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Chiesa di Santa Maria Assunta detta I Gesuiti — Attraction in Venice

Name
Chiesa di Santa Maria Assunta detta I Gesuiti
Description
The church of Santa Maria Assunta, known as I Gesuiti, is a religious building in Venice, Italy. It is located in the sestiere of Cannaregio, in Campo dei Gesuiti, not far from the Fondamenta Nuove.
Nearby attractions
Oratory of Crociferi
Campo dei Gesuiti, 4904, 30121 Venezia VE, Italy
Palazzo Donà dalle Rose
Fondamente Nove, 5038, 30121 Venezia VE, Italy
Ponte Chiodo
Rio di san Felice, 30121 Venezia VE, Italy
Rialto Bridge
30125 Venice, Metropolitan City of Venice, Italy
Basilica dei Santi Giovanni e Paolo
Campo S.S. Giovanni e Paolo, 6363, 30122 Venezia VE, Italy
Chiesa di Santa Caterina
Fondamenta Santa Caterina, 4940A, 30121 Venezia VE, Italy
Church of Saint Mary of Miracles
Campiello dei Miracoli, 30121 Venezia VE, Italy
Palazzo Albrizzi - Capello
Cannaregio, F.TA SAN ANDREA 4118, 30121 Venezia VE, Italy
Galleria Giorgio Franchetti alla Ca' d'Oro
Calle Ca' d'Oro, 3934, 30121 Venezia VE, Italy
Chiesa dell'Abbazia della Misericordia
Campo de l'Abazia, 3550, 30121 Venezia VE, Italy
Nearby restaurants
Algiubagio Restaurant
Fondamente Nove, 5039, 30121 Venezia VE, Italy
Puppa Bar Venezia
Salizada del Spezier, 4800, 30121 Venezia VE, Italy
Trattoria Storica
Salizada Seriman, 4858, 30121 Venezia VE, Italy
Osteria Alla Frasca
Corte de la Carità, 5176, 30121 Venezia VE, Italy
Ristorante Pizzería Da Alvise
Fondamente Nove, 5045/A, 30121 Venezia VE, Italy
Tortuga
Salizada dei Spechieri, 5035, 30121 Venezia VE, Italy
Pizzeria Snack Bar Cupido
Corte del Squero, 5042, 30121 Venezia VE, Italy
Osteria al Tajer
Calle dei Buranelli, 5068, 30121 Venezia VE, Italy
il Caffegelato
Fondamente Nove, 5047, 30121 Venezia VE, Italy
Ristorante Vecia Cavana
Via Tera Santi Apostoli, 4624, 30121 Venezia VE, Italy
Related posts
Keywords
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Chiesa di Santa Maria Assunta detta I Gesuiti things to do, attractions, restaurants, events info and trip planning
Chiesa di Santa Maria Assunta detta I Gesuiti
ItalyVenetoVeniceChiesa di Santa Maria Assunta detta I Gesuiti

Basic Info

Chiesa di Santa Maria Assunta detta I Gesuiti

Salizada dei Spechieri, 4877, 30121 Venezia VE, Italy
4.7(517)
Open 24 hours
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spot

Ratings & Description

Info

The church of Santa Maria Assunta, known as I Gesuiti, is a religious building in Venice, Italy. It is located in the sestiere of Cannaregio, in Campo dei Gesuiti, not far from the Fondamenta Nuove.

Cultural
Scenic
Accessibility
attractions: Oratory of Crociferi, Palazzo Donà dalle Rose, Ponte Chiodo, Rialto Bridge, Basilica dei Santi Giovanni e Paolo, Chiesa di Santa Caterina, Church of Saint Mary of Miracles, Palazzo Albrizzi - Capello, Galleria Giorgio Franchetti alla Ca' d'Oro, Chiesa dell'Abbazia della Misericordia, restaurants: Algiubagio Restaurant, Puppa Bar Venezia, Trattoria Storica, Osteria Alla Frasca, Ristorante Pizzería Da Alvise, Tortuga, Pizzeria Snack Bar Cupido, Osteria al Tajer, il Caffegelato, Ristorante Vecia Cavana
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Phone
+39 041 528 6579
Website
gesuiti-venezia.it

Plan your stay

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Reviews

Nearby attractions of Chiesa di Santa Maria Assunta detta I Gesuiti

Oratory of Crociferi

Palazzo Donà dalle Rose

Ponte Chiodo

Rialto Bridge

Basilica dei Santi Giovanni e Paolo

Chiesa di Santa Caterina

Church of Saint Mary of Miracles

Palazzo Albrizzi - Capello

Galleria Giorgio Franchetti alla Ca' d'Oro

Chiesa dell'Abbazia della Misericordia

Oratory of Crociferi

Oratory of Crociferi

4.5

(48)

Open 24 hours
Click for details
Palazzo Donà dalle Rose

Palazzo Donà dalle Rose

4.6

(23)

Open 24 hours
Click for details
Ponte Chiodo

Ponte Chiodo

4.6

(971)

Open 24 hours
Click for details
Rialto Bridge

Rialto Bridge

4.7

(56K)

Open 24 hours
Click for details

Things to do nearby

Legends, Ghosts and Ghouls of Venice
Legends, Ghosts and Ghouls of Venice
Fri, Dec 5 • 9:00 PM
30121, Venice, Veneto, Italy
View details
Visit and learn about Murano glass
Visit and learn about Murano glass
Fri, Dec 5 • 2:00 PM
30122, Venice, Veneto, Italy
View details
Explore the lagoon and secret islands by kayak
Explore the lagoon and secret islands by kayak
Fri, Dec 5 • 2:30 PM
30142, Venice, Veneto, Italy
View details

Nearby restaurants of Chiesa di Santa Maria Assunta detta I Gesuiti

Algiubagio Restaurant

Puppa Bar Venezia

Trattoria Storica

Osteria Alla Frasca

Ristorante Pizzería Da Alvise

Tortuga

Pizzeria Snack Bar Cupido

Osteria al Tajer

il Caffegelato

Ristorante Vecia Cavana

Algiubagio Restaurant

Algiubagio Restaurant

4.4

(850)

$$

Click for details
Puppa Bar Venezia

Puppa Bar Venezia

4.5

(1.8K)

Click for details
Trattoria Storica

Trattoria Storica

4.3

(593)

$$

Click for details
Osteria Alla Frasca

Osteria Alla Frasca

4.6

(744)

$$

Click for details
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Reviews of Chiesa di Santa Maria Assunta detta I Gesuiti

4.7
(517)
avatar
5.0
3y

This magically beautiful Church of Santa Maria Assunta, known in the city as the Jesuit Church, is located in a quiet area of Canaregio in the area closest to the Fondamente Nova. The church faces the Rio dei Gesuiti and stands out above the lagoon, marking the architectural profile of the fondamenta (canals and streets). The church originally belonged to the Crusaders, and only from 1657 did it pass into the hands of the Jesuits who radically changed its appearance. It was financed by the Manin family, an aristocratic Friulan family. The church was consecrated in 1728. The Jesuits in Venice determined that Domenico Rossi, who designed the Church of San Stae, was the ideal architect to do the work they needed. It was not an easy task for him as he had to follow strict plans, which were defined for the Jesuits by the Council of Trent. The façade - designed by G. B. Fattoretto - is an example of the Venetian Baroque of the early eighteenth century, and the whole façade is dominated by the prominent work of the L'Assunzione della Vergine Maria (The Assumption of the Virgin Mary ) statues by Giuseppe Torretti. The interior decoration of fake brocade, actually made of marble inserts, is a real scenographic effect of the church known for its numerous canvases by Jacopo Palma the Younger kept in the sacristy and for the masterpiece of Titian's last work The Martyrdom of Saint Lawrence (1558) on the first altar on the left , which reveals Titian at a turning point, according to the way he experiences the night scene. The next masterpiece is the painting of the altarpiece Assumption of Mary work of Tintoretto, 1555. The ceiling is adorned with beautiful frescoes. In the chancel, Angel musicians in Glory (1720), and on the vaulted ceiling The Triumph of the Name of Jesus (1732), were painted by Ludovico Dorigny. On the ceiling of the nave, Abraham and Three Angels and Vision of St John Evangelist were painted by Francesco Fontebasso in 1734. The chancel is decorated with statues of cherubs, little angels, angels and archangels by Giuseppe Torretti. Around the altar, designed by the Jesuit father Giuseppe Pozzo, ten columns support a green and white dome. A chapel in the church has the monument to Doge Cicogna by Campagna. In addition to the above, the church is extremely rich in other works of art by famous Venetian masters of art. Extremely significant and...

