Rasmus Meyer, Kode — Attraction in Bergen

On November 24, 2024, I visited KODE - Rasmus Meyer building and paid 175 NOK for the ticket. Unfortunately, my experience was overshadowed by a series of unpleasant incidents involving the museum staff and unclear policies. I believe future visitors should be aware of these issues to avoid similar disappointments.

After entering, I took a sip of water from a child’s thermos in the first hall before starting the exhibition. A security guard immediately approached me and asked me not to drink water. I apologized and put the thermos in my backpack. I was then informed that my backpack needed to be carried in front of me or along my body. I adjusted it as instructed and confirmed with the guard that it was acceptable.

However, midway through the exhibition, the same security guard stopped me again. This time, I was told that my backpack was too large and needed to be stored in a locker. The locker’s flimsy lock didn’t feel secure, and I was uncomfortable leaving my belongings there. Nevertheless, I had no choice but to leave the museum without seeing most of the exhibition.

//////////////////Key problems that visitors should know about: Rules displayed after ticket purchase: All restrictions regarding backpacks, water, and other items are communicated only after the ticket counter, leaving no opportunity to prepare in advance. Issues with carry-on luggage you bring on airplanes: If you have carry-on luggage, you will likely face difficulties. I strongly recommend using the storage lockers at the train station before visiting. Unclear refund policy: I paid the full ticket price but couldn’t enjoy the full exhibition due to these inconveniences. The museum should consider offering partial refunds in such situations.

This experience ruined my mood for the entire day. I even wondered if there was a possibility of getting a refund since I felt I didn’t receive the service I paid for. Moreover, this experience discouraged me from visiting other museums in Bergen.

//////////////////Recommendations for visitors: If you still decide to visit this museum, come during the summer, travel light, avoid wearing outerwear, and bring only a payment card and ID. Do not bring water bottles, backpacks, or anything that might attract the staff’s attention.

I hope this feedback helps the museum improve its service, but for now, I recommend approaching your visit...

Was a little bit of a rainy day so decided to check out the great Kode art museums that I had always heard about it and never made it to. Beautiful locations along the lake. Going to the first few buildings in the collective, I find out that most of them (Lysverket, Stenersen, Permanenten) are all closed or have no exhibits other than this one building here, the Rasmus Meyer, which houses their main Norwegian impressionist works and Munch works. NOTE: MUNCH'S THE SCREAM IS NOT LOCATED HERE (it is at the National Museum in Oslo, and that information is easily found by everyone, so don't blame anyone but yourself if you show up here and are surprised it is not available). Sadly, they are still charging the same full price (NOK 175, or about $17USD) even though only one building is open. Still, it is nice to support art and carpe diem, who knows when I will be back. They provide free keyed lockers for backpack size baggage storage. Overall it is a relatively small museum (about 40 minutes for me at a leisurely pace). They do provide nice overall writeups in English for each section, but otherwise do not provide more details on individual works other than the artist, year, and piece name. I enjoyed the museum as it was very quiet, nicely presented, and they have some great pieces. However, the building architecture and layout is not particularly interesting or engaging, and the pricing is a little rough for a single...

TLDR: nice paintings, terrible museeumswork Nice paintings inside of course but everything else about the museeum was horrendous. The museeumshop was very small and only had 2 pictures of Munch. The audioguide didnt really go into what the painting was supposed to express or explained about the life of the artist but mostly talked about LGBTQ stuff (which is totally fine and interesting, it was just a lot and i expected something else). At one point the audioguide talked about how Munch developed his style after 1906 when he entered a clinc but the paintings were not in a logical order (e.g. chronological...) so that you could not see his development. This is especially odd, since at the start it tells you that Rasmus Meyers goal was to collect artwork of multiple norwegian artist and show their...