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Ramna Botmul — Attraction in Dhaka Metropolitan

Name
Ramna Botmul
Description
Nearby attractions
Ramna Park
Moulana Bhasani Rd, Dhaka 1217, Bangladesh
Kakrail Masjid
PCP3+PGM, Hare Rd, Dhaka 1205, Bangladesh
Suhrawardy Udyan
Dhaka 1000, Bangladesh
Shahid Zia Shishu Park
1000 Shahbag Foot Over Bridge, Dhaka, Bangladesh
Museum of Independence
P9MX+J9F, Suhrawardi Udyan Rd, Dhaka 1000, Bangladesh
Ramna Kali Temple
9-10, Old Mymensingh Road, Kazi Nazrul Islam Ave, Dhaka 1000, Bangladesh
Eternal Flame
1000 Shahbag Foot Over Bridge, Dhaka, Bangladesh
University of Dhaka
Nilkhet Rd, Dhaka 1000, Bangladesh
Oporajeyo Bangla
P9MR+GXG, University Street, Dhaka 1205, Bangladesh
The Great Musa Khan Mosque
Curzon Hall, Dhaka 1000, Bangladesh
Nearby restaurants
Elements Global Dining at InterContinental Dhaka
1 Minto Rd, Dhaka 1000, Bangladesh
Aquadeck at InterContinental Dhaka
1 Minto Rd, Dhaka 1000, Bangladesh
Sung Garden
Akram Tower,14th floor 15/5, Shahid Syed Nazrul Islam Sharani, 5 Bijoy Nagar Road, Dhaka 1000, Bangladesh
The Amber Room at InterContinental Dhaka
1 Minto Rd, Dhaka 1000, Bangladesh
Gentleman’s Rest Bar
176 Shahid Nazrul Islam Rd, Dhaka 1205, Bangladesh
Nearby hotels
InterContinental Dhaka by IHG
G, 1 Minto Rd, Dhaka 1000, Bangladesh
Hotel Razmoni Ishakha
89/3 VIP Rd, Dhaka 1000, Bangladesh
Hotel 71
176, Shaheed Syed Nazrul Islam Sarani, 47 Bijoy Nagar Road, Dhaka 1000, Bangladesh
FARS Hotel & Resorts
PCJ6+H43 Akram Center, 212 Shahid Nazrul Islam Rd, Dhaka 1000, Bangladesh
Royal inn Dhaka
City View Tower, 24/B Topkhana Road, Dhaka 1000, Bangladesh
Asia Hotel & Resorts
34/1 Topkhana Road, Dhaka 1000, Bangladesh
Hotel The Grand Hyatt Dhaka
31/e Topkhana Road, Dhaka 1000, Bangladesh
Hotel Ornate
Level-3, 30 Bijoy Nagar Road, Dhaka 1000, Bangladesh
Hotel Royal Palace
31/D Topkhana Road, Dhaka 1000, Bangladesh
Grand Palace Hotel Dhaka
22, S.A. Point, Dhaka 1000, Bangladesh
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Keywords
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Ramna Botmul things to do, attractions, restaurants, events info and trip planning
Ramna Botmul
BangladeshDhaka DivisionDhaka MetropolitanRamna Botmul

Basic Info

Ramna Botmul

PCP2+6HQ, Ramna Park, Ramna Foot Over Bridge, Dhaka, Bangladesh
4.5(887)
Open until 7:00 PM
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Outdoor
Scenic
attractions: Ramna Park, Kakrail Masjid, Suhrawardy Udyan, Shahid Zia Shishu Park, Museum of Independence, Ramna Kali Temple, Eternal Flame, University of Dhaka, Oporajeyo Bangla, The Great Musa Khan Mosque, restaurants: Elements Global Dining at InterContinental Dhaka, Aquadeck at InterContinental Dhaka, Sung Garden, The Amber Room at InterContinental Dhaka, Gentleman’s Rest Bar
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Reviews

Nearby attractions of Ramna Botmul

Ramna Park

Kakrail Masjid

Suhrawardy Udyan

Shahid Zia Shishu Park

Museum of Independence

Ramna Kali Temple

Eternal Flame

University of Dhaka

Oporajeyo Bangla

The Great Musa Khan Mosque

Ramna Park

Ramna Park

4.4

(15.8K)

Open 24 hours
Click for details
Kakrail Masjid

Kakrail Masjid

4.6

(1.7K)

Open until 12:00 AM
Click for details
Suhrawardy Udyan

Suhrawardy Udyan

4.4

(10.4K)

Open 24 hours
Click for details
Shahid Zia Shishu Park

Shahid Zia Shishu Park

4.2

(2.3K)

Open 24 hours
Click for details

Nearby restaurants of Ramna Botmul

Elements Global Dining at InterContinental Dhaka

Aquadeck at InterContinental Dhaka

Sung Garden

The Amber Room at InterContinental Dhaka

Gentleman’s Rest Bar

Elements Global Dining at InterContinental Dhaka

Elements Global Dining at InterContinental Dhaka

4.7

(398)

Click for details
Aquadeck at InterContinental Dhaka

Aquadeck at InterContinental Dhaka

4.7

(248)

Click for details
Sung Garden

Sung Garden

4.1

(897)

$$

Click for details
The Amber Room at InterContinental Dhaka

The Amber Room at InterContinental Dhaka

4.5

(32)

