Thus arose, by Giulio De Angelis, the Sciarra Gallery, born as an extreme courtyard of the palace, but later functioning as a pedestrian passage, a private time, with chains that still define the two entrances. The central room, rich in architectural scores, was painted between 1885 and 1888 by Giuseppe Cellini with motifs that recall the environment of the "Byzantine Chronicle", typically Liberty-Belle Epoque. The protagonist of the painting cycle is the woman, seen as a bride, mother and angel of the hearth and portrayed in a series of scenes of everyday life ranging from wedding attire to the family banquet, from conversation to concert. In the upper part of the decoration are depicted other women who personify feminine virtues: fidelity, humility and justice. The complex of new structures reached the corner of Via Marco Minghetti with Via delle Vergini, where Prince Sciarra wanted to build a theater that was called Teatro Quirino. In the meantime the Sciarra had had a financial ruin: Prince Maffeo had let himself go to excessive expenses with the new constructions and with his patronage enterprises, founding, among other things, "La Tribuna" and setting up the building in the palace. He had to resort to selling the precious collection of Renaissance paintings, but it was not enough. Finally, in 1900, the entire complex was sold. The building on the Corso became the property of the Cassa Nazionale di Previdenza; later on, "Il Giornale d'Italia" settled there. Today it is home to the Rome Foundation.
Así surgió, de Giulio De Angelis, la Galería Sciarra, nacida como un patio extremo del palacio, pero que luego funcionó como un pasaje peatonal, un tiempo privado, con cadenas que aún definen las dos entradas. La sala central, rica en partituras arquitectónicas, fue pintada entre 1885 y 1888 por Giuseppe Cellini con motivos que recuerdan el ambiente de la "Crónica bizantina", típicamente Liberty-Belle Epoque. La protagonista del ciclo de pintura es la mujer, vista como una novia, madre y ángel del hogar y retratada en una serie de escenas de la vida cotidiana que van desde el atuendo de la boda hasta el banquete familiar, desde la conversación hasta el concierto. En la parte superior de la decoración se representan otras mujeres que personifican las virtudes femeninas: fidelidad, humildad y justicia. El complejo de nuevas estructuras llegó a la esquina de Via Marco Minghetti con Via delle Vergini, donde el Príncipe Sciarra quería construir un teatro que se llamaba Teatro Quirino. Mientras tanto, el Sciarra había tenido un desorden financiero: el Príncipe Maffeo se había dejado llevar a gastos excesivos con las nuevas construcciones y con sus empresas de mecenazgo, fundando, entre otras cosas, "La Tribuna" y estableciendo el edificio en el palacio. Tuvo que recurrir a la venta de la preciosa colección de pinturas renacentistas, pero no fue suficiente. Finalmente, en 1900, se vendió todo el complejo. El edificio en el Corso se convirtió en propiedad de la Cassa Nazionale di Previdenza; más tarde, "Il Giornale d'Italia" se instaló allí. Hoy es el hogar de la Fundación Roma.
Ainsi est née, de Giulio De Angelis, la Galerie Sciarra née comme une cour extrême du palais, mais fonctionnant plus tard comme un passage piéton, une heure privée, avec des chaînes qui définissent toujours les deux entrées. La salle centrale, riche en partitions d'architecture, a été peinte entre 1885 et 1888 par Giuseppe Cellini avec des motifs rappelant l'environnement de la "Chronique byzantine", typiquement Liberty-Belle Epoque. Le protagoniste du cycle de peinture est la femme, considérée comme l'épouse, la mère et l'ange du foyer et représentée dans une série de scènes de la vie quotidienne allant de la tenue de mariage au banquet familial, de la...
Read moreGalleria Sciarra is one of Rome’s best-kept secrets, just a short walk from the Trevi Fountain. Unlike the city’s more famous landmarks, this stunning courtyard offers a peaceful retreat from the crowds, making it a perfect stop for those who appreciate hidden gems and architectural beauty.
The galleria, built in the late 19th century, is a masterpiece of Art Nouveau (Stile Liberty) design. Its most striking feature is the series of frescoes by Giuseppe Cellini, which cover the walls with elegant, allegorical depictions of idealized women representing virtues like loyalty, wisdom, and strength. The intricate details, rich colors, and beautiful glass ceiling create a breathtaking atmosphere, especially when natural light filters through.
Although it is not a shopping gallery, as the name might suggest, it is open to the public during business hours since it houses offices today. The visit is quick but absolutely worth it for lovers of art, history, and photography. Best of all, it’s free!
If you’re in Rome and want to see something unique beyond the usual tourist attractions, Galleria Sciarra is a must-visit. Take a moment to step inside, look up, and appreciate this hidden architectural wonder—you...
Read moreIf you're looking for a beautiful and unique art experience in Rome, look no further than the stunning Galleria Sciarra. This hidden gem is tucked away in the heart of the city, and is a true feast for the senses.
The gallery's beautiful architecture, with its intricate frescoes and colorful floral designs, is sure to leave you breathless. Every corner of the gallery is filled with beauty and wonder, from the stunning mosaics on the floors to the delicate artwork on the walls.
And the art itself is simply incredible. The gallery is home to a wide range of works from some of the most famous Italian artists, including paintings, sculptures, and more. You'll find yourself lost in a world of color and creativity, with each piece offering something new and exciting to discover.
But perhaps the best part of the Galleria Sciarra is the feeling you get when you're inside. It's a place of beauty and wonder, a true escape from the hustle and bustle of the city outside. It's the kind of place that leaves you feeling inspired and invigorated, ready to take on the world with renewed energy...
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