   Read more
avatar
5.0
43w

There have been countless churches, cathedrals and temples in my exploration of Italy, and yet this one gloriously stands out as a true gem in its striking baroque style.

It is under renovation as of early 2025, but it can still be accessed via a small side door near the entrance.

Santa Maria Assunta, also known as the Gesuiti Church is fairly modern by italian standards. Built in the early 18th century by the Jesuits, it boasts an extravagant interior covered in white/green marble inlay, creating an illusion of draped fabric.

One of its highlights is Titian’s "Martyrdom of St. Lawrence", a dramatic masterpiece where the saint is shown being grilled alive, lit by eerie firelight.

Fun fact, the Jesuits were expelled from Venice shortly after the church’s completion, so they barely got to use their architectural...

   Read more
avatar
1.0
6y

Not good at all. Do not add this country in your Europe trip. It is very expensive in Venice, nothing much to see and you have to walk everywhere. There are lots of mosquitoes. This place have too much publicity. We were very disappointed for 3 days their, as we paid 600 Euro for a 2 bedrooms apartment which were really bad. The room were on the 3rd floor, there was no lift and we have to carry everything upstairs. It was a bit too much high rated on the internet. Lots of mosquitoes in room at night, no cooling in the room with the hot temperature, only in lounge and kitchen. It was very bad. The name of the apartment is Ca' Bellini in Venice. See photo of...