Click for details
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Posts

Bashir AhmedBashir Ahmed
The people of Bangladesh are welcoming the new Bangla year, Pohela Boishakh 1425, with much enthusiasm and colourful festivals. In Dhaka, thousands of people joined Chhayanaut’s programmes at the Ramna Batamul after Friday’s sunrise to welcome Boishakh where its in-house artists have been performing since 6am. Chhayanaut says this year they will be presenting innovative performances. The first segment featured an instrumental session followed by music and poetry. Lokpala will be in the last segment. After welcoming Boishakh, 115 artists sang “Aloker Ei Jhornadharay”. This was the opening song in the first-ever Chhayanaut-organised Pohela Boishakh celebrations in 1967 protesting against the oppression and cultural aggression of the Pakistan. The song has since been sung in following Pohela Boishakh celebrations. Chhayanaut’s this year’s theme is ‘joy, search for identity and humanity’. Marking Chhayanaut’s 50th anniversary, Md Farashuddin unveiled the cover of “Aloker Jhornatola” memorial at Romeshchandra Dutt memorial auditorium at Chhayanaut building on Thursday afternoon. Pohela Boishakh is one of the most colourful festivals through which the Bangalis bid farewell to the old year and welcome the new year. Meanwhile, security has been ratcheted up around the Ramna Batamul. Police are not allowing anyone to enter the area with any kind of bags. Dhaka Metropolitan Police (DMP) is giving out free bottled drinking water to women, children and the elderly people. Thousands of people have turned up this year in festive mood. Police have ordered to wrap up open-air events in Dhaka before 5pm and said such programmes on the Dhaka University campus must end before 6pm. The day is a public holiday. The government has planned programmes to celebrate the day. Initiatives have been taken by different ministries to observe Pohela Boishakh this year with more importance after the Mongol Shobhajatra was inscribed on the Unesco’s Representative List of Intangible Cultural Heritage in November last year. The government has ordered all the educational institutions to bring out Shobhajatra. President Abdul Hamid and Prime Minister Sheikh Hasina greeted the people in separate messages on the occasion. Different national dailies will publish supplements while Bangladesh Television and Bangladesh Betar will air special programmes on the day.
Sangram SarkerSangram Sarker
It's an awesome place for celebrating ''Bengali New Year'' that is also known as ''Pohela Baisha''. The activities start at the very morning time with cultural programme that is extremely beautiful. Anyone who loves culture of Bangladesh & Bengali can go here for a nice experience. This cultural programme at Ramna Botmul was started before the liberation war of 1971(about 1960) against Pakistan when they prohibited Rabindra Sangeet and other begali ancient things. Now it's a popular programme in Bangladesh. All kinds of people attend here for celebrating thing day. Normally man wear punjabi and woman wear shari thats are also part of Bengali culture. Cultural programmes are organized by many cultural organisations. The ''Chhayanaut'' is the main organisation who lead this programme that is created by Sanjida Chowdhury.
Md Golam KibriaMd Golam Kibria
Ramna batamul is famous for a lot of things. It is a historical place of Bangladesh. Ramna batamul is situated in the heart of Dhaka city. Ramna batamul is a part of Ramna Park and Dhaka University area. This place has seen some history in the making. The "Language Movement of 52" and lots of historical movements after independence have started from this place. When there is no occasion this place is a very good attraction for the tourists and Dhaka city dwellers. This place is also one of the healthiest places in Dhaka. So people from surrounding areas came here for some fresh air and morning walk. Its natural beauty is charming and alarming to people.
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The people of Bangladesh are welcoming the new Bangla year, Pohela Boishakh 1425, with much enthusiasm and colourful festivals. In Dhaka, thousands of people joined Chhayanaut’s programmes at the Ramna Batamul after Friday’s sunrise to welcome Boishakh where its in-house artists have been performing since 6am. Chhayanaut says this year they will be presenting innovative performances. The first segment featured an instrumental session followed by music and poetry. Lokpala will be in the last segment. After welcoming Boishakh, 115 artists sang “Aloker Ei Jhornadharay”. This was the opening song in the first-ever Chhayanaut-organised Pohela Boishakh celebrations in 1967 protesting against the oppression and cultural aggression of the Pakistan. The song has since been sung in following Pohela Boishakh celebrations. Chhayanaut’s this year’s theme is ‘joy, search for identity and humanity’. Marking Chhayanaut’s 50th anniversary, Md Farashuddin unveiled the cover of “Aloker Jhornatola” memorial at Romeshchandra Dutt memorial auditorium at Chhayanaut building on Thursday afternoon. Pohela Boishakh is one of the most colourful festivals through which the Bangalis bid farewell to the old year and welcome the new year. Meanwhile, security has been ratcheted up around the Ramna Batamul. Police are not allowing anyone to enter the area with any kind of bags. Dhaka Metropolitan Police (DMP) is giving out free bottled drinking water to women, children and the elderly people. Thousands of people have turned up this year in festive mood. Police have ordered to wrap up open-air events in Dhaka before 5pm and said such programmes on the Dhaka University campus must end before 6pm. The day is a public holiday. The government has planned programmes to celebrate the day. Initiatives have been taken by different ministries to observe Pohela Boishakh this year with more importance after the Mongol Shobhajatra was inscribed on the Unesco’s Representative List of Intangible Cultural Heritage in November last year. The government has ordered all the educational institutions to bring out Shobhajatra. President Abdul Hamid and Prime Minister Sheikh Hasina greeted the people in separate messages on the occasion. Different national dailies will publish supplements while Bangladesh Television and Bangladesh Betar will air special programmes on the day.
Bashir Ahmed

Bashir Ahmed

hotel
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Affordable Hotels in Dhaka Metropolitan

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Get the Appoverlay
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It's an awesome place for celebrating ''Bengali New Year'' that is also known as ''Pohela Baisha''. The activities start at the very morning time with cultural programme that is extremely beautiful. Anyone who loves culture of Bangladesh & Bengali can go here for a nice experience. This cultural programme at Ramna Botmul was started before the liberation war of 1971(about 1960) against Pakistan when they prohibited Rabindra Sangeet and other begali ancient things. Now it's a popular programme in Bangladesh. All kinds of people attend here for celebrating thing day. Normally man wear punjabi and woman wear shari thats are also part of Bengali culture. Cultural programmes are organized by many cultural organisations. The ''Chhayanaut'' is the main organisation who lead this programme that is created by Sanjida Chowdhury.
Sangram Sarker

Sangram Sarker

hotel
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The Coolest Hotels You Haven't Heard Of (Yet)

Find a cozy hotel nearby and make it a full experience.

hotel
Find your stay

Trending Stays Worth the Hype in Dhaka Metropolitan

Find a cozy hotel nearby and make it a full experience.

