The Tonhalle Zürich is a masterpiece of acoustic design, a benchmark of excellence in Europe. Its shoebox shape ensures natural sound diffusion and a perfect balance between clarity, warmth, and spatial immersion.
With a reverberation time of around 2 seconds, it’s ideal for classical music, offering depth without compromising definition.
The interaction between reflective surfaces and the architecture creates a unique auditory immersion, where every instrument is distinctly clear, and the sound envelops the listener. The spatial imaging is precise, allowing each instrument in an orchestra to be distinctly located within the soundscape.
Tonhalle Zürich exemplifies the pinnacle of acoustic engineering and architectural synergy. It not only honors the traditions of concert hall design but also sets a benchmark for future venues, a space where science meets art to elevate the human experience.
An unparalleled acoustic gem that every music and sound enthusiast...
Read moreThe Tonhalle is an impressive architectural structure with an exceptional concert hall. I was particularly struck by the aesthetic appeal of the building. We attended a performance of Viva Verdi, which was a magnificent opera venue. The entrance to the Tonhalle is visually pleasing, and the garderobe facilities are well organized. The concert hall itself is remarkable, providing an exceptional acoustic experience. However, I found the ambiance of the cafe hall to be somewhat lacking in terms of comfort and coziness.
Regarding parking, the only available parking facility is the Hyatt garage, which is quite expensive. For a parking duration of 3.5 hours, I incurred a charge of 24...
Read moreIt's nice to visit the Tonhalle after the years of renovation (2017 - 2021). What has been done is visually convincing, but not necessarily acoustically. I've never had a problem on the "Galerie" level. Listening to Rachmaninoff #2 from behind (right) at 'Parkett' level was painful enough that I would have walked away had I not been disturbing other listeners (the great artists were not the problem). If you get ‚Parkett‘ tickets, then definitely in the first third (= more expensive). The immediate surroundings (lake, 1komma7 restaurant, etc.) are...
Read more