Castelvecchio Museum — Attraction in Verona

The Castelvecchio Museum, located in Verona, Italy, is a captivating blend of medieval architecture and modern art. This historical fortress turned museum offers visitors a unique opportunity to explore both the rich history of the castle and a remarkable collection of artworks.

Originally built in the 14th century as a defensive structure, the Castelvecchio stands as a testament to Verona's past as a powerful city-state. The castle's imposing walls, battlements, and fortified towers create an atmosphere of grandeur and strength.

Inside the museum, visitors can admire an extensive collection of artworks spanning various periods and styles. The museum houses paintings, sculptures, ceramics, and artifacts from the medieval, Renaissance, and Venetian periods. Notable highlights include masterpieces by renowned artists such as Jacopo Bellini, Paolo Veronese, and Giovanni Francesco Caroto.

One of the museum's standout features is the magnificent Scala della Ragione, a large spiral staircase that connects the castle's upper floors. The elegant spiral design and architectural details of the staircase are truly impressive.

The museum's layout allows visitors to explore the castle's various rooms and chambers, providing insights into the daily life of rulers and inhabitants during different historical periods. The exhibition spaces seamlessly integrate with the castle's architectural elements, creating a harmonious blend of history and art.

In addition to its permanent collection, the museum also hosts temporary exhibitions, further enriching the cultural offerings for visitors.

Beyond its artistic treasures, the Castelvecchio Museum offers breathtaking views of the Adige River and the city of Verona from its ramparts. The surrounding grounds, including a picturesque bridge over the river, provide a serene setting for leisurely strolls and contemplation.

A visit to the Castelvecchio Museum is a journey through time, where visitors can delve into the city's medieval past while immersing themselves in the world of art. The museum's unique combination of historical architecture and artistic masterpieces creates a captivating experience that appeals to history buffs, art enthusiasts, and cultural explorers.

The Castelvecchio Museum stands as a testament to the rich heritage of Verona, showcasing the city's storied past and artistic legacy. It is a cultural gem that invites visitors to appreciate the beauty of both its medieval architecture and the exceptional artworks it houses, making it a must-see destination for anyone...

Such a poor experience unfortunately. A 3-year old toddler and a 7-month young baby greeted by a bugbear who tells them and other toddlers off for being children… We arrived at lunchtime and couldn’t go in, because our baby was sleeping in the stroller and apparently Italian law does not allow strollers in public museums. Same was evident in other museums we visited as well, but the whole staff in Castelvecchio were unwelcoming and we left only to come back later when the baby was awake. Prior to departing we asked at the front desk for our toddler to use the toilet, but we were told we could do so only with a valid ticket… Second time around later in the afternoon, the baby is awake placed in the pouch. As expected (and we strongly insisted that the toddler should have sat at the stroller) the curiosity of a 3-year old human brain knows no bounds, so we were constantly being told off by the museum staff for not holding him by his hand. Needless to say that we spent most of our time arguing with people who are apparently narrow-minded. Luckily, the elder gentleman -a gentleman at heart and at mind- with the beard at the top floor is a magnificent exception to the rest staff and insisted that we were still welcome to enjoy the marvelous art and showed us around, despite us being emotionally broken by the end of our visit. Not to mention, that my toddler was eventually holding my hand tight being overcome by despair at witnessing these scenes of abuse towards us. Families with babies and toddlers need to stay away to...

Carlo Scarpa had been contacted by Licisco Magagnato in 1958 for a temporary exhibition. The synergy created between the former partisan, political militant, historian of arts and the venetian Professor continued in different phases until 1964, year of the new opening of the museum. The sign of the opera scarpiana is the willing of renovation: the set-up fixed in the early 20s by the director Avena and the architect Forlati gave to what lasted of the Austrian military complex grafted on the castle: a general historicistics settings, made by an assemblage of real gothic elements on the façade and historically reconstructed frescoes and rooms.

The main interventions are radical modification to the structure and a new path of visit, the opening of a forgotten but existing gate connecting the two main courtyards, passing under the public street of the bridge. Or also the collocation of the Cangrande’s statue, the most precious valuable monument of the veronese history on a 7 meters concrete basament: yes, in public, yes, outside and for free, but in a ad-hoc created scenario, or the insertion of the cube of the sacello and of its...