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Savior on the Spilled Blood — Attraction in Palace District

Name
Savior on the Spilled Blood
Description
The Church of the Savior on Spilled Blood is a Russian Orthodox church in Saint Petersburg, Russia which currently functions as a secular museum and church at the same time. The structure was constructed between 1883 and 1907. It is one of Saint Petersburg's major attractions.
Nearby attractions
Museum of Soviet Arcade Machines
Konyushennaya Ploshchad', 2, лит В, St Petersburg, Russia, 191186
The State Russian Museum, Mikhailovsky Palace
Inzhenernaya St, 4, St Petersburg, Russia, 191186
Mikhailovsky Garden
St Petersburg, Russia, 191186
The Benois Wing
Griboyedov channel embankment, 2, St Petersburg, Russia, 191186
Mikhailovsky Theatre
Ploshchad' Iskusstv, 1, St Petersburg, Russia, 191186
Mikhaylovskiy Skver
Ploshchad' Iskusstv, St Petersburg, Russia, 191186
Konyushennaya Square
embankment Riv Moyka, 4, St Petersburg, Russia, 191186
Italian Bridge
Griboyedov channel embankment, 13, St Petersburg, Russia, 191186
Field of Mars
Naberezhnaya Lebyazh'yey Kanavki, 3, St Petersburg, Russia, 191186
Shadow Museum
Bolshaya Konyushennaya St, 5А, St Petersburg, Russia, 191186
Nearby restaurants
Brisket
Shvedskiy Pereulok, 2, St Petersburg, Russia, 199034
Pizza 22 cm
Bolshaya Konyushennaya St, 2, St Petersburg, Russia, 191186
Saint Petersburg
Griboyedov channel embankment, 5, St Petersburg, Russia, 191186
PROSA
Griboyedov channel embankment, 5, St Petersburg, Russia, 191186
The Right Place
Shvedskiy Pereulok, 2, St Petersburg, Russia, 191186
Barslona
Bolshaya Konyushennaya St, 1, St Petersburg, Russia, 191186
Mollie's Mews
Bolshaya Konyushennaya St, 5, St Petersburg, Russia, 191186
Saigo
Griboyedov channel embankment, 5, St Petersburg, Russia, 191186
Mama Roma
Malaya Konyushennaya Ulitsa, 4/2, St Petersburg, Russia, 197720
Big Liver Place
Shvedskiy Pereulok, 2, St Petersburg, Russia, 191186
Nearby hotels
ipkv
Griboyedov channel embankment, 7/34, 4 Etazh, St Petersburg, Russia, 191186
Hotel Moyka 5
embankment Riv Moyka, 5, St Petersburg, Russia, 191186
Nevsky Hotel Art Hall
Bolshaya Konyushennaya St, 11, St Petersburg, Russia, 191186
Grand Hotel Europe
Mikhaylovskaya St, 1/7, St Petersburg, Russia, 191186
Villa Perlov
Perlov Design Center, Bolshaya Konyushennaya St, 2, St Petersburg, Russia, 191186
Grand Hotel Moika 22 St Petersburg
embankment Riv Moyka, 22, St Petersburg, Russia, 191186
Sky Hotel
Bolshaya Konyushennaya St, 17, St Petersburg, Russia, 191186
Arina Rodionovna
Bolshaya Konyushennaya St, 11, St Petersburg, Russia, 191186
The Faces Moyka
Aptekarskiy Pereulok, 5, St Petersburg, Russia, 191186
Hotel Residence Turgenev
Bolshaya Konyushennaya St, 13, лит. А, St Petersburg, Russia, 191186
Related posts
Keywords
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Savior on the Spilled Blood things to do, attractions, restaurants, events info and trip planning
Savior on the Spilled Blood
RussiaSaint PetersburgPalace DistrictSavior on the Spilled Blood

Basic Info

Savior on the Spilled Blood

Griboyedov channel embankment, 2б, лит. А, St Petersburg, Russia, 191186
4.8(13.7K)
Open 24 hours
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Ratings & Description

Info

The Church of the Savior on Spilled Blood is a Russian Orthodox church in Saint Petersburg, Russia which currently functions as a secular museum and church at the same time. The structure was constructed between 1883 and 1907. It is one of Saint Petersburg's major attractions.