Ramna batamul is famous for a lot of things. It is a historical place of Bangladesh. Ramna batamul is situated in the heart of Dhaka city. Ramna batamul is a part of Ramna Park and Dhaka University area. This place has seen some history in the making. The "Language Movement of 52" and lots of historical movements after independence have started from this place. When there is no occasion this place is a very good attraction for the tourists and Dhaka city dwellers. This place is also one of the healthiest places in Dhaka. So people from surrounding areas came here for some fresh air and morning walk. Its natural beauty is charming and alarming to people.
Md Golam Kibria

Md Golam Kibria

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Reviews of Ramna Botmul

4.5
(887)
avatar
5.0
7y

The people of Bangladesh are welcoming the new Bangla year, Pohela Boishakh 1425, with much enthusiasm and colourful festivals.

In Dhaka, thousands of people joined Chhayanaut’s programmes at the Ramna Batamul after Friday’s sunrise to welcome Boishakh where its in-house artists have been performing since 6am.

Chhayanaut says this year they will be presenting innovative performances. The first segment featured an instrumental session followed by music and poetry. Lokpala will be in the last segment.

After welcoming Boishakh, 115 artists sang “Aloker Ei Jhornadharay”.

This was the opening song in the first-ever Chhayanaut-organised Pohela Boishakh celebrations in 1967 protesting against the oppression and cultural aggression of the Pakistan. The song has since been sung in following Pohela Boishakh celebrations.

Chhayanaut’s this year’s theme is ‘joy, search for identity and humanity’.

Marking Chhayanaut’s 50th anniversary, Md Farashuddin unveiled the cover of “Aloker Jhornatola” memorial at Romeshchandra Dutt memorial auditorium at Chhayanaut building on Thursday afternoon.

Pohela Boishakh is one of the most colourful festivals through which the Bangalis bid farewell to the old year and welcome the new year.

Meanwhile, security has been ratcheted up around the Ramna Batamul. Police are not allowing anyone to enter the area with any kind of bags.

Dhaka Metropolitan Police (DMP) is giving out free bottled drinking water to women, children and the elderly people. Thousands of people have turned up this year in festive mood.

Police have ordered to wrap up open-air events in Dhaka before 5pm and said such programmes on the Dhaka University campus must end before 6pm.

The day is a public holiday. The government has planned programmes to celebrate the day.

Initiatives have been taken by different ministries to observe Pohela Boishakh this year with more importance after the Mongol Shobhajatra was inscribed on the Unesco’s Representative List of Intangible Cultural Heritage in November last year.

The government has ordered all the educational institutions to bring out Shobhajatra.

President Abdul Hamid and Prime Minister Sheikh Hasina greeted the people in separate messages on the occasion.

Different national dailies will publish supplements while Bangladesh Television and Bangladesh Betar will air special...

   Read more
avatar
5.0
1y

Ramna Batamul is more than just a cultural programme. It is a celebration of life and a expression of hope in the face of adversity. It is a symbol of unity and a source of inspiration for the people of Bangladesh. It is a legacy of tradition and a vision of futureš.

Every year, on the first day of the Bengali New Year, Chaayanot, the leading cultural organization of Bangladesh, arranges Ramna Batamul in Ramna Park, a prestigious area in Dhaka⁴. Thousands of people gather there to witness the colourful performances of various artists, such as singers, dancers, musicians, poets, and actors. They also enjoy the festive atmosphere and the delicious food. Ramna Batamul is a occasion to share joy and a opportunity to learn from each otherš.

However, Ramna Batamul also has a historical significance. In 2001, it became the site of a bomb attack by a militant group called Harkat-ul-Jihad al-Islami (HuJI), who targeted the celebrations and killed ten people and injured fifty othersš². It was a heinous attack and unprecedented in the history of Bangladesh². Eight of the accused were sentenced to death and six to life in prison by a court in Dhaka in 2014². The families of the victims still wait for justice as two cases filed over the incident are yet to be disposed of 21 years laterÂŗ.

Ramna Batamul is not only a cultural programme, but also a message of peace and a call for change. It shows that despite the challenges and conflicts, Bangladesh can still celebrate its diversity and harmony. It shows that despite the violence and hatred, Bangladesh can still uphold its values and aspirations. It shows that despite the past and present, Bangladesh can still dream for a...

