Ramna Kali Temple, Asiatic Society Heritage Museum, Nimtali Deuri, Dhaka, Hussaini Dalan, Museum of Independence, Dhaka City Museum, Ramna Botmul, restaurants: The Eatico, Haji Biriyani, Ayaat Biriyani and Juice Bar, Mashallah Kabab (Nazimuddin Road), Kabab King & Seafood ~ Nazira Bazar
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Reviews

Nearby attractions of The Great Musa Khan Mosque

Central Shaheed Minar

Suhrawardy Udyan

Ramna Kali Temple

Asiatic Society Heritage Museum, Nimtali Deuri, Dhaka

Hussaini Dalan

Museum of Independence

Dhaka City Museum

Ramna Botmul

Central Shaheed Minar

Central Shaheed Minar

4.6

(7.9K)

Open 24 hours
Click for details
Suhrawardy Udyan

Suhrawardy Udyan

4.4

(10.6K)

Closed
Click for details
Ramna Kali Temple

Ramna Kali Temple

4.5

(1.3K)

Open 24 hours
Click for details
Asiatic Society Heritage Museum, Nimtali Deuri, Dhaka

Asiatic Society Heritage Museum, Nimtali Deuri, Dhaka

4.0

(9)

Closed
Click for details

Nearby restaurants of The Great Musa Khan Mosque

The Eatico

Haji Biriyani

Ayaat Biriyani and Juice Bar

Mashallah Kabab (Nazimuddin Road)

Kabab King & Seafood ~ Nazira Bazar

The Eatico

The Eatico

3.9

(140)

Click for details
Haji Biriyani

Haji Biriyani

3.9

(3.2K)

Click for details
Ayaat Biriyani and Juice Bar

Ayaat Biriyani and Juice Bar

3.0

(1)

Click for details
Mashallah Kabab (Nazimuddin Road)

Mashallah Kabab (Nazimuddin Road)

4.3

(45)

