The Recoleta Cultural Center is historically known as the seat of the new. Since its inauguration as a cultural center in 1980, its halls became places for artists to freely reflect concerns and searches away from a conservative look. In an era where there were few institutional spaces to express themselves, the Recoleta housed the new disciplines, design and fashion -understood as an artistic activity-, in addition to all the trends that emerged in society and that in these rooms became a sample and object of reflection.
With an architectural stamp that had different stages and the original stamp of Clorindo Testa, Jacques Bedel and Luis Benedit, Recoleta was one of the main centers that hosted in the 80 'an atmosphere of time that had been forged in the last years of dictatorship military, during which the young artists joined clandestine spaces and built an underground and transgressive culture in basements, nightclubs and discos. During the first years of democracy and under the direction of the architect Osvaldo Giesso, the Recoleta was one of the first official circuits to include in its halls these artistic expressions that had been born in the margins. The concept of "youth", which had been associated with the dangerous during the military dictatorship,
During the 80 ', with the idea of following the model of the Pompidou Center in Paris and the spirit of the Di Tella Institute of the 60s, the Recoleta reflected through art the democratic opening that the country was going through. Different voices and different artistic languages came together: music, theater, plastic arts, performance and alternative artistic proposals. In addition, it was the seat of the crossing of languages: the academic with the street, the consecrated with the new tendencies, the ludic with the educational. In a short time, his idea of pluralism and diversity of artistic offer reverberated with an exponential multiplication...
Read moreAs a dancer, I’m always tuned in to movement 💃🏾✨ The moment we stepped into the courtyard and saw a group of hip hop dancers, I was hooked! The energy was electric ⚡️. Bold colors on the walls, art installations spilling into open air, music pulsing softly in the background. This place instantly pulled us in.
My husband, son, and I spent hours just roaming. Each space offered something totally different. Visual art, theater, film, music, even moments of quiet reflection. It was vibrant and raw, experimental but grounded in something deeply local.
The design had this beautiful tension - industrial concrete, softened by natural light and wild, expressive murals. Some rooms were abstract, others political, some playful. But it all moved together in a way that felt fresh and intentional.
The courtyard was alive. My son ran straight to the fountains. Around him, people were sketching, dancing, filming. Students, mostly, and local creatives. It felt real and unfiltered. Not a tourist in sight, which honestly made it feel even more special.
We caught a film screening inside, wandered through the bookstore (so well curated)!
And the best part - it was all free!
For families who crave something different, who want to feel the pulse of a city through its art and youth, this is an excellent place to visit. My son still talks about the dancers. And I keep thinking… every city should have a...
Read moreI really enjoyed this. To be honest, I went in trying to kill time as I had landed early in the morning from a long flight, my room was not ready and this was located opposite my hotel. I am glad I went in however. If you are a resident of Argentina, it is free to enter. Otherwise, August 2025, price for an adult was ARS 6,000 which was very reasonable. Huge and beautiful building with a lot going on. From visual and performing arts, film, literature, and urban music to dance and more. The Centro Cultural Recoleta houses exhibitions by national and international artists, has courtyards and spaces for relaxation that function as urban refuges, and includes dance and training rooms. Great vibe. I really enjoyed it. My small negative was that some of the information was in Spanish only. Would highly...
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