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National Crafts Museum — Attraction in Kanazawa

Name
National Crafts Museum
Description
The National Handicrafts and Handlooms Museum commonly known as National Crafts Museum in New Delhi is one of the largest crafts museums in India. It is run by the Ministry of Textiles, Government of India. The museum is situated on the corner of the Pragati Maidan, facing the Purana Quila complex.
Nearby attractions
Ishikawa Prefectural Museum of Art
2-1 Dewamachi, Kanazawa, Ishikawa 920-0963, Japan
Ishikawa Prefectural History Museum
3-1 Dewamachi, Kanazawa, Ishikawa 920-0963, Japan
D.T. Suzuki Museum
3 Chome-4-20 Hondamachi, Kanazawa, Ishikawa 920-0964, Japan
Kenroku-en
1 Kenrokumachi, Kanazawa, Ishikawa 920-0936, Japan
金澤神社
Japan, 〒920-0936 Ishikawa, Kanazawa, Kenrokumachi, 1−3 金沢神社
21st Century Museum of Contemporary Art, Kanazawa
1 Chome-2-1 Hirosaka, Kanazawa, Ishikawa 920-8509, Japan
Kanazawa Nakamura Memorial Museum
3 Chome-2-29 Hondamachi, Kanazawa, Ishikawa 920-0964, Japan
Kaga Honda Museum
Japan, 〒920-0963 Ishikawa, Kanazawa, Dewamachi, 3−1 加賀本多博物館(いしかわ赤レンガミュージアム)
Ishiura Shrine
3 Chome-1-30 Hondamachi, Kanazawa, Ishikawa 920-0964, Japan
Hondanomori Park
3-1 Dewamachi, Kanazawa, Ishikawa 920-0963, Japan
Nearby restaurants
Sekitei Kaiseki restaurant
1 Chome-9-23 Hirosaka, Kanazawa, Ishikawa 920-0962, Japan
Onigiri Mitsuya
Japan, 〒920-0964 Ishikawa, Kanazawa, Hondamachi, 3 Chome−10−15 押野谷ビル
KAIFAN the Parlor
1 Chome-9-20 Hirosaka, Kanazawa, Ishikawa 920-0962, Japan
Fusion 21
1 Chome-2-1 Hirosaka, Kanazawa, Ishikawa 920-0962, Japan
うどんそば処しみず(清水食堂)
3 Chome-3-13 Hondamachi, Kanazawa, Ishikawa 920-0964, Japan
Hazama
Japan, 〒920-0993 Ishikawa, Kanazawa, Shimohondamachi, 6−1−2
Ajiwai Magoshichi
3 Chome-10-19 Hondamachi, Kanazawa, Ishikawa 920-0964, Japan
Hatakenoko
3 Chome-10-3 Hondamachi, Kanazawa, Ishikawa 920-0964, Japan
LaniBowls (ラニボウルズ)
3 Chome-10-26 Hondamachi, Kanazawa, Ishikawa 921-8041, Japan
Kanazawa Nanahoshi Curry
Japan, 〒920-0962 Ishikawa, Kanazawa, Hirosaka, 1 Chome−2−18 中村ビル
Nearby hotels
First Hotel Kanazawa
1 Chome-2-24 Hirosaka, Kanazawa, Ishikawa 920-0962, Japan
Center Point in Kanazawa
Japan, 〒920-0968 Ishikawa, Kanazawa, Saiwaimachi, 3−36 Center Point In Kanazawa
Kaname Inn Tatemachi
41 Tatemachi, Kanazawa, Ishikawa 920-0997, Japan
APA Hotel Kanazawa Katamachi
2 Bancho-21-1 Ikedamachi, Kanazawa, Ishikawa 920-0984, Japan
APA HOTEL KANAZAWA-CHUO
1 Chome-5-24 Katamachi, Kanazawa, Ishikawa 920-0981, Japan
Kikunoya Ryokan
Japan, 〒920-0962 Ishikawa, Kanazawa, Hirosaka, 1 Chome−1−27 旅館きくのや
Guest House Carta
10-22 Saiwaimachi, Kanazawa, Ishikawa 920-0968, Japan
Camellia Inn Yukitsubaki
4-17 Koshomachi, Kanazawa, Ishikawa 920-0932, Japan
K's House Kanazawa - Travelers Hostel
3 Chome-132 Shintatemachi, Kanazawa, Ishikawa 920-0995, Japan
House Hotel Kenrokuzaka
8-36 Koshomachi, Kanazawa, Ishikawa 920-0932, Japan
Related posts
Keywords
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National Crafts Museum things to do, attractions, restaurants, events info and trip planning
National Crafts Museum
JapanIshikawa PrefectureKanazawaNational Crafts Museum