Click for details
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āĻ…āĻŦāĻ¸ā§āĻĨāĻžāύ āĻ•āϰāϤāĨ¤ āϤāĻŋāύ āĻ—āĻŽā§āĻŦ⧁āϜ āĻŦāĻŋāĻļāĻŋāĻˇā§āϟ āĻŽāϏāϜāĻŋāĻĻāϟāĻŋāϰ āĻāĻ•āϟāĻŋ āĻ—āĻŽā§āĻŦ⧁āĻœā§‡ āĻŦāĻĄāĻŧ āĻĢāĻžāϟāϞ āĻĻ⧇āĻ–āĻž āĻĻāĻŋāϝāĻŧ⧇āϛ⧇āĨ¤ āϐ āĻĢāĻžāϟāϞ āĻĻāĻŋāϝāĻŧ⧇ āĻ—āϤ āĻŦāĻ°ā§āώāĻžāϝāĻŧ āĻŦ⧃āĻˇā§āϟāĻŋāϰ āĻĒāĻžāύāĻŋ āĻŽāϏāϜāĻŋāĻĻ⧇āϰ āĻ­āĻŋāϤāϰ⧇ āĻĒāĻĄāĻŧ⧇āϛ⧇ āĻŦāϞ⧇ āϜāĻžāύāĻŋāϝāĻŧ⧇āϛ⧇āύ āĻ¸ā§āĻĨāĻžāύ⧀āϝāĻŧ āĻŽā§āϏāĻ˛ā§āϞāĻŋāϰāĻžāĨ¤ āĻŽāϏāϜāĻŋāĻĻ⧇āϰ āĻĒāĻļā§āϚāĻŋāĻŽ āĻ“ āĻĒā§‚āĻ°ā§āĻŦ āĻĒā§āϰāĻžāĻšā§€āϰ āĻĒā§āϰāĻžāϝāĻŧ ā§Ŧ āĻĢ⧁āϟ āĻĒ⧁āϰ⧁āĨ¤ āωāĻ¤ā§āϤāϰ āĻ“ āĻĻāĻ•ā§āώāĻŋāĻŖ āĻĒā§āϰāĻžāĻšā§€āϰ ā§Ē āĻĢ⧁āϟ āĻĒ⧁āϰ⧁āĨ¤ āϚāĻžāϰ āĻĻ⧇āϝāĻŧāĻžāϞ, āĻ›āĻžāĻĻ āĻāĻŦāĻ‚ āĻ—āĻŽā§āĻŦ⧁āĻœâ€” āϏāĻŦāĻ•āĻŋāϛ⧁āϤ⧇āχ āĻĻā§€āĻ°ā§āϘāĻĻāĻŋāύ āϧāϰ⧇ āĻļ⧇āĻ“āϞāĻž āϜāĻŽā§‡ āĻ•āĻžāϞāĻšā§‡ āĻšāϝāĻŧ⧇ āϗ⧇āϛ⧇āĨ¤ āĻŽāϏāϜāĻŋāĻĻ⧇āϰ āĻĻ⧁āχ āĻŽā§‚āϞ āĻ¸ā§āϤāĻŽā§āϭ⧇ āĻŦāĻĄāĻŧ āϧāϰāύ⧇āϰ āĻ­āĻžāĻ™āύ āϏ⧃āĻˇā§āϟāĻŋ āĻšāϝāĻŧ⧇āϛ⧇āĨ¤ āχāϤāĻŋāĻšāĻžāϏāĻŦāĻŋāĻĻ āφāĻšāĻŽāĻĻ āĻšāĻžāϏāĻžāύ āĻĻāĻžāύ⧀āϰ ‘āĻĸāĻžāĻ•āĻž:āĻ…ā§āϝāĻž āϰ⧇āĻ•āĻ°ā§āĻĄ āĻ…āĻŦ āχāϟāϏ āĻšā§‡āĻžā§āϜāĻŋāĻ‚ āĻĢāϰāϚ⧁āύāĻ¸â€™ āĻ—ā§āϰāĻ¨ā§āĻĨ⧇ āωāĻ˛ā§āϞ⧇āĻ–āĻŋāϤ āĻŦāĻ°ā§āĻŖāύāĻžāĻŽāϤ⧇, āĻŽāϏāϜāĻŋāĻĻāϟāĻŋ āĻŽā§āϏāĻž āĻ–āĻžāρāϰ āύāĻžāĻŽā§‡ āĻšāϞ⧇āĻ“ āĻ¸ā§āĻĨāĻžāĻĒāĻ¤ā§āϝāĻļ⧈āϞ⧀ āĻ…āύ⧁āϝāĻžāϝāĻŧā§€ āĻāϟāĻŋ āĻļāĻžāϝāĻŧ⧇āĻ¸ā§āϤāĻž āĻ–āĻžāρāϰ āφāĻŽāϞ⧇ āĻŦāĻž āϤāĻžāϰāĻĒāϰ⧇ āύāĻŋāĻ°ā§āĻŽāĻŋāϤ āĻšāϝāĻŧ⧇āĻ›āĻŋāϞāĨ¤ 🛑 āĻŽā§āϏāĻž āĻ–āĻžāρāϰ āĻŽāϏāϜāĻŋāĻĻ⧇āϰ āĻĒāĻļā§āϚāĻŋāĻŽ āĻĒāĻžāĻļ⧇ āĻļāĻžāϝāĻŧāĻŋāϤ āφāϛ⧇āύ āĻ­āĻžāϰāϤ⧀āϝāĻŧ āωāĻĒāĻŽāĻšāĻžāĻĻ⧇āĻļ⧇āϰ āĻĻāĻžāĻ°ā§āĻļāύāĻŋāĻ•,āĻ­āĻžāώāĻžāϏ⧈āύāĻŋāĻ•, āĻŦāĻšā§āĻ­āĻžāώāĻžāĻŦāĻŋāĻĻ āĻ“ āĻœā§āĻžāĻžāύāϤāĻžāĻĒāϏ āĻĄāĻ•ā§āϟāϰ āĻŽā§āĻšāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻš (ā§§ā§Žā§Žā§Ģ -⧧⧝ā§Ŧ⧝) āϝāĻŋāύāĻŋ ⧧⧝⧍⧧ āϏāĻžāϞ⧇ āĻĸāĻžāĻ•āĻž āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ⧇āϰ āĻŦāĻžāĻ‚āϞāĻž āĻ“ āϏāĻ‚āĻ¸ā§āĻ•ā§ƒāϤāĻŋ āĻŦāĻŋāĻ­āĻžāϗ⧇ āĻĒā§āϰāĻ­āĻžāώāĻ• āĻšāĻŋāϏ⧇āĻŦ⧇ āϝ⧋āĻ—āĻĻāĻžāύ āĻ•āϰ⧇āύāĨ¤āĻĒāĻžāĻļāĻžāĻĒāĻžāĻļāĻŋ āĻāĻ•āχ āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ⧇ ⧧⧝⧍⧍ āĻĨ⧇āϕ⧇ ⧧⧝⧍ā§Ē āϏāĻžāϞ⧇ āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āφāχāύ āĻŦāĻŋāĻ­āĻžāϗ⧇ āĻ–āĻŖā§āĻĄāĻ•āĻžāϞ⧀āύ āĻļāĻŋāĻ•ā§āώāĻ• āĻšāĻŋāϏ⧇āĻŦ⧇ āĻ•āĻžāϜ āĻ•āϰ⧇āύāĨ¤ 🛑 āφāϰāĻŦāĻŋāϕ⧇ āϰāĻžāĻˇā§āĻŸā§āϰāĻ­āĻžāώāĻž āĻ•āϰāĻžāϰ āĻĒā§āϰāĻ¸ā§āϤāĻžāĻŦ:- āĻĄāĻ•ā§āϟāϰ āĻŽā§āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻš āĻŦāĻŋāĻļā§āĻŦāĻžāϏ āĻ•āϰāϤ⧇āύ āϝ⧇, āĻŦāĻžāĻ™āĻžāϞāĻŋāϰāĻž āχāĻ‚āϰ⧇āϜāĻŋ āĻļ⧇āĻ–āĻžāϰ āϏāĻžāĻĨ⧇ āϏāĻžāĻĨ⧇ āωāĻ°ā§āĻĻ⧁ āĻļāĻŋāĻ–āϤ⧇ āĻĒāĻžāϰ⧇, āϤāĻŋāύāĻŋ āĻāĻ“ āĻŦāĻŋāĻļā§āĻŦāĻžāϏ āĻ•āϰāϤ⧇āύ : "āϝ⧇āĻĻāĻŋāύ āφāϰāĻŦāĻŋ āĻĒāĻžāĻ•āĻŋāĻ¸ā§āϤāĻžāύ⧇āϰ āϰāĻžāĻˇā§āĻŸā§āϰāĻ­āĻžāώāĻž āĻšāĻŦ⧇, āϏ⧇āĻĻāĻŋāύ āĻĒāĻžāĻ•āĻŋāĻ¸ā§āϤāĻžāύ āϰāĻžāĻˇā§āĻŸā§āϰ⧇āϰ āϏ⧃āĻˇā§āϟāĻŋ āĻ¨ā§āϝāĻžāϝāĻŧāϏāĻ™ā§āĻ—āϤ āĻšāĻŦ⧇āĨ¤" āϤāĻžāχ āϤāĻŋāύāĻŋ ⧧⧝ā§Ē⧝ āϏāĻžāϞ⧇āϰ āĻĄāĻŋāϏ⧇āĻŽā§āĻŦāϰ⧇ āĻ āϞāĻ•ā§āĻˇā§āϝ⧇ āĻĒā§‚āĻ°ā§āĻŦ āĻĒāĻžāĻ•āĻŋāĻ¸ā§āϤāĻžāύ āφāϰāĻŦāĻŋ āĻ­āĻžāώāĻž āϏāĻ‚āĻ˜ā§‡āϰ āϏāĻ­āĻžāĻĒāϤāĻŋāĻ¤ā§āĻŦ āĻ—ā§āϰāĻšāĻŖ āĻ•āϰ⧇āύ, āĻĒāĻžāĻ•āĻŋāĻ¸ā§āϤāĻžāύ āĻ—āĻŖ āĻĒāϰāĻŋāώāĻĻ⧇ āĻĒ⧇āĻļ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ āĻāĻ•āϟāĻŋ āĻ–āϏāĻĄāĻŧāĻž āĻ¸ā§āĻŽāĻžāϰāĻ•āϞāĻŋāĻĒāĻŋ āĻ…āύ⧁āĻŽā§‹āĻĻāύ āĻ•āϰ⧇āύ, āϤāĻžāϤ⧇ āφāϰāĻŦā§€āϕ⧇ āĻĒāĻžāĻ•āĻŋāĻ¸ā§āϤāĻžāύ⧇āϰ āϰāĻžāĻˇā§āĻŸā§āϰāĻ­āĻžāώāĻž āĻ•āϰāĻžāϰ āϏ⧁āĻĒāĻžāϰāĻŋāĻļ āĻ•āϰ⧇āύ āĻāĻŦāĻ‚ āĻœā§‡āϞāĻžāϝāĻŧ āĻœā§‡āϞāĻžāϝāĻŧ "āĻĻāϰāϏ⧇ āϕ⧁āϰāφāύ"-āĻāϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āφāϰāĻŦāĻŋ āĻļ⧇āĻ–āĻžāύ⧋āϰ āĻĒā§āϰāĻ¸ā§āϤāĻžāĻŦ āĻ•āϰ⧇āύāĨ¤ āĻŽā§āϏāĻž āĻ–āĻžāρāϰ āĻŽāϏāϜāĻŋāĻĻ⧇āϰ āĻĒāĻļā§āϚāĻŋāĻŽ āĻĒāĻžāĻļ⧇ āĻĄāĻ•ā§āϟāϰ āĻŽā§āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻšāϰ āĻ•āĻŦāϰ āĻ›āĻžāĻĄāĻŧāĻžāĻ“ āφāϰ⧋ āϰāϝāĻŧ⧇āϛ⧇ āĻĸāĻžāĻ•āĻž āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ⧇āϰ āĻ…āύ⧁āĻœā§€āĻŦ āĻŦāĻŋāĻœā§āĻžāĻžāύ āĻŦāĻŋāĻ­āĻžāϗ⧇āϰ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻžāϤāĻž āĻšā§‡āϝāĻŧāĻžāϰāĻŽā§āϝāĻžāύ āĻ“ āĻļāĻšāĻŋāĻĻ⧁āĻ˛ā§āϞāĻžāĻš āĻšāϞ⧇āϰ āĻĒā§āϰāĻ­ā§‹āĻ¸ā§āϟ āĻĒā§āϰāĻĢ⧇āϏāϰ āφāύ⧋āϝāĻŧāĻžāϰ⧁āϞ āφāϜāĻŋāĻŽ āϚ⧌āϧ⧁āϰ⧀ āĻāϰ āĻ•āĻŦāϰāĨ¤
Mahmud HasanMahmud Hasan
āĻŽā§āϏāĻž āĻ–āĻžāύ āĻŽāϏāϜāĻŋāĻĻ āĻŽā§āϏāĻž āĻ–āĻžāύ⧇āϰ āĻŽāϏāϜāĻŋāĻĻ āĻŦāĻžÂ āĻŽā§āϏāĻž āĻ–āĻžāρāϰ āĻŽāϏāϜāĻŋāĻĻ, āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ⧇āĻ°Â āĻĸāĻžāĻ•āĻžÂ āĻļāĻšāϰ⧇ āĻ…āĻŦāĻ¸ā§āĻĨāĻŋāϤ āĻ›āĻžāϝāĻŧāĻž āϏ⧁āύāĻŋāĻŦāĻŋāĻĄāĻŧ, āĻŽā§‹āĻ—āϞ āĻ¸ā§āĻĨāĻžāĻĒāĻ¤ā§āϝ⧇āϰ āĻ…āύ⧁āĻ•āϰāϪ⧇ āύāĻŋāĻ°ā§āĻŽāĻŋāϤ āĻŽāϏāϜāĻŋāĻĻāĨ¤ āĻāϟāĻŋ āĻĸāĻžāĻ•āĻž āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ āĻāϰ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻš āĻšāϞ āĻ›āĻžāĻ¤ā§āϰāĻžāĻŦāĻžāϏ⧇āϰ āύāĻŋāĻ•āĻŸā§‡ āĻ“Â āĻ•āĻžāĻ°ā§āϜāύ āĻšāϞ⧇āĻ°Â āĻĒāĻŋāĻ›āύ⧇ āĻ…āĻŦāĻ¸ā§āĻĨāĻŋāϤāĨ¤Â āϧāĻžāϰāĻŖāĻž āĻ•āϰāĻž āĻšāϝāĻŧ āϝ⧇, āĻāχ āĻŽāϏāϜāĻŋāĻĻāϟāĻŋ āψāϏāĻž āĻ–āĻžāρāĻ°Â āĻĒ⧁āĻ¤ā§āĻ°Â āĻŽā§āϏāĻž āĻ–āĻžāĻ¨Â āύāĻŋāĻ°ā§āĻŽāĻžāĻŖ āĻ•āϰ⧇āύāĨ¤ āĻŽā§āϏāĻž āĻ–āĻžāύ āĻŽāϏāϜāĻŋāĻĻ, āĻŦāĻžāϰ⧋ āĻ­ā§‚āρāĻ‡ā§ŸāĻžāĻĻ⧇āϰ āĻāĻ•āĻŽāĻžāĻ¤ā§āϰ āϐāϤāĻŋāĻšāĻžāϏāĻŋāĻ• āύāĻŋāĻĻāĻ°ā§āĻļāύāĨ¤ āĻŦāĻžāĻšā§āϝāĻŋāĻ• āϚāĻžāĻ•āϚāĻŋāĻ•ā§āϝ āĻšāĻžāϰāĻžāϞ⧇āĻ“ āύāĻžāĻ¨ā§āĻĻāύāĻŋāĻ• āύāĻŋāĻ°ā§āĻŽāĻžāĻŖ āĻļ⧈āϞ⧀āϤ⧇ āϤ⧈āϰāĻŋ āĻ āĻ¸ā§āĻĨāĻžāĻĒāύāĻž āĻāĻ–āύāĻ“ āϏāϚāϞ āĻ°ā§Ÿā§‡āϛ⧇ āϜāĻžāĻŽā§‡ āĻŽāϏāϜāĻŋāĻĻ āĻšāĻŋāϏ⧇āĻŦ⧇āĨ¤ āĻ•āĻžāĻ°ā§āϜāύ āĻšāϞ āϚāĻ¤ā§āĻ¤ā§āĻŦāϰ⧇ āĻ…āĻŦāĻ¸ā§āĻĨāĻŋāϤ āĻ āĻŽāϏāϜāĻŋāĻĻ⧇ āύāĻŋ⧟āĻŽāĻŋāϤ āϜ⧁āĻŽāĻžāϏāĻš āĻĒāĻžāρāϚ āĻ“ā§ŸāĻžāĻ•ā§āϤ āύāĻžāĻŽāĻžāϜ āφāĻĻāĻžā§Ÿ āĻ•āϰ⧇āύ āĻŽā§āϏāĻ˛ā§āϞāĻŋāϰāĻžāĨ¤ āϤāĻŦ⧇ āĻĒāĻ°ā§āϝāĻžāĻĒā§āϤ āϝāĻ¤ā§āύ āĻ“ āϤāĻ¤ā§āĻ¤ā§āĻŦāĻžāĻŦāϧāĻžāύ⧇āϰ āĻ…āĻ­āĻžāĻŦ⧇ āĻĒā§āϰāĻ¤ā§āύāϤāĻ¤ā§āĻ¤ā§āĻŦ āĻ…āϧāĻŋāĻĻāĻĒā§āϤāϰ⧇āϰ āĻĒā§‚āϰāĻžāϕ⧀āĻ°ā§āϤāĻŋ āĻšāĻŋāϏ⧇āĻŦ⧇ āϏāĻ‚āϰāĻ•ā§āώāĻŋāϤ āĻŽāϏāϜāĻŋāĻĻāϟāĻŋ āĻšāĻžāϰāĻŋā§Ÿā§‡āϛ⧇ āϤāĻžāϰ āĻ¸ā§āĻŦāĻžāϤāĻ¨ā§āĻ¤ā§āĻ°ā§āϝāĨ¤ āĻĸāĻžāĻ•āĻž āĻļāĻšāϰ⧇ āĻŦāĻŋāύāϤ āĻŦāĻŋāĻŦāĻŋāϰ āĻŽāϏāϜāĻŋāĻĻ āĻāϰ āĻĒāĻžāĻļāĻžāĻĒāĻžāĻļāĻŋ āĻāϟāĻŋ āĻĒā§āϰāĻžāĻ•-āĻŽā§āϘāϞ āĻ¸ā§āĻĨāĻžāĻĒāĻ¤ā§āϝ⧇āϰ āĻāĻ•āϟāĻŋ āύāĻŋāĻĻāĻ°ā§āĻļāύāĨ¤ āĻŽā§āϏāĻž āĻ–āĻžāύ āĻŽāϏāϜāĻŋāĻĻāϟāĻŋ āĻĻ⧇āĻ–āϤ⧇ āĻ…āύ⧇āĻ•āϟāĻž āĻ–āĻžāϜāĻž āĻļāĻžāĻšāĻŦāĻžāĻœā§‡āϰ āĻŽāϏāϜāĻŋāĻĻ⧇āϰ (āϤāĻŋāύ āύ⧇āϤāĻžāϰ āĻŽāĻžāϜāĻžāϰ⧇āϰ āĻĒ⧇āĻ›āύ⧇) āĻŽāϤ⧋āĨ¤ āĻ­ā§‚āĻŽāĻŋ āĻĨ⧇āϕ⧇ āωāρāϚ⧁ āĻŽāĻžā§āĻšā§‡āϰ āĻ“āĻĒāϰ āĻŽāϏāϜāĻŋāĻĻāϟāĻŋ āύāĻŋāĻ°ā§āĻŽāĻŋāϤāĨ¤ āύāĻŋāĻšā§‡ āĻ…āĻ°ā§āĻĨāĻžā§Ž āĻŽāĻžā§āĻšā§‡āϰ āĻŽāϤ⧋ āĻ…āĻ‚āĻļ⧇ āφāϛ⧇ āϛ⧋āϟ āϛ⧋āϟ āĻĒā§āϰāϕ⧋āĻˇā§āĻ āĨ¤ āĻāϗ⧁āϞ⧋ āĻāĻ–āύ āĻŦāĻ¨ā§āϧāĨ¤ āĻĻāĻ•ā§āώāĻŋāĻŖ āĻĒāĻžāĻļ āĻĻāĻŋā§Ÿā§‡ ⧧⧍ āϧāĻžāĻĒ āϏāĻŋāρ⧜āĻŋ āĻŦā§‡ā§Ÿā§‡ āωāĻ āϤ⧇ āĻšā§Ÿ āĻŽāϏāϜāĻŋāĻĻ⧇āϰ āĻĻāϰāϜāĻžā§ŸāĨ¤ āĻĒā§‚āĻ°ā§āĻŦ āĻĻāĻŋāϕ⧇ āĻ–ā§‹āϞāĻž āĻŦāĻžāϰāĻžāĻ¨ā§āĻĻāĻž, āϚāĻ“ā§œāĻž āĻĻā§‡ā§ŸāĻžāϞāĨ¤ āĻĒā§‚āĻ°ā§āĻŦ-āĻĒāĻļā§āϚāĻŋāĻŽā§‡āϰ āĻĻā§‡ā§ŸāĻžāϞ ā§§ āĻĻāĻļāĻŽāĻŋāĻ• ā§Žā§§ āĻŽāĻŋāϟāĻžāϰ āĻ“ āωāĻ¤ā§āϤāϰ-āĻĻāĻ•ā§āώāĻŋāϪ⧇āϰ āĻĻā§‡ā§ŸāĻžāϞ ā§§ āĻĻāĻļāĻŽāĻŋāĻ• ⧍ āĻŽāĻŋāϟāĻžāϰ āϚāĻ“ā§œāĻžāĨ¤ āĻĒā§‚āĻ°ā§āĻŦ⧇āϰ āĻĻā§‡ā§ŸāĻžāϞ⧇ āϤāĻŋāύāϟāĻŋ āĻ“ āωāĻ¤ā§āϤāϰ-āĻĻāĻ•ā§āώāĻŋāϪ⧇ āĻĻ⧁āϟāĻŋ āĻ–āĻŋāϞāĻžāύ āĻĻāϰāϜāĻžāĨ¤ āϭ⧇āϤāϰ⧇ āĻĒāĻļā§āϚāĻŋāĻŽ āĻĻā§‡ā§ŸāĻžāϞ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āĻāĻ•āϟāĻŋ āĻĒā§āϰāϧāĻžāύ āĻ“ āĻĒāĻžāĻļ⧇ āĻĻ⧁āϟāĻŋ āϛ⧋āϟ āĻŽā§‡āĻšāϰāĻžāĻŦāĨ¤ āϚāĻžāϰāĻĒāĻžāĻļ⧇āϰ āĻĻā§‡ā§ŸāĻžāϞ⧇ āĻŽā§‹āĻ—āϞāϰ⧀āϤāĻŋāϰ āύāĻ•āĻļāĻžāĨ¤ āĻŦāĻžāχāϰ⧇āϰ āĻĻā§‡ā§ŸāĻžāϞ⧇āϰ āϚāĻžāϰ āϕ⧋āϪ⧇ āϚāĻžāϰāϟāĻŋ āĻŽāĻŋāύāĻžāϰāĻ–āϚāĻŋāϤ āφāϟ āϕ⧋āĻŖ āĻŦ⧁āϰ⧁āϜāĨ¤ āϤāĻžāϰ āĻĒāĻžāĻļ⧇ āϛ⧋āϟ āϛ⧋āϟ āĻŽāĻŋāύāĻžāϰāĨ¤ āĻŦ⧁āϰ⧁āϜ āĻ“ āϛ⧋āϟ āĻŽāĻŋāύāĻžāϰ ā§§ā§ŦāϟāĻŋāĨ¤ āĻ›āĻžāĻĻ⧇ āϤāĻŋāύāϟāĻŋ āĻ—āĻŽā§āĻŦ⧁āϜāĨ¤ āĻŽāĻžāĻā§‡āϰāϟāĻŋ āĻŦ⧜āĨ¤ āĻ“āĻĒāϰ⧇āϰ āĻ•āĻžāĻ°ā§āύāĻŋāĻļ āύāĻ•āĻļāĻžāĻ–āϚāĻŋāϤāĨ¤ āĻĒā§āϰāϧāĻžāύ āĻĒā§āϰāĻŦ⧇āĻļāĻĒāĻĨ⧇āϰ āωāĻĒāϰ⧇ āĻāĻ•āϟāĻŋ āĻļāĻŋāϞāĻžāϞāĻŋāĻĒāĻŋ āĻ›āĻŋāϞ, āĻ•āĻŋāĻ¨ā§āϤ⧁ āϤāĻž āĻāĻ–āύ āφāϰ āύ⧇āχāĨ¤ āϜāύāĻļā§āϰ⧁āϤāĻŋ āĻ…āύ⧁āϝāĻžāϝāĻŧā§€ āĻŦāϞāĻž āĻšāϝāĻŧ āϝ⧇, āĻŽāϏāϜāĻŋāĻĻāϟāĻŋ āĻŦāĻžāϰ⧋ āĻ­ā§‚āρāχāϝāĻŧāĻžÂ āĻĒā§āϰāϧāĻžāĻ¨Â āψāϏāĻž āĻ–āĻžāĻ¨Â āĻāϰ āĻĒ⧁āĻ¤ā§āĻ°Â āĻŽā§āϏāĻž āĻ–āĻžāĻ¨Â (āĻŽā§ƒāĻ¤ā§āϝ⧁ ā§§ā§Ŧā§¨ā§Š āĻ–ā§āϰāĻŋ) āύāĻŋāĻ°ā§āĻŽāĻžāĻŖ āĻ•āϰ⧇āύāĨ¤ āĻ•āĻŋāĻ¨ā§āϤ⧁ āχāĻŽāĻžāϰāϤ⧇āϰ āĻ¸ā§āĻĨāĻžāĻĒāĻ¤ā§āϝāĻŋāĻ• āϰ⧀āϤāĻŋ āϐāϤāĻŋāĻšā§āϝāĻ—āϤ āϧāĻžāϰāĻŖāĻžāϕ⧇ āϏāĻ āĻŋāĻ• āĻŦāϞ⧇ āĻ—ā§āϰāĻšāĻŖ āĻ•āϰ⧇ āύāĻžāĨ¤ āĻŽāϏāϜāĻŋāĻĻāϟāĻŋāϰ āĻ–ā§‹āĻĒ āύāĻ•āĻļāĻžāĻ•ā§ƒāϤ āϏāĻŽā§āĻŽā§āĻ– āĻ­āĻžāĻ—, āĻ—āĻŽā§āĻŦ⧁āĻœā§‡āϰ āύāĻŋāĻšā§‡ āωāĻ¨ā§āĻŽā§āĻ•ā§āϤ āĻĒā§āϰāĻŦ⧇āĻļāĻĒāĻĨ, āĻ…āĻˇā§āϟāϕ⧋āĻŖāĻžāĻ•āĻžāϰ āĻĒāĻŋāĻĒāĻžāϰ āωāĻĒāϰ āĻ¸ā§āĻ•āĻ¨ā§āĻĻāĻžāĻ•ā§ƒāϤāĻŋāϰ āĻ—āĻŽā§āĻŦ⧁āϜ āĻāĻŦāĻ‚ āĻ…āϤāĻŋāϰāĻŋāĻ•ā§āϤ āĻŽāĻŋāύāĻžāϰāϏāĻš āϕ⧋āĻŖāĻžāϰ āĻŦ⧁āϰ⧁āϜāϗ⧁āϞāĻŋ āϤāĻĨāĻžāĻ•āĻĨāĻŋāϤ āĻŽā§āϏāĻž āĻ–āĻžāύ āĻŽāϏāϜāĻŋāĻĻāϟāĻŋāϕ⧇ āύāĻŋāĻ•āϟāĻŦāĻ°ā§āĻ¤ā§€Â  āĻ–āĻžāϜāĻž āĻļāĻžāĻšāĻŦāĻžāϜ āĻ–āĻžāύ āĻŽāϏāϜāĻŋāĻĻ āĻāϰ (ā§§ā§Ŧ⧭⧝ āĻ–ā§āϰāĻŋ) āϏāĻžāĻĨ⧇ āĻĒā§āϰāĻžāϝāĻŧ āϏāĻžāĻĻ⧃āĻļā§āϝāĻĒā§‚āĻ°ā§āĻŖ āĻŦāϞ⧇ āĻĒā§āϰāϤ⧀āϝāĻŧāĻŽāĻžāύ āĻ•āϰ⧇āĨ¤ āĻāĻ•āĻžāϰāϪ⧇ āĻŽāϏāϜāĻŋāĻĻāϟāĻŋāϰ āύāĻŋāĻ°ā§āĻŽāĻžāĻŖāĻ•āĻžāϞ āϐ āĻāĻ•āχ āϏāĻŽāϝāĻŧ⧇āϰ āϧāϰāĻž āϝ⧇āϤ⧇ āĻĒāĻžāϰ⧇āĨ¤ āχāϤāĻŋāĻšāĻžāϏāĻŦāĻŋāĻĻ āφāĻšāĻŽāĻĻ āĻšāĻžāϏāĻžāύ āĻĻāĻžāύ⧀āϰ ‘āĻĸāĻžāĻ•āĻž:āĻ…ā§āϝāĻž āϰ⧇āĻ•āĻ°ā§āĻĄ āĻ…āĻŦ āχāϟāϏ āĻšā§‡āĻžā§āϜāĻŋāĻ‚ āĻĢāϰāϚ⧁āύāĻ¸â€™ āĻ—ā§āϰāĻ¨ā§āĻĨ⧇ āωāĻ˛ā§āϞ⧇āĻ–āĻŋāϤ āĻŦāĻ°ā§āĻŖāύāĻžāĻŽāϤ⧇, āĻŽāϏāϜāĻŋāĻĻāϟāĻŋ āĻŽā§āϏāĻž āĻ–āĻžāρāϰ āύāĻžāĻŽā§‡ āĻšāϞ⧇āĻ“ āĻ¸ā§āĻĨāĻžāĻĒāĻ¤ā§āϝāĻļ⧈āϞ⧀ āĻ…āύ⧁āϝāĻžāϝāĻŧā§€ āĻāϟāĻŋ āĻļāĻžāϝāĻŧ⧇āĻ¸ā§āϤāĻž āĻ–āĻžāĻ¨Â āĻāϰ āφāĻŽāϞ⧇ āύāĻŋāĻ°ā§āĻŽāĻŋāϤ āĻ…āĻĨāĻŦāĻž āĻĒāϰāĻŦāĻ°ā§āϤ⧀ āϏāĻŽāϝāĻŧ⧇ āĻŽā§āϏāĻž āĻ–āĻžāύ⧇āϰ āĻĒ⧌āĻ¤ā§āϰ āĻŽā§āύāĻ“āϝāĻŧāĻžāϰ āĻ–āĻžāύ⧇āϰ āϤ⧈āϰāĻŋ āĻāĻŦāĻ‚ āύāĻŋāĻ°ā§āĻŽāĻžāϤāĻž āϤāĻžāϰ āĻĒāĻŋāϤāĻžāĻŽāĻšā§‡āϰ āĻ¸ā§āĻŽāϰāϪ⧇ āĻŽā§āϏāĻž āĻ–āĻžāύ⧇āϰ āύāĻžāĻŽ āĻ…āύ⧁āϝāĻžāϝāĻŧā§€ āĻāϰ āύāĻžāĻŽāĻ•āϰāĻŖ āĻšāϝāĻŧāĨ¤ āϤāĻĨā§āϝāσ āϗ⧁āĻ—āϞāĨ¤
Kawsar AhmedKawsar Ahmed
Musa Khan Mosque is one of the few Mughal structures on Bangladesh that stands in the southern part of the country's capital Dhaka. Built in 18th century the mosque holds significant historical values and is named after the son of medieval Bengal's one of the most prominent Baro-Bhuyans, Isa Khan's son Musa Khan. The structure was erected during the Mughal regime in Bengal by the grandson of Musa Khan, Diwan Munwar Khan. The three-domed mosque is currently situated in the University of Dhaka campus, beside Shahidullah Hall and behind the Curzon Hall.
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Pet-friendly Hotels in Dhaka Metropolitan