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Asiyah Noemi KosoAsiyah Noemi Koso
This magically beautiful Church of Santa Maria Assunta, known in the city as the Jesuit Church, is located in a quiet area of Canaregio in the area closest to the Fondamente Nova. The church faces the Rio dei Gesuiti and stands out above the lagoon, marking the architectural profile of the fondamenta (canals and streets). The church originally belonged to the Crusaders, and only from 1657 did it pass into the hands of the Jesuits who radically changed its appearance. It was financed by the Manin family, an aristocratic Friulan family. The church was consecrated in 1728. The Jesuits in Venice determined that Domenico Rossi, who designed the Church of San Stae, was the ideal architect to do the work they needed. It was not an easy task for him as he had to follow strict plans, which were defined for the Jesuits by the Council of Trent. The façade - designed by G. B. Fattoretto - is an example of the Venetian Baroque of the early eighteenth century, and the whole façade is dominated by the prominent work of the L'Assunzione della Vergine Maria (The Assumption of the Virgin Mary ) statues by Giuseppe Torretti. The interior decoration of fake brocade, actually made of marble inserts, is a real scenographic effect of the church known for its numerous canvases by Jacopo Palma the Younger kept in the sacristy and for the masterpiece of Titian's last work The Martyrdom of Saint Lawrence (1558) on the first altar on the left , which reveals Titian at a turning point, according to the way he experiences the night scene. The next masterpiece is the painting of the altarpiece Assumption of Mary work of Tintoretto, 1555. The ceiling is adorned with beautiful frescoes. In the chancel, Angel musicians in Glory (1720), and on the vaulted ceiling The Triumph of the Name of Jesus (1732), were painted by Ludovico Dorigny. On the ceiling of the nave, Abraham and Three Angels and Vision of St John Evangelist were painted by Francesco Fontebasso in 1734. The chancel is decorated with statues of cherubs, little angels, angels and archangels by Giuseppe Torretti. Around the altar, designed by the Jesuit father Giuseppe Pozzo, ten columns support a green and white dome. A chapel in the church has the monument to Doge Cicogna by Campagna. In addition to the above, the church is extremely rich in other works of art by famous Venetian masters of art. Extremely significant and beautiful church.
CalifornifyCalifornify
There have been countless churches, cathedrals and temples in my exploration of Italy, and yet this one gloriously stands out as a true gem in its striking baroque style. It is under renovation as of early 2025, but it can still be accessed via a small side door near the entrance. Santa Maria Assunta, also known as the Gesuiti Church is fairly modern by italian standards. Built in the early 18th century by the Jesuits, it boasts an extravagant interior covered in white/green marble inlay, creating an illusion of draped fabric. One of its highlights is Titian’s "Martyrdom of St. Lawrence", a dramatic masterpiece where the saint is shown being grilled alive, lit by eerie firelight. Fun fact, the Jesuits were expelled from Venice shortly after the church’s completion, so they barely got to use their architectural masterpiece.
Francesco PAVONCELLIFrancesco PAVONCELLI
la chiesa non è sempre aperta, ma se lo è vi si accede con un biglietto di 2€.La chiesa va visitata anche solo per il suo pulpito drappeggiato in marmo intarsiato che è unico al mondo. Se ci si chiede, ma come sia stato possibile realizzare un’opera come questa? La risposta c’è! Immediatamente infatti ci si chiede,quando si vedono queste opere d'arte,come ha fatto l'uomo ad avere questa capacità di trasformare un pezzo di marmo in una stoffa di una morbidezza incredibile...genialità barocche, ma la tecnica era tutto sommato semplice e ingegnosa. Il modello, in scala reale, veniva prima creato con un broccato di stoffa vera, che si fissava (indurendola con acqua e colla stesa su una forma di gesso) e poi si cominciava, con pazienza a riprodurre al vero usando il marmo, cominciando dal primo dei due materiali, cioè il marmo bianco, sul quale veniva poi riportato, centimetro per centimetro, il disegno che il modello drappeggiato già conteneva e dunque si ricreava l’intarsio inserendovi il marmo verde. Un lavoro davvero lungo, difficile e molto delicato, ma che un gruppo ben affiatato di marmorini poteva realizzare con sicurezza e in tempi ragionevoli. Per costruire tutta la chiesa serviranno 14 anni di lavori, per gli intarsi non si sa, forse gli ultimi tre (la chiesa è infatti piena di marmo verde intarsiato). Se poi ci si va vicino si vede come il Verde Alpi, inserito tra gli intarsi, presenta tante mini crepe, il che la dice lunga sulla difficoltà di ritagliare e inserire il duro materiale nei solchi incisi… e si tratta di forme precise e piene di curve, come quelle qui sotto, che ho fotografate proprio ai Gesuiti di Cannaregio nel 2020. La indispensabile lucidata finale, coi giusti abrasivi, completava l’opera. La medesima tecnica è stata applicata per realizzare la predella su gradini dell’Altar Maggiore dove i marmi cambiano per tendere alla riproduzione di un tappeto orientale.
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Pet-friendly Hotels in Venice

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This magically beautiful Church of Santa Maria Assunta, known in the city as the Jesuit Church, is located in a quiet area of Canaregio in the area closest to the Fondamente Nova. The church faces the Rio dei Gesuiti and stands out above the lagoon, marking the architectural profile of the fondamenta (canals and streets). The church originally belonged to the Crusaders, and only from 1657 did it pass into the hands of the Jesuits who radically changed its appearance. It was financed by the Manin family, an aristocratic Friulan family. The church was consecrated in 1728. The Jesuits in Venice determined that Domenico Rossi, who designed the Church of San Stae, was the ideal architect to do the work they needed. It was not an easy task for him as he had to follow strict plans, which were defined for the Jesuits by the Council of Trent. The façade - designed by G. B. Fattoretto - is an example of the Venetian Baroque of the early eighteenth century, and the whole façade is dominated by the prominent work of the L'Assunzione della Vergine Maria (The Assumption of the Virgin Mary ) statues by Giuseppe Torretti. The interior decoration of fake brocade, actually made of marble inserts, is a real scenographic effect of the church known for its numerous canvases by Jacopo Palma the Younger kept in the sacristy and for the masterpiece of Titian's last work The Martyrdom of Saint Lawrence (1558) on the first altar on the left , which reveals Titian at a turning point, according to the way he experiences the night scene. The next masterpiece is the painting of the altarpiece Assumption of Mary work of Tintoretto, 1555. The ceiling is adorned with beautiful frescoes. In the chancel, Angel musicians in Glory (1720), and on the vaulted ceiling The Triumph of the Name of Jesus (1732), were painted by Ludovico Dorigny. On the ceiling of the nave, Abraham and Three Angels and Vision of St John Evangelist were painted by Francesco Fontebasso in 1734. The chancel is decorated with statues of cherubs, little angels, angels and archangels by Giuseppe Torretti. Around the altar, designed by the Jesuit father Giuseppe Pozzo, ten columns support a green and white dome. A chapel in the church has the monument to Doge Cicogna by Campagna. In addition to the above, the church is extremely rich in other works of art by famous Venetian masters of art. Extremely significant and beautiful church.
Asiyah Noemi Koso