Basic Info

National Crafts Museum

3-2 Dewamachi, Kanazawa, Ishikawa 920-0963, Japan
4.1(439)
Closed
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Ratings & Description

Info

The National Handicrafts and Handlooms Museum commonly known as National Crafts Museum in New Delhi is one of the largest crafts museums in India. It is run by the Ministry of Textiles, Government of India. The museum is situated on the corner of the Pragati Maidan, facing the Purana Quila complex.

Cultural
Family friendly
Accessibility
attractions: Ishikawa Prefectural Museum of Art, Ishikawa Prefectural History Museum, D.T. Suzuki Museum, Kenroku-en, 金澤神社, 21st Century Museum of Contemporary Art, Kanazawa, Kanazawa Nakamura Memorial Museum, Kaga Honda Museum, Ishiura Shrine, Hondanomori Park, restaurants: Sekitei Kaiseki restaurant, Onigiri Mitsuya, KAIFAN the Parlor, Fusion 21, うどんそば処しみず(清水食堂), Hazama, Ajiwai Magoshichi, Hatakenoko, LaniBowls (ラニボウルズ), Kanazawa Nanahoshi Curry
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Phone
+81 50-5541-8600
Website
momat.go.jp
Open hoursSee all hours
Wed9:30 AM - 5:30 PMClosed

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Reviews

Nearby attractions of National Crafts Museum

Ishikawa Prefectural Museum of Art

Ishikawa Prefectural History Museum

D.T. Suzuki Museum

Kenroku-en

金澤神社

21st Century Museum of Contemporary Art, Kanazawa

Kanazawa Nakamura Memorial Museum

Kaga Honda Museum

Ishiura Shrine

Hondanomori Park

Ishikawa Prefectural Museum of Art

Ishikawa Prefectural Museum of Art

4.1

(846)

Closed
Click for details
Ishikawa Prefectural History Museum

Ishikawa Prefectural History Museum

4.2

(651)

Open 24 hours
Click for details
D.T. Suzuki Museum

D.T. Suzuki Museum

4.5

(986)

Open 24 hours
Click for details
Kenroku-en

Kenroku-en

4.4

(13.5K)

Open 24 hours
Click for details

Things to do nearby

Traditional Kintsugi in the city of gold
Traditional Kintsugi in the city of gold
Fri, Dec 12 • 10:00 AM
920-0845, Ishikawa, Kanazawa, Japan
View details
Candlelight: 時代を超えて愛されるクラシック名曲集
Candlelight: 時代を超えて愛されるクラシック名曲集
Thu, Dec 11 • 5:00 PM
2-chōme-15-1 Honmachi, Kanazawa, 920-0853
View details
Meet Kanazawa’s culture 
in a department store
Meet Kanazawa’s culture in a department store
Wed, Dec 10 • 4:30 PM
920-0855, Ishikawa, Kanazawa, Japan
View details

Nearby restaurants of National Crafts Museum

Sekitei Kaiseki restaurant

Onigiri Mitsuya

KAIFAN the Parlor

Fusion 21

うどんそば処しみず(清水食堂)

Hazama

Ajiwai Magoshichi

Hatakenoko

LaniBowls (ラニボウルズ)

Kanazawa Nanahoshi Curry

Sekitei Kaiseki restaurant

Sekitei Kaiseki restaurant

4.3

(177)

