de Young Museum — Attraction in San Francisco

I think the SFMOMA is better.

A strong start for a 4-star review, but I mean it. I may have a bias towards modern art, but I prefer art that makes me think. While the deYoung has small sections on recent and contemporary works, most halls are lined with classical portraits, old furniture, and ancient artifacts. Therefore, the deYoung Museum feels like a history museum rather than an art one, with many sections categorized by eras and time periods instead of artist or genre. While both the deYoung and the SFMOMA have beautiful buildings, the SFMOMA is less dated, better maintained, and offers a lot more art.

With that out of the way, the deYoung is still an exquisite museum. The African exhibit was my favorite. The items displayed here feel so otherworldly, with exaggerated features and unconventional forms. And yet, they are undeniably human, preserved and presented so nicely in this quiet, dimly-lit room. Honorable mentions are A Particular Kind of Heaven by Edward Ruscha and Petunias by Georgia O’Keeffe.

I have a few positive comments to add. One thing I find admirable is the deYoung’s ability to keep their artworks in their ‘natural’ states, framing and setting them up in certain ways, or even going as far as to keep them open to the air. That’s a little dangerous in my opinion, but also something I respect. Additionally, the employees are extremely sweet and helpful, and youth admission is 100% free!

Now for a few genuine criticisms. First, organization. Besides the temporary and special exhibitions, the theme is lost in a lot of these galleries. Some collections of art may be from the same time period, but have little if any correlation between one another, which takes the visitor out of the viewing experience. Second, minimal information. A lot of works and selections need explanations or further analyses. There was even one artwork that seemed to be missing a plaque. Third, a lack of interactive activities. They have art carts for sketching on Saturdays, but that’s about it. I know it’s an art museum, not a playground, but the deYoung could benefit from something more interactive, even if it’s as simple as a permanent corner where guests can get creative. SFMOMA has a number of those.

Overall, not my favorite art museum in the city, but still a...

The de Young Museum in San Francisco's Golden Gate Park offers a rich cultural experience with its diverse collections spanning American art from the 17th to the 21st centuries, international contemporary art, textiles, and art from Africa, Oceania, and the Americas. The museum's architecture itself is noteworthy, featuring a copper-clad facade and the iconic Hamon Observation Tower, providing panoramic city views.

Currently, a special temporary exhibition, "Paul McCartney Photographs 1963–64: Eyes of the Storm," offers a unique glimpse into the early days of Beatlemania through Paul McCartney's personal photographs. These recently unearthed images, taken between December 1963 and February 1964, capture intimate moments of the band's journey to superstardom, from their time in Liverpool and London to their first groundbreaking tour in the United States. The exhibition provides a fascinating behind-the-scenes look at The Beatles' whirlwind experience through the lens of one of its iconic members.

Beyond the temporary McCartney exhibit, the de Young's permanent collection boasts impressive holdings, including works by renowned American artists and significant collections of textiles and costumes from around the globe. Highlights include a vast array of American paintings, sculptures, and decorative arts, as well as compelling pieces from Africa, Oceania, and the Americas. The museum often integrates works from different eras and cultures to illustrate the evolution of artistic traditions and cross-cultural influences.

Visiting the de Young offers a comprehensive art experience, blending historical and contemporary works with unique architectural features and captivating temporary exhibitions like the Paul McCartney show. It's a must-see destination for art enthusiasts and anyone interested in a unique perspective on a pivotal moment in...

As a longtime fan of both The Beatles and thoughtful curation, I was blown away by the Paul McCartney Photographs 1963–64: Eyes of the Storm exhibit at the de Young. As an annual pass holder, I visit often—but this show is easily one of the most intimate and moving exhibitions I’ve experienced in years.

These photographs, taken by Paul himself, chronicle the band’s meteoric rise from late 1963 through their first tour of the U.S. in early 1964. What makes it so special isn’t just the historical weight—it’s how raw and personal the images feel. From candid shots backstage and in hotel rooms to moments of quiet reflection between John, George, and Ringo, McCartney captures a whirlwind from the inside, at the eye of the storm.

It’s rare to see Beatlemania through the Beatles’ own lens. And what’s astonishing is how sharp Paul’s composition is—his use of light, motion, and framing rivals many professional photographers. The show is organized chronologically by city—Liverpool, Paris, New York, D.C., Miami—and supported with engaging context that brings the era to life.

Major props to the de Young for their presentation: the layout flows well, the lighting is respectful of these aged prints, and the optional audio guide adds depth without distraction. I’d recommend weekday visits to avoid the crowds.

If you’re remotely interested in pop culture, photography, or 1960s history, don’t miss this one. Even if you’ve seen all the Beatles documentaries, this feels like a missing piece of the story—more human, more vulnerable. A beautiful exhibit by a surprising...