Dominion Theatre — Attraction in London

Teatro de Londres, un antiguo cine del West End. Está situado en Tottenham Court Road, cerca de St Giles circus y del rascacielos Centre Point.

The historic Dominion Theatre sits majestically at the junction of Tottenham Court Road, Oxford Street and Charing Cross Road and first opened in 1929. This landmark building, which was granted Grade II status by English Heritage in 1998, has recently completed a stunning £6 million restoration. All areas of the theatre were involved in the renovation, including the installation of a new flying system and the enlargement of the orchestra pit to facilitate large scale productions, and a full refurbishment of all five bars and ninety-five toilets front of house.  Almost 1.2 acres of bespoke carpets were laid front of house and over 400 gallons of paint used in the reconditioning of the gold detailing and plasterwork of the proscenium arch, auditorium ceiling, foyers and hospitality suites.  All of the theatre’s seats were reupholstered and additional French polished handrails added to aid accessibility inside the auditorium. The electrics and lighting fixtures also received an overhaul with the use of enough cable to stretch 4500 times the length of the Eiffel Tower. During its illustrious history, the venue has operated successfully as both a theatre and cinema, including a record-breaking 4 years and 22-week continuous run of Joshua Logan’s film of Rodgers and Hammerstein’s South Pacific, starring Mitzi Gaynor. Other blockbuster films have included Cleopatra, which starred Elizabeth Taylor; The Sound of Music (which ran from March 1965 to June 1968); the Gertrude Lawrence bio-pic Star!, with Julie Andrews; David Lean’s Lawrence of Arabia and, in 1977, the UK premiere (simultaneously with the Leicester Square Theatre) of George Lucas’ Star Wars. The Dominion Theatre has played host to countless legendary stars (including Judy Garland, Shirley MacLaine, Maurice Chevalier, Sophie Tucker, Jeanette Macdonald and David Bowie) and seven Royal Variety Performances. In 1931, Charlie Chaplin made a personal appearance at the UK premiere of City Lights (the classic silent film he directed, wrote and starred in). Over the years, the theatre has also welcomed many prestigious companies, lavish stage productions and long-running shows including: Disney’s Beauty and the Beast; Matthew Bourne’s Swan Lake; London Festival Ballet (now English National Ballet); Welsh National Opera and the Olivier Awards. Facilities A large extension to the rear of house facilities was built to accommodate Disney’s Beauty and the Beast in 1996/7. It’s still...

We went to Prince of Egypt Musical before then we recently went to Devil Wears PRADA Musical. We were so excited when we learnt that Miss America Vanessa Williams was taking a role in this Musical. I really think the role suited Miss America Vanessa Williams. She took a huge risk & she tried to fill the role that was already filled awesomely by Meryl Streep in the original movie. I really think all cast were chosen with extreme care & they aimed to hire the cream level of professionals for this Musical. I felt that Every single one of them could explode Chandeliers if they would sing a high pitch song🤣🤣🤣🤣👍The costumes were awesome, the colours they have used were awesome, Elton John Music was awesome, Stage Design could be improved😅😁 I am so happy to see the Musical have employed Gay People but I would love to see if there was a Gay Flag at the background in the stage & a Transgender cast had a supportive main role to Vanessa Williams. I didn't like seeing only 2 Demons who guarded Devil Vanessa Williams, I also would love to see if Devil Vanessa Williams were also wearing the most beautiful crown because other ladies were wearing crowns but NOT Vanessa Williams. I would love to see subtitles were available to the audience because Tourists are also coming to London Musicals & they engage better with shows if they can understand every word, when they read it, they understand better as English is not their mother tongue. I would appreciate it if drinks or snacks could be ordered from mobile phones. I also would like a hook to be installed to the seats where we can hang our bag or coat. The toilet tab is running constantly, it needs to be fixed. Few ladies have struggled to go into the toilet cubicles, it needs to be designed and a new toilet needs to be built which is suitable for this prestigious UK Theatre. Dominion Theater Crew members were extremely friendly & professional. The security should not have a beard, "Beardy People" is not for professional arenas. The t-shirts & bags for Devil Wears Prada could be designed better, unfortunately did not impress me so much. We bought the Magazine to show our further appreciation for the Musical Creators & Original Movie. The confetti at the end was very surprising & it made me feel like I was in Oscars Red Carpet🤣🤣🤣🤣😁I collected some fell into my hands & I am expecting them to bring me...

The Devil Wears Prada – More Fizzle Than Sizzle. When a musical adaptation of The Devil Wears Prada was announced, the promise of high fashion, biting wit, and Elton John’s music set expectations sky-high. Unfortunately, what unfolded at London’s Dominion Theatre was a mixed bag that left many in the audience underwhelmed—and vocal about it.

Let’s address the Prada elephant in the room: the music. It’s genuinely hard to believe that Elton John, the maestro behind Broadway staples like Billy Elliot and The Lion King, penned such uninspired numbers. The songs lacked the sharpness, energy, and emotional pull needed to elevate the production. Instead, they felt flat, forgettable, and at times painfully misaligned with the dazzling world of high fashion and corporate intrigue. Audience members around me exchanged grumbles throughout the performance, a sentiment I couldn’t help but share.

Yet, where the music faltered, the cast shone. Vanessa Williams brought gravitas and glamour as Miranda Priestly, channeling icy perfection with a dash of human complexity. The leads carried the material with charm and conviction, making the most of a subpar score. Their performances were the show’s saving grace, proving that talent can shine even in less-than-ideal circumstances.

Visually, The Devil Wears Prada did deliver. The costumes, as one would hope, were nothing short of spectacular, brimming with bold silhouettes and opulent textures that drew audible gasps from the audience. The scenography complemented the aesthetic with sleek, dynamic sets that transported us seamlessly from the chaotic offices of Runway to the glitzy streets of Paris.

Still, despite these highlights, the show failed to wow. The pacing dragged, and the lack of memorable musical numbers made the production feel hollow. At moments, I found myself checking the time and wondering if the high ticket price was the only thing keeping me in my seat.

Ultimately, The Devil Wears Prada is a production with potential, but it desperately needs a musical makeover to match its stylish exterior. For now, it’s more off-the-rack than haute couture. Fans of the film may find nostalgia in the performances and visual spectacle, but don’t expect to leave...