Find a cozy hotel nearby and make it a full experience.

🛑 āĻŽā§āϏāĻž āĻ–āĻžāρāϰ āĻŽāϏāϜāĻŋāĻĻ🛑 āĻŽā§āϏāĻž āĻ–āĻžāύ⧇āϰ āĻŽāϏāϜāĻŋāĻĻ āĻŦāĻž āĻŽā§āϏāĻž āĻ–āĻžāρāϰ āĻŽāϏāϜāĻŋāĻĻ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ⧇āϰ āĻĸāĻžāĻ•āĻž āĻļāĻšāϰ⧇ āĻ…āĻŦāĻ¸ā§āĻĨāĻŋāϤ āĻŽā§‹āĻ—āϞ āĻ¸ā§āĻĨāĻžāĻĒāĻ¤ā§āϝ⧇āϰ āĻ…āύ⧁āĻ•āϰāϪ⧇ āύāĻŋāĻ°ā§āĻŽāĻŋāϤ āĻāĻ•āϟāĻŋ āĻŽāϏāϜāĻŋāĻĻāĨ¤ āĻāϟāĻŋ āĻĸāĻžāĻ•āĻž āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ āĻāϰ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻš āĻšāϞ āĻ›āĻžāĻ¤ā§āϰāĻžāĻŦāĻžāϏ⧇āϰ āύāĻŋāĻ•āĻŸā§‡ āĻ“ āĻ•āĻžāĻ°ā§āϜāύ āĻšāϞ⧇āϰ āĻĒāĻŋāĻ›āύ⧇ āĻ…āĻŦāĻ¸ā§āĻĨāĻŋāϤāĨ¤ āϧāĻžāϰāĻŖāĻž āĻ•āϰāĻž āĻšāϝāĻŧ āϝ⧇, āĻāχ āĻŽāϏāϜāĻŋāĻĻāϟāĻŋ āψāϏāĻž āĻ–āĻžāρāϰ āĻĒ⧁āĻ¤ā§āϰ āĻŽā§āϏāĻž āĻ–āĻžāύ āύāĻŋāĻ°ā§āĻŽāĻžāĻŖ āĻ•āϰ⧇āύāĨ¤ āĻĸāĻžāĻ•āĻž āĻļāĻšāϰ⧇ āĻŦāĻŋāύāϤ āĻŦāĻŋāĻŦāĻŋāϰ āĻŽāϏāϜāĻŋāĻĻ⧇āϰ āĻĒāĻžāĻļāĻžāĻĒāĻžāĻļāĻŋ āĻāϟāĻŋ āĻĒā§āϰāĻžāĻ•-āĻŽā§āϘāϞ āĻ¸ā§āĻĨāĻžāĻĒāĻ¤ā§āϝ⧇āϰ āĻāĻ•āϟāĻŋ āύāĻŋāĻĻāĻ°ā§āĻļāύāĨ¤ āĻĸāĻžāĻ•āĻž āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ⧇āϰ āĻ•āĻžāĻ°ā§āϜāύ āĻšāϞ āĻĒā§āϰāĻžāĻ™ā§āĻ—āϪ⧇ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻš āĻšāϞ⧇āϰ āωāĻ¤ā§āϤāϰ-āĻĒāĻļā§āϚāĻŋāĻŽ āϕ⧋āϪ⧇ āĻŽā§āϏāĻž āĻ–āĻžāρāϰ āĻŽāϏāϜāĻŋāĻĻ āύāĻŋāĻ°ā§āĻŽāĻŋāϤ āĻšāϝāĻŧ āφāύ⧁āĻŽāĻžāύāĻŋāĻ• ā§§ā§Ŧ⧭⧝ āϏāĻžāϞ⧇āĨ¤ āĻĻ⧃āĻˇā§āϟāĻŋāύāĻ¨ā§āĻĻāύ āĻ āĻŽāϏāϜāĻŋāĻĻ⧇ āϰāϝāĻŧ⧇āϛ⧇ āϤāĻŋāύāϟāĻŋ āĻ—āĻŽā§āĻŦ⧁āϜāĨ¤ āĻŽāϏāϜāĻŋāĻĻāϟāĻŋ āύāĻŋāĻ°ā§āĻŽāĻžāĻŖ āĻ•āϰāĻž āĻšāϝāĻŧ āϤāĻŋāύ āĻŽāĻŋāϟāĻžāϰ āωāρāϚ⧁ āĻāĻ•āϟāĻŋ āĻ­āĻ˛ā§āϟ āĻĒā§āϞāĻžāϟāĻĢāĻ°ā§āĻŽā§‡āϰ āĻ“āĻĒāϰāĨ¤ āĻ­āĻ˛ā§āϟ āĻĒā§āϞāĻžāϟāĻĢāĻ°ā§āĻŽāϟāĻŋ ā§§ā§­ āĻŽāĻŋāϟāĻžāϰ āĻĻā§€āĻ°ā§āϘ āĻ“ ā§§ā§Ē āĻŽāĻŋāϟāĻžāϰ āϚāĻ“āĻĄāĻŧāĻžāĨ¤ āĻĒā§āϞāĻžāϟāĻĢāĻ°ā§āĻŽā§‡āϰ āωāĻĒāϰ āύāĻŋāĻ°ā§āĻŽāĻŋāϤ āĻŽāϏāϜāĻŋāĻĻāϟāĻŋāϰ āύāĻŋāϚāϤāϞāĻžāϝāĻŧ āĻ•āϝāĻŧ⧇āĻ•āϟāĻŋ āĻ•āĻ•ā§āώ āϰāϝāĻŧ⧇āϛ⧇āĨ¤ āĻāϗ⧁āϞ⧋āϤ⧇ āφāϗ⧇ āĻŽāϏāϜāĻŋāĻĻ āϏāĻ‚āĻļā§āϞāĻŋāĻˇā§āϟāϰāĻž āĻŦāĻžāϏ āĻ•āϰāϞ⧇āĻ“ āĻāϰ āϏāĻŦāϗ⧁āϞ⧋āχ āĻāĻ–āύ āĻĒāϰāĻŋāĻ¤ā§āϝāĻ•ā§āϤāĨ¤ āϧāĻžāϰāĻŖāĻž āĻ•āϰāĻž āĻšāϝāĻŧ, āĻāχ āĻ•āĻ•ā§āώāϗ⧁āϞ⧋ āĻŽāĻžāĻĻā§āϰāĻžāϏāĻž āĻšāĻŋāϏ⧇āĻŦ⧇āĻ“ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰāĻž āĻšāϤ⧋ āϝ⧇āĻ–āĻžāύ⧇ āĻļāĻŋāĻ•ā§āώāĻžāĻ°ā§āĻĨā§€āϰāĻž āĻ…āĻŦāĻ¸ā§āĻĨāĻžāύ āĻ•āϰāϤāĨ¤ āϤāĻŋāύ āĻ—āĻŽā§āĻŦ⧁āϜ āĻŦāĻŋāĻļāĻŋāĻˇā§āϟ āĻŽāϏāϜāĻŋāĻĻāϟāĻŋāϰ āĻāĻ•āϟāĻŋ āĻ—āĻŽā§āĻŦ⧁āĻœā§‡ āĻŦāĻĄāĻŧ āĻĢāĻžāϟāϞ āĻĻ⧇āĻ–āĻž āĻĻāĻŋāϝāĻŧ⧇āϛ⧇āĨ¤ āϐ āĻĢāĻžāϟāϞ āĻĻāĻŋāϝāĻŧ⧇ āĻ—āϤ āĻŦāĻ°ā§āώāĻžāϝāĻŧ āĻŦ⧃āĻˇā§āϟāĻŋāϰ āĻĒāĻžāύāĻŋ āĻŽāϏāϜāĻŋāĻĻ⧇āϰ āĻ­āĻŋāϤāϰ⧇ āĻĒāĻĄāĻŧ⧇āϛ⧇ āĻŦāϞ⧇ āϜāĻžāύāĻŋāϝāĻŧ⧇āϛ⧇āύ āĻ¸ā§āĻĨāĻžāύ⧀āϝāĻŧ āĻŽā§āϏāĻ˛ā§āϞāĻŋāϰāĻžāĨ¤ āĻŽāϏāϜāĻŋāĻĻ⧇āϰ āĻĒāĻļā§āϚāĻŋāĻŽ āĻ“ āĻĒā§‚āĻ°ā§āĻŦ āĻĒā§āϰāĻžāĻšā§€āϰ āĻĒā§āϰāĻžāϝāĻŧ ā§Ŧ āĻĢ⧁āϟ āĻĒ⧁āϰ⧁āĨ¤ āωāĻ¤ā§āϤāϰ āĻ“ āĻĻāĻ•ā§āώāĻŋāĻŖ āĻĒā§āϰāĻžāĻšā§€āϰ ā§Ē āĻĢ⧁āϟ āĻĒ⧁āϰ⧁āĨ¤ āϚāĻžāϰ āĻĻ⧇āϝāĻŧāĻžāϞ, āĻ›āĻžāĻĻ āĻāĻŦāĻ‚ āĻ—āĻŽā§āĻŦ⧁āĻœâ€” āϏāĻŦāĻ•āĻŋāϛ⧁āϤ⧇āχ āĻĻā§€āĻ°ā§āϘāĻĻāĻŋāύ āϧāϰ⧇ āĻļ⧇āĻ“āϞāĻž āϜāĻŽā§‡ āĻ•āĻžāϞāĻšā§‡ āĻšāϝāĻŧ⧇ āϗ⧇āϛ⧇āĨ¤ āĻŽāϏāϜāĻŋāĻĻ⧇āϰ āĻĻ⧁āχ āĻŽā§‚āϞ āĻ¸ā§āϤāĻŽā§āϭ⧇ āĻŦāĻĄāĻŧ āϧāϰāύ⧇āϰ āĻ­āĻžāĻ™āύ āϏ⧃āĻˇā§āϟāĻŋ āĻšāϝāĻŧ⧇āϛ⧇āĨ¤ āχāϤāĻŋāĻšāĻžāϏāĻŦāĻŋāĻĻ āφāĻšāĻŽāĻĻ āĻšāĻžāϏāĻžāύ āĻĻāĻžāύ⧀āϰ ‘āĻĸāĻžāĻ•āĻž:āĻ…ā§āϝāĻž āϰ⧇āĻ•āĻ°ā§āĻĄ āĻ…āĻŦ āχāϟāϏ āĻšā§‡āĻžā§āϜāĻŋāĻ‚ āĻĢāϰāϚ⧁āύāĻ¸â€™ āĻ—ā§āϰāĻ¨ā§āĻĨ⧇ āωāĻ˛ā§āϞ⧇āĻ–āĻŋāϤ āĻŦāĻ°ā§āĻŖāύāĻžāĻŽāϤ⧇, āĻŽāϏāϜāĻŋāĻĻāϟāĻŋ āĻŽā§āϏāĻž āĻ–āĻžāρāϰ āύāĻžāĻŽā§‡ āĻšāϞ⧇āĻ“ āĻ¸ā§āĻĨāĻžāĻĒāĻ¤ā§āϝāĻļ⧈āϞ⧀ āĻ…āύ⧁āϝāĻžāϝāĻŧā§€ āĻāϟāĻŋ āĻļāĻžāϝāĻŧ⧇āĻ¸ā§āϤāĻž āĻ–āĻžāρāϰ āφāĻŽāϞ⧇ āĻŦāĻž āϤāĻžāϰāĻĒāϰ⧇ āύāĻŋāĻ°ā§āĻŽāĻŋāϤ āĻšāϝāĻŧ⧇āĻ›āĻŋāϞāĨ¤ 🛑 āĻŽā§āϏāĻž āĻ–āĻžāρāϰ āĻŽāϏāϜāĻŋāĻĻ⧇āϰ āĻĒāĻļā§āϚāĻŋāĻŽ āĻĒāĻžāĻļ⧇ āĻļāĻžāϝāĻŧāĻŋāϤ āφāϛ⧇āύ āĻ­āĻžāϰāϤ⧀āϝāĻŧ āωāĻĒāĻŽāĻšāĻžāĻĻ⧇āĻļ⧇āϰ āĻĻāĻžāĻ°ā§āĻļāύāĻŋāĻ•,āĻ­āĻžāώāĻžāϏ⧈āύāĻŋāĻ•, āĻŦāĻšā§āĻ­āĻžāώāĻžāĻŦāĻŋāĻĻ āĻ“ āĻœā§āĻžāĻžāύāϤāĻžāĻĒāϏ āĻĄāĻ•ā§āϟāϰ āĻŽā§āĻšāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻš (ā§§ā§Žā§Žā§Ģ -⧧⧝ā§Ŧ⧝) āϝāĻŋāύāĻŋ ⧧⧝⧍⧧ āϏāĻžāϞ⧇ āĻĸāĻžāĻ•āĻž āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ⧇āϰ āĻŦāĻžāĻ‚āϞāĻž āĻ“ āϏāĻ‚āĻ¸ā§āĻ•ā§ƒāϤāĻŋ āĻŦāĻŋāĻ­āĻžāϗ⧇ āĻĒā§āϰāĻ­āĻžāώāĻ• āĻšāĻŋāϏ⧇āĻŦ⧇ āϝ⧋āĻ—āĻĻāĻžāύ āĻ•āϰ⧇āύāĨ¤āĻĒāĻžāĻļāĻžāĻĒāĻžāĻļāĻŋ āĻāĻ•āχ āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ⧇ ⧧⧝⧍⧍ āĻĨ⧇āϕ⧇ ⧧⧝⧍ā§Ē āϏāĻžāϞ⧇ āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āφāχāύ āĻŦāĻŋāĻ­āĻžāϗ⧇ āĻ–āĻŖā§āĻĄāĻ•āĻžāϞ⧀āύ āĻļāĻŋāĻ•ā§āώāĻ• āĻšāĻŋāϏ⧇āĻŦ⧇ āĻ•āĻžāϜ āĻ•āϰ⧇āύāĨ¤ 🛑 āφāϰāĻŦāĻŋāϕ⧇ āϰāĻžāĻˇā§āĻŸā§āϰāĻ­āĻžāώāĻž āĻ•āϰāĻžāϰ āĻĒā§āϰāĻ¸ā§āϤāĻžāĻŦ:- āĻĄāĻ•ā§āϟāϰ āĻŽā§āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻš āĻŦāĻŋāĻļā§āĻŦāĻžāϏ āĻ•āϰāϤ⧇āύ āϝ⧇, āĻŦāĻžāĻ™āĻžāϞāĻŋāϰāĻž āχāĻ‚āϰ⧇āϜāĻŋ āĻļ⧇āĻ–āĻžāϰ āϏāĻžāĻĨ⧇ āϏāĻžāĻĨ⧇ āωāĻ°ā§āĻĻ⧁ āĻļāĻŋāĻ–āϤ⧇ āĻĒāĻžāϰ⧇, āϤāĻŋāύāĻŋ āĻāĻ“ āĻŦāĻŋāĻļā§āĻŦāĻžāϏ āĻ•āϰāϤ⧇āύ : "āϝ⧇āĻĻāĻŋāύ āφāϰāĻŦāĻŋ āĻĒāĻžāĻ•āĻŋāĻ¸ā§āϤāĻžāύ⧇āϰ āϰāĻžāĻˇā§āĻŸā§āϰāĻ­āĻžāώāĻž āĻšāĻŦ⧇, āϏ⧇āĻĻāĻŋāύ āĻĒāĻžāĻ•āĻŋāĻ¸ā§āϤāĻžāύ āϰāĻžāĻˇā§āĻŸā§āϰ⧇āϰ āϏ⧃āĻˇā§āϟāĻŋ āĻ¨ā§āϝāĻžāϝāĻŧāϏāĻ™ā§āĻ—āϤ āĻšāĻŦ⧇āĨ¤" āϤāĻžāχ āϤāĻŋāύāĻŋ ⧧⧝ā§Ē⧝ āϏāĻžāϞ⧇āϰ āĻĄāĻŋāϏ⧇āĻŽā§āĻŦāϰ⧇ āĻ āϞāĻ•ā§āĻˇā§āϝ⧇ āĻĒā§‚āĻ°ā§āĻŦ āĻĒāĻžāĻ•āĻŋāĻ¸ā§āϤāĻžāύ āφāϰāĻŦāĻŋ āĻ­āĻžāώāĻž āϏāĻ‚āĻ˜ā§‡āϰ āϏāĻ­āĻžāĻĒāϤāĻŋāĻ¤ā§āĻŦ āĻ—ā§āϰāĻšāĻŖ āĻ•āϰ⧇āύ, āĻĒāĻžāĻ•āĻŋāĻ¸ā§āϤāĻžāύ āĻ—āĻŖ āĻĒāϰāĻŋāώāĻĻ⧇ āĻĒ⧇āĻļ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ āĻāĻ•āϟāĻŋ āĻ–āϏāĻĄāĻŧāĻž āĻ¸ā§āĻŽāĻžāϰāĻ•āϞāĻŋāĻĒāĻŋ āĻ…āύ⧁āĻŽā§‹āĻĻāύ āĻ•āϰ⧇āύ, āϤāĻžāϤ⧇ āφāϰāĻŦā§€āϕ⧇ āĻĒāĻžāĻ•āĻŋāĻ¸ā§āϤāĻžāύ⧇āϰ āϰāĻžāĻˇā§āĻŸā§āϰāĻ­āĻžāώāĻž āĻ•āϰāĻžāϰ āϏ⧁āĻĒāĻžāϰāĻŋāĻļ āĻ•āϰ⧇āύ āĻāĻŦāĻ‚ āĻœā§‡āϞāĻžāϝāĻŧ āĻœā§‡āϞāĻžāϝāĻŧ "āĻĻāϰāϏ⧇ āϕ⧁āϰāφāύ"-āĻāϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āφāϰāĻŦāĻŋ āĻļ⧇āĻ–āĻžāύ⧋āϰ āĻĒā§āϰāĻ¸ā§āϤāĻžāĻŦ āĻ•āϰ⧇āύāĨ¤ āĻŽā§āϏāĻž āĻ–āĻžāρāϰ āĻŽāϏāϜāĻŋāĻĻ⧇āϰ āĻĒāĻļā§āϚāĻŋāĻŽ āĻĒāĻžāĻļ⧇ āĻĄāĻ•ā§āϟāϰ āĻŽā§āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻšāϰ āĻ•āĻŦāϰ āĻ›āĻžāĻĄāĻŧāĻžāĻ“ āφāϰ⧋ āϰāϝāĻŧ⧇āϛ⧇ āĻĸāĻžāĻ•āĻž āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ⧇āϰ āĻ…āύ⧁āĻœā§€āĻŦ āĻŦāĻŋāĻœā§āĻžāĻžāύ āĻŦāĻŋāĻ­āĻžāϗ⧇āϰ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻžāϤāĻž āĻšā§‡āϝāĻŧāĻžāϰāĻŽā§āϝāĻžāύ āĻ“ āĻļāĻšāĻŋāĻĻ⧁āĻ˛ā§āϞāĻžāĻš āĻšāϞ⧇āϰ āĻĒā§āϰāĻ­ā§‹āĻ¸ā§āϟ āĻĒā§āϰāĻĢ⧇āϏāϰ āφāύ⧋āϝāĻŧāĻžāϰ⧁āϞ āφāϜāĻŋāĻŽ āϚ⧌āϧ⧁āϰ⧀ āĻāϰ āĻ•āĻŦāϰāĨ¤
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āĻŽā§āϏāĻž āĻ–āĻžāύ āĻŽāϏāϜāĻŋāĻĻ āĻŽā§āϏāĻž āĻ–āĻžāύ⧇āϰ āĻŽāϏāϜāĻŋāĻĻ āĻŦāĻžÂ āĻŽā§āϏāĻž āĻ–āĻžāρāϰ āĻŽāϏāϜāĻŋāĻĻ, āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ⧇āĻ°Â āĻĸāĻžāĻ•āĻžÂ āĻļāĻšāϰ⧇ āĻ…āĻŦāĻ¸ā§āĻĨāĻŋāϤ āĻ›āĻžāϝāĻŧāĻž āϏ⧁āύāĻŋāĻŦāĻŋāĻĄāĻŧ, āĻŽā§‹āĻ—āϞ āĻ¸ā§āĻĨāĻžāĻĒāĻ¤ā§āϝ⧇āϰ āĻ…āύ⧁āĻ•āϰāϪ⧇ āύāĻŋāĻ°ā§āĻŽāĻŋāϤ āĻŽāϏāϜāĻŋāĻĻāĨ¤ āĻāϟāĻŋ āĻĸāĻžāĻ•āĻž āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ āĻāϰ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻš āĻšāϞ āĻ›āĻžāĻ¤ā§āϰāĻžāĻŦāĻžāϏ⧇āϰ āύāĻŋāĻ•āĻŸā§‡ āĻ“Â āĻ•āĻžāĻ°ā§āϜāύ āĻšāϞ⧇āĻ°Â āĻĒāĻŋāĻ›āύ⧇ āĻ…āĻŦāĻ¸ā§āĻĨāĻŋāϤāĨ¤Â āϧāĻžāϰāĻŖāĻž āĻ•āϰāĻž āĻšāϝāĻŧ āϝ⧇, āĻāχ āĻŽāϏāϜāĻŋāĻĻāϟāĻŋ āψāϏāĻž āĻ–āĻžāρāĻ°Â āĻĒ⧁āĻ¤ā§āĻ°Â āĻŽā§āϏāĻž āĻ–āĻžāĻ¨Â āύāĻŋāĻ°ā§āĻŽāĻžāĻŖ āĻ•āϰ⧇āύāĨ¤ āĻŽā§āϏāĻž āĻ–āĻžāύ āĻŽāϏāϜāĻŋāĻĻ, āĻŦāĻžāϰ⧋ āĻ­ā§‚āρāĻ‡ā§ŸāĻžāĻĻ⧇āϰ āĻāĻ•āĻŽāĻžāĻ¤ā§āϰ āϐāϤāĻŋāĻšāĻžāϏāĻŋāĻ• āύāĻŋāĻĻāĻ°ā§āĻļāύāĨ¤ āĻŦāĻžāĻšā§āϝāĻŋāĻ• āϚāĻžāĻ•āϚāĻŋāĻ•ā§āϝ āĻšāĻžāϰāĻžāϞ⧇āĻ“ āύāĻžāĻ¨ā§āĻĻāύāĻŋāĻ• āύāĻŋāĻ°ā§āĻŽāĻžāĻŖ āĻļ⧈āϞ⧀āϤ⧇ āϤ⧈āϰāĻŋ āĻ āĻ¸ā§āĻĨāĻžāĻĒāύāĻž āĻāĻ–āύāĻ“ āϏāϚāϞ 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Musa Khan Mosque is one of the few Mughal structures on Bangladesh that stands in the southern part of the country's capital Dhaka. Built in 18th century the mosque holds significant historical values and is named after the son of medieval Bengal's one of the most prominent Baro-Bhuyans, Isa Khan's son Musa Khan. The structure was erected during the Mughal regime in Bengal by the grandson of Musa Khan, Diwan Munwar Khan. The three-domed mosque is currently situated in the University of Dhaka campus, beside Shahidullah Hall and behind the Curzon Hall.
Kawsar Ahmed