Cultural
Accessibility
attractions: Museum of Soviet Arcade Machines, The State Russian Museum, Mikhailovsky Palace, Mikhailovsky Garden, The Benois Wing, Mikhailovsky Theatre, Mikhaylovskiy Skver, Konyushennaya Square, Italian Bridge, Field of Mars, Shadow Museum, restaurants: Brisket, Pizza 22 cm, Saint Petersburg, PROSA, The Right Place, Barslona, Mollie's Mews, Saigo, Mama Roma, Big Liver Place
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Phone
+7 812 315-16-36
Website
cathedral.ru

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Reviews

Nearby attractions of Savior on the Spilled Blood

Museum of Soviet Arcade Machines

The State Russian Museum, Mikhailovsky Palace

Mikhailovsky Garden

The Benois Wing

Mikhailovsky Theatre

Mikhaylovskiy Skver

Konyushennaya Square

Italian Bridge

Field of Mars

Shadow Museum

Museum of Soviet Arcade Machines

Museum of Soviet Arcade Machines

4.6

(1.6K)

Open until 9:00 PM
Click for details
The State Russian Museum, Mikhailovsky Palace

The State Russian Museum, Mikhailovsky Palace

4.8

(6.1K)

Open 24 hours
Click for details
Mikhailovsky Garden

Mikhailovsky Garden

4.8

(2.5K)

Open 24 hours
Click for details
The Benois Wing

The Benois Wing

4.8

(912)

Closed
Click for details

Nearby restaurants of Savior on the Spilled Blood

Brisket

Pizza 22 cm

Saint Petersburg

PROSA

The Right Place

Barslona

Mollie's Mews

Saigo

Mama Roma

Big Liver Place

Brisket

Brisket

4.7

(691)

$$

Click for details
Pizza 22 cm

Pizza 22 cm

4.5

(1.3K)

$$

Click for details
Saint Petersburg

Saint Petersburg

4.5

(128)

Click for details
PROSA

PROSA

4.3

(94)

Click for details
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Reviews of Savior on the Spilled Blood

4.8
(13,669)
avatar
4.0
1y

“Savior on Spilled Blood” (or “Church of the Savior on Spilled Blood”) is an iconic Russian Orthodox church located in St. Petersburg, Russia, and renowned for both its rich history and stunning architecture. Here’s a review of the church from both historical and artistic perspectives:

History

The church was built on the site where Tsar Alexander II was assassinated in 1881. In memory of this tragic event, his son, Alexander III, commissioned the church’s construction. It was completed in 1907, and the church is often associated with the Russian imperial period. The full name—“Church of the Savior on Spilled Blood”—refers to the blood that was shed by the tsar during the assassination.

During the Soviet era, the church was closed and its interiors were damaged, as the government moved to repurpose it as a museum. It wasn’t until the 1990s that the church was fully restored and reopened for religious services.

Architecture

The church is a prime example of Russian Revival architecture and has been compared to Moscow’s famous St. Basil’s Cathedral, though the architectural style is distinctly different in many ways. The structure features: • Colorful onion domes: The most striking feature of the church is its vibrant, multicolored onion domes, which are a hallmark of Russian architectural tradition. • Exquisite mosaics: Inside, the church boasts over 7,500 square meters of mosaics, one of the largest collections in Europe. These mosaics depict biblical scenes, saints, and events in the life of Christ. • Elaborate facades: The facades are richly decorated with bright ceramic tiles and ornamental patterns, giving the building a lively, eye-catching appearance.

The design is a mix of traditional Byzantine and Russian styles, but with a unique Russian flair that blends vibrant color with intricate detailing. The result is an unforgettable and picturesque building that stands out against the city’s skyline.