Click for details
Onigiri Mitsuya

Onigiri Mitsuya

4.4

(120)

$

Click for details
KAIFAN the Parlor

KAIFAN the Parlor

4.5

(55)

Click for details
Fusion 21

Fusion 21

3.7

(126)

Click for details
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11.3 Cultural Festival: Free Art Gallery Edition - Which One Reigns Supreme?
PrudencePrudence
11.3 Cultural Festival: Free Art Gallery Edition - Which One Reigns Supreme?
Hiroaki KanekoHiroaki Kaneko
日本海側初の国立美術館。名称に『工芸』とあるため、古来より今に伝えられる伝統工芸について学ぶ施設を想像するかもしれないが、実際のところは博物館のような要素は少ない。移転元が東京国立近代美術館の工芸館であるため、展示されている作品も明治時代以降のもので占められている。むしろ明治時代から現代の美術家たちによる美術作品や作品群のデザインを展示する美術館、と思うだろう。勿論、(主に)近代以降の作品や作品の作成プロセスについての調査研究設備も備わっているが、展示にはそのような調査研究の要素は少ない。 建物は、明治期に建てられた洋風建築『旧陸軍第九師団司令部庁舎』を移築し、当時の色合いを再現したものである。正面入り口に向かって左側の建物が展示エリアとなっており、調査研究のエリアとなっている右側の建物は、基本的にスタッフのみの立ち入りとなる。複数ある展示スペースも比較的コンパクトであるため、全ての展示室を見て回る程度であれば1時間程度で済む。またそのようなコンパクトな展示室構成であるからか、(現時点では)常設展は無い。 展示されている工芸を美術的側面で鑑賞してもらうことが主たる美術館であるため、作品に触れたり体験したりするコーナーは無い。そのため、『工芸』の世界を広く知ってもらうには少し物足りないかもしれない。また各展示室に監視員が常駐しており、(致し方ないとはいえ)鑑賞マナーなどをしつこく注意してくることもあり、場合により鬱陶しいと感じることもあるだろう。 館内はスロープを始めエスカレーターもあるため、車椅子等の障碍を持つ方でも気軽に利用できる。とは言え、各展示室がコンパクトに設計されているため、展示会や展示方法次第では自由に動きづらいと感じるかもしれない。 This is the first national art museum on the Sea of Japan coast. With the word "Kogei" in its name, one might imagine an institution for learning about traditional crafts handed down from ancient times to the present, but in reality, the museum has little in common with a typical museum. Since the museum was relocated from the Crafts Gallery of the National Museum of Modern Art, Tokyo, the majority of the works on display are from the Meiji period onward. One would rather think of it as an art museum that exhibits designs of artworks and artworks by artists from the Meiji era to the present day. Of course, the museum has research facilities for (mostly) post-modern works and processes of creation, but there is little research component to the exhibits. The building is a Western-style building built in the Meiji period, which was relocated from the former headquarters building of the 9th Division of the Army, and reproduced in its original color scheme. The building to the left of the main entrance is the exhibition area, while the building to the right, which is the research area, is basically for staff only. The multiple exhibition spaces are relatively compact, so it takes only about one hour to visit all of the exhibition rooms. Perhaps because of this compact exhibition space, there seems to be no permanent exhibitions in the museum. Since the main purpose of the museum is to have visitors appreciate the crafts on display from an artistic perspective, there are no areas where visitors can touch or experience the works of art. As a result, the museum may be a little lacking in terms of providing visitors with a broad understanding of the world of Kogei (crafts). In addition, there are watchmen stationed in each of the exhibition rooms, and they may (though unavoidable) give you persistent warnings about your viewing manners, which may be a little depressing at times. The museum is accessible to visitors with disabilities, including those in wheelchairs, thanks to ramps and escalators. However, the rooms are compactly designed, so visitors may find it difficult to move freely, depending on the exhibition and the method of display.
Leonard LoLeonard Lo
This museum had very nice exhibits of craft from many young artists. It was not crowded and easy to get through in 30-60 minutes. There seems to be some construction going on when we visited, so the amount of exhibits were limited. The museum was in a very nice area with other museums nearby.
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11.3 Cultural Festival: Free Art Gallery Edition - Which One Reigns Supreme?
Prudence

Prudence

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日本海側初の国立美術館。名称に『工芸』とあるため、古来より今に伝えられる伝統工芸について学ぶ施設を想像するかもしれないが、実際のところは博物館のような要素は少ない。移転元が東京国立近代美術館の工芸館であるため、展示されている作品も明治時代以降のもので占められている。むしろ明治時代から現代の美術家たちによる美術作品や作品群のデザインを展示する美術館、と思うだろう。勿論、(主に)近代以降の作品や作品の作成プロセスについての調査研究設備も備わっているが、展示にはそのような調査研究の要素は少ない。 建物は、明治期に建てられた洋風建築『旧陸軍第九師団司令部庁舎』を移築し、当時の色合いを再現したものである。正面入り口に向かって左側の建物が展示エリアとなっており、調査研究のエリアとなっている右側の建物は、基本的にスタッフのみの立ち入りとなる。複数ある展示スペースも比較的コンパクトであるため、全ての展示室を見て回る程度であれば1時間程度で済む。またそのようなコンパクトな展示室構成であるからか、(現時点では)常設展は無い。 展示されている工芸を美術的側面で鑑賞してもらうことが主たる美術館であるため、作品に触れたり体験したりするコーナーは無い。そのため、『工芸』の世界を広く知ってもらうには少し物足りないかもしれない。また各展示室に監視員が常駐しており、(致し方ないとはいえ)鑑賞マナーなどをしつこく注意してくることもあり、場合により鬱陶しいと感じることもあるだろう。 館内はスロープを始めエスカレーターもあるため、車椅子等の障碍を持つ方でも気軽に利用できる。とは言え、各展示室がコンパクトに設計されているため、展示会や展示方法次第では自由に動きづらいと感じるかもしれない。 This is the first national art museum on the Sea of Japan coast. With the word "Kogei" in its name, one might imagine an institution for learning about traditional crafts handed down from ancient times to the present, but in reality, the museum has little in common with a typical museum. Since the museum was relocated from the Crafts Gallery of the National Museum of Modern Art, Tokyo, the majority of the works on display are from the Meiji period onward. One would rather think of it as an art museum that exhibits designs of artworks and artworks by artists from the Meiji era to the present day. Of course, the museum has research facilities for (mostly) post-modern works and processes of creation, but there is little research component to the exhibits. The building is a Western-style building built in the Meiji period, which was relocated from the former headquarters building of the 9th Division of the Army, and reproduced in its original color scheme. The building to the left of the main entrance is the exhibition area, while the building to the right, which is the research area, is basically for staff only. The multiple exhibition spaces are relatively compact, so it takes only about one hour to visit all of the exhibition rooms. Perhaps because of this compact exhibition space, there seems to be no permanent exhibitions in the museum. Since the main purpose of the museum is to have visitors appreciate the crafts on display from an artistic perspective, there are no areas where visitors can touch or experience the works of art. As a result, the museum may be a little lacking in terms of providing visitors with a broad understanding of the world of Kogei (crafts). In addition, there are watchmen stationed in each of the exhibition rooms, and they may (though unavoidable) give you persistent warnings about your viewing manners, which may be a little depressing at times. The museum is accessible to visitors with disabilities, including those in wheelchairs, thanks to ramps and escalators. However, the rooms are compactly designed, so visitors may find it difficult to move freely, depending on the exhibition and the method of display.
Hiroaki Kaneko

Hiroaki Kaneko

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hotel
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Trending Stays Worth the Hype in Kanazawa

Find a cozy hotel nearby and make it a full experience.

This museum had very nice exhibits of craft from many young artists. It was not crowded and easy to get through in 30-60 minutes. There seems to be some construction going on when we visited, so the amount of exhibits were limited. The museum was in a very nice area with other museums nearby.
Leonard Lo

Leonard Lo

See more posts
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Reviews of National Crafts Museum

4.1
(439)
avatar
4.0
2y

日本海側初の国立美術館。名称に『工芸』とあるため、古来より今に伝えられる伝統工芸について学ぶ施設を想像するかもしれないが、実際のところは博物館のような要素は少ない。移転元が東京国立近代美術館の工芸館であるため、展示されている作品も明治時代以降のもので占められている。むしろ明治時代から現代の美術家たちによる美術作品や作品群のデザインを展示する美術館、と思うだろう。勿論、(主に)近代以降の作品や作品の作成プロセスについての調査研究設備も備わっているが、展示にはそのような調査研究の要素は少ない。 建物は、明治期に建てられた洋風建築『旧陸軍第九師団司令部庁舎』を移築し、当時の色合いを再現したものである。正面入り口に向かって左側の建物が展示エリアとなっており、調査研究のエリアとなっている右側の建物は、基本的にスタッフのみの立ち入りとなる。複数ある展示スペースも比較的コンパクトであるため、全ての展示室を見て回る程度であれば1時間程度で済む。またそのようなコンパクトな展示室構成であるからか、(現時点では)常設展は無い。 展示されている工芸を美術的側面で鑑賞してもらうことが主たる美術館であるため、作品に触れたり体験したりするコーナーは無い。そのため、『工芸』の世界を広く知ってもらうには少し物足りないかもしれない。また各展示室に監視員が常駐しており、(致し方ないとはいえ)鑑賞マナーなどをしつこく注意してくることもあり、場合により鬱陶しいと感じることもあるだろう。 館内はスロープを始めエスカレーターもあるため、車椅子等の障碍を持つ方でも気軽に利用できる。とは言え、各展示室がコンパクトに設計されているため、展示会や展示方法次第では自由に動きづらいと感じるかもしれない。

This is the first national art museum on the Sea of Japan coast. With the word "Kogei" in its name, one might imagine an institution for learning about traditional crafts handed down from ancient times to the present, but in reality, the museum has little in common with a typical museum. Since the museum was relocated from the Crafts Gallery of the National Museum of Modern Art, Tokyo, the majority of the works on display are from the Meiji period onward. One would rather think of it as an art museum that exhibits designs of artworks and artworks by artists from the Meiji era to the present day. Of course, the museum has research facilities for (mostly) post-modern works and processes of creation, but there is little research component to the exhibits. The building is a Western-style building built in the Meiji period, which was relocated from the former headquarters building of the 9th Division of the Army, and reproduced in its original color scheme. The building to the left of the main entrance is the exhibition area, while the building to the right, which is the research area, is basically for staff only. The multiple exhibition spaces are relatively compact, so it takes only about one hour to visit all of the exhibition rooms. Perhaps because of this compact exhibition space, there seems to be no permanent exhibitions in the museum. Since the main purpose of the museum is to have visitors appreciate the crafts on display from an artistic perspective, there are no areas where visitors can touch or experience the works of art. As a result, the museum may be a little lacking in terms of providing visitors with a broad understanding of the world of Kogei (crafts). In addition, there are watchmen stationed in each of the exhibition rooms, and they may (though unavoidable) give you persistent warnings about your viewing manners, which may be a little depressing at times. The museum is accessible to visitors with disabilities, including those in wheelchairs, thanks to ramps and escalators. However, the rooms are compactly designed, so visitors may find it difficult to move freely, depending on the exhibition and the...

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avatar
1.0
2y

Arrived early and waited in long line. Eventually got to ticket counter to find out that permanent exhibition was closed and only a Pokemon exhibition was open. We wasted hours getting there and queuing to be told this. The shop is tiny and not worth going to. There is so much craft to see in Japan so it's very disappointing that the National Craft Museum is only interested in showing Pokemon. Very...

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avatar
4.0
2y

Interesting collection on display. However, we took the name "National Crafts Museum" to imply an emphasis on Japanese cultural items. Turns out the current exhibition Feb 2023 was the "focus on international art". Ironic, since we just arrived from Australia. But still well presented.

One "local" section was a display about Maki-e master craftsman, Gonruku Matsuda. It was fascinating....

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