   Read more
avatar
5.0
6y

āĻŦāĻžāĻ‚āϞāĻž āĻļ⧁āĻ­ āύāĻŦāĻŦāĻ°ā§āώ āĻĒāϝāĻŧāϞāĻž āĻŦ⧈āĻļāĻžāĻ– āĻŦāĻž āĻĒāĻšā§‡āϞāĻž āĻŦ⧈āĻļāĻžāĻ– (āĻŦāĻžāĻ‚āϞāĻž āĻĒāĻžā§āϜāĻŋāĻ•āĻžāϰ āĻĒā§āϰāĻĨāĻŽ āĻŽāĻžāϏ āĻŦ⧈āĻļāĻžāϖ⧇āϰ ā§§ āϤāĻžāϰāĻŋāĻ–) āĻŦāĻžāĻ‚āϞāĻž āϏāύ⧇āϰ āĻĒā§āϰāĻĨāĻŽ āĻĻāĻŋāύ, āϤāĻĨāĻž āĻŦāĻžāĻ‚āϞāĻž āύāĻŦāĻŦāĻ°ā§āώāĨ¤ āĻĻāĻŋāύāϟāĻŋ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻāĻŦāĻ‚ āĻ­āĻžāϰāϤ⧇āϰ āĻĒāĻļā§āϚāĻŋāĻŽāĻŦāĻ™ā§āϗ⧇ āĻļ⧁āĻ­ āύāĻŦāĻŦāĻ°ā§āώ āĻšāĻŋāϏ⧇āĻŦ⧇ āĻŦāĻŋāĻļ⧇āώ āĻ‰ā§ŽāϏāĻŦ⧇āϰ āϏāĻžāĻĨ⧇ āĻĒāĻžāϞāĻŋāϤ āĻšāϝāĻŧāĨ¤ āĻ¤ā§āϰāĻŋāĻĒ⧁āϰāĻžāϝāĻŧ āĻŦāϏāĻŦāĻžāϏāϰāϤ āĻŦāĻžāĻ™āĻžāϞāĻŋāϰāĻžāĻ“ āĻāχ āĻ‰ā§ŽāϏāĻŦ⧇ āĻ…āĻ‚āĻļ āύ⧇āϝāĻŧāĨ¤ āϏ⧇ āĻšāĻŋāϏ⧇āĻŦ⧇ āĻāϟāĻŋ āĻŦāĻžāĻ™āĻžāϞāĻŋāĻĻ⧇āϰ āĻāĻ•āϟāĻŋ āϏāĻ°ā§āĻŦāϜāύ⧀āύ āĻ‰ā§ŽāϏāĻŦāĨ¤ āĻŦāĻŋāĻļā§āĻŦ⧇āϰ āϏāĻ•āϞ āĻĒā§āϰāĻžāĻ¨ā§āϤ⧇āϰ āϏāĻ•āϞ āĻŦāĻžāĻ™āĻžāϞāĻŋ āĻ āĻĻāĻŋāύ⧇ āύāϤ⧁āύ āĻŦāĻ›āϰāϕ⧇ āĻŦāϰāĻŖ āĻ•āϰ⧇ āύ⧇āϝāĻŧ, āϭ⧁āϞ⧇ āϝāĻžāĻŦāĻžāϰ āĻšā§‡āĻˇā§āϟāĻž āĻ•āϰ⧇ āĻ…āϤ⧀āϤ āĻŦāĻ›āϰ⧇āϰ āϏāĻ•āϞ āĻĻ⧁āσāĻ–-āĻ—ā§āϞāĻžāύāĻŋāĨ¤ āϏāĻŦāĻžāϰ āĻ•āĻžāĻŽāύāĻž āĻĨāĻžāϕ⧇ āϝ⧇āύ āύāϤ⧁āύ āĻŦāĻ›āϰāϟāĻŋ āϏāĻŽā§ƒāĻĻā§āϧ āĻ“ āϏ⧁āĻ–āĻŽāϝāĻŧ āĻšāϝāĻŧāĨ¤ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āĻĒāĻ°ā§āϝāĻžāϝāĻŧ⧇āϰ āĻŦā§āϝāĻŦāϏāĻžāϝāĻŧā§€āϰāĻž āĻāϕ⧇ āύāϤ⧁āύāĻ­āĻžāĻŦ⧇ āĻŦā§āϝāĻŦāϏāĻž āĻļ⧁āϰ⧁ āĻ•āϰāĻžāϰ āωāĻĒāϞāĻ•ā§āĻˇā§āϝ āĻšāĻŋāϏ⧇āĻŦ⧇ āĻŦāϰāĻŖ āĻ•āϰ⧇ āύ⧇āϝāĻŧāĨ¤ āĻ—ā§āϰ⧇āĻ—āϰ⧀āϝāĻŧ āĻŦāĻ°ā§āώāĻĒāĻžā§āϜāĻŋ āĻ…āύ⧁āϏāĻžāϰ⧇ ā§§ā§Ēāχ āĻāĻĒā§āϰāĻŋāϞ āĻ…āĻĨāĻŦāĻž ā§§ā§Ģāχ āĻāĻĒā§āϰāĻŋāϞ āĻĒāĻšā§‡āϞāĻž āĻŦ⧈āĻļāĻžāĻ– āĻĒāĻžāϞāĻŋāϤ āĻšāϝāĻŧāĨ¤ āφāϧ⧁āύāĻŋāĻ• āĻŦāĻž āĻĒā§āϰāĻžāĻšā§€āύ āϝ⧇ āϕ⧋āύ āĻĒāĻžā§āϜāĻŋāĻ•āĻžāϤ⧇āχ āĻāχ āĻŦāĻŋāώāϝāĻŧ⧇ āĻŽāĻŋāϞ āϰāϝāĻŧ⧇āϛ⧇āĨ¤ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ⧇ āĻĒā§āϰāϤāĻŋ āĻŦāĻ›āϰ ā§§ā§Ēāχ āĻāĻĒā§āϰāĻŋāϞ āĻāχ āĻ‰ā§ŽāϏāĻŦ āĻĒāĻžāϞāĻŋāϤ āĻšāϝāĻŧāĨ¤ āĻŦāĻžāĻ‚āϞāĻž āĻāĻ•āĻžāĻĄā§‡āĻŽā§€ āĻ•āĻ°ā§āϤ⧃āĻ• āύāĻŋāĻ°ā§āϧāĻžāϰāĻŋāϤ āφāϧ⧁āύāĻŋāĻ• āĻĒāĻžā§āϜāĻŋāĻ•āĻž āĻ…āύ⧁āϏāĻžāϰ⧇ āĻāχ āĻĻāĻŋāύ āύāĻŋāĻ°ā§āĻĻāĻŋāĻˇā§āϟ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇āĨ¤ āĻāĻĻāĻŋāύ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻ“ āĻĒāĻļā§āϚāĻŋāĻŽāĻŦāĻ™ā§āϗ⧇āϰ āϏāĻ•āϞ āϏāϰāĻ•āĻžāϰāĻŋ āĻ“ āĻŦ⧇āϏāϰāĻ•āĻžāϰāĻŋ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻžāύ āĻŦāĻ¨ā§āϧ āĻĨāĻžāϕ⧇āĨ¤