Artistic Significance

The church is not just an architectural marvel, but also an artistic treasure trove. Its interior mosaics were created by some of the finest Russian artists of the late 19th and early 20th centuries. The mosaics are richly detailed and are considered some of the finest examples of Russian sacred art.

Atmosphere

When visiting, you’ll likely find a serene atmosphere despite the crowds, especially after the church’s recent restoration. Visitors can appreciate both the historical significance and the spiritual depth of the church. It’s a place where history, culture, and religion intersect, offering a glimpse into the grandeur of the Russian imperial era while also serving as an active place of worship.

Critiques

While the church is undeniably beautiful, some critics argue that its exterior can seem a bit “too ornate” for those accustomed to more minimalist forms of church architecture. The overwhelming use of mosaics and rich detailing may also be overwhelming to some, making it less serene or subdued than some other religious sites in Europe.

Conclusion

In sum, the Savior on Spilled Blood is one of St. Petersburg’s most iconic landmarks. Its beauty, intricate mosaics, and rich history make it a must-see for visitors to the city. Whether you’re interested in history, art, or architecture, the church is an unforgettable experience. Its evocative name and tragic origins add an emotional depth that enhances the...

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5.0
11y

Wow. There is no better word to describe this unreal site than 'wow.' I've seen pictures of it online and in books, but none do it any justice once your own eyes gaze upon it.

Our tour bus rolled up alongside it and let us off across the street, adjacent to a street crafts fair (aka - flea market). When you first lay eyes upon this church, you can't help but stare at the vivid colors on the onion-shaped roof features. It spans such an array of colors. With our Grand Tour 2-Day excursion from our Carnival Cruise we skipped the line and our group of 44 from the Carnival Legend walked immediately into the church to begin our tour of the inside.

It's inside where you can witness hundreds of years of artistry upon the walls and ceiling of the church. The walls are decorated with the most intricately painted artwork of an era not seen for centuries. Last time I saw this highly detailed artistry and elegance in a church was Italy with its Duomo in Florence and the Vatican Museum among a great many others there. There is an abundance of gold used in the paintings on the walls as well as the domed ceilings. Also in the church is the resting place of Alexander The Great. His tomb is marked by a grandiose structure which always has fresh flowers laid just in front of it.

In one of the stories told during our visit, it was described that the Russians had made plans to demolish this church because it was not stable -- it had been originally built above the intersection of 3 rivers / canals which made the foundation very unstable for a structure this size. Those plans were put aside because just a few days before it was to be demolished, the Germans had declared war on, and invaded, Russia during WWII in June 1941. Were it not for that fortuitous timing - for better or for worse I suppose in the grander scheme of things - this amazing church would be lost forever.

Move to the outside of the church and you get lost in its architecture, its colors, and its unique characteristics. There isn't one church, landmark, monument, or building that remotely resembles this one with its colorful onion-shaped rooftop features. This is certainly a MUST SEE if you...

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4.0
5y

The cathedral was built from 1883 till 1907 in the place of the tragic events that happened on the 1st of March 1881 – lethally wounding Emperor Alexander II who was heading to the place of the parade in the Field of Mars that moment. His son Alexander III ordered to build there a church for regular services for the repose of the killed father. That is why the name of the Church on Spilled Blood stuck to the temple, although it is officially called the Cathedral of the Resurrection of Christ.

The money was donated to the construction of the temple not only by Russians but also by the habitants of Slavic countries. On the walls of the bell tower there are more than a hundred of mosaic coats of arms of the cities, towns, governorates and uyezds who funded the building of the church. There is also the coat of arms of House of Romanov.

The cross of the bell tower is topped with a gold-plated kingly crown in recognition that the biggest contribution to the creation of the church was made by the august family. 4,6 millions of rubles were invested into the construction in total.

Architecturally, the Cathedral differs from St. Petersburg's other structures. The Church contains over 7500 square meters of mosaics—according to its restorers, more than any other church in the world. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture. This mosaic ensemble was worked at by artists V.M. Vasnetsov, M.V. Nesterov and  A.P. Ryabushkin.

