In 1986, the Ministry of Culture commissioned the sculptor Daniel Buren with their creation to adorn the Cour d’Honneur of the Palais-Royal. The 260 columns are made of white Carrara marble from Italy and black marble from the French Pyrénées. All columns take root in the basement and emerge outdoor in different heights, creating a particular rhythm, and giving an unusual contrast with the classical architecture of the surrounding Palace.
During the Colonnes’ design and installation, intense debates ensued about the suitability of integrating contemporary art with historic landmarks. It was called a “rude gesture,” an “intellectual absurdity,” a classless “chessboard” and “licorice sticks.” The debate was similar to those over the Louvre’s I.M. Pei Pyramid, the Centre Pompidou, and myriad other sites.
Petitions were launched to attempt to halt or destroy the installation. Graffiti desecrated the site. Left and right wing factions battled. Mitterand demanded that the project proceed as planned. In the end, he won and the art work...
Read moreAmazing modern art ! It shows the connection between the ground and the underground Paris. Cool idea ! François Mitterrand (former President of France) supported Buren's project, practically approved the financing of this outdoor work of art, without any competition. At that time the decision was criticized, but today the symbiosis between old and new, between Cardinal Richelieu's palace and the modern art created by Buran, delight the tourists as well as the...
Read moreModern and unique outdoor art installation located in the Palais Royal in Paris. The black and white striped columns create a distinctive atmosphere, making it a great spot for photos or just a relaxing stroll. However, it can be a bit tricky to find the perfect spot for a photo because the area tends to be quite crowded. Despite that, the charm and creativity of the place make it...
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