āĻŦāĻžāĻ‚āϞāĻž āĻĻāĻŋāύāĻĒāĻžā§āĻœā§€āϰ āϏāĻ™ā§āϗ⧇ āĻšāĻŋāϜāϰ⧀ āĻ“ āĻ–ā§āϰāĻŋāĻ¸ā§āĻŸā§€āϝāĻŧ āϏāύ⧇āϰ āĻŽā§ŒāϞāĻŋāĻ• āĻĒāĻžāĻ°ā§āĻĨāĻ•ā§āϝ āĻšāϞ⧋ āĻšāĻŋāϜāϰ⧀ āϏāύ āϚāĻžāρāĻĻ⧇āϰ āĻšāĻŋāϏāĻžāĻŦ⧇ āĻāĻŦāĻ‚ āĻ–ā§āϰāĻŋāĻ¸ā§āĻŸā§€āϝāĻŧ āϏāύ āϘāĻĄāĻŧāĻŋāϰ āĻšāĻŋāϏāĻžāĻŦ⧇ āϚāϞ⧇āĨ¤ āĻ āĻ•āĻžāϰāϪ⧇ āĻšāĻŋāϜāϰ⧀ āϏāύ⧇ āύāϤ⧁āύ āϤāĻžāϰāĻŋāĻ– āĻļ⧁āϰ⧁ āĻšāϝāĻŧ āϏāĻ¨ā§āĻ§ā§āϝāĻžāϝāĻŧ āύāϤ⧁āύ āϚāĻžāρāĻĻ⧇āϰ āφāĻ—āĻŽāύ⧇āĨ¤ āχāĻ‚āϰ⧇āϜāĻŋ āĻĻāĻŋāύ āĻļ⧁āϰ āĻšāϝāĻŧ āĻŽāĻ§ā§āϝāϰāĻžāϤ⧇āĨ¤ āĻĒāĻšā§‡āϞāĻž āĻŦ⧈āĻļāĻžāĻ– āϰāĻžāϤ ⧧⧍ āϟāĻž āĻĨ⧇āϕ⧇ āĻļ⧁āϰ⧁ āύāĻž āϏ⧂āĻ°ā§āϝāĻĻā§‹āϝāĻŧ āĻĨ⧇āϕ⧇ āĻĨ⧇āϕ⧇ āĻļ⧁āϰ⧁ āĻāϟāĻž āύāĻŋāϝāĻŧ⧇ āĻ…āύ⧇āϕ⧇āϰ āĻĻā§āĻŦāĻŋāϧāĻžāĻĻā§āĻŦāĻ¨ā§āĻĻā§āĻŦ āφāϛ⧇, āϐāϤāĻŋāĻšā§āϝāĻ—āϤ āĻ­āĻžāĻŦ⧇ āϏ⧂āĻ°ā§āϝāĻĻā§‹āϝāĻŧ āĻĨ⧇āϕ⧇ āĻŦāĻžāĻ‚āϞāĻž āĻĻāĻŋāύ āĻ—āĻŖāύāĻžāϰ āϰ⧀āϤāĻŋ āĻĨāĻžāĻ•āϞ⧇āĻ“ ā§§ā§Ēā§Ļ⧍ āϏāĻžāϞ⧇āϰ ā§§ āĻŦ⧈āĻļāĻžāĻ– āĻĨ⧇āϕ⧇ āĻŦāĻžāĻ‚āϞāĻž āĻāĻ•āĻžāĻĄā§‡āĻŽā§€ āĻāχ āύāĻŋāϝāĻŧāĻŽ āĻŦāĻžāϤāĻŋāϞ āĻ•āϰ⧇ āφāĻ¨ā§āϤāĻ°ā§āϜāĻžāϤāĻŋāĻ• āϰ⧀āϤāĻŋāϰ āϏāĻžāĻĨ⧇ āϏāĻžāĻŽāĻžā§āϜāĻ¸ā§āϝ āϰāĻžāĻ–āϤ⧇ āϰāĻžāϤ ⧧⧍.ā§Ļā§ĻāϟāĻžāϝāĻŧ āĻĻāĻŋāύ āĻ—āĻŖāύāĻž āĻļ⧁āϰ⧁āϰ āύāĻŋāϝāĻŧāĻŽ āϚāĻžāϞ⧁ āĻšāϝāĻŧāĨ¤