For decoration of the heads there were used copper pieces covered with freeze-proof colored enamel (having the area of 1000 square meters). The height of the highest dome is 81 meter. All along the perimeter of the temple building there are set 20 granite plaques with gilded writings describing Alexander II’s deeds. From the side of the Mikhailovsky Garden the temple is surrounded with a cast-iron fence having a with floral made to a...

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Vỹ NguyễnVỹ Nguyễn
Construction began in 1883 during the reign of Alexander III, two years after the assassination of his father Alexander II. The church was dedicated to be a memorial to his father. Estimates suggest that the construction cost 4.5 million rubles. The construction was completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors. The church is prominently situated along the Griboedov Canal; paved roads run along both sides of the canal. On March 13, 1881 (Julian date: March 1), as Alexander II's carriage passed along the embankment, a grenade thrown by an anarchist conspirator exploded. The tsar, shaken but unhurt, got out of the carriage and started to remonstrate with the presumed culprit. A second conspirator took the chance to throw another bomb, killing himself and mortally wounding the tsar. The tsar, bleeding heavily, was taken back to the Winter Palace, where he died a few hours later. A temporary shrine was erected on the site of the attack while plans and fundraising for a more permanent memorial were undertaken. In order to build a permanent shrine on the exact spot where the assassination took place, it was decided to narrow the canal so that the section of road on which the tsar had been driving could be included within the walls of the church. An elaborate shrine, in the form of a ciborium, was constructed at the end of the church opposite the altar, on the exact place of Alexander's assassination. It is embellished with topaz, lazurite and other semi-precious stones, making a striking contrast with the simple cobblestones of the old road, which are exposed in the floor of the shrine.
Vitalii NazarkinVitalii Nazarkin
Факты показавшиеся интересными: Девятикупольный храм Спаса на Крови, служит мемориалом императору Александру II, смертельно раненому на этом месте. Его строили на добровольные пожертвования, собранные по всей России и обошлось в 4,6 млн рублей. Строительство велось в течение 24 лет. Начавшиеся в 1883 году строительные работы были завершены только в 1907-м. Здание было полностью электрифицировано: в нём располагалось почти 1700 электроламп. В храме не предусматривались массовые посещения, хотя он мог вмещать до 1600 прихожан. Собор находился в ведении МВД, вход в храм осуществлялся только по пропускам. Перед войной храм чудом избежал сноса, хоть все приготовления, включая закладку взрывчатки, были проведены. В годы блокады Ленинграда Спас на Крови выполнял функцию морга. В него свозили тела погибших горожан. Мозаика храма — одна из крупнейших подобного рода в Европе, общая площадь которой 7065 м². Пол храма выложен редчайшим итальянским мрамором более десяти сортов, площадью свыше 600 м². Нижняя часть пилонов облицована черным лабрадоритом завезенным из Украины. Этот удивительный камень отличается уникальным радужным свечением, идущим из глубины камня. В 1961 году во время реставрационных работ в центральном куполе храма обнаружили неразорвавшийся немецкий фугасный снаряд весом 150 кг. Он пролежал здесь 18 лет. Впервые для покрытия куполов использовали медные пластины с нанесением на них эмали. До того времени эмали использовались только в небольших ювелирных произведениях. Площадь покрытия превышает 1000 м². Киоты, места для расположения самых почитаемых икон, представляют собой ценнейшую коллекцию цветного поделочного камня. Над воплощением узора гранильная фабрика трудилась 12 лет, причём полным составом. Александру ІІ было предсказано, что именно восьмое покушение приведет его к гибели. Шесть раз императору удавалось избежать смерти, в седьмой – бомба повредила только карету. Вышедший из экипажа император мог избежать смерти, но он задержался на месте, давая распоряжения относительно случившегося. В этот момент к его ногам была брошена еще одна бомба – восьмое покушение стало роковым.
Margarida PiresMargarida Pires
A igreja foi desenhada conjuntamente pelo arquiteto Alfred Parland e pelo Arquimandrita Ignati (nome secular Mályshev), reitor do mosteiro Tróitse-Sérguievski. A construção da igreja iniciou-se em 1883 durante o reinado de Alexandre III, como um memorial ao seu pai assassinado dois anos antes nesse mesmo lugar . As obras prolongaram-se e foram finalizadas em 1907, sob o reinado de Nicolau II: As verbas necessárias provieram dos cofres da família imperial e de numerosas doações privadas. No final de março de 1883, o czar aprovou a composição da comissão de consolidação com o Grão-Duque Vladimir Alexandrovich como o seu diretor. A primeira sessão da Comissão decidiu o nome da futura igreja como a Igreja da Ressurreição de Cristo, como sugerido pelo arquimandrita Ignati. Um fragmento do corrimão de ferro fundido, pedaços de granito e algumas pedras manchadas de sangue de Alexandre II foram retirados do local para se preservarem como relíquias da capela na Praça de Konyúshennaya. Consequentemente, regressaram para onde pertenciam, e um pavilhão, como costumava fazer-se nas tradições da arquitetura antiga russa, foi edificado sobre o local. Em 6 de outubro de 1883, celebrou-se uma cerimónia para assinalar o lançamento da primeira pedra onde assistiram o metropolita Isidoro de São Petersburgo e Novgorod e os membros da família imperial. A Igreja da Ressurreição demorou 24 anos a ser construída. Este intervalo de tempo relativamente longo pode ser atribuído à decoração abundante e diversificada, à construção em voga e a técnicas inovadoras de engenharia para a época. Uma fundação de estacas foi abandonada pela primeira vez na história de São Petersburgo, a favor de uma fundação de concreto. Um sofisticado isolamento hidráulico foi desenvolvido para proteger a igreja das águas do canal; o aquecimento a vapor e os sistemas elétricos foram instalados mais tarde. A 19 de agosto de 1907, o metropolita António de São Petersburgo e Ladoga consagrou a igreja, e um novo templo surgiu no canal Griboedov (anteriormente chamado Canal de Catarina) para perpetuar a memória do imperador Alexandre II.
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Construction began in 1883 during the reign of Alexander III, two years after the assassination of his father Alexander II. The church was dedicated to be a memorial to his father. Estimates suggest that the construction cost 4.5 million rubles. The construction was completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors. The church is prominently situated along the Griboedov Canal; paved roads run along both sides of the canal. On March 13, 1881 (Julian date: March 1), as Alexander II's carriage passed along the embankment, a grenade thrown by an anarchist conspirator exploded. The tsar, shaken but unhurt, got out of the carriage and started to remonstrate with the presumed culprit. A second conspirator took the chance to throw another bomb, killing himself and mortally wounding the tsar. The tsar, bleeding heavily, was taken back to the Winter Palace, where he died a few hours later. A temporary shrine was erected on the site of the attack while plans and fundraising for a more permanent memorial were undertaken. In order to build a permanent shrine on the exact spot where the assassination took place, it was decided to narrow the canal so that the section of road on which the tsar had been driving could be included within the walls of the church. An elaborate shrine, in the form of a ciborium, was constructed at the end of the church opposite the altar, on the exact place of Alexander's assassination. It is embellished with topaz, lazurite and other semi-precious stones, making a striking contrast with the simple cobblestones of the old road, which are exposed in the floor of the shrine.
Vỹ Nguyễn

