Maman by Louise Bourgeois — Attraction in Tokyo

The sculpture Maman by Louise Bourgeois is truly an unforgettable piece of art. I first encountered it in Bilbao, Spain, near the Guggenheim Museum, and seeing it again here brought back the same sense of awe. Its towering presence and intricate details make it instantly recognizable.

What makes Maman so unique is its powerful tension—it feels both delicate and imposing at the same time. The thin yet strong legs give it an eerie grace, while the massive body and the sac of marble eggs underneath add an emotional depth that is both fascinating and unsettling.

No matter where it’s placed, Maman has a striking ability to transform its surroundings. It creates an atmosphere of mystery and admiration, drawing people in for a closer look. Whether in Bilbao, Tokyo, or any other location where it’s displayed, this sculpture remains a masterpiece of...

Maman, 1999 by Louise Bourgeois

In Tokyo, beneath one of the six "Maman" sculptures by Louise Bourgeois scattered around the globe, I'm enveloped in familiarity and awe. After first encountering this immense spider in Ottawa, this second viewing deepens my connection. Representing the complexity of motherhood with its towering form and intricate details, it stirs deep emotions within me.

Each sculpture, whether in Ottawa or Tokyo, weaves universal themes of protection and nurturing into my personal experience. Knowing there are six of these magnificent pieces worldwide adds a layer of wonder to my journey with Bourgeois' work, highlighting the power of art to evoke profound connections across different cultures. It's a poignant reminder of the enduring impact of...

This spider is an ode to the artist's mother.

"Like spiders, my mother was very clever. Spiders are friendly presences that eat mosquitoes. We know that mosquitoes spread diseases and are therefore unwanted. So, spiders are helpful and protective, just like my mother."— Louise Bourgeois

I hate spiders...but...