āχāϤāĻŋāĻšāĻžāϏ

āĻšāĻŋāĻ¨ā§āĻĻ⧁ āϏ⧌āϰ āĻĒāĻžā§āϜāĻŋāĻ•āĻž āĻ…āύ⧁āϏāĻžāϰ⧇ āĻŦāĻžāĻ‚āϞāĻž āĻŦāĻžāϰāϟāĻŋ āĻŽāĻžāϏ āĻ…āύ⧇āĻ• āφāϗ⧇ āĻĨ⧇āϕ⧇āχ āĻĒāĻžāϞāĻŋāϤ āĻšāϤāĨ¤ āĻāχ āϏ⧌āϰ āĻĒāĻžā§āϜāĻŋāĻ•āĻžāϰ āĻļ⧁āϰ⧁ āĻšāϤ āĻ—ā§āϰ⧇āĻ—āϰ⧀āϝāĻŧ āĻĒāĻžā§āϜāĻŋāĻ•āĻžāϝāĻŧ āĻāĻĒā§āϰāĻŋāϞ āĻŽāĻžāϏ⧇āϰ āĻŽāĻžāĻāĻžāĻŽāĻžāĻāĻŋ āϏāĻŽāϝāĻŧ āĻšāϤ⧇āĨ¤ āĻšāĻŋāĻ¨ā§āĻĻ⧁ āϏ⧌āϰ āĻŦāĻ›āϰ⧇āϰ āĻĒā§āϰāĻĨāĻŽ āĻĻāĻŋāύ āφāϏāĻžāĻŽ, āĻŦāĻ™ā§āĻ—, āϕ⧇āϰāϞ, āĻŽāύāĻŋāĻĒ⧁āϰ, āύ⧇āĻĒāĻžāϞ, āωāĻĄāĻŧāĻŋāĻˇā§āϝāĻž, āĻĒāĻžāĻžā§āϜāĻžāĻŦ, āϤāĻžāĻŽāĻŋāϞ āύāĻžāĻĄāĻŧ⧁ āĻāĻŦāĻ‚ āĻ¤ā§āϰāĻŋāĻĒ⧁āϰāĻžāϰ āϏāĻ‚āĻ¸ā§āĻ•ā§ƒāϤāĻŋāϰ āĻ…āĻŦāĻŋāĻšā§āϛ⧇āĻĻā§āϝ āĻ…āĻ‚āĻļ āĻšāĻŋāϏ⧇āĻŦ⧇ āĻ…āύ⧇āĻ• āφāϗ⧇ āĻĨ⧇āϕ⧇āχ āĻĒāĻžāϞāĻŋāϤ āĻšāϤāĨ¤āĻāĻ–āύ āϝ⧇āĻŽāύ āύāĻŦāĻŦāĻ°ā§āώ āύāϤ⧁āύ āĻŦāĻ›āϰ⧇āϰ āϏ⧂āϚāύāĻžāϰ āύāĻŋāĻŽāĻŋāĻ¤ā§āϤ⧇ āĻĒāĻžāϞāĻŋāϤ āĻāĻ•āϟāĻŋ āϏāĻ°ā§āĻŦāϜāύ⧀āύ āĻ‰ā§ŽāϏāĻŦ⧇ āĻĒāϰāĻŋāĻŖāϤ āĻšāϝāĻŧ⧇āϛ⧇, āĻāĻ• āϏāĻŽāϝāĻŧ āĻāĻŽāύāϟāĻŋ āĻ›āĻŋāϞ āύāĻžāĨ¤ āϤāĻ–āύ āĻŦāĻžāĻ‚āϞāĻž āĻļ⧁āĻ­ āύāĻŦāĻŦāĻ°ā§āώ āĻŦāĻž āĻĒāĻšā§‡āϞāĻž āĻŦ⧈āĻļāĻžāĻ– āφāĻ°ā§āϤāĻŦ āĻ‰ā§ŽāϏāĻŦ āϤāĻĨāĻž āĻ‹āϤ⧁āϧāĻ°ā§āĻŽā§€ āĻ‰ā§ŽāϏāĻŦ āĻšāĻŋāϏ⧇āĻŦ⧇ āĻĒāĻžāϞāĻŋāϤ āĻšāϤāĨ¤ āϤāĻ–āύ āĻāϰ āĻŽā§‚āϞ āϤāĻžā§ŽāĻĒāĻ°ā§āϝ āĻ›āĻŋāϞ āĻ•ā§ƒāώāĻŋāĻ•āĻžāϜāĨ¤ āĻĒā§āϰāĻžāϝ⧁āĻ•ā§āϤāĻŋāĻ• āĻĒā§āϰāϝāĻŧā§‹āϗ⧇āϰ āϝ⧁āĻ— āĻļ⧁āϰ⧁ āύāĻž āĻšāĻ“āϝāĻŧāĻžāϝāĻŧ āĻ•ā§ƒāώāĻ•āĻĻ⧇āϰ āĻ‹āϤ⧁āϰ āωāĻĒāϰāχ āύāĻŋāĻ°ā§āĻ­āϰ āĻ•āϰāϤ⧇ āĻšāϤāĨ¤

āĻ­āĻžāϰāϤāĻŦāĻ°ā§āώ⧇ āĻŽā§āϘāϞ āϏāĻŽā§āϰāĻžāĻœā§āϝ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻžāϰ āĻĒāϰ āϏāĻŽā§āϰāĻžāϟāϰāĻž āĻšāĻŋāϜāϰ⧀ āĻĒāĻžā§āϜāĻŋāĻ•āĻž āĻ…āύ⧁āϏāĻžāϰ⧇ āĻ•ā§ƒāώāĻŋ āĻĒāĻŖā§āϝ⧇āϰ āĻ–āĻžāϜāύāĻž āφāĻĻāĻžāϝāĻŧ āĻ•āϰāϤāĨ¤ āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻšāĻŋāϜāϰāĻŋ āϏāύ āϚāĻžāρāĻĻ⧇āϰ āωāĻĒāϰ āύāĻŋāĻ°ā§āĻ­āϰāĻļā§€āϞ āĻšāĻ“āϝāĻŧāĻžāϝāĻŧ āϤāĻž āĻ•ā§ƒāώāĻŋ āĻĢāϞāύ⧇āϰ āϏāĻžāĻĨ⧇ āĻŽāĻŋāϞāϤ āύāĻžāĨ¤ āĻāϤ⧇ āĻ…āϏāĻŽāϝāĻŧ⧇ āĻ•ā§ƒāώāĻ•āĻĻ⧇āϰāϕ⧇ āĻ–āϜāύāĻž āĻĒāϰāĻŋāĻļā§‹āϧ āĻ•āϰāϤ⧇ āĻŦāĻžāĻ§ā§āϝ āĻ•āϰāϤ⧇āĻšāϤāĨ¤ āĻ–āĻžāϜāύāĻž āφāĻĻāĻžāϝāĻŧ⧇ āϏ⧁āĻˇā§āϠ⧁āϤāĻž āĻĒā§āϰāĻŖāϝāĻŧāύ⧇āϰ āϞāĻ•ā§āĻˇā§āϝ⧇ āĻŽā§āϘāϞ āϏāĻŽā§āϰāĻžāϟ āφāĻ•āĻŦāϰ āĻŦāĻžāĻ‚āϞāĻž āϏāύ⧇āϰ āĻĒā§āϰāĻŦāĻ°ā§āϤāύ āĻ•āϰ⧇āύāĨ¤ āϤāĻŋāύāĻŋ āĻŽā§‚āϞāϤ āĻĒā§āϰāĻžāĻšā§€āύ āĻŦāĻ°ā§āώāĻĒāĻžā§āϜāϤ⧇ āϏāĻ‚āĻ¸ā§āĻ•āĻžāϰ āφāύāĻžāϰ āφāĻĻ⧇āĻļ āĻĻ⧇āύāĨ¤ āϏāĻŽā§āϰāĻžāĻŸā§‡āϰ āφāĻĻ⧇āĻļ āĻŽāϤ⧇ āĻ¤ā§ŽāĻ•āĻžāϞ⧀āύ āĻŦāĻžāĻ‚āϞāĻžāϰ āĻŦāĻŋāĻ–ā§āϝāĻžāϤ āĻœā§āϝ⧋āϤāĻŋāĻ°ā§āĻŦāĻŋāĻœā§āĻžāĻžāύ⧀ āĻ“ āϚāĻŋāĻ¨ā§āϤāĻžāĻŦāĻŋāĻĻ āĻĢāϤ⧇āĻšāωāĻ˛ā§āϞāĻžāĻš āϏāĻŋāϰāĻžāϜāĻŋ āϏ⧌āϰ āϏāύ āĻāĻŦāĻ‚ āφāϰāĻŦāĻŋ āĻšāĻŋāϜāϰ⧀ āϏāύ⧇āϰ āωāĻĒāϰ āĻ­āĻŋāĻ¤ā§āϤāĻŋ āĻ•āϰ⧇ āύāϤ⧁āύ āĻŦāĻžāĻ‚āϞāĻž āϏāύ⧇āϰ āύāĻŋāϝāĻŧāĻŽ āĻŦāĻŋāύāĻŋāĻ°ā§āĻŽāĻžāĻŖ āĻ•āϰ⧇āύāĨ¤ ā§§ā§Ģā§Žā§Ē āĻ–ā§āϰāĻŋāĻ¸ā§āϟāĻžāĻŦā§āĻĻ⧇āϰ ā§§ā§Ļāχ āĻŽāĻžāĻ°ā§āϚ āĻŦāĻž ā§§ā§§āχ āĻŽāĻžāĻ°ā§āϚ āĻĨ⧇āϕ⧇ āĻŦāĻžāĻ‚āϞāĻž āϏāύ āĻ—āĻŖāύāĻž āĻļ⧁āϰ⧁ āĻšāϝāĻŧāĨ¤ āϤāĻŦ⧇ āĻāχ āĻ—āĻŖāύāĻž āĻĒāĻĻā§āϧāϤāĻŋ āĻ•āĻžāĻ°ā§āϝāĻ•āϰ āĻ•āϰāĻž āĻšāϝāĻŧ āφāĻ•āĻŦāϰ⧇āϰ āϏāĻŋāĻ‚āĻšāĻžāϏāύ āφāϰ⧋āĻšāϪ⧇āϰ āϏāĻŽāϝāĻŧ (ā§Ģāχ āύāϭ⧇āĻŽā§āĻŦāϰ, ā§§ā§Ģā§Ģā§Ŧ) āĻĨ⧇āϕ⧇āĨ¤ āĻĒā§āϰāĻĨāĻŽā§‡ āĻāχ āϏāύ⧇āϰ āύāĻžāĻŽ āĻ›āĻŋāϞ āĻĢāϏāϞāĻŋ āϏāύ, āĻĒāϰ⧇ āĻŦāĻ™ā§āĻ—āĻžāĻŦā§āĻĻ āĻŦāĻž āĻŦāĻžāĻ‚āϞāĻž āĻŦāĻ°ā§āώ āύāĻžāĻŽā§‡ āĻĒāϰāĻŋāϚāĻŋāϤ āĻšāϝāĻŧāĨ¤

