As an American architect that studied architecture in Italy, I find these museums as invaluable to the lay person that may not have their hands on designs of places we inhabit. Designers must remember that we have the responsibility of putting things in public that may ostensibly be their until such time as the ideals our designs portray fall out of fashion. This is a great museum which should explain what those fashions and trends, as well as desires to resist change in the art of building and sculpting. I do feel as though the history of the progress of this cathedral could be better presented. Despite the fabulous carvings of the different periods that the design architects evolved through, the exhibit lacks what I see as representations of architectural evolution. Remembering that architects were master builders back then and their tender included the management of the art. The evolution and improvements of the sculptural talent is well depicted here; but I feel like the architectural, structural, stone masonry, and techniques in engineering prowess such as the quantity of stone vs opening in walls which requires more mass in buttressing is not as well presented. I feel as though this may be more difficult to curate, it is very important to the history of this cathedral, or and building project that spans over centuries. I do appreciate the restoration, but miss climbing the main spire which I was able to do 31 years ago when I came here as a graduate student of architecture. I also see a need for better human curation, in the understanding of the patrons of the exhibits. They really need more benches. It's pretty rude of the staff to say don't sit on the steps when the management fails to provide benches? Seriously? The best museums in Europe have them. The Milanese should as well. There is also such a thing as exhibiting piece descriptions with lighting. I understand the damage of UV light, but LED lighting has come a long way, and with the fees they charge for entry the lighting of plaques really is a failure. The exhibit has some great pieces to see, but the architectural learning here is lacking. It's only for this reason that I gave it four stars. Architect Peter Lagomarsino de Genova...
Read moreMilan's Duomo is a wonder, but don't miss the incredible Duomo Museum (Museo del Duomo) right next door! This 5-star gem offers a fascinating deep dive into the history and artistry behind the cathedral. Here's why it deserves a spot on your itinerary: Unveiling the Duomo's Secrets: The museum showcases a vast collection of sculptures, statues, and tapestries originally intended for the Duomo. Seeing these intricate works up close provides a whole new appreciation for the skill and dedication poured into the cathedral's creation. A Journey Through Time: The exhibits are well-organized, taking you on a chronological journey through the Duomo's construction. You'll see models, blueprints, and even archaeological finds that shed light on the cathedral's evolution over centuries. Masterpieces in Detail: Many of the sculptures and artworks on display are simply stunning. From Michelangelo's magnificent statues to the intricate details of the Duomo's facades, the museum allows you to appreciate these masterpieces in a way you can't from afar. More Than Just Stone: The museum goes beyond just showcasing sculptures. It delves into the fascinating stories of the artists, architects, and artisans who brought the Duomo to life. You'll gain a deeper understanding of the dedication and passion behind this architectural marvel. A Perfect Complement: Visiting the Duomo Museum after the Duomo itself allows you to see the cathedral in a whole new light. You'll recognize details you might have missed before and appreciate the artistry behind this...
Read moreThe museum is beautiful but empty of any type of information regarding the history of the cathedral. It's centered around the aesthetics of Christianity and, for this, it is made with very dark corridors and halls that are suggestive but empty of meaning or demeanor (the hall with the windows it's worth the visit, in my opinion, but the other rooms are not striking since there aren't pieces of much importance - they would be more interesting to see if they had some kind of explanations, but without, they mean nothing to the inexperienced eye). Also, you get lost like nothing because there are no arrows or indicators of where to go whatsoever, but a few one. My old mother found it difficult to find her way or to see something in the darkness (there should be a disclaimer at the entrance for this matter; not only for the old, but for the claustrophobic and other more fragile subjects). The museum it's at least accessible for wheel chairs and the employees are very kind, polite and were able to answer to many of my questions regarding the place with patience. Still, not recommended for people that suffer from full or dark places - the museum is made to contain less people that they let in clearly, and, in certain rooms, was too full for its own safety (even the air smelled weird). They should regulate the entrances more to avoid dangerous situations. Spend your time in more regulated and thought for tourism places - like pinacoteca di Brera or Gallerie d'Italia. The rooms are spacious, the people are less and the art is way...
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