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Reviews of The Great Musa Khan Mosque

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The Great Musa Khan Mosque, located in the heart of the city, is a striking example of historical Islamic architecture, and one that captures both the spiritual and cultural essence of the region. A gem tucked away in the bustling streets, the mosque is a testament to the region's deep-rooted Islamic history and its rich architectural heritage.

Architectural Marvel

The first thing that catches your attention when you approach the mosque is its grandeur. The mosque is designed in a classic Mughal style, with intricately carved arches, impressive minarets, and a central dome that rises majestically into the sky. The delicate mosaic work and frescoes on the walls are breathtaking; they depict scenes of Islamic art and abstract patterns that transport you to another era. The mosque’s structure, though timeless, has been carefully maintained, preserving its original beauty and charm.

The courtyard is expansive, providing ample space for worshippers, with a peaceful and serene atmosphere that contrasts beautifully with the busy city life outside. The prayer hall inside is equally awe-inspiring, with large columns supporting the roof, and detailed calligraphy decorating the walls. The ambiance is calm and reverent, inviting visitors to reflect and meditate.

Historical Significance

The Great Musa Khan Mosque holds deep historical significance, as it has been a central place of worship for generations. Named after Musa Khan, a revered figure in local history, the mosque serves as a spiritual hub, drawing people from all walks of life. Whether you’re there for prayers or simply to admire the architecture, the mosque offers a sense of connection to the past. It's a reminder of the rich cultural heritage that continues to influence the community today.

Peaceful Atmosphere

One of the most striking features of the Great Musa Khan Mosque is the peaceful atmosphere. Despite being located in a busy part of the city, the mosque remains a place of tranquility. The sound of the call to prayer echoes across the surroundings, and the calm of the mosque offers a brief respite from the fast-paced world outside. Visitors can take a moment to breathe in the spiritual serenity of the space.

Cultural Experience

For those interested in Islamic culture and architecture, the Great Musa Khan Mosque offers an unforgettable experience. It is not just a place of worship but a cultural landmark. Tourists and locals alike can take in the exquisite details of the mosque’s design and learn about the traditions associated with it. The mosque plays an important role in preserving the region's Islamic heritage, making it a must-visit for anyone keen on learning about the history of the area.

Conclusion

The Great Musa Khan Mosque is more than just a place of prayer; it is a symbol of the city’s rich cultural, architectural, and religious legacy. Its beauty, history, and tranquility make it a must-see destination, whether you are seeking spiritual solace or simply marveling at its architectural brilliance. Whether you're a local or a tourist, a visit to this mosque is an enriching experience that leaves you with a sense of awe...

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5.0
7y

Constructed in the Indo-Persian architectural style, this mosque is a harmonious synthesis of cultural influences, with its origins attributed to Dewan Mohammad, the grandchild of Masnad-e-Ala Isa Khan. Located within the prominent Curzon Hall arena, this architectural gem not only reflects religious significance but also stands as a testament to historical craftsmanship.

Notably, alongside the Shahbaz Khan mosque in close proximity, both these structures have earned a coveted place in the protected monuments list curated by the Bangladesh Archaeology Department. This recognition underscores the cultural and historical importance assigned to these mosques, marking them as heritage sites deserving preservation and careful maintenance for future generations. The intricate details and historical lineage associated with these mosques make them not only places of worship but also key contributors to Bangladesh's rich architectural legacy.

The region formerly referred to as Bagh-e-Musa Khan carries significant historical importance, owing to its association with Musa Khan, who was the son of the esteemed Baro Bhuyia Zamidar Isa Khan. While Musa Khan is traditionally attributed to the construction of the mosque within this area, its architectural style bears the hallmarks of Shaista Khani design, suggesting that the actual architect may have been Musa Khan's grandson, Munawar Khan. It is believed that Munawar Khan likely oversaw the construction during the era of Shaista Khan. The mosque itself is a striking replica of the Haji Khawaja Shahbaz mosque, which dates back to the year 1679 AD. Situated adjacent to the mosque, towards the north-eastern direction, is the tomb of Musa Khan, further enriching the cultural and historical fabric...

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6y

A mosque of almost 350 years old that is one of few existent Mughal structures in Bangladesh. It is situated in the Dhaka University campus and near Dr. Muhammad Shahidullah Hall, and behind Curzon Hall and in front of Geology Department. People say that the most prominent emperor of Bar-Bhuiyans, the son of Emperor Isa khan, Musa khan built this mosque. But there is a contradiction in this story. The mosque was actually built in 1679 during the period of Subedar Sayesta khan and Musa khan died in 1623. Actually this was built by Diwan Munwar khan, the grandson of Emperor Musa khan in his(Musa khan) remembrance. So the clear history is that the mosque was named after the Emperor Musa Khan. One of the most interesting facts of this mosque is it is built on a vaulted platform of about 3 meters height. It has 3 domes in total. And you will have a staircase in the southwestern corner of the mosque. You will also see the grave of Musa khan in front of the mosque (north-eastern corner of the mosque). You are welcome to visit this one of the oldest Mughal structures...

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