āφāĻ•āĻŦāϰ⧇āϰ āϏāĻŽāϝāĻŧāĻ•āĻžāϞ āĻĨ⧇āϕ⧇āχ āĻĒāĻšā§‡āϞāĻž āĻŦ⧈āĻļāĻžāĻ– āωāĻĻā§â€ŒāϝāĻžāĻĒāύ āĻļ⧁āϰ⧁ āĻšāϝāĻŧāĨ¤ āϤāĻ–āύ āĻĒā§āϰāĻ¤ā§āϝ⧇āĻ•āϕ⧇ āϚ⧈āĻ¤ā§āϰ āĻŽāĻžāϏ⧇āϰ āĻļ⧇āώ āĻĻāĻŋāύ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āϏāĻ•āϞ āĻ–āĻžāϜāύāĻž, āĻŽāĻžāĻļ⧁āϞ āĻ“ āĻļ⧁āĻ˛ā§āĻ• āĻĒāϰāĻŋāĻļā§‹āϧ āĻ•āϰāϤ⧇ āĻšāϤāĨ¤ āĻāϰ āĻĒāϰ āĻĻāĻŋāύ āĻ…āĻ°ā§āĻĨāĻžā§Ž āĻĒāĻšā§‡āϞāĻž āĻŦ⧈āĻļāĻžāϖ⧇ āĻ­ā§‚āĻŽāĻŋāϰ āĻŽāĻžāϞāĻŋāĻ•āϰāĻž āύāĻŋāϜ āύāĻŋāϜ āĻ…āĻžā§āϚāϞ⧇āϰ āĻ…āϧāĻŋāĻŦāĻžāϏ⧀āĻĻ⧇āϰāϕ⧇ āĻŽāĻŋāĻˇā§āϟāĻžāĻ¨ā§āύ āĻĻā§āĻŦāĻžāϰāĻž āφāĻĒā§āϝāĻžāϝāĻŧāύ āĻ•āϰāϤ⧇āύāĨ¤ āĻ āωāĻĒāϞāĻ•ā§āĻˇā§āϝ⧇ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āĻ‰ā§ŽāϏāĻŦ⧇āϰ āφāϝāĻŧā§‹āϜāύ āĻ•āϰāĻž āĻšāϤāĨ¤ āĻāχ āĻ‰ā§ŽāϏāĻŦāϟāĻŋ āĻāĻ•āϟāĻŋ āϏāĻžāĻŽāĻžāϜāĻŋāĻ• āĻ…āύ⧁āĻˇā§āĻ āĻžāύ⧇ āĻĒāϰāĻŋāĻŖāϤ āĻšāϝāĻŧ āϝāĻžāϰ āϰ⧁āĻĒ āĻĒāϰāĻŋāĻŦāĻ°ā§āϤāύ āĻšāϝāĻŧ⧇ āĻŦāĻ°ā§āϤāĻŽāĻžāύ⧇ āĻāχ āĻĒāĻ°ā§āϝāĻžāϝāĻŧ⧇ āĻāϏ⧇āϛ⧇āĨ¤ āϤāĻ–āύāĻ•āĻžāϰ āϏāĻŽāϝāĻŧ āĻāχ āĻĻāĻŋāύ⧇āϰ āĻĒā§āϰāϧāĻžāύ āϘāϟāύāĻž āĻ›āĻŋāϞ āĻāĻ•āϟāĻŋ āĻšāĻžāϞāĻ–āĻžāϤāĻž āϤ⧈āϰāĻŋ āĻ•āϰāĻžāĨ¤ āĻšāĻžāϞāĻ–āĻžāϤāĻž āĻŦāϞāϤ⧇ āĻāĻ•āϟāĻŋ āύāϤ⧁āύ āĻšāĻŋāϏāĻžāĻŦ āĻŦāχ āĻŦā§‹āĻāĻžāύ⧋ āĻšāϝāĻŧ⧇āϛ⧇āĨ¤ āĻĒā§āϰāĻ•ā§ƒāϤāĻĒāĻ•ā§āώ⧇ āĻšāĻžāϞāĻ–āĻžāϤāĻž āĻšāϞ āĻŦāĻžāĻ‚āϞāĻž āϏāύ⧇āϰ āĻĒā§āϰāĻĨāĻŽ āĻĻāĻŋāύ⧇ āĻĻā§‹āĻ•āĻžāύāĻĒāĻžāϠ⧇āϰ āĻšāĻŋāϏāĻžāĻŦ āφāύ⧁āĻˇā§āĻ āĻžāύāĻŋāĻ•āĻ­āĻžāĻŦ⧇ āĻšāĻžāϞāύāĻžāĻ—āĻžāĻĻ āĻ•āϰāĻžāϰ āĻĒā§āϰāĻ•ā§āϰāĻŋāϝāĻŧāĻžāĨ¤ āĻ—ā§āϰāĻžāĻŽ, āĻļāĻšāϰ āĻŦāĻž āĻŦāĻžāĻŖāĻŋāĻœā§āϝāĻŋāĻ• āĻāϞāĻžāĻ•āĻž, āϏāĻ•āϞ āĻ¸ā§āĻĨāĻžāύ⧇āχ āĻĒ⧁āϰāύ⧋ āĻŦāĻ›āϰ⧇āϰ āĻšāĻŋāϏāĻžāĻŦ āĻŦāχ āĻŦāĻ¨ā§āϧ āĻ•āϰ⧇ āύāϤ⧁āύ āĻšāĻŋāϏāĻžāĻŦ āĻŦāχ āĻ–ā§‹āϞāĻž āĻšāϝāĻŧāĨ¤ āĻšāĻžāϞāĻ–āĻžāϤāĻžāϰ āĻĻāĻŋāύ⧇ āĻĻā§‹āĻ•āύāĻĻāĻžāϰāϰāĻž āϤāĻžāĻĻ⧇āϰ āĻ•ā§āϰ⧇āϤāĻžāĻĻ⧇āϰ āĻŽāĻŋāĻˇā§āϟāĻžāĻ¨ā§āύ āφāĻĒā§āϝāĻžāϝāĻŧāύ āĻ•āϰ⧇ āĻĨāĻžāϕ⧇āĨ¤ āĻāχ āĻĒā§āϰāĻĨāĻžāϟāĻŋ āĻāĻ–āύāĻ“ āĻ…āύ⧇āĻ•āĻžāĻ‚āĻļ⧇ āĻĒā§āϰāϚāϞāĻŋāϤ āφāϛ⧇, āĻŦāĻŋāĻļ⧇āώāϤ āĻ¸ā§āĻŦāĻ°ā§āϪ⧇āϰ āĻĻā§‹āĻ•āĻžāύ⧇āĨ¤

āφāϧ⧁āύāĻŋāĻ• āύāĻŦāĻŦāĻ°ā§āώ āωāĻĻāϝāĻžāĻĒāύ⧇āϰ āĻ–āĻŦāϰ āĻĒā§āϰāĻĨāĻŽ āĻĒāĻžāĻ“āϝāĻŧāĻž āϝāĻžāϝāĻŧ ⧧⧝⧧⧭ āϏāĻžāϞ⧇āĨ¤ āĻĒā§āϰāĻĨāĻŽ āĻŽāĻšāĻžāϝ⧁āĻĻā§āϧ⧇ āĻŦā§āϰāĻŋāϟāĻŋāĻļāĻĻ⧇āϰ āĻŦāĻŋāϜāϝāĻŧ āĻ•āĻžāĻŽāύāĻž āĻ•āϰ⧇ āϏ⧇ āĻŦāĻ›āϰ āĻĒāĻšā§‡āϞāĻž āĻŦ⧈āĻļāĻžāϖ⧇ āĻšā§‹āĻŽ āϕ⧀āĻ°ā§āĻ¤ā§āϤāĻŖ āĻ“ āĻĒā§‚āϜāĻžāϰ āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻž āĻ•āϰāĻž āĻšāϝāĻŧāĨ¤ āĻāϰāĻĒāϰ ā§§ā§¯ā§Šā§Ž āϏāĻžāϞ⧇āĻ“ āĻ…āύ⧁āϰ⧂āĻĒ āĻ•āĻ°ā§āĻŽāĻ•āĻžāĻ¨ā§āĻĄā§‡āϰ āωāĻ˛ā§āϞ⧇āĻ– āĻĒāĻžāĻ“āϝāĻž āϝāĻžāϝāĻŧāĨ¤ āĻĒāϰāĻŦāĻ°ā§āϤ⧀ āϏāĻŽāϝāĻŧ⧇ ⧧⧝ā§Ŧā§­ āϏāύ⧇āϰ āφāϗ⧇ āϘāϟāĻž āĻ•āϰ⧇ āĻĒāĻšā§‡āϞāĻž āĻŦ⧈āĻļāĻžāĻ– āĻĒāĻžāϞāύ⧇āϰ āϰ⧀āϤāĻŋ āϤ⧇āĻŽāύ āĻāĻ•āϟāĻž...

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