Vỹ Nguyễn

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Факты показавшиеся интересными: Девятикупольный храм Спаса на Крови, служит мемориалом императору Александру II, смертельно раненому на этом месте. Его строили на добровольные пожертвования, собранные по всей России и обошлось в 4,6 млн рублей. Строительство велось в течение 24 лет. Начавшиеся в 1883 году строительные работы были завершены только в 1907-м. Здание было полностью электрифицировано: в нём располагалось почти 1700 электроламп. В храме не предусматривались массовые посещения, хотя он мог вмещать до 1600 прихожан. Собор находился в ведении МВД, вход в храм осуществлялся только по пропускам. Перед войной храм чудом избежал сноса, хоть все приготовления, включая закладку взрывчатки, были проведены. В годы блокады Ленинграда Спас на Крови выполнял функцию морга. В него свозили тела погибших горожан. Мозаика храма — одна из крупнейших подобного рода в Европе, общая площадь которой 7065 м². Пол храма выложен редчайшим итальянским мрамором более десяти сортов, площадью свыше 600 м². Нижняя часть пилонов облицована черным лабрадоритом завезенным из Украины. Этот удивительный камень отличается уникальным радужным свечением, идущим из глубины камня. В 1961 году во время реставрационных работ в центральном куполе храма обнаружили неразорвавшийся немецкий фугасный снаряд весом 150 кг. Он пролежал здесь 18 лет. Впервые для покрытия куполов использовали медные пластины с нанесением на них эмали. До того времени эмали использовались только в небольших ювелирных произведениях. Площадь покрытия превышает 1000 м². Киоты, места для расположения самых почитаемых икон, представляют собой ценнейшую коллекцию цветного поделочного камня. Над воплощением узора гранильная фабрика трудилась 12 лет, причём полным составом. Александру ІІ было предсказано, что именно восьмое покушение приведет его к гибели. Шесть раз императору удавалось избежать смерти, в седьмой – бомба повредила только карету. Вышедший из экипажа император мог избежать смерти, но он задержался на месте, давая распоряжения относительно случившегося. В этот момент к его ногам была брошена еще одна бомба – восьмое покушение стало роковым.
Vitalii Nazarkin

Vitalii Nazarkin

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A igreja foi desenhada conjuntamente pelo arquiteto Alfred Parland e pelo Arquimandrita Ignati (nome secular Mályshev), reitor do mosteiro Tróitse-Sérguievski. A construção da igreja iniciou-se em 1883 durante o reinado de Alexandre III, como um memorial ao seu pai assassinado dois anos antes nesse mesmo lugar . As obras prolongaram-se e foram finalizadas em 1907, sob o reinado de Nicolau II: As verbas necessárias provieram dos cofres da família imperial e de numerosas doações privadas. No final de março de 1883, o czar aprovou a composição da comissão de consolidação com o Grão-Duque Vladimir Alexandrovich como o seu diretor. A primeira sessão da Comissão decidiu o nome da futura igreja como a Igreja da Ressurreição de Cristo, como sugerido pelo arquimandrita Ignati. Um fragmento do corrimão de ferro fundido, pedaços de granito e algumas pedras manchadas de sangue de Alexandre II foram retirados do local para se preservarem como relíquias da capela na Praça de Konyúshennaya. Consequentemente, regressaram para onde pertenciam, e um pavilhão, como costumava fazer-se nas tradições da arquitetura antiga russa, foi edificado sobre o local. Em 6 de outubro de 1883, celebrou-se uma cerimónia para assinalar o lançamento da primeira pedra onde assistiram o metropolita Isidoro de São Petersburgo e Novgorod e os membros da família imperial. A Igreja da Ressurreição demorou 24 anos a ser construída. Este intervalo de tempo relativamente longo pode ser atribuído à decoração abundante e diversificada, à construção em voga e a técnicas inovadoras de engenharia para a época. Uma fundação de estacas foi abandonada pela primeira vez na história de São Petersburgo, a favor de uma fundação de concreto. Um sofisticado isolamento hidráulico foi desenvolvido para proteger a igreja das águas do canal; o aquecimento a vapor e os sistemas elétricos foram instalados mais tarde. A 19 de agosto de 1907, o metropolita António de São Petersburgo e Ladoga consagrou a igreja, e um novo templo surgiu no canal Griboedov (anteriormente chamado Canal de Catarina) para perpetuar a memória do imperador Alexandre II.
Margarida Pires

Margarida Pires

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