Asiyah Noemi Koso

hotel
Find your stay

Affordable Hotels in Venice

Find a cozy hotel nearby and make it a full experience.

Get the Appoverlay
Get the AppOne tap to find yournext favorite spots!
There have been countless churches, cathedrals and temples in my exploration of Italy, and yet this one gloriously stands out as a true gem in its striking baroque style. It is under renovation as of early 2025, but it can still be accessed via a small side door near the entrance. Santa Maria Assunta, also known as the Gesuiti Church is fairly modern by italian standards. Built in the early 18th century by the Jesuits, it boasts an extravagant interior covered in white/green marble inlay, creating an illusion of draped fabric. One of its highlights is Titian’s "Martyrdom of St. Lawrence", a dramatic masterpiece where the saint is shown being grilled alive, lit by eerie firelight. Fun fact, the Jesuits were expelled from Venice shortly after the church’s completion, so they barely got to use their architectural masterpiece.
Californify

Californify

hotel
Find your stay

The Coolest Hotels You Haven't Heard Of (Yet)

Find a cozy hotel nearby and make it a full experience.

hotel
Find your stay

Trending Stays Worth the Hype in Venice

Find a cozy hotel nearby and make it a full experience.

la chiesa non è sempre aperta, ma se lo è vi si accede con un biglietto di 2€.La chiesa va visitata anche solo per il suo pulpito drappeggiato in marmo intarsiato che è unico al mondo. Se ci si chiede, ma come sia stato possibile realizzare un’opera come questa? La risposta c’è! Immediatamente infatti ci si chiede,quando si vedono queste opere d'arte,come ha fatto l'uomo ad avere questa capacità di trasformare un pezzo di marmo in una stoffa di una morbidezza incredibile...genialità barocche, ma la tecnica era tutto sommato semplice e ingegnosa. Il modello, in scala reale, veniva prima creato con un broccato di stoffa vera, che si fissava (indurendola con acqua e colla stesa su una forma di gesso) e poi si cominciava, con pazienza a riprodurre al vero usando il marmo, cominciando dal primo dei due materiali, cioè il marmo bianco, sul quale veniva poi riportato, centimetro per centimetro, il disegno che il modello drappeggiato già conteneva e dunque si ricreava l’intarsio inserendovi il marmo verde. Un lavoro davvero lungo, difficile e molto delicato, ma che un gruppo ben affiatato di marmorini poteva realizzare con sicurezza e in tempi ragionevoli. Per costruire tutta la chiesa serviranno 14 anni di lavori, per gli intarsi non si sa, forse gli ultimi tre (la chiesa è infatti piena di marmo verde intarsiato). Se poi ci si va vicino si vede come il Verde Alpi, inserito tra gli intarsi, presenta tante mini crepe, il che la dice lunga sulla difficoltà di ritagliare e inserire il duro materiale nei solchi incisi… e si tratta di forme precise e piene di curve, come quelle qui sotto, che ho fotografate proprio ai Gesuiti di Cannaregio nel 2020. La indispensabile lucidata finale, coi giusti abrasivi, completava l’opera. La medesima tecnica è stata applicata per realizzare la predella su gradini dell’Altar Maggiore dove i marmi cambiano per tendere alla riproduzione di un tappeto orientale.
Francesco PAVONCELLI

Francesco PAVONCELLI

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