Roman Catholic parish church NMP on the Sand in Wroclaw — Attraction in Wrocław

Church of the Blessed Virgin Mary on the Sand in Wroclaw (German: Kirche Unserer lieben Frau auf dem Sande ) - a monastic church of the Papal Republic ( regular canons of St. Augustine ) located on the Odra island of Piasek .

The Latin call of the church is Sancta Maria in Arena and comes from the church of St. Maria built on the site of a former circus in Padua - however, it was assumed to translate the arena into the sand , which eventually gave the name of the island.

Currently, it is a parish church

The original Romanesque church and monastery were probably funded by the palatine of Piotr Włost , his wife Princess Maria and their son Świętosław in the first half of the 12th century and completed before 1148 (according to some sources already in 1133 ). Probably after 1150 they arrived on Sand regular canons. The Romanesque church with an external length of approx. 35 m was much smaller than the present Gothic one, and slightly smaller than the Walter cathedral at the same time on Ostrów Tumski. He was in the place where the current projection of the church is the central part of the nave and the southern nave. The church was made of granite, had a short transept and elongated presbytery , narrower than naves or aisle, with chapels on both sides and a crypt . From the west there were two towers with a gallery between them. As late as in the 13th century, the presbytery was extended in the east brick construction by about 10 m. In this form, the Romanesque church probably survived until 1334 .

Former and present gothic church In the place of the temple described above, from 1334 - 75 a new Gothic three-aisle hall without a transept was erected, among others according to Master Pieszka's plans . The construction was initiated by Abbot Konrad from Oleśnica, and the church was consecrated in 1369 by Bishop Przecław . Vaults were made in the years 1386 - 1395 . In 1430 the southern tower was completed; the north remained unfinished. The original gothic helmet with a defensive gallery was later replaced by a baroque one , which burned down on 28 or 30 January 1730and was replaced with a temporary tent roof, the form of which has survived to this day. In 1390 the first of the side chapels was completed - the Holy Family, while in 1666 , the chapel of St. George was built according to the design of Antonio Caldin. Krzyża - the oldest baroque building in Wrocław. In the fire of 1730, the roof of the church's body was destroyed outside the helmet, rebuilt in 1732 . Subsequent fires, from 1763 and 25 May 1791 caused further, later rebuilt, damage to the roof.

During the siege of Wrocław at the end of the Second World War, the church and monastery were heavily damaged, the greatest destruction occurred in Easter 1945, April 1 and 2. It was considered to leave the monastery complex in the form of a permanent ruin. In the end, however, they were rebuilt - the church in the years 1946 - 1948 and 1961 - 1963 , according to the designs of Witold Rawski and Edmund Małachowicz , while the interior was restored to Gothic forms and equipped with altars from the Silesian churches destroyed in the war . The roof was rebuilt as steeper than before the destruction, reconstructing the form from before the fire of 1730. The modern stained glass windows in the church were made by...

Across the thoroughfare from the Piaskowa Market Hall is the tiny island of Piasek, one of the 12 outcrops of rock perched along this stretch of the Odra. A picturesque bridge (appropriately called Most Piaskowy) embellished with a pair of red wrought-iron railings makes access to Piasek island from the mainland a matter of minutes. At the back of the bridge stand the only two buildings on Piasek, both of which are churches. The small Baroque Church of St Anne belongs to the Uniate congregation and opens only for Sunday service. Its interior is a showcase of florid Baroque to which decorations related to the Eastern rite were added. Facing this modest building is the monumental Church of St Mary on the Sand, a 14th-century brick edifice that looms over the eastern half of Piasek island. The church you see is not authentic but like the Cathedral of St John on Ostrow Tumski, it was reconstructed from the debris of war with great regard for its original design and features. The church isn’t particularly attractive from the outside and apart from its elaborate arched windows, it looks a bit bulky and box-like. The redeeming factor is the river promenade that goes around part of the church and offers a splendid overall view of its colossal back end, complete with flying buttresses and roof supports. The elephantine size of this three-aisled place of worship becomes more evident as you step inside. An iron gateway behind the main doorway prevents access to the nave but it allows for a distant look at the high altar and the lofty stained-glass window further back. There’s really not much to see but if you want to check out the side chapels and the collection of triptychs as well, you can make an attempt at finding the nun on duty who will willingly open the gate for you (and probably switch on the lights). Before you leave, check out the magnificent cross-ribbed vaulting that dominates the ceiling with its delicacy and craftsmanship and is undoubtedly the church’s best asset. The first chapel to the right as you enter the main doorway houses a mechanized szopka, a Polish-style nativity crib that depicts the full story of salvation as narrated in the Bible. Colourful it is... but without an explanatory leaflet, it is meaningless to the majority...

Разположена на Пясъчния остров, множество мостове ви отвеждат до нея, зависи откъде идвате, непосредствено до мост Тумски. През 1149 г. тук е създаден Августински манастир, който е бил от най-богатите във Вроцлав. Тухлената готическа църква започва да се строи през 1334 г. под ръководството на майстора строител Пешел. През 15 и 16 век тя продължава да се разширява. По време на Тридесетгодишната война е разграбена от шведските войски. Новият манастир е построен на няколко етапа между 1709 г. и 1802 г. на мястото на средновековния. По време на Седемгодишната война пруското правителство използва църквата като склад за боеприпаси. По време на Втората световна война при обсадата на града, генералното командване на града е със седалище в евакуираната църква и манастир. По време на тази война целият бароков интериор на църквата изгаря, включително органа и амвона. Реконструкцията на църквата е направена в нейната първоначална, готическа архитектура, а новите витражи са създадени от Тереза ​​Реклавска през 1968 г. Днес църквата на Пресвета Богородица е известна с уникалната си рождествена сцена ("szopka"), която се показва целогодишно. Традиция за местните жители е посещението на тази сцена, особено по време на празници и...