Allouche Gallery — Attraction in New York

Walking into a gallery as a Black artist is already a layered experience—there’s the mix of excitement, vulnerability, and the hope of being seen and respected in a space that hasn’t always been welcoming to us. So when I walked into this particular gallery, the energy in the room spoke volumes before a single word was exchanged—and that’s because no words were exchanged.

A white woman was sitting at the desk, clearly in a position to greet guests or at least acknowledge their presence. Instead, she looked at me, said nothing, didn’t smile, didn’t offer a welcome—nothing. Just silence. It wasn’t just rude; it was a clear signal that I wasn’t seen as someone who belonged in that space.

In a gallery, especially one showcasing diverse art, the person sitting at the front desk is the face of that space. They set the tone for every interaction, every first impression. Having someone unwelcoming, indifferent—or worse, dismissive—sitting in that role does damage, not just to the artist walking in, but to the integrity of the gallery itself.

As a Black artist, I can’t just brush that off. Galleries should be spaces of inclusion, dialogue, and respect. And that starts with something as simple—and powerful—as a greeting. If a gallery wants to attract and support diverse talent, it starts with who you choose to represent you...

I really enjoyed the work of Rose Freymuth -Frazier. I love her strong, sensuous cowgirls! I was looking at the painting with the gal on the rearing horse and thought where have I seen this before? Then I remembered Napoleon Crossing The Alps by Jacques Louis David, except this woman on horseback is an unapologetic cat lady! It brought...

Great experience visiting on a random week day. Gentleman behind the desk was helpful, patient, and kind. Answered all of my questions. Artwork was...