Steve Cohen’s Chamber Magic is, without a doubt, a masterclass in sleight of hand. As someone who was an amateur magician in my youth, I’ve seen my fair share of magic, and I can confidently say that his technical skill is exceptional. His tricks are polished, elegant, and sophisticated—some of the best I’ve ever seen. His sleight of hand is on par with and reminiscent of great card magicians like Juan Tamariz, Richard Turner, and Shin Lim. The level of craftsmanship in his illusions is undeniable, and there’s no question that he has honed his act over decades.
However, where the show falters is not in the magic itself but in the experience surrounding it. Cohen’s persona, while impeccably dressed and well-rehearsed, lacks a certain warmth and organic charm that one would hope for in such an intimate setting. After 25 years of performing, there is an underlying sense that he is going through the motions—hitting every mark with precision but with little spontaneity. He often rushes the audience along, emphasizing efficiency over immersion. While structure is essential in a performance like this, it occasionally feels mechanical rather than enchanting. Moments that could have been filled with wonder instead feel hurried, and when something deviates from his plan, there are visible breaks in character that disrupt the illusion of effortlessness.
That said, I fully acknowledge that Chamber Magic has been highly praised by countless others, with many describing Cohen as deeply engaging and his show as utterly mesmerizing. It’s entirely possible that this particular evening was simply an off night for him. Even the best performers have moments where they aren’t fully in their element, and given the consistency of glowing reviews, I recognize that my experience may not have been representative of the show at its peak.
One of the weaker elements of the night, surprisingly, was his mentalism routine—despite it being his personal favorite. While I can understand why he enjoys it, as it allows for more variation within his long-running act, it drags on too long and loses some of its impact. A more concise version would likely heighten the experience rather than dilute it.
The setting is undeniably beautiful—the hotel, the formality, the elegance—but the intimacy Cohen describes isn’t fully realized. As an architect and interior designer, I couldn’t help but notice that the seating arrangement isn’t optimized for universal engagement. While he makes a concerted effort to involve all guests, those on the periphery still feel somewhat disconnected, despite being invited to stand or move closer. The exclusivity of the experience, which is part of its branding, also carries an undertone that feels slightly alienating. His branding as the “Millionaire’s Magician” creates an unavoidable social divide, and while he reassures guests that bank statements aren’t required at the door, there’s a lingering sense that this is a performance catered to a very specific clientele. There’s an unspoken barrier, an air of subtle disdain, that slightly undermines the warmth and inclusivity one might expect from a show built on wonder and shared amazement.
Overall, Chamber Magic delivers on its promise of astonishing illusions but falls short in creating a truly immersive and welcoming experience. It’s an evening of brilliance wrapped in a thin veneer of detachment—technically impeccable but, at least on this particular night, missing the genuine magic that makes a performance...
Read moreIn December 2019, I listened to an episode of EconTalk (one of my favorite podcasts) that was an interview with Joe Posnanski, author of The Life and Afterlife of Harry Houdini. I subsequently read the book and, in its pages, was introduced to Joshua Jay, a New York City magician who is quoted in it. After learning of Joshua Jay's show, Six Impossible Things, I have longed to experience a smaller, more intimate, close-up magic show... so when my daughter decided she wanted to travel to New York for a father-daughter trip to celebrate her recent high school graduation, Steve Cohen’s Chamber Magic was a must-see.
The joy of Chamber Magic (and that is how I think of it... as joy) has stuck with me for the two weeks since my daughter and I experienced it. It was my first-ever visit to New York... and although my daughter and I had a great time during our long weekend in the city, most things did not live up to the lofty expectations in my mind. The food was great, but we have great food in Austin, too (including restaurants opened by former New Yorkers who have moved to Texas). Broadway was great, but we have amazing off-Broadway shows and great live music in Austin. Chamber Magic stood in sharp contrast. It was better than I had hoped and exceeded my loftiest expectations.
I have always loved magic. I have performed very few magic tricks myself, but what I really enjoy is the excitement of being fooled in a fun way. I also love the experience of seeing someone who is among the best in the world at their craft... like watching Steph Curry play basketball or Roger Federer play tennis. For me, participating in Chamber Magic was that kind of experience. After seeing the show, I am confident that Steve is one of the best magicians in the world, and I expect the time, effort, and creativity he has invested over the years and decades to polish and sharpen his skills is mind-boggling. Experiencing someone who is among the best in the world at his craft is pure joy.
On top of the wonderful experience we had watching Chamber Magic, it was a pleasure interacting with Steve during the show. It is clear that he makes an effort to involve every single person in the audience… calling on them, asking them to participate in his tricks, having them come to the front of the room, etc. These interactions not only improve the tricks themselves, but they make the experience more fun. Obviously, Steve is performing, but it is clear that he is a truly nice and joyful person himself… and I am confident that is a reality, not just another illusion.
Bottom line, Chamber Magic was the best experience my daughter and I had during our long weekend in New York, bar none. It is easy to see why Steve has been performing his show for 24+ years… and I hope for his continued success. I have already told many of my family members, friends, and colleagues about his show. I hope they will experience the joy of it as well… and I plan to be on the front row again the next time I am...
Read moreSteve Cohen’s Chamber Magic” is, quite simply, one of the greatest “only in New York” entertainment experiences in the city, one which I enthusiastically, rapturously recommend for many reasons. First, Steve Cohen is a master performer – and his effects – close-up magic, mind-bending feats of mentalism and other pieces of magic are astounding, hilarious, jaw-dropping, thrilling and delightful – and directly involve the audience throughout the performance with humor, kindness and grace. Steve Cohen’s Chamber Magic brings you into a world where the laws of physics and your understanding of material reality are suspended – as if you entered an enchanted dream. The show left me filled with joy, wonder and gratitude.
In addition to the amazing performance, Steve’s show provides an extraordinarily intimate experience – one of sophistication and luxury, redolent of the elegance of a bygone New York and provides a sense of being admitted to an exclusive world – and yet here it is, open to everyone. The show takes place at the Lotte Palace Hotel in a sumptuous marble-walled salon room with beautiful carved, coffered ceilings, with walls that include painted frescos – part of the original home of railroad tycoon Henry Villard that composes part of the hotel.
A key element of the show’s enjoyment is its dress code for the audience – “cocktail attire” – suits or jackets for men, equivalent for women, which is not simply appropriate for the room, but one which elevates the experience. And with four rows of comfortable seats - only 64 seats total - the show is more intimate, engaging and involving than any show in New York. Dressing up for the show is a non-negotiable – not only apt for the environment, but it elevates each person’s experience.
I can’t recommend Steve Cohen’s Chamber Magic enough. Steve is a world-class performer, and the show delivers a